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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A73F25 it is the complementary color #58C0DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A73F25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A73F25 shade: #AC3F20, #BD5133, #CE6346, #DF7559 and #F0876C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A73F25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A73F25 shade: #A73F25, #962D12, #851B00, #740900 and #630000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A73F25 shade: #A73F25 and #A72525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A73F25 shade: #A73F25, #A76225, #A78525, #A6A725 and #83A725

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A73F25 shade matches the following richer shades: #A73F25, #B83514 and #C82B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A73F25 shade: #A73F25, #974935, #865346, #765D56 and #656667

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A73F25 shade: #A72550, #A7252D, #A73F25, #A76225 and #A78425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A73F25 shade: #642516, #85321D, #A73F25, #C94C2C and #D76448

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A73F25 shade: #A73F25, #73A725 and #253FA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A73F25 shade: #A73F25, #25A73F and #3F25A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A73F25 shade: #A73F25, #73A725, #258DA7 and #5925A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A73F25 shade: #A73F25, #4CA725, #258DA7 and #8025A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

Complementary color

CMYK 60 / 12 / 0 / 15

HEX #58C0DA

RGB 88 192 218

HSL 192, 0.64%, 0.6%

LAB 72.78, -22.51, -22.06

 

CMYK 0 / 63 / 81 / 33

HEX #AC3F20

RGB 172 63 32

HSL 13.29, 0.69%, 0.4%

LAB 41.89, 43.09, 41.05

 

CMYK 0 / 57 / 73 / 26

HEX #BD5133

RGB 189 81 51

HSL 13.04, 0.58%, 0.47%

LAB 48.19, 41.65, 38.53

 

CMYK 0 / 52 / 66 / 19

HEX #CE6346

RGB 206 99 70

HSL 12.79, 0.58%, 0.54%

LAB 54.54, 40.2, 36.15

 

CMYK 0 / 48 / 60 / 13

HEX #DF7559

RGB 223 117 89

HSL 12.54, 0.68%, 0.61%

LAB 60.9, 38.8, 34

 

CMYK 0 / 44 / 55 / 6

HEX #F0876C

RGB 240 135 108

HSL 12.27, 0.81%, 0.68%

LAB 67.23, 37.5, 32.08

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 0 / 70 / 88 / 41

HEX #962D12

RGB 150 45 18

HSL 12.27, 0.79%, 0.33%

LAB 34.81, 42.67, 39.91

 

CMYK 0 / 80 / 100 / 48

HEX #851B00

RGB 133 27 0

HSL 12.18, 1%, 0.26%

LAB 28.83, 43.34, 41.36

 

CMYK 0 / 92 / 100 / 55

HEX #740900

RGB 116 9 0

HSL 4.66, 1%, 0.23%

LAB 23.37, 42.86, 35

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 0 / 78 / 78 / 35

HEX #A72525

RGB 167 37 37

HSL 0, 0.64%, 0.4%

LAB 37.25, 51.82, 33.31

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 0 / 41 / 78 / 35

HEX #A76225

RGB 167 98 37

HSL 28.15, 0.64%, 0.4%

LAB 48.37, 23.08, 44.71

 

CMYK 0 / 20 / 78 / 35

HEX #A78525

RGB 167 133 37

HSL 44.31, 0.64%, 0.4%

LAB 57.2, 3.39, 53.18

 

CMYK 1 / 0 / 78 / 35

HEX #A6A725

RGB 166 167 37

HSL 60.46, 0.64%, 0.4%

LAB 66.43, -15.31, 61.61

 

CMYK 22 / 0 / 78 / 35

HEX #83A725

RGB 131 167 37

HSL 76.62, 0.64%, 0.4%

LAB 63.83, -30.23, 58.28

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 0 / 71 / 89 / 28

HEX #B83514

RGB 184 53 20

HSL 12.07, 0.8%, 0.4%

LAB 42.44, 51.17, 47.86

 

CMYK 0 / 79 / 98 / 22

HEX #C82B04

RGB 200 43 4

HSL 11.94, 0.96%, 0.4%

LAB 44.26, 59.37, 55.75

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 0 / 52 / 65 / 41

HEX #974935

RGB 151 73 53

HSL 12.24, 0.48%, 0.4%

LAB 40.58, 30.99, 27.01

 

CMYK 0 / 38 / 48 / 47

HEX #865346

RGB 134 83 70

HSL 12.19, 0.31%, 0.4%

LAB 40.73, 19.72, 16.52

 

CMYK 0 / 21 / 27 / 54

HEX #765D56

RGB 118 93 86

HSL 13.13, 0.16%, 0.4%

LAB 41.77, 9.04, 7.89

 

CMYK 2 / 1 / 0 / 60

HEX #656667

RGB 101 102 103

HSL 210, 0.01%, 0.4%

LAB 43.14, -0.18, -0.7

 

CMYK 0 / 78 / 52 / 35

HEX #A72550

RGB 167 37 80

HSL 340.15, 0.64%, 0.4%

LAB 38.05, 54.39, 7.41

 

CMYK 0 / 78 / 73 / 35

HEX #A7252D

RGB 167 37 45

HSL 356.31, 0.64%, 0.4%

LAB 37.35, 52.15, 28.63

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 0 / 41 / 78 / 35

HEX #A76225

RGB 167 98 37

HSL 28.15, 0.64%, 0.4%

LAB 48.37, 23.08, 44.71

 

CMYK 0 / 21 / 78 / 35

HEX #A78425

RGB 167 132 37

HSL 43.85, 0.64%, 0.4%

LAB 56.93, 3.95, 52.93

 

CMYK 0 / 63 / 78 / 61

HEX #642516

RGB 100 37 22

HSL 11.54, 0.64%, 0.24%

LAB 23.97, 27.49, 24.05

 

CMYK 0 / 62 / 78 / 48

HEX #85321D

RGB 133 50 29

HSL 12.12, 0.64%, 0.32%

LAB 32.6, 34.42, 31.03

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 0 / 62 / 78 / 21

HEX #C94C2C

RGB 201 76 44

HSL 12.23, 0.64%, 0.48%

LAB 49.21, 48.1, 43.9

 

CMYK 0 / 53 / 67 / 16

HEX #D76448

RGB 215 100 72

HSL 11.75, 0.64%, 0.56%

LAB 56.12, 43.22, 37.25

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 31 / 0 / 78 / 35

HEX #73A725

RGB 115 167 37

HSL 84, 0.64%, 0.4%

LAB 62.86, -36.56, 57.02

 

CMYK 78 / 62 / 0 / 35

HEX #253FA7

RGB 37 63 167

HSL 228, 0.64%, 0.4%

LAB 31.2, 28.7, -58.63

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 78 / 0 / 62 / 35

HEX #25A73F

RGB 37 167 63

HSL 132, 0.64%, 0.4%

LAB 60.24, -55.57, 43.16

 

CMYK 62 / 78 / 0 / 35

HEX #3F25A7

RGB 63 37 167

HSL 252, 0.64%, 0.4%

LAB 27.21, 47.28, -65.12

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 31 / 0 / 78 / 35

HEX #73A725

RGB 115 167 37

HSL 84, 0.64%, 0.4%

LAB 62.86, -36.56, 57.02

 

CMYK 78 / 16 / 0 / 35

HEX #258DA7

RGB 37 141 167

HSL 192, 0.64%, 0.4%

LAB 54.27, -19.75, -22.01

 

CMYK 47 / 78 / 0 / 35

HEX #5925A7

RGB 89 37 167

HSL 264, 0.64%, 0.4%

LAB 30, 50.84, -60.43

 

CMYK 0 / 62 / 78 / 35

HEX #A73F25

RGB 167 63 37

HSL 12, 0.64%, 0.4%

LAB 41.06, 41.42, 37.34

 

CMYK 54 / 0 / 78 / 35

HEX #4CA725

RGB 76 167 37

HSL 102, 0.64%, 0.4%

LAB 61.05, -49.67, 54.67

 

CMYK 78 / 16 / 0 / 35

HEX #258DA7

RGB 37 141 167

HSL 192, 0.64%, 0.4%

LAB 54.27, -19.75, -22.01

 

CMYK 23 / 78 / 0 / 35

HEX #8025A7

RGB 128 37 167

HSL 282, 0.64%, 0.4%

LAB 35.4, 57.57, -51.4

 

Description

Color code: HEX #A73F25 | qconv.com Color code: HEX #A73F25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 63 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 63 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 78 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 78% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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