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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A75528 it is the complementary color #58AAD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A75528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A75528 shade: #AC5523, #BD6736, #CE7949, #DF8B5C and #F09D6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A75528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A75528 shade: #A75528, #964315, #853102, #741F00 and #630D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A75528 shade: #A85629, #A83429 and #A82929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A75528 shade: #A85629, #A87829, #A89B29, #93A829 and #71A829

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A75528 shade matches the following richer shades: #A85629, #B95118 and #CA4C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A75528 shade: #A85629, #975B3A, #86604B, #76655C and #656A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A75528 shade: #A82940, #A83329, #A85529, #A87729 and #A89929

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A75528 shade: #663419, #874521, #A85629, #CA6731 and #D47E4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A75528 shade: #A75528, #62A829 and #292FA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A75528 shade: #A75528, #29A855 and #5529A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A75528 shade: #A75528, #62A829, #297CA8 and #6F29A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A75528 shade: #A75528, #3CA829, #297CA8 and #9529A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 76 / 35

HEX #A75528

RGB 167 85 40

HSL 21.26, 0.61%, 0.41%

LAB 45.45, 30.37, 40.33

 

Complementary color

CMYK 59 / 21 / 0 / 16

HEX #58AAD7

RGB 88 170 215

HSL 201.26, 0.61%, 0.59%

LAB 66.31, -11.87, -30.34

 

CMYK 0 / 51 / 80 / 33

HEX #AC5523

RGB 172 85 35

HSL 21.9, 0.66%, 0.41%

LAB 46.16, 32.23, 43.73

 

CMYK 0 / 46 / 71 / 26

HEX #BD6736

RGB 189 103 54

HSL 21.78, 0.56%, 0.48%

LAB 52.71, 30.47, 41.92

 

CMYK 0 / 41 / 65 / 19

HEX #CE7949

RGB 206 121 73

HSL 21.65, 0.58%, 0.55%

LAB 59.23, 28.9, 40.07

 

CMYK 0 / 38 / 59 / 13

HEX #DF8B5C

RGB 223 139 92

HSL 21.53, 0.67%, 0.62%

LAB 65.69, 27.5, 38.31

 

CMYK 0 / 35 / 54 / 6

HEX #F09D6F

RGB 240 157 111

HSL 21.4, 0.81%, 0.69%

LAB 72.09, 26.25, 36.67

 

CMYK 0 / 49 / 76 / 35

HEX #A75528

RGB 167 85 40

HSL 21.26, 0.61%, 0.41%

LAB 45.45, 30.37, 40.33

 

CMYK 0 / 55 / 86 / 41

HEX #964315

RGB 150 67 21

HSL 21.4, 0.75%, 0.34%

LAB 38.82, 32.23, 42

 

CMYK 0 / 63 / 98 / 48

HEX #853102

RGB 133 49 2

HSL 21.53, 0.97%, 0.26%

LAB 32.23, 34.15, 43.03

 

CMYK 0 / 73 / 100 / 55

HEX #741F00

RGB 116 31 0

HSL 16.03, 1%, 0.23%

LAB 25.84, 35.93, 37.4

 

CMYK 0 / 87 / 100 / 61

HEX #630D00

RGB 99 13 0

HSL 7.88, 1%, 0.19%

LAB 19.8, 36.57, 30.01

 

CMYK 0 / 49 / 76 / 34

HEX #A85629

RGB 168 86 41

HSL 21.26, 0.61%, 0.41%

LAB 45.83, 30.29, 40.26

 

CMYK 0 / 69 / 76 / 34

HEX #A83429

RGB 168 52 41

HSL 5.2, 0.61%, 0.41%

LAB 39.48, 46.8, 33.47

 

CMYK 0 / 76 / 76 / 34

HEX #A82929

RGB 168 41 41

HSL 0, 0.61%, 0.41%

LAB 37.97, 50.96, 31.8

 

CMYK 0 / 49 / 76 / 34

HEX #A85629

RGB 168 86 41

HSL 21.26, 0.61%, 0.41%

LAB 45.83, 30.29, 40.26

 

CMYK 0 / 29 / 76 / 34

HEX #A87829

RGB 168 120 41

HSL 37.32, 0.61%, 0.41%

LAB 53.94, 11.31, 48.48

 

CMYK 0 / 8 / 76 / 34

HEX #A89B29

RGB 168 155 41

HSL 53.86, 0.61%, 0.41%

LAB 63.28, -7.98, 57.46

 

CMYK 13 / 0 / 76 / 34

HEX #93A829

RGB 147 168 41

HSL 69.92, 0.61%, 0.41%

LAB 65.25, -23.86, 58.7

 

CMYK 33 / 0 / 76 / 34

HEX #71A829

RGB 113 168 41

HSL 85.98, 0.61%, 0.41%

LAB 63.07, -37.55, 55.86

 

CMYK 0 / 49 / 76 / 34

HEX #A85629

RGB 168 86 41

HSL 21.26, 0.61%, 0.41%

LAB 45.83, 30.29, 40.26

 

CMYK 0 / 56 / 87 / 27

HEX #B95118

RGB 185 81 24

HSL 21.24, 0.77%, 0.41%

LAB 47.32, 39.16, 50.24

 

CMYK 0 / 62 / 97 / 21

HEX #CA4C07

RGB 202 76 7

HSL 21.23, 0.93%, 0.41%

LAB 49.18, 47.65, 57.88

 

CMYK 0 / 49 / 76 / 34

HEX #A85629

RGB 168 86 41

HSL 21.26, 0.61%, 0.41%

LAB 45.83, 30.29, 40.26

 

CMYK 0 / 40 / 62 / 41

HEX #975B3A

RGB 151 91 58

HSL 21.29, 0.44%, 0.41%

LAB 44.75, 21.31, 29.21

 

CMYK 0 / 28 / 44 / 47

HEX #86604B

RGB 134 96 75

HSL 21.36, 0.28%, 0.41%

LAB 44.15, 12.63, 18.09

 

CMYK 0 / 14 / 22 / 54

HEX #76655C

RGB 118 101 92

HSL 20.77, 0.12%, 0.41%

LAB 44.13, 5.21, 7.6

 

CMYK 6 / 2 / 0 / 58

HEX #656A6C

RGB 101 106 108

HSL 197.14, 0.03%, 0.41%

LAB 44.46, -1.48, -1.79

 

CMYK 0 / 76 / 62 / 34

HEX #A82940

RGB 168 41 64

HSL 349.13, 0.61%, 0.41%

LAB 38.34, 52.19, 18.04

 

CMYK 0 / 70 / 76 / 34

HEX #A83329

RGB 168 51 41

HSL 4.72, 0.61%, 0.41%

LAB 39.33, 47.21, 33.31

 

CMYK 0 / 49 / 76 / 34

HEX #A85529

RGB 168 85 41

HSL 20.79, 0.61%, 0.41%

LAB 45.61, 30.83, 40.04

 

CMYK 0 / 29 / 76 / 34

HEX #A87729

RGB 168 119 41

HSL 36.85, 0.61%, 0.41%

LAB 53.68, 11.87, 48.23

 

CMYK 0 / 9 / 76 / 34

HEX #A89929

RGB 168 153 41

HSL 52.91, 0.61%, 0.41%

LAB 62.73, -6.91, 56.94

 

CMYK 0 / 49 / 75 / 60

HEX #663419

RGB 102 52 25

HSL 21.04, 0.61%, 0.25%

LAB 27.71, 19.99, 26.48

 

CMYK 0 / 49 / 76 / 47

HEX #874521

RGB 135 69 33

HSL 21.18, 0.61%, 0.33%

LAB 36.96, 25.27, 33.55

 

CMYK 0 / 49 / 76 / 34

HEX #A85629

RGB 168 86 41

HSL 21.26, 0.61%, 0.41%

LAB 45.83, 30.29, 40.26

 

CMYK 0 / 49 / 76 / 21

HEX #CA6731

RGB 202 103 49

HSL 21.18, 0.61%, 0.49%

LAB 54.53, 35.51, 46.89

 

CMYK 0 / 41 / 63 / 17

HEX #D47E4F

RGB 212 126 79

HSL 21.2, 0.61%, 0.57%

LAB 61.21, 29.06, 39.43

 

CMYK 0 / 49 / 76 / 35

HEX #A75528

RGB 167 85 40

HSL 21.26, 0.61%, 0.41%

LAB 45.45, 30.37, 40.33

 

CMYK 42 / 0 / 76 / 34

HEX #62A829

RGB 98 168 41

HSL 93.07, 0.61%, 0.41%

LAB 62.31, -42.93, 54.85

 

CMYK 76 / 72 / 0 / 34

HEX #292FA8

RGB 41 47 168

HSL 237.17, 0.61%, 0.41%

LAB 27.66, 39.7, -65.04

 

CMYK 0 / 49 / 76 / 35

HEX #A75528

RGB 167 85 40

HSL 21.26, 0.61%, 0.41%

LAB 45.45, 30.37, 40.33

 

CMYK 76 / 0 / 49 / 34

HEX #29A855

RGB 41 168 85

HSL 140.79, 0.61%, 0.41%

LAB 60.9, -52.22, 33.24

 

CMYK 49 / 76 / 0 / 34

HEX #5529A8

RGB 85 41 168

HSL 260.79, 0.61%, 0.41%

LAB 30.27, 48.65, -60.62

 

CMYK 0 / 49 / 76 / 35

HEX #A75528

RGB 167 85 40

HSL 21.26, 0.61%, 0.41%

LAB 45.45, 30.37, 40.33

 

CMYK 42 / 0 / 76 / 34

HEX #62A829

RGB 98 168 41

HSL 93.07, 0.61%, 0.41%

LAB 62.31, -42.93, 54.85

 

CMYK 76 / 26 / 0 / 34

HEX #297CA8

RGB 41 124 168

HSL 200.79, 0.61%, 0.41%

LAB 49.15, -9.47, -30.52

 

CMYK 34 / 76 / 0 / 34

HEX #6F29A8

RGB 111 41 168

HSL 273.07, 0.61%, 0.41%

LAB 33.55, 53.09, -55.13

 

CMYK 0 / 49 / 76 / 35

HEX #A75528

RGB 167 85 40

HSL 21.26, 0.61%, 0.41%

LAB 45.45, 30.37, 40.33

 

CMYK 64 / 0 / 76 / 34

HEX #3CA829

RGB 60 168 41

HSL 111.02, 0.61%, 0.41%

LAB 60.89, -53.83, 52.98

 

CMYK 76 / 26 / 0 / 34

HEX #297CA8

RGB 41 124 168

HSL 200.79, 0.61%, 0.41%

LAB 49.15, -9.47, -30.52

 

CMYK 11 / 76 / 0 / 34

HEX #9529A8

RGB 149 41 168

HSL 291.02, 0.61%, 0.41%

LAB 39.25, 60.53, -45.64

 

Description

Color code: HEX #A75528 | qconv.com Color code: HEX #A75528 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 85 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 85 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 76 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 76% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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