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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A73AFB it is the complementary color #58C504. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A73AFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A73AFB shade: #AC3AF6, #BD4CFF, #CE5EFF, #DF70FF and #F082FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A73AFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A73AFB shade: #A73AFB, #9628E8, #8516D5, #7404C2 and #6300AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A73AFB shade: #A83CFB, #DB3CFB, #FB3CE7, #FB3CB4 and #FB3C80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A73AFB shade: #A83CFB, #743CFB, #413CFB and #3C3CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A73AFB shade matches the following richer shades: #A83CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A73AFB shade: #A83CFB, #A64CEB, #A45CDB, #A26CCB and #A07CBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A73AFB shade: #3F3CFB, #723CFB, #A53CFB, #D83CFB and #FB3CEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A73AFB shade: #8105E0, #9614FA, #A83CFB, #BA65FC and #CC8DFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A73AFB shade: #A73AFB, #FB3C6C and #3CFB59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A73AFB shade: #A73AFB, #FBA53C and #3CFBA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A73AFB shade: #A73AFB, #FB3C6C, #92FB3C and #3CFBCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A73AFB shade: #A73AFB, #FB463C, #92FB3C and #3CF1FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 77 / 0 / 2

HEX #A73AFB

RGB 167 58 251

HSL 273.89, 0.96%, 0.61%

LAB 49.75, 74.52, -76.37

 

Complementary color

CMYK 55 / 0 / 98 / 23

HEX #58C504

RGB 88 197 4

HSL 93.89, 0.96%, 0.39%

LAB 70.88, -58.41, 69.83

 

CMYK 30 / 76 / 0 / 4

HEX #AC3AF6

RGB 172 58 246

HSL 276.38, 0.91%, 0.6%

LAB 50.04, 74.28, -73.07

 

CMYK 26 / 70 / 0 / 0

HEX #BD4CFF

RGB 189 76 255

HSL 277.88, 1%, 0.65%

LAB 55.29, 72.42, -69.47

 

CMYK 19 / 63 / 0 / 0

HEX #CE5EFF

RGB 206 94 255

HSL 281.74, 1%, 0.68%

LAB 60.2, 68.35, -61.44

 

CMYK 13 / 56 / 0 / 0

HEX #DF70FF

RGB 223 112 255

HSL 286.57, 1%, 0.72%

LAB 65.35, 64.15, -53.1

 

CMYK 6 / 49 / 0 / 0

HEX #F082FF

RGB 240 130 255

HSL 292.8, 1%, 0.75%

LAB 70.67, 59.98, -44.58

 

CMYK 33 / 77 / 0 / 2

HEX #A73AFB

RGB 167 58 251

HSL 273.89, 0.96%, 0.61%

LAB 49.75, 74.52, -76.37

 

CMYK 35 / 83 / 0 / 9

HEX #9628E8

RGB 150 40 232

HSL 274.38, 0.81%, 0.53%

LAB 43.98, 73.75, -75.18

 

CMYK 38 / 90 / 0 / 16

HEX #8516D5

RGB 133 22 213

HSL 274.87, 0.81%, 0.46%

LAB 38.49, 71.99, -73.41

 

CMYK 40 / 98 / 0 / 24

HEX #7404C2

RGB 116 4 194

HSL 275.37, 0.96%, 0.39%

LAB 33.34, 68.95, -70.89

 

CMYK 43 / 100 / 0 / 31

HEX #6300AF

RGB 99 0 175

HSL 273.94, 1%, 0.34%

LAB 28.77, 63.88, -67.22

 

CMYK 33 / 76 / 0 / 2

HEX #A83CFB

RGB 168 60 251

HSL 273.93, 0.96%, 0.61%

LAB 50.12, 73.97, -75.75

 

CMYK 13 / 76 / 0 / 2

HEX #DB3CFB

RGB 219 60 251

HSL 289.95, 0.96%, 0.61%

LAB 57.32, 82.78, -63.74

 

CMYK 0 / 76 / 8 / 2

HEX #FB3CE7

RGB 251 60 231

HSL 306.28, 0.96%, 0.61%

LAB 61.23, 85.84, -46.07

 

CMYK 0 / 76 / 28 / 2

HEX #FB3CB4

RGB 251 60 180

HSL 322.3, 0.96%, 0.61%

LAB 59.01, 79.34, -20.51

 

CMYK 0 / 76 / 49 / 2

HEX #FB3C80

RGB 251 60 128

HSL 338.64, 0.96%, 0.61%

LAB 57.37, 74.32, 7.52

 

CMYK 33 / 76 / 0 / 2

HEX #A83CFB

RGB 168 60 251

HSL 273.93, 0.96%, 0.61%

LAB 50.12, 73.97, -75.75

 

CMYK 54 / 76 / 0 / 2

HEX #743CFB

RGB 116 60 251

HSL 257.59, 0.96%, 0.61%

LAB 44.1, 66.47, -85.84

 

CMYK 74 / 76 / 0 / 2

HEX #413CFB

RGB 65 60 251

HSL 241.57, 0.96%, 0.61%

LAB 40.12, 61.39, -92.56

 

CMYK 76 / 76 / 0 / 2

HEX #3C3CFB

RGB 60 60 251

HSL 240, 0.96%, 0.61%

LAB 39.84, 61.04, -93.01

 

CMYK 33 / 76 / 0 / 2

HEX #A83CFB

RGB 168 60 251

HSL 273.93, 0.96%, 0.61%

LAB 50.12, 73.97, -75.75

 

CMYK 33 / 76 / 0 / 2

HEX #A83CFB

RGB 168 60 251

HSL 273.93, 0.96%, 0.61%

LAB 50.12, 73.97, -75.75

 

CMYK 29 / 68 / 0 / 8

HEX #A64CEB

RGB 166 76 235

HSL 273.96, 0.8%, 0.61%

LAB 51.01, 63.68, -65.36

 

CMYK 25 / 58 / 0 / 14

HEX #A45CDB

RGB 164 92 219

HSL 274.02, 0.64%, 0.61%

LAB 52.58, 51.97, -53.82

 

CMYK 20 / 47 / 0 / 20

HEX #A26CCB

RGB 162 108 203

HSL 274.11, 0.48%, 0.61%

LAB 54.78, 39.24, -41.25

 

CMYK 14 / 34 / 0 / 27

HEX #A07CBB

RGB 160 124 187

HSL 274.29, 0.32%, 0.61%

LAB 57.54, 26, -27.84

 

CMYK 75 / 76 / 0 / 2

HEX #3F3CFB

RGB 63 60 251

HSL 240.94, 0.96%, 0.61%

LAB 40, 61.25, -92.74

 

CMYK 55 / 76 / 0 / 2

HEX #723CFB

RGB 114 60 251

HSL 256.96, 0.96%, 0.61%

LAB 43.91, 66.22, -86.17

 

CMYK 34 / 76 / 0 / 2

HEX #A53CFB

RGB 165 60 251

HSL 272.98, 0.96%, 0.61%

LAB 49.73, 73.49, -76.4

 

CMYK 14 / 76 / 0 / 2

HEX #D83CFB

RGB 216 60 251

HSL 289.01, 0.96%, 0.61%

LAB 56.88, 82.24, -64.49

 

CMYK 0 / 76 / 6 / 2

HEX #FB3CEB

RGB 251 60 235

HSL 305.03, 0.96%, 0.61%

LAB 61.43, 86.41, -47.99

 

CMYK 42 / 98 / 0 / 12

HEX #8105E0

RGB 129 5 224

HSL 273.97, 0.96%, 0.45%

LAB 38.12, 76.3, -80.35

 

CMYK 40 / 92 / 0 / 2

HEX #9614FA

RGB 150 20 250

HSL 273.91, 0.96%, 0.53%

LAB 44.07, 81.83, -85.19

 

CMYK 33 / 76 / 0 / 2

HEX #A83CFB

RGB 168 60 251

HSL 273.93, 0.96%, 0.61%

LAB 50.12, 73.97, -75.75

 

CMYK 26 / 60 / 0 / 1

HEX #BA65FC

RGB 186 101 252

HSL 273.77, 0.96%, 0.69%

LAB 58.77, 60, -62.22

 

CMYK 19 / 44 / 0 / 1

HEX #CC8DFD

RGB 204 141 253

HSL 273.75, 0.97%, 0.77%

LAB 68.74, 44.11, -46.81

 

CMYK 33 / 77 / 0 / 2

HEX #A73AFB

RGB 167 58 251

HSL 273.89, 0.96%, 0.61%

LAB 49.75, 74.52, -76.37

 

CMYK 0 / 76 / 57 / 2

HEX #FB3C6C

RGB 251 60 108

HSL 344.92, 0.96%, 0.61%

LAB 56.9, 72.86, 18.74

 

CMYK 76 / 0 / 65 / 2

HEX #3CFB59

RGB 60 251 89

HSL 129.11, 0.96%, 0.61%

LAB 87.33, -76.51, 62.45

 

CMYK 33 / 77 / 0 / 2

HEX #A73AFB

RGB 167 58 251

HSL 273.89, 0.96%, 0.61%

LAB 49.75, 74.52, -76.37

 

CMYK 0 / 34 / 76 / 2

HEX #FBA53C

RGB 251 165 60

HSL 32.98, 0.96%, 0.61%

LAB 74.66, 23.46, 64.19

 

CMYK 76 / 0 / 34 / 2

HEX #3CFBA5

RGB 60 251 165

HSL 152.98, 0.96%, 0.61%

LAB 88.29, -65.24, 28.29

 

CMYK 33 / 77 / 0 / 2

HEX #A73AFB

RGB 167 58 251

HSL 273.89, 0.96%, 0.61%

LAB 49.75, 74.52, -76.37

 

CMYK 0 / 76 / 57 / 2

HEX #FB3C6C

RGB 251 60 108

HSL 344.92, 0.96%, 0.61%

LAB 56.9, 72.86, 18.74

 

CMYK 42 / 0 / 76 / 2

HEX #92FB3C

RGB 146 251 60

HSL 92.98, 0.96%, 0.61%

LAB 89.59, -59.29, 75.76

 

CMYK 76 / 0 / 19 / 2

HEX #3CFBCB

RGB 60 251 203

HSL 164.92, 0.96%, 0.61%

LAB 89.05, -57.01, 9.87

 

CMYK 33 / 77 / 0 / 2

HEX #A73AFB

RGB 167 58 251

HSL 273.89, 0.96%, 0.61%

LAB 49.75, 74.52, -76.37

 

CMYK 0 / 72 / 76 / 2

HEX #FB463C

RGB 251 70 60

HSL 3.14, 0.96%, 0.61%

LAB 57.29, 67.33, 46.67

 

CMYK 42 / 0 / 76 / 2

HEX #92FB3C

RGB 146 251 60

HSL 92.98, 0.96%, 0.61%

LAB 89.59, -59.29, 75.76

 

CMYK 76 / 4 / 0 / 2

HEX #3CF1FB

RGB 60 241 251

HSL 183.14, 0.96%, 0.61%

LAB 87.41, -40.13, -17.58

 

Description

Color code: HEX #A73AFB | qconv.com Color code: HEX #A73AFB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 58 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 58 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 77 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 77% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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