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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A75DC4 it is the complementary color #58A23B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A75DC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A75DC4 shade: #AC5DBF, #BD6FD2, #CE81E5, #DF93F8 and #F0A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A75DC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A75DC4 shade: #A75DC4, #964BB1, #85399E, #74278B and #631578

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A75DC4 shade: #A75DC4, #C35DC4, #C45DAA, #C45D8E and #C45D72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A75DC4 shade: #A75DC4, #8C5DC4, #705DC4 and #5D5DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A75DC4 shade matches the following richer shades: #A75DC4, #AF4CD6, #B73AE8 and #BF28FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A75DC4 shade: #A75DC4, #A06FB3, #9881A1, #90938F and #88A47D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A75DC4 shade: #705DC4, #8C5DC4, #A75DC4, #C35DC4 and #C45DAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A75DC4 shade: #7D3799, #9642B7, #A75DC4, #B87CCF and #C89ADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A75DC4 shade: #A75DC4, #C45D66 and #5DC47E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A75DC4 shade: #A75DC4, #C4A75D and #5DC4A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A75DC4 shade: #A75DC4, #C45D66, #7BC45D and #5DC4BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A75DC4 shade: #A75DC4, #C4745D, #7BC45D and #5DAEC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

Complementary color

CMYK 46 / 0 / 64 / 36

HEX #58A23B

RGB 88 162 59

HSL 103.11, 0.47%, 0.43%

LAB 60.1, -42.29, 45.22

 

CMYK 10 / 51 / 0 / 25

HEX #AC5DBF

RGB 172 93 191

HSL 288.37, 0.43%, 0.56%

LAB 52.24, 47.53, -38.29

 

CMYK 10 / 47 / 0 / 18

HEX #BD6FD2

RGB 189 111 210

HSL 287.27, 0.52%, 0.63%

LAB 58.83, 46.79, -38.64

 

CMYK 10 / 44 / 0 / 10

HEX #CE81E5

RGB 206 129 229

HSL 286.2, 0.66%, 0.7%

LAB 65.34, 46.03, -38.93

 

CMYK 10 / 41 / 0 / 3

HEX #DF93F8

RGB 223 147 248

HSL 285.15, 0.88%, 0.77%

LAB 71.78, 45.27, -39.18

 

CMYK 6 / 35 / 0 / 0

HEX #F0A5FF

RGB 240 165 255

HSL 290, 1%, 0.82%

LAB 77.67, 42.21, -33.69

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 15 / 58 / 0 / 31

HEX #964BB1

RGB 150 75 177

HSL 284.12, 0.4%, 0.49%

LAB 45.21, 47.89, -41.45

 

CMYK 16 / 64 / 0 / 38

HEX #85399E

RGB 133 57 158

HSL 285.15, 0.47%, 0.42%

LAB 38.52, 48.41, -40.94

 

CMYK 17 / 72 / 0 / 45

HEX #74278B

RGB 116 39 139

HSL 286.2, 0.56%, 0.35%

LAB 31.87, 48.53, -40.13

 

CMYK 18 / 83 / 0 / 53

HEX #631578

RGB 99 21 120

HSL 287.27, 0.7%, 0.28%

LAB 25.4, 47.79, -38.76

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 1 / 53 / 0 / 23

HEX #C35DC4

RGB 195 93 196

HSL 299.42, 0.47%, 0.57%

LAB 55.5, 54.86, -35.84

 

CMYK 0 / 53 / 13 / 23

HEX #C45DAA

RGB 196 93 170

HSL 315.15, 0.47%, 0.57%

LAB 54.52, 50.75, -22.34

 

CMYK 0 / 53 / 28 / 23

HEX #C45D8E

RGB 196 93 142

HSL 331.46, 0.47%, 0.57%

LAB 53.51, 46.62, -7.46

 

CMYK 0 / 53 / 42 / 23

HEX #C45D72

RGB 196 93 114

HSL 347.77, 0.47%, 0.57%

LAB 52.71, 43.21, 7.96

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 29 / 53 / 0 / 23

HEX #8C5DC4

RGB 140 93 196

HSL 267.38, 0.47%, 0.57%

LAB 48.75, 39.96, -46.95

 

CMYK 43 / 53 / 0 / 23

HEX #705DC4

RGB 112 93 196

HSL 251.07, 0.47%, 0.57%

LAB 45.99, 32.96, -51.52

 

CMYK 53 / 53 / 0 / 23

HEX #5D5DC4

RGB 93 93 196

HSL 240, 0.47%, 0.57%

LAB 44.44, 28.71, -54.1

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 18 / 64 / 0 / 16

HEX #AF4CD6

RGB 175 76 214

HSL 283.04, 0.63%, 0.57%

LAB 50.85, 61.14, -53.67

 

CMYK 21 / 75 / 0 / 9

HEX #B73AE8

RGB 183 58 232

HSL 283.1, 0.79%, 0.57%

LAB 50.59, 73.4, -64.23

 

CMYK 24 / 84 / 0 / 2

HEX #BF28FA

RGB 191 40 250

HSL 283.14, 0.95%, 0.57%

LAB 51.26, 83.2, -73.19

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 11 / 38 / 0 / 30

HEX #A06FB3

RGB 160 111 179

HSL 283.24, 0.31%, 0.57%

LAB 54.13, 31.66, -28.52

 

CMYK 6 / 20 / 0 / 37

HEX #9881A1

RGB 152 129 161

HSL 283.13, 0.15%, 0.57%

LAB 57.03, 14.86, -13.78

 

CMYK 2 / 0 / 3 / 42

HEX #90938F

RGB 144 147 143

HSL 105, 0.02%, 0.57%

LAB 60.59, -1.87, 1.73

 

CMYK 17 / 0 / 24 / 36

HEX #88A47D

RGB 136 164 125

HSL 103.08, 0.18%, 0.57%

LAB 64.38, -17.23, 17.11

 

CMYK 43 / 53 / 0 / 23

HEX #705DC4

RGB 112 93 196

HSL 251.07, 0.47%, 0.57%

LAB 45.99, 32.96, -51.52

 

CMYK 29 / 53 / 0 / 23

HEX #8C5DC4

RGB 140 93 196

HSL 267.38, 0.47%, 0.57%

LAB 48.75, 39.96, -46.95

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 1 / 53 / 0 / 23

HEX #C35DC4

RGB 195 93 196

HSL 299.42, 0.47%, 0.57%

LAB 55.5, 54.86, -35.84

 

CMYK 0 / 53 / 13 / 23

HEX #C45DAB

RGB 196 93 171

HSL 314.56, 0.47%, 0.57%

LAB 54.56, 50.91, -22.86

 

CMYK 18 / 64 / 0 / 40

HEX #7D3799

RGB 125 55 153

HSL 282.86, 0.47%, 0.41%

LAB 36.73, 46.32, -40.84

 

CMYK 18 / 64 / 0 / 28

HEX #9642B7

RGB 150 66 183

HSL 283.08, 0.47%, 0.49%

LAB 43.94, 53.53, -46.99

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 11 / 40 / 0 / 19

HEX #B87CCF

RGB 184 124 207

HSL 283.37, 0.46%, 0.65%

LAB 60.88, 37.73, -33.78

 

CMYK 8 / 29 / 0 / 15

HEX #C89ADA

RGB 200 154 218

HSL 283.13, 0.46%, 0.73%

LAB 69.79, 28.47, -26.01

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 0 / 53 / 48 / 23

HEX #C45D66

RGB 196 93 102

HSL 354.76, 0.47%, 0.57%

LAB 52.42, 41.97, 14.68

 

CMYK 53 / 0 / 36 / 23

HEX #5DC47E

RGB 93 196 126

HSL 139.22, 0.47%, 0.57%

LAB 71.77, -45.53, 26.26

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 0 / 15 / 53 / 23

HEX #C4A75D

RGB 196 167 93

HSL 43.11, 0.47%, 0.57%

LAB 69.59, 1.24, 41.86

 

CMYK 53 / 0 / 15 / 23

HEX #5DC4A7

RGB 93 196 167

HSL 163.11, 0.47%, 0.57%

LAB 72.63, -36.99, 5.48

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 0 / 53 / 48 / 23

HEX #C45D66

RGB 196 93 102

HSL 354.76, 0.47%, 0.57%

LAB 52.42, 41.97, 14.68

 

CMYK 37 / 0 / 53 / 23

HEX #7BC45D

RGB 123 196 93

HSL 102.52, 0.47%, 0.57%

LAB 72.55, -41.68, 44.21

 

CMYK 53 / 0 / 4 / 23

HEX #5DC4BC

RGB 93 196 188

HSL 175.34, 0.47%, 0.57%

LAB 73.18, -31.8, -5.13

 

CMYK 15 / 53 / 0 / 23

HEX #A75DC4

RGB 167 93 196

HSL 283.11, 0.47%, 0.57%

LAB 51.87, 47.18, -41.8

 

CMYK 0 / 41 / 53 / 23

HEX #C4745D

RGB 196 116 93

HSL 13.4, 0.47%, 0.57%

LAB 57.09, 29.07, 26.16

 

CMYK 37 / 0 / 53 / 23

HEX #7BC45D

RGB 123 196 93

HSL 102.52, 0.47%, 0.57%

LAB 72.55, -41.68, 44.21

 

CMYK 53 / 11 / 0 / 23

HEX #5DAEC4

RGB 93 174 196

HSL 192.82, 0.47%, 0.57%

LAB 66.96, -18.64, -18.83

 

Description

Color code: HEX #A75DC4 | qconv.com Color code: HEX #A75DC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 93 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 93 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 53 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 53% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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