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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7635B it is the complementary color #589CA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7635B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7635B shade: #AC6356, #BD7569, #CE877C, #DF998F and #F0ABA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7635B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7635B shade: #A7635B, #965148, #853F35, #742D22 and #631B0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7635B shade: #A8645D and #A85D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7635B shade: #A8645D, #A8795D, #A88D5D, #A8A15D and #9AA85D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7635B shade matches the following richer shades: #A8645D, #BC5548, #D04534, #E43520 and #F8250C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7635B shade: #A8645D, #937471, #7F8485, #6B9499 and #57A4AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7635B shade: #A85D7D, #A85D69, #A8645D, #A8785D and #A88C5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7635B shade: #73443E, #8E544D, #A8645D, #B67E77 and #C49792

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7635B shade: #A7635B, #91A85D and #5D73A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7635B shade: #A7635B, #5DA864 and #645DA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7635B shade: #A7635B, #91A85D, #5DA0A8 and #735DA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7635B shade: #A7635B, #7BA85D, #5DA0A8 and #8A5DA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 46 / 35

HEX #A7635B

RGB 167 99 91

HSL 6.32, 0.3%, 0.51%

LAB 49.37, 26.56, 16.35

 

Complementary color

CMYK 46 / 5 / 0 / 36

HEX #589CA4

RGB 88 156 164

HSL 186.32, 0.3%, 0.49%

LAB 60.37, -19.34, -10.9

 

CMYK 0 / 42 / 50 / 33

HEX #AC6356

RGB 172 99 86

HSL 9.07, 0.34%, 0.51%

LAB 49.94, 28.06, 20.17

 

CMYK 0 / 38 / 44 / 26

HEX #BD7569

RGB 189 117 105

HSL 8.57, 0.39%, 0.58%

LAB 56.65, 26.92, 18.56

 

CMYK 0 / 34 / 40 / 19

HEX #CE877C

RGB 206 135 124

HSL 8.05, 0.46%, 0.65%

LAB 63.26, 25.89, 17.14

 

CMYK 0 / 31 / 36 / 13

HEX #DF998F

RGB 223 153 143

HSL 7.5, 0.56%, 0.72%

LAB 69.79, 24.98, 15.88

 

CMYK 0 / 29 / 33 / 6

HEX #F0ABA2

RGB 240 171 162

HSL 6.92, 0.72%, 0.79%

LAB 76.23, 24.16, 14.73

 

CMYK 0 / 41 / 46 / 35

HEX #A7635B

RGB 167 99 91

HSL 6.32, 0.3%, 0.51%

LAB 49.37, 26.56, 16.35

 

CMYK 0 / 46 / 52 / 41

HEX #965148

RGB 150 81 72

HSL 6.92, 0.35%, 0.44%

LAB 42.52, 27.76, 18.08

 

CMYK 0 / 53 / 60 / 48

HEX #853F35

RGB 133 63 53

HSL 7.5, 0.43%, 0.36%

LAB 35.59, 29.09, 20.17

 

CMYK 0 / 61 / 71 / 55

HEX #742D22

RGB 116 45 34

HSL 8.05, 0.55%, 0.29%

LAB 28.66, 30.49, 22.77

 

CMYK 0 / 73 / 85 / 61

HEX #631B0F

RGB 99 27 15

HSL 8.57, 0.74%, 0.22%

LAB 21.84, 31.73, 25.85

 

CMYK 0 / 40 / 45 / 34

HEX #A8645D

RGB 168 100 93

HSL 5.6, 0.3%, 0.51%

LAB 49.77, 26.63, 15.74

 

CMYK 0 / 45 / 45 / 34

HEX #A85D5D

RGB 168 93 93

HSL 0, 0.3%, 0.51%

LAB 48.19, 30.5, 13.56

 

CMYK 0 / 40 / 45 / 34

HEX #A8645D

RGB 168 100 93

HSL 5.6, 0.3%, 0.51%

LAB 49.77, 26.63, 15.74

 

CMYK 0 / 28 / 45 / 34

HEX #A8795D

RGB 168 121 93

HSL 22.4, 0.3%, 0.51%

LAB 54.86, 14.78, 22.59

 

CMYK 0 / 16 / 45 / 34

HEX #A88D5D

RGB 168 141 93

HSL 38.4, 0.3%, 0.51%

LAB 60.04, 3.55, 29.35

 

CMYK 0 / 4 / 45 / 34

HEX #A8A15D

RGB 168 161 93

HSL 54.4, 0.3%, 0.51%

LAB 65.44, -7.35, 36.19

 

CMYK 8 / 0 / 45 / 34

HEX #9AA85D

RGB 154 168 93

HSL 71.2, 0.3%, 0.51%

LAB 66.26, -16.8, 36.97

 

CMYK 0 / 40 / 45 / 34

HEX #A8645D

RGB 168 100 93

HSL 5.6, 0.3%, 0.51%

LAB 49.77, 26.63, 15.74

 

CMYK 0 / 55 / 62 / 26

HEX #BC5548

RGB 188 85 72

HSL 6.72, 0.46%, 0.51%

LAB 49.08, 40.53, 27.7

 

CMYK 0 / 67 / 75 / 18

HEX #D04534

RGB 208 69 52

HSL 6.54, 0.62%, 0.51%

LAB 49.39, 53.82, 40.23

 

CMYK 0 / 77 / 86 / 11

HEX #E43520

RGB 228 53 32

HSL 6.43, 0.78%, 0.51%

LAB 50.86, 65.12, 52.95

 

CMYK 0 / 85 / 95 / 3

HEX #F8250C

RGB 248 37 12

HSL 6.36, 0.94%, 0.51%

LAB 53.28, 74.3, 63.52

 

CMYK 0 / 40 / 45 / 34

HEX #A8645D

RGB 168 100 93

HSL 5.6, 0.3%, 0.51%

LAB 49.77, 26.63, 15.74

 

CMYK 0 / 21 / 23 / 42

HEX #937471

RGB 147 116 113

HSL 5.29, 0.14%, 0.51%

LAB 51.71, 11.66, 6.28

 

CMYK 5 / 1 / 0 / 48

HEX #7F8485

RGB 127 132 133

HSL 190, 0.02%, 0.51%

LAB 54.77, -1.64, -1.19

 

CMYK 30 / 3 / 0 / 40

HEX #6B9499

RGB 107 148 153

HSL 186.52, 0.18%, 0.51%

LAB 58.61, -12.72, -7.17

 

CMYK 50 / 5 / 0 / 32

HEX #57A4AD

RGB 87 164 173

HSL 186.28, 0.34%, 0.51%

LAB 63.01, -21.26, -12.01

 

CMYK 0 / 45 / 26 / 34

HEX #A85D7D

RGB 168 93 125

HSL 334.4, 0.3%, 0.51%

LAB 49.05, 34.61, -4.41

 

CMYK 0 / 45 / 38 / 34

HEX #A85D69

RGB 168 93 105

HSL 350.4, 0.3%, 0.51%

LAB 48.48, 31.9, 6.77

 

CMYK 0 / 40 / 45 / 34

HEX #A8645D

RGB 168 100 93

HSL 5.6, 0.3%, 0.51%

LAB 49.77, 26.63, 15.74

 

CMYK 0 / 29 / 45 / 34

HEX #A8785D

RGB 168 120 93

HSL 21.6, 0.3%, 0.51%

LAB 54.6, 15.35, 22.25

 

CMYK 0 / 17 / 45 / 34

HEX #A88C5D

RGB 168 140 93

HSL 37.6, 0.3%, 0.51%

LAB 59.77, 4.1, 29.01

 

CMYK 0 / 41 / 46 / 55

HEX #73443E

RGB 115 68 62

HSL 6.79, 0.3%, 0.35%

LAB 34.25, 19.52, 12.26

 

CMYK 0 / 41 / 46 / 44

HEX #8E544D

RGB 142 84 77

HSL 6.46, 0.3%, 0.43%

LAB 42.2, 23.29, 14.42

 

CMYK 0 / 40 / 45 / 34

HEX #A8645D

RGB 168 100 93

HSL 5.6, 0.3%, 0.51%

LAB 49.77, 26.63, 15.74

 

CMYK 0 / 31 / 35 / 29

HEX #B67E77

RGB 182 126 119

HSL 6.67, 0.3%, 0.59%

LAB 58.23, 20.81, 12.56

 

CMYK 0 / 23 / 26 / 23

HEX #C49792

RGB 196 151 146

HSL 6, 0.3%, 0.67%

LAB 66.48, 16.1, 9.13

 

CMYK 0 / 41 / 46 / 35

HEX #A7635B

RGB 167 99 91

HSL 6.32, 0.3%, 0.51%

LAB 49.37, 26.56, 16.35

 

CMYK 14 / 0 / 45 / 34

HEX #91A85D

RGB 145 168 93

HSL 78.4, 0.3%, 0.51%

LAB 65.6, -20.42, 36

 

CMYK 45 / 32 / 0 / 34

HEX #5D73A8

RGB 93 115 168

HSL 222.4, 0.3%, 0.51%

LAB 48.78, 6.37, -30.92

 

CMYK 0 / 41 / 46 / 35

HEX #A7635B

RGB 167 99 91

HSL 6.32, 0.3%, 0.51%

LAB 49.37, 26.56, 16.35

 

CMYK 45 / 0 / 40 / 34

HEX #5DA864

RGB 93 168 100

HSL 125.6, 0.3%, 0.51%

LAB 62.72, -37.92, 28.05

 

CMYK 40 / 45 / 0 / 34

HEX #645DA8

RGB 100 93 168

HSL 245.6, 0.3%, 0.51%

LAB 43.31, 21.8, -39.5

 

CMYK 0 / 41 / 46 / 35

HEX #A7635B

RGB 167 99 91

HSL 6.32, 0.3%, 0.51%

LAB 49.37, 26.56, 16.35

 

CMYK 14 / 0 / 45 / 34

HEX #91A85D

RGB 145 168 93

HSL 78.4, 0.3%, 0.51%

LAB 65.6, -20.42, 36

 

CMYK 45 / 5 / 0 / 34

HEX #5DA0A8

RGB 93 160 168

HSL 186.4, 0.3%, 0.51%

LAB 61.91, -19.11, -10.82

 

CMYK 32 / 45 / 0 / 34

HEX #735DA8

RGB 115 93 168

HSL 257.6, 0.3%, 0.51%

LAB 44.66, 25.94, -37.27

 

CMYK 0 / 41 / 46 / 35

HEX #A7635B

RGB 167 99 91

HSL 6.32, 0.3%, 0.51%

LAB 49.37, 26.56, 16.35

 

CMYK 27 / 0 / 45 / 34

HEX #7BA85D

RGB 123 168 93

HSL 96, 0.3%, 0.51%

LAB 64.17, -28.87, 33.89

 

CMYK 45 / 5 / 0 / 34

HEX #5DA0A8

RGB 93 160 168

HSL 186.4, 0.3%, 0.51%

LAB 61.91, -19.11, -10.82

 

CMYK 18 / 45 / 0 / 34

HEX #8A5DA8

RGB 138 93 168

HSL 276, 0.3%, 0.51%

LAB 47.05, 32.7, -33.34

 

Description

Color code: HEX #A7635B | qconv.com Color code: HEX #A7635B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 99 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 99 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 46 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 46% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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