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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A754D0 it is the complementary color #58AB2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A754D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A754D0 shade: #AC54CB, #BD66DE, #CE78F1, #DF8AFF and #F09CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A754D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A754D0 shade: #A754D0, #9642BD, #8530AA, #741E97 and #630C84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A754D0 shade: #A753D0, #C853D0, #D053B6, #D05394 and #D05372

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A754D0 shade: #A753D0, #8553D0, #6353D0 and #5353D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A754D0 shade matches the following richer shades: #A753D0, #AD41E2 and #B32FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A754D0 shade: #A753D0, #A165BE, #9B76AC, #94889B and #8E9A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A754D0 shade: #6453D0, #8553D0, #A653D0, #C853D0 and #D053B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A754D0 shade: #7C2DA3, #9536C4, #A753D0, #B773D9 and #C894E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A754D0 shade: #A754D0, #D05364 and #53D074

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A754D0 shade: #A754D0, #D0A653 and #53D0A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A754D0 shade: #A754D0, #D05364, #7DD053 and #53D0BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A754D0 shade: #A754D0, #D06853, #7DD053 and #53BBD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 60 / 0 / 18

HEX #A754D0

RGB 167 84 208

HSL 280.16, 0.57%, 0.57%

LAB 50.82, 54.28, -50.35

 

Complementary color

CMYK 49 / 0 / 73 / 33

HEX #58AB2F

RGB 88 171 47

HSL 100.16, 0.57%, 0.43%

LAB 62.85, -47, 53.08

 

CMYK 15 / 59 / 0 / 20

HEX #AC54CB

RGB 172 84 203

HSL 284.37, 0.53%, 0.56%

LAB 51.18, 54.47, -46.87

 

CMYK 15 / 54 / 0 / 13

HEX #BD66DE

RGB 189 102 222

HSL 283.5, 0.65%, 0.64%

LAB 57.65, 53.84, -47.25

 

CMYK 15 / 50 / 0 / 5

HEX #CE78F1

RGB 206 120 241

HSL 282.64, 0.81%, 0.71%

LAB 64.08, 53.11, -47.54

 

CMYK 13 / 46 / 0 / 0

HEX #DF8AFF

RGB 223 138 255

HSL 283.59, 1%, 0.77%

LAB 70.24, 51.34, -45.4

 

CMYK 6 / 39 / 0 / 0

HEX #F09CFF

RGB 240 156 255

HSL 290.91, 1%, 0.81%

LAB 75.78, 46.9, -36.62

 

CMYK 20 / 60 / 0 / 18

HEX #A754D0

RGB 167 84 208

HSL 280.16, 0.57%, 0.57%

LAB 50.82, 54.28, -50.35

 

CMYK 21 / 65 / 0 / 26

HEX #9642BD

RGB 150 66 189

HSL 280.98, 0.48%, 0.5%

LAB 44.31, 54.8, -49.91

 

CMYK 22 / 72 / 0 / 33

HEX #8530AA

RGB 133 48 170

HSL 281.8, 0.56%, 0.43%

LAB 37.85, 54.95, -49.21

 

CMYK 23 / 80 / 0 / 41

HEX #741E97

RGB 116 30 151

HSL 282.64, 0.67%, 0.35%

LAB 31.52, 54.43, -48.07

 

CMYK 25 / 91 / 0 / 48

HEX #630C84

RGB 99 12 132

HSL 283.5, 0.83%, 0.28%

LAB 25.51, 52.65, -46.18

 

CMYK 20 / 60 / 0 / 18

HEX #A753D0

RGB 167 83 208

HSL 280.32, 0.57%, 0.57%

LAB 50.64, 54.77, -50.64

 

CMYK 4 / 60 / 0 / 18

HEX #C853D0

RGB 200 83 208

HSL 296.16, 0.57%, 0.57%

LAB 55.09, 62.87, -43.29

 

CMYK 0 / 60 / 13 / 18

HEX #D053B6

RGB 208 83 182

HSL 312.48, 0.57%, 0.57%

LAB 55.05, 60.65, -28.35

 

CMYK 0 / 60 / 29 / 18

HEX #D05394

RGB 208 83 148

HSL 328.8, 0.57%, 0.57%

LAB 53.74, 55.88, -10.46

 

CMYK 0 / 60 / 45 / 18

HEX #D05372

RGB 208 83 114

HSL 345.12, 0.57%, 0.57%

LAB 52.74, 52.05, 8.26

 

CMYK 20 / 60 / 0 / 18

HEX #A753D0

RGB 167 83 208

HSL 280.32, 0.57%, 0.57%

LAB 50.64, 54.77, -50.64

 

CMYK 36 / 60 / 0 / 18

HEX #8553D0

RGB 133 83 208

HSL 264, 0.57%, 0.57%

LAB 46.61, 46.8, -57.31

 

CMYK 52 / 60 / 0 / 18

HEX #6353D0

RGB 99 83 208

HSL 247.68, 0.57%, 0.57%

LAB 43.35, 39.7, -62.75

 

CMYK 60 / 60 / 0 / 18

HEX #5353D0

RGB 83 83 208

HSL 240, 0.57%, 0.57%

LAB 42.12, 36.85, -64.8

 

CMYK 20 / 60 / 0 / 18

HEX #A753D0

RGB 167 83 208

HSL 280.32, 0.57%, 0.57%

LAB 50.64, 54.77, -50.64

 

CMYK 23 / 71 / 0 / 11

HEX #AD41E2

RGB 173 65 226

HSL 280.25, 0.74%, 0.57%

LAB 49.68, 67.77, -62.37

 

CMYK 26 / 81 / 0 / 5

HEX #B32FF3

RGB 179 47 243

HSL 280.41, 0.89%, 0.57%

LAB 49.6, 78.27, -72.05

 

CMYK 20 / 60 / 0 / 18

HEX #A753D0

RGB 167 83 208

HSL 280.32, 0.57%, 0.57%

LAB 50.64, 54.77, -50.64

 

CMYK 15 / 47 / 0 / 25

HEX #A165BE

RGB 161 101 190

HSL 280.45, 0.41%, 0.57%

LAB 52.51, 39.92, -37.38

 

CMYK 10 / 31 / 0 / 33

HEX #9B76AC

RGB 155 118 172

HSL 281.11, 0.25%, 0.57%

LAB 54.97, 24.55, -23.23

 

CMYK 5 / 12 / 0 / 39

HEX #94889B

RGB 148 136 155

HSL 277.89, 0.09%, 0.57%

LAB 58.29, 8.18, -8.47

 

CMYK 8 / 0 / 11 / 40

HEX #8E9A89

RGB 142 154 137

HSL 102.35, 0.08%, 0.57%

LAB 62.23, -7.58, 7.46

 

CMYK 52 / 60 / 0 / 18

HEX #6453D0

RGB 100 83 208

HSL 248.16, 0.57%, 0.57%

LAB 43.43, 39.89, -62.61

 

CMYK 36 / 60 / 0 / 18

HEX #8553D0

RGB 133 83 208

HSL 264, 0.57%, 0.57%

LAB 46.61, 46.8, -57.31

 

CMYK 20 / 60 / 0 / 18

HEX #A653D0

RGB 166 83 208

HSL 279.84, 0.57%, 0.57%

LAB 50.51, 54.53, -50.85

 

CMYK 4 / 60 / 0 / 18

HEX #C853D0

RGB 200 83 208

HSL 296.16, 0.57%, 0.57%

LAB 55.09, 62.87, -43.29

 

CMYK 0 / 60 / 12 / 18

HEX #D053B7

RGB 208 83 183

HSL 312, 0.57%, 0.57%

LAB 55.09, 60.8, -28.86

 

CMYK 24 / 72 / 0 / 36

HEX #7C2DA3

RGB 124 45 163

HSL 280.17, 0.57%, 0.41%

LAB 35.61, 52.83, -48.69

 

CMYK 24 / 72 / 0 / 23

HEX #9536C4

RGB 149 54 196

HSL 280.14, 0.57%, 0.49%

LAB 42.78, 61.23, -56.46

 

CMYK 20 / 60 / 0 / 18

HEX #A753D0

RGB 167 83 208

HSL 280.32, 0.57%, 0.57%

LAB 50.64, 54.77, -50.64

 

CMYK 16 / 47 / 0 / 15

HEX #B773D9

RGB 183 115 217

HSL 280, 0.57%, 0.65%

LAB 59.29, 44.42, -41.91

 

CMYK 12 / 35 / 0 / 11

HEX #C894E2

RGB 200 148 226

HSL 280, 0.57%, 0.73%

LAB 68.72, 33.4, -32.07

 

CMYK 20 / 60 / 0 / 18

HEX #A754D0

RGB 167 84 208

HSL 280.16, 0.57%, 0.57%

LAB 50.82, 54.28, -50.35

 

CMYK 0 / 60 / 52 / 18

HEX #D05364

RGB 208 83 100

HSL 351.84, 0.57%, 0.57%

LAB 52.42, 50.77, 16.15

 

CMYK 60 / 0 / 44 / 18

HEX #53D074

RGB 83 208 116

HSL 135.84, 0.57%, 0.57%

LAB 74.96, -54.39, 35.53

 

CMYK 20 / 60 / 0 / 18

HEX #A754D0

RGB 167 84 208

HSL 280.16, 0.57%, 0.57%

LAB 50.82, 54.28, -50.35

 

CMYK 0 / 20 / 60 / 18

HEX #D0A653

RGB 208 166 83

HSL 39.84, 0.57%, 0.57%

LAB 70.39, 6.06, 48.04

 

CMYK 60 / 0 / 20 / 18

HEX #53D0A6

RGB 83 208 166

HSL 159.84, 0.57%, 0.57%

LAB 75.89, -44.62, 10.64

 

CMYK 20 / 60 / 0 / 18

HEX #A754D0

RGB 167 84 208

HSL 280.16, 0.57%, 0.57%

LAB 50.82, 54.28, -50.35

 

CMYK 0 / 60 / 52 / 18

HEX #D05364

RGB 208 83 100

HSL 351.84, 0.57%, 0.57%

LAB 52.42, 50.77, 16.15

 

CMYK 40 / 0 / 60 / 18

HEX #7DD053

RGB 125 208 83

HSL 99.84, 0.57%, 0.57%

LAB 76.13, -47.2, 53

 

CMYK 60 / 0 / 8 / 18

HEX #53D0BF

RGB 83 208 191

HSL 171.84, 0.57%, 0.57%

LAB 76.5, -38.55, -1.89

 

CMYK 20 / 60 / 0 / 18

HEX #A754D0

RGB 167 84 208

HSL 280.16, 0.57%, 0.57%

LAB 50.82, 54.28, -50.35

 

CMYK 0 / 50 / 60 / 18

HEX #D06853

RGB 208 104 83

HSL 10.08, 0.57%, 0.57%

LAB 56.02, 39.28, 30.78

 

CMYK 40 / 0 / 60 / 18

HEX #7DD053

RGB 125 208 83

HSL 99.84, 0.57%, 0.57%

LAB 76.13, -47.2, 53

 

CMYK 60 / 10 / 0 / 18

HEX #53BBD0

RGB 83 187 208

HSL 190.08, 0.57%, 0.57%

LAB 70.83, -23.81, -19.6

 

Description

Color code: HEX #A754D0 | qconv.com Color code: HEX #A754D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 84 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 84 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 60 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 60% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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