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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A752E8 it is the complementary color #58AD17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A752E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A752E8 shade: #AC52E3, #BD64F6, #CE76FF, #DF88FF and #F09AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A752E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A752E8 shade: #A752E8, #9640D5, #852EC2, #741CAF and #630A9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A752E8 shade: #A853E9, #D053E9, #E953D9, #E953B1 and #E95388

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A752E8 shade: #A853E9, #8053E9, #5853E9 and #5353E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A752E8 shade matches the following richer shades: #A853E9 and #AA44F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A752E8 shade: #A853E9, #A663D9, #A473C9, #A283BA and #A092AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A752E8 shade: #5853E9, #8053E9, #A853E9, #D053E9 and #E953DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A752E8 shade: #811BCF, #962FE4, #A853E9, #BB78ED and #CD9DF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A752E8 shade: #A752E8, #E95376 and #53E96C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A752E8 shade: #A752E8, #E9A853 and #53E9A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A752E8 shade: #A752E8, #E95376, #94E953 and #53E9C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A752E8 shade: #A752E8, #E95D53, #94E953 and #53DFE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 65 / 0 / 9

HEX #A752E8

RGB 167 82 232

HSL 274, 0.77%, 0.62%

LAB 51.92, 60.48, -62.19

 

Complementary color

CMYK 49 / 0 / 87 / 32

HEX #58AD17

RGB 88 173 23

HSL 94, 0.77%, 0.38%

LAB 63.36, -49.1, 60.79

 

CMYK 24 / 64 / 0 / 11

HEX #AC52E3

RGB 172 82 227

HSL 277.24, 0.72%, 0.61%

LAB 52.23, 60.47, -58.84

 

CMYK 23 / 59 / 0 / 4

HEX #BD64F6

RGB 189 100 246

HSL 276.58, 0.89%, 0.68%

LAB 58.59, 59.87, -59.16

 

CMYK 19 / 54 / 0 / 0

HEX #CE76FF

RGB 206 118 255

HSL 278.54, 1%, 0.73%

LAB 64.4, 57.02, -54.74

 

CMYK 13 / 47 / 0 / 0

HEX #DF88FF

RGB 223 136 255

HSL 283.87, 1%, 0.77%

LAB 69.84, 52.37, -46.03

 

CMYK 6 / 40 / 0 / 0

HEX #F09AFF

RGB 240 154 255

HSL 291.09, 1%, 0.8%

LAB 75.36, 47.93, -37.26

 

CMYK 28 / 65 / 0 / 9

HEX #A752E8

RGB 167 82 232

HSL 274, 0.77%, 0.62%

LAB 51.92, 60.48, -62.19

 

CMYK 30 / 70 / 0 / 16

HEX #9640D5

RGB 150 64 213

HSL 274.63, 0.64%, 0.54%

LAB 45.57, 60.92, -61.76

 

CMYK 31 / 76 / 0 / 24

HEX #852EC2

RGB 133 46 194

HSL 275.27, 0.62%, 0.47%

LAB 39.3, 60.93, -61.04

 

CMYK 34 / 84 / 0 / 31

HEX #741CAF

RGB 116 28 175

HSL 275.92, 0.72%, 0.4%

LAB 33.22, 60.17, -59.82

 

CMYK 37 / 94 / 0 / 39

HEX #630A9C

RGB 99 10 156

HSL 276.58, 0.88%, 0.33%

LAB 27.49, 58.07, -57.82

 

CMYK 28 / 64 / 0 / 9

HEX #A853E9

RGB 168 83 233

HSL 274, 0.77%, 0.62%

LAB 52.28, 60.45, -62.17

 

CMYK 11 / 64 / 0 / 9

HEX #D053E9

RGB 208 83 233

HSL 290, 0.77%, 0.62%

LAB 57.54, 69.26, -53.45

 

CMYK 0 / 64 / 7 / 9

HEX #E953D9

RGB 233 83 217

HSL 306.4, 0.77%, 0.62%

LAB 60.36, 72.4, -39.77

 

CMYK 0 / 64 / 24 / 9

HEX #E953B1

RGB 233 83 177

HSL 322.4, 0.77%, 0.62%

LAB 58.68, 66.74, -19.54

 

CMYK 0 / 64 / 42 / 9

HEX #E95388

RGB 233 83 136

HSL 338.8, 0.77%, 0.62%

LAB 57.35, 62.04, 2.39

 

CMYK 28 / 64 / 0 / 9

HEX #A853E9

RGB 168 83 233

HSL 274, 0.77%, 0.62%

LAB 52.28, 60.45, -62.17

 

CMYK 45 / 64 / 0 / 9

HEX #8053E9

RGB 128 83 233

HSL 258, 0.77%, 0.62%

LAB 47.83, 52.36, -69.59

 

CMYK 62 / 64 / 0 / 9

HEX #5853E9

RGB 88 83 233

HSL 242, 0.77%, 0.62%

LAB 44.44, 45.67, -75.26

 

CMYK 64 / 64 / 0 / 9

HEX #5353E9

RGB 83 83 233

HSL 240, 0.77%, 0.62%

LAB 44.1, 44.97, -75.83

 

CMYK 28 / 64 / 0 / 9

HEX #A853E9

RGB 168 83 233

HSL 274, 0.77%, 0.62%

LAB 52.28, 60.45, -62.17

 

CMYK 31 / 73 / 0 / 3

HEX #AA44F8

RGB 170 68 248

HSL 274, 0.93%, 0.62%

LAB 51.22, 70.64, -72.28

 

CMYK 28 / 64 / 0 / 9

HEX #A853E9

RGB 168 83 233

HSL 274, 0.77%, 0.62%

LAB 52.28, 60.45, -62.17

 

CMYK 24 / 54 / 0 / 15

HEX #A663D9

RGB 166 99 217

HSL 274.07, 0.61%, 0.62%

LAB 54.07, 48.37, -50.29

 

CMYK 18 / 43 / 0 / 21

HEX #A473C9

RGB 164 115 201

HSL 274.19, 0.44%, 0.62%

LAB 56.46, 35.46, -37.46

 

CMYK 13 / 30 / 0 / 27

HEX #A283BA

RGB 162 131 186

HSL 273.82, 0.28%, 0.62%

LAB 59.4, 22.41, -24.38

 

CMYK 6 / 14 / 0 / 33

HEX #A092AA

RGB 160 146 170

HSL 275, 0.12%, 0.62%

LAB 62.45, 9.8, -10.69

 

CMYK 62 / 64 / 0 / 9

HEX #5853E9

RGB 88 83 233

HSL 242, 0.77%, 0.62%

LAB 44.44, 45.67, -75.26

 

CMYK 45 / 64 / 0 / 9

HEX #8053E9

RGB 128 83 233

HSL 258, 0.77%, 0.62%

LAB 47.83, 52.36, -69.59

 

CMYK 28 / 64 / 0 / 9

HEX #A853E9

RGB 168 83 233

HSL 274, 0.77%, 0.62%

LAB 52.28, 60.45, -62.17

 

CMYK 11 / 64 / 0 / 9

HEX #D053E9

RGB 208 83 233

HSL 290, 0.77%, 0.62%

LAB 57.54, 69.26, -53.45

 

CMYK 0 / 64 / 6 / 9

HEX #E953DA

RGB 233 83 218

HSL 306, 0.77%, 0.62%

LAB 60.4, 72.56, -40.26

 

CMYK 38 / 87 / 0 / 19

HEX #811BCF

RGB 129 27 207

HSL 274, 0.77%, 0.46%

LAB 37.76, 69.12, -71.15

 

CMYK 34 / 79 / 0 / 11

HEX #962FE4

RGB 150 47 228

HSL 274.14, 0.77%, 0.54%

LAB 44.4, 70.74, -72.23

 

CMYK 28 / 64 / 0 / 9

HEX #A853E9

RGB 168 83 233

HSL 274, 0.77%, 0.62%

LAB 52.28, 60.45, -62.17

 

CMYK 21 / 49 / 0 / 7

HEX #BB78ED

RGB 187 120 237

HSL 274.36, 0.76%, 0.7%

LAB 61.75, 47.2, -49.15

 

CMYK 15 / 35 / 0 / 5

HEX #CD9DF2

RGB 205 157 242

HSL 273.88, 0.77%, 0.78%

LAB 71.9, 33.36, -35.87

 

CMYK 28 / 65 / 0 / 9

HEX #A752E8

RGB 167 82 232

HSL 274, 0.77%, 0.62%

LAB 51.92, 60.48, -62.19

 

CMYK 0 / 64 / 49 / 9

HEX #E95376

RGB 233 83 118

HSL 346, 0.77%, 0.62%

LAB 56.9, 60.38, 12.33

 

CMYK 64 / 0 / 54 / 9

HEX #53E96C

RGB 83 233 108

HSL 130, 0.77%, 0.62%

LAB 82.49, -64.72, 48.77

 

CMYK 28 / 65 / 0 / 9

HEX #A752E8

RGB 167 82 232

HSL 274, 0.77%, 0.62%

LAB 51.92, 60.48, -62.19

 

CMYK 0 / 28 / 64 / 9

HEX #E9A853

RGB 233 168 83

HSL 34, 0.77%, 0.62%

LAB 73.52, 15.53, 52.29

 

CMYK 64 / 0 / 28 / 9

HEX #53E9A8

RGB 83 233 168

HSL 154, 0.77%, 0.62%

LAB 83.41, -54.52, 20.15

 

CMYK 28 / 65 / 0 / 9

HEX #A752E8

RGB 167 82 232

HSL 274, 0.77%, 0.62%

LAB 51.92, 60.48, -62.19

 

CMYK 0 / 64 / 49 / 9

HEX #E95376

RGB 233 83 118

HSL 346, 0.77%, 0.62%

LAB 56.9, 60.38, 12.33

 

CMYK 36 / 0 / 64 / 9

HEX #94E953

RGB 148 233 83

HSL 94, 0.77%, 0.62%

LAB 84.59, -49.98, 62.64

 

CMYK 64 / 0 / 15 / 9

HEX #53E9C6

RGB 83 233 198

HSL 166, 0.77%, 0.62%

LAB 84.07, -47.79, 5.38

 

CMYK 28 / 65 / 0 / 9

HEX #A752E8

RGB 167 82 232

HSL 274, 0.77%, 0.62%

LAB 51.92, 60.48, -62.19

 

CMYK 0 / 60 / 64 / 9

HEX #E95D53

RGB 233 93 83

HSL 4, 0.77%, 0.62%

LAB 57.82, 53.59, 33.86

 

CMYK 36 / 0 / 64 / 9

HEX #94E953

RGB 148 233 83

HSL 94, 0.77%, 0.62%

LAB 84.59, -49.98, 62.64

 

CMYK 64 / 4 / 0 / 9

HEX #53DFE9

RGB 83 223 233

HSL 184, 0.77%, 0.62%

LAB 82.11, -34.16, -16.02

 

Description

Color code: HEX #A752E8 | qconv.com Color code: HEX #A752E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 82 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 82 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 65 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 65% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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