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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A75715 it is the complementary color #58A8EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A75715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A75715 shade: #AC5710, #BD6923, #CE7B36, #DF8D49 and #F09F5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A75715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A75715 shade: #A75715, #964502, #853300, #742100 and #630F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A75715 shade: #A85715, #A83015 and #A81515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A75715 shade: #A85715, #A87F15, #A8A715, #82A815 and #5AA815

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A75715 shade matches the following richer shades: #A85715 and #B75605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A75715 shade: #A85715, #995924, #895A33, #7A5C43 and #6B5D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A75715 shade: #A81521, #A83015, #A85715, #A87E15 and #A8A515

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A75715 shade: #5F310C, #834410, #A85715, #CD6A19 and #E57F2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A75715 shade: #A75715, #48A815 and #1C15A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A75715 shade: #A75715, #15A857 and #5715A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A75715 shade: #A75715, #48A815, #1566A8 and #7415A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A75715 shade: #A75715, #1CA815, #1566A8 and #A115A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 87 / 35

HEX #A75715

RGB 167 87 21

HSL 27.12, 0.78%, 0.37%

LAB 45.75, 28.62, 48.92

 

Complementary color

CMYK 62 / 28 / 0 / 8

HEX #58A8EA

RGB 88 168 234

HSL 207.12, 0.78%, 0.63%

LAB 66.54, -4.77, -40.44

 

CMYK 0 / 49 / 91 / 33

HEX #AC5710

RGB 172 87 16

HSL 27.31, 0.83%, 0.37%

LAB 46.48, 30.62, 51.45

 

CMYK 0 / 44 / 81 / 26

HEX #BD6923

RGB 189 105 35

HSL 27.27, 0.69%, 0.44%

LAB 53, 28.59, 51.04

 

CMYK 0 / 40 / 74 / 19

HEX #CE7B36

RGB 206 123 54

HSL 27.24, 0.61%, 0.51%

LAB 59.48, 26.78, 49.8

 

CMYK 0 / 37 / 67 / 13

HEX #DF8D49

RGB 223 141 73

HSL 27.2, 0.7%, 0.58%

LAB 65.92, 25.18, 48.28

 

CMYK 0 / 34 / 62 / 6

HEX #F09F5C

RGB 240 159 92

HSL 27.16, 0.83%, 0.65%

LAB 72.29, 23.77, 46.72

 

CMYK 0 / 48 / 87 / 35

HEX #A75715

RGB 167 87 21

HSL 27.12, 0.78%, 0.37%

LAB 45.75, 28.62, 48.92

 

CMYK 0 / 54 / 99 / 41

HEX #964502

RGB 150 69 2

HSL 27.16, 0.97%, 0.3%

LAB 39.15, 30.79, 48.73

 

CMYK 0 / 62 / 100 / 48

HEX #853300

RGB 133 51 0

HSL 23.01, 1%, 0.26%

LAB 32.6, 33.12, 44.09

 

CMYK 0 / 72 / 100 / 55

HEX #742100

RGB 116 33 0

HSL 17.07, 1%, 0.23%

LAB 26.16, 35.06, 37.69

 

CMYK 0 / 85 / 100 / 61

HEX #630F00

RGB 99 15 0

HSL 9.09, 1%, 0.19%

LAB 20.02, 35.96, 30.26

 

CMYK 0 / 48 / 88 / 34

HEX #A85715

RGB 168 87 21

HSL 26.94, 0.78%, 0.37%

LAB 45.9, 29.05, 49.1

 

CMYK 0 / 71 / 88 / 34

HEX #A83015

RGB 168 48 21

HSL 11.02, 0.78%, 0.37%

LAB 38.71, 47.75, 43.19

 

CMYK 0 / 88 / 88 / 34

HEX #A81515

RGB 168 21 21

HSL 0, 0.78%, 0.37%

LAB 35.82, 55.85, 40.79

 

CMYK 0 / 48 / 88 / 34

HEX #A85715

RGB 168 87 21

HSL 26.94, 0.78%, 0.37%

LAB 45.9, 29.05, 49.1

 

CMYK 0 / 24 / 88 / 34

HEX #A87F15

RGB 168 127 21

HSL 43.27, 0.78%, 0.37%

LAB 55.64, 6.67, 57.04

 

CMYK 0 / 1 / 88 / 34

HEX #A8A715

RGB 168 167 21

HSL 59.59, 0.78%, 0.37%

LAB 66.53, -14.92, 65.88

 

CMYK 23 / 0 / 88 / 34

HEX #82A815

RGB 130 168 21

HSL 75.51, 0.78%, 0.37%

LAB 64, -31.72, 62.64

 

CMYK 46 / 0 / 88 / 34

HEX #5AA815

RGB 90 168 21

HSL 91.84, 0.78%, 0.37%

LAB 61.85, -46.58, 59.95

 

CMYK 0 / 48 / 88 / 34

HEX #A85715

RGB 168 87 21

HSL 26.94, 0.78%, 0.37%

LAB 45.9, 29.05, 49.1

 

CMYK 0 / 53 / 97 / 28

HEX #B75605

RGB 183 86 5

HSL 27.3, 0.95%, 0.37%

LAB 47.92, 35.52, 56.01

 

CMYK 0 / 48 / 88 / 34

HEX #A85715

RGB 168 87 21

HSL 26.94, 0.78%, 0.37%

LAB 45.9, 29.05, 49.1

 

CMYK 0 / 42 / 76 / 40

HEX #995924

RGB 153 89 36

HSL 27.18, 0.62%, 0.37%

LAB 44.3, 21.97, 40.47

 

CMYK 0 / 34 / 63 / 46

HEX #895A33

RGB 137 90 51

HSL 27.21, 0.46%, 0.37%

LAB 42.57, 15.16, 30.09

 

CMYK 0 / 25 / 45 / 52

HEX #7A5C43

RGB 122 92 67

HSL 27.27, 0.29%, 0.37%

LAB 41.53, 8.76, 19.12

 

CMYK 0 / 13 / 23 / 58

HEX #6B5D52

RGB 107 93 82

HSL 26.4, 0.13%, 0.37%

LAB 40.51, 3.71, 8.4

 

CMYK 0 / 88 / 80 / 34

HEX #A81521

RGB 168 21 33

HSL 355.1, 0.78%, 0.37%

LAB 35.93, 56.17, 34.32

 

CMYK 0 / 71 / 88 / 34

HEX #A83015

RGB 168 48 21

HSL 11.02, 0.78%, 0.37%

LAB 38.71, 47.75, 43.19

 

CMYK 0 / 48 / 88 / 34

HEX #A85715

RGB 168 87 21

HSL 26.94, 0.78%, 0.37%

LAB 45.9, 29.05, 49.1

 

CMYK 0 / 25 / 88 / 34

HEX #A87E15

RGB 168 126 21

HSL 42.86, 0.78%, 0.37%

LAB 55.38, 7.23, 56.83

 

CMYK 0 / 2 / 88 / 34

HEX #A8A515

RGB 168 165 21

HSL 58.78, 0.78%, 0.37%

LAB 65.97, -13.89, 65.42

 

CMYK 0 / 48 / 87 / 63

HEX #5F310C

RGB 95 49 12

HSL 26.75, 0.78%, 0.21%

LAB 25.73, 17.92, 30.97

 

CMYK 0 / 48 / 88 / 49

HEX #834410

RGB 131 68 16

HSL 27.13, 0.78%, 0.29%

LAB 35.98, 23.4, 40.43

 

CMYK 0 / 48 / 88 / 34

HEX #A85715

RGB 168 87 21

HSL 26.94, 0.78%, 0.37%

LAB 45.9, 29.05, 49.1

 

CMYK 0 / 48 / 88 / 20

HEX #CD6A19

RGB 205 106 25

HSL 27, 0.78%, 0.45%

LAB 55.44, 34.41, 57.7

 

CMYK 0 / 45 / 82 / 10

HEX #E57F2A

RGB 229 127 42

HSL 27.27, 0.78%, 0.53%

LAB 63.35, 33.68, 59.68

 

CMYK 0 / 48 / 87 / 35

HEX #A75715

RGB 167 87 21

HSL 27.12, 0.78%, 0.37%

LAB 45.75, 28.62, 48.92

 

CMYK 57 / 0 / 88 / 34

HEX #48A815

RGB 72 168 21

HSL 99.18, 0.78%, 0.37%

LAB 61.17, -51.95, 59.09

 

CMYK 83 / 88 / 0 / 34

HEX #1C15A8

RGB 28 21 168

HSL 242.86, 0.78%, 0.37%

LAB 22.34, 52.17, -73.88

 

CMYK 0 / 48 / 87 / 35

HEX #A75715

RGB 167 87 21

HSL 27.12, 0.78%, 0.37%

LAB 45.75, 28.62, 48.92

 

CMYK 88 / 0 / 48 / 34

HEX #15A857

RGB 21 168 87

HSL 146.94, 0.78%, 0.37%

LAB 60.65, -54.13, 31.84

 

CMYK 48 / 88 / 0 / 34

HEX #5715A8

RGB 87 21 168

HSL 266.94, 0.78%, 0.37%

LAB 27.82, 56.75, -64.63

 

CMYK 0 / 48 / 87 / 35

HEX #A75715

RGB 167 87 21

HSL 27.12, 0.78%, 0.37%

LAB 45.75, 28.62, 48.92

 

CMYK 57 / 0 / 88 / 34

HEX #48A815

RGB 72 168 21

HSL 99.18, 0.78%, 0.37%

LAB 61.17, -51.95, 59.09

 

CMYK 88 / 39 / 0 / 34

HEX #1566A8

RGB 21 102 168

HSL 206.94, 0.78%, 0.37%

LAB 41.98, 1.8, -41.84

 

CMYK 31 / 88 / 0 / 34

HEX #7415A8

RGB 116 21 168

HSL 278.78, 0.78%, 0.37%

LAB 31.98, 60.59, -57.65

 

CMYK 0 / 48 / 87 / 35

HEX #A75715

RGB 167 87 21

HSL 27.12, 0.78%, 0.37%

LAB 45.75, 28.62, 48.92

 

CMYK 83 / 0 / 88 / 34

HEX #1CA815

RGB 28 168 21

HSL 117.14, 0.78%, 0.37%

LAB 60.16, -60.41, 57.82

 

CMYK 88 / 39 / 0 / 34

HEX #1566A8

RGB 21 102 168

HSL 206.94, 0.78%, 0.37%

LAB 41.98, 1.8, -41.84

 

CMYK 4 / 88 / 0 / 34

HEX #A115A8

RGB 161 21 168

HSL 297.14, 0.78%, 0.37%

LAB 39.48, 68.01, -45.15

 

Description

Color code: HEX #A75715 | qconv.com Color code: HEX #A75715 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 87 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 87 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 87 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 87% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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