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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A73B0A it is the complementary color #58C4F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A73B0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A73B0A shade: #AC3B05, #BD4D18, #CE5F2B, #DF713E and #F08351

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A73B0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A73B0A shade: #A73B0A, #962900, #851700, #740500 and #630000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A73B0A shade: #A93B0A, #A9110A and #A90A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A73B0A shade: #A93B0A, #A9660A, #A9910A, #95A90A and #6BA90A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A73B0A shade matches the following richer shades: #A93B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A73B0A shade: #A93B0A, #9A4118, #8C4627, #7D4C35 and #6F5144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A73B0A shade: #A90A2F, #A90F0A, #A9390A, #A9640A and #A98E0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A73B0A shade: #5B2005, #822E08, #A93B0A, #D0490C and #F15914

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A73B0A shade: #A73B0A, #59A90A and #0A1AA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A73B0A shade: #A73B0A, #0AA939 and #390AA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A73B0A shade: #A73B0A, #59A90A, #0A79A9 and #590AA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A73B0A shade: #A73B0A, #2AA90A, #0A79A9 and #890AA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 94 / 35

HEX #A73B0A

RGB 167 59 10

HSL 18.73, 0.89%, 0.35%

LAB 40.19, 42.55, 48.35

 

Complementary color

CMYK 64 / 20 / 0 / 4

HEX #58C4F5

RGB 88 196 245

HSL 198.73, 0.89%, 0.65%

LAB 74.92, -16.43, -33.38

 

CMYK 0 / 66 / 97 / 33

HEX #AC3B05

RGB 172 59 5

HSL 19.4, 0.94%, 0.35%

LAB 41.07, 44.31, 50.87

 

CMYK 0 / 59 / 87 / 26

HEX #BD4D18

RGB 189 77 24

HSL 19.27, 0.77%, 0.42%

LAB 47.23, 42.65, 50.44

 

CMYK 0 / 54 / 79 / 19

HEX #CE5F2B

RGB 206 95 43

HSL 19.14, 0.65%, 0.49%

LAB 53.47, 40.92, 48.88

 

CMYK 0 / 49 / 72 / 13

HEX #DF713E

RGB 223 113 62

HSL 19.01, 0.72%, 0.56%

LAB 59.75, 39.25, 46.94

 

CMYK 0 / 45 / 66 / 6

HEX #F08351

RGB 240 131 81

HSL 18.87, 0.84%, 0.63%

LAB 66.02, 37.7, 44.98

 

CMYK 0 / 65 / 94 / 35

HEX #A73B0A

RGB 167 59 10

HSL 18.73, 0.89%, 0.35%

LAB 40.19, 42.55, 48.35

 

CMYK 0 / 73 / 100 / 41

HEX #962900

RGB 150 41 0

HSL 16.4, 1%, 0.29%

LAB 34.13, 43.97, 46.64

 

CMYK 0 / 83 / 100 / 48

HEX #851700

RGB 133 23 0

HSL 10.38, 1%, 0.26%

LAB 28.38, 44.59, 40.99

 

CMYK 0 / 96 / 100 / 55

HEX #740500

RGB 116 5 0

HSL 2.59, 1%, 0.23%

LAB 23.07, 43.7, 34.7

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 65 / 94 / 34

HEX #A93B0A

RGB 169 59 10

HSL 18.49, 0.89%, 0.35%

LAB 40.55, 43.29, 48.76

 

CMYK 0 / 90 / 94 / 34

HEX #A9110A

RGB 169 17 10

HSL 2.64, 0.89%, 0.35%

LAB 35.71, 56.7, 45.64

 

CMYK 0 / 94 / 94 / 34

HEX #A90A0A

RGB 169 10 10

HSL 0, 0.89%, 0.35%

LAB 35.35, 57.74, 45.42

 

CMYK 0 / 65 / 94 / 34

HEX #A93B0A

RGB 169 59 10

HSL 18.49, 0.89%, 0.35%

LAB 40.55, 43.29, 48.76

 

CMYK 0 / 40 / 94 / 34

HEX #A9660A

RGB 169 102 10

HSL 34.72, 0.89%, 0.35%

LAB 49.45, 20.98, 54.97

 

CMYK 0 / 14 / 94 / 34

HEX #A9910A

RGB 169 145 10

HSL 50.94, 0.89%, 0.35%

LAB 60.52, -3.02, 63.15

 

CMYK 12 / 0 / 94 / 34

HEX #95A90A

RGB 149 169 10

HSL 67.55, 0.89%, 0.35%

LAB 65.58, -24.45, 66.29

 

CMYK 37 / 0 / 94 / 34

HEX #6BA90A

RGB 107 169 10

HSL 83.4, 0.89%, 0.35%

LAB 62.95, -41.38, 63.08

 

CMYK 0 / 65 / 94 / 34

HEX #A93B0A

RGB 169 59 10

HSL 18.49, 0.89%, 0.35%

LAB 40.55, 43.29, 48.76

 

CMYK 0 / 65 / 94 / 34

HEX #A93B0A

RGB 169 59 10

HSL 18.49, 0.89%, 0.35%

LAB 40.55, 43.29, 48.76

 

CMYK 0 / 58 / 84 / 40

HEX #9A4118

RGB 154 65 24

HSL 18.92, 0.73%, 0.35%

LAB 39.1, 34.98, 41.18

 

CMYK 0 / 50 / 72 / 45

HEX #8C4627

RGB 140 70 39

HSL 18.42, 0.56%, 0.35%

LAB 38.03, 27.18, 31.66

 

CMYK 0 / 39 / 58 / 51

HEX #7D4C35

RGB 125 76 53

HSL 19.17, 0.4%, 0.35%

LAB 37.46, 18.2, 22.3

 

CMYK 0 / 27 / 39 / 56

HEX #6F5144

RGB 111 81 68

HSL 18.14, 0.24%, 0.35%

LAB 37.27, 10.64, 12.56

 

CMYK 0 / 94 / 72 / 34

HEX #A90A2F

RGB 169 10 47

HSL 346.04, 0.89%, 0.35%

LAB 35.71, 58.74, 25.54

 

CMYK 0 / 91 / 94 / 34

HEX #A90F0A

RGB 169 15 10

HSL 1.89, 0.89%, 0.35%

LAB 35.59, 57.03, 45.57

 

CMYK 0 / 66 / 94 / 34

HEX #A9390A

RGB 169 57 10

HSL 17.74, 0.89%, 0.35%

LAB 40.22, 44.17, 48.54

 

CMYK 0 / 41 / 94 / 34

HEX #A9640A

RGB 169 100 10

HSL 33.96, 0.89%, 0.35%

LAB 48.97, 22.1, 54.63

 

CMYK 0 / 16 / 94 / 34

HEX #A98E0A

RGB 169 142 10

HSL 49.81, 0.89%, 0.35%

LAB 59.71, -1.39, 62.54

 

CMYK 0 / 65 / 95 / 64

HEX #5B2005

RGB 91 32 5

HSL 18.84, 0.9%, 0.19%

LAB 21.09, 25.7, 28.94

 

CMYK 0 / 65 / 94 / 49

HEX #822E08

RGB 130 46 8

HSL 18.69, 0.88%, 0.27%

LAB 31.15, 34.56, 39.6

 

CMYK 0 / 65 / 94 / 34

HEX #A93B0A

RGB 169 59 10

HSL 18.49, 0.89%, 0.35%

LAB 40.55, 43.29, 48.76

 

CMYK 0 / 65 / 94 / 18

HEX #D0490C

RGB 208 73 12

HSL 18.67, 0.89%, 0.43%

LAB 49.74, 51.15, 57.57

 

CMYK 0 / 63 / 92 / 5

HEX #F15914

RGB 241 89 20

HSL 18.73, 0.89%, 0.51%

LAB 57.94, 55.91, 63.57

 

CMYK 0 / 65 / 94 / 35

HEX #A73B0A

RGB 167 59 10

HSL 18.73, 0.89%, 0.35%

LAB 40.19, 42.55, 48.35

 

CMYK 47 / 0 / 94 / 34

HEX #59A90A

RGB 89 169 10

HSL 90.19, 0.89%, 0.35%

LAB 62.1, -47.6, 62.05

 

CMYK 94 / 85 / 0 / 34

HEX #0A1AA9

RGB 10 26 169

HSL 233.96, 0.89%, 0.35%

LAB 22.54, 49.81, -74.16

 

CMYK 0 / 65 / 94 / 35

HEX #A73B0A

RGB 167 59 10

HSL 18.73, 0.89%, 0.35%

LAB 40.19, 42.55, 48.35

 

CMYK 94 / 0 / 66 / 34

HEX #0AA939

RGB 10 169 57

HSL 137.74, 0.89%, 0.35%

LAB 60.55, -59.44, 46.09

 

CMYK 66 / 94 / 0 / 34

HEX #390AA9

RGB 57 10 169

HSL 257.74, 0.89%, 0.35%

LAB 23.51, 57.23, -72.48

 

CMYK 0 / 65 / 94 / 35

HEX #A73B0A

RGB 167 59 10

HSL 18.73, 0.89%, 0.35%

LAB 40.19, 42.55, 48.35

 

CMYK 47 / 0 / 94 / 34

HEX #59A90A

RGB 89 169 10

HSL 90.19, 0.89%, 0.35%

LAB 62.1, -47.6, 62.05

 

CMYK 94 / 28 / 0 / 34

HEX #0A79A9

RGB 10 121 169

HSL 198.11, 0.89%, 0.35%

LAB 47.76, -9.98, -33.31

 

CMYK 47 / 94 / 0 / 34

HEX #590AA9

RGB 89 10 169

HSL 269.81, 0.89%, 0.35%

LAB 27.31, 59.82, -66.06

 

CMYK 0 / 65 / 94 / 35

HEX #A73B0A

RGB 167 59 10

HSL 18.73, 0.89%, 0.35%

LAB 40.19, 42.55, 48.35

 

CMYK 75 / 0 / 94 / 34

HEX #2AA90A

RGB 42 169 10

HSL 107.92, 0.89%, 0.35%

LAB 60.68, -59.15, 60.3

 

CMYK 94 / 28 / 0 / 34

HEX #0A79A9

RGB 10 121 169

HSL 198.11, 0.89%, 0.35%

LAB 47.76, -9.98, -33.31

 

CMYK 19 / 94 / 0 / 34

HEX #890AA9

RGB 137 10 169

HSL 287.92, 0.89%, 0.35%

LAB 34.8, 65.94, -53.51

 

Description

Color code: HEX #A73B0A | qconv.com Color code: HEX #A73B0A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 59 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 59 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 94 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 94% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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