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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A73AFA it is the complementary color #58C505. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A73AFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A73AFA shade: #AC3AF5, #BD4CFF, #CE5EFF, #DF70FF and #F082FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A73AFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A73AFA shade: #A73AFA, #9628E7, #8516D4, #7404C1 and #6300AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A73AFA shade: #A638FA, #DA38FA, #FA38E5, #FA38B1 and #FA387D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A73AFA shade: #A638FA, #7238FA, #3E38FA and #3838FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A73AFA shade matches the following richer shades: #A638FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A73AFA shade: #A638FA, #A449E9, #A259D9, #9F6AC8 and #9D7AB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A73AFA shade: #3F38FA, #7238FA, #A638FA, #DA38FA and #FA38E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A73AFA shade: #7E06DA, #9410F9, #A638FA, #B860FB and #CA89FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A73AFA shade: #A73AFA, #FA3865 and #38FA58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A73AFA shade: #A73AFA, #FAA638 and #38FAA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A73AFA shade: #A73AFA, #FA3865, #8CFA38 and #38FACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A73AFA shade: #A73AFA, #FA4538, #8CFA38 and #38EDFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 77 / 0 / 2

HEX #A73AFA

RGB 167 58 250

HSL 274.06, 0.95%, 0.6%

LAB 49.67, 74.31, -75.93

 

Complementary color

CMYK 55 / 0 / 97 / 23

HEX #58C505

RGB 88 197 5

HSL 94.06, 0.95%, 0.4%

LAB 70.88, -58.39, 69.72

 

CMYK 30 / 76 / 0 / 4

HEX #AC3AF5

RGB 172 58 245

HSL 276.58, 0.9%, 0.59%

LAB 49.96, 74.08, -72.63

 

CMYK 26 / 70 / 0 / 0

HEX #BD4CFF

RGB 189 76 255

HSL 277.88, 1%, 0.65%

LAB 55.29, 72.42, -69.47

 

CMYK 19 / 63 / 0 / 0

HEX #CE5EFF

RGB 206 94 255

HSL 281.74, 1%, 0.68%

LAB 60.2, 68.35, -61.44

 

CMYK 13 / 56 / 0 / 0

HEX #DF70FF

RGB 223 112 255

HSL 286.57, 1%, 0.72%

LAB 65.35, 64.15, -53.1

 

CMYK 6 / 49 / 0 / 0

HEX #F082FF

RGB 240 130 255

HSL 292.8, 1%, 0.75%

LAB 70.67, 59.98, -44.58

 

CMYK 33 / 77 / 0 / 2

HEX #A73AFA

RGB 167 58 250

HSL 274.06, 0.95%, 0.6%

LAB 49.67, 74.31, -75.93

 

CMYK 35 / 83 / 0 / 9

HEX #9628E7

RGB 150 40 231

HSL 274.55, 0.8%, 0.53%

LAB 43.9, 73.54, -74.75

 

CMYK 37 / 90 / 0 / 17

HEX #8516D4

RGB 133 22 212

HSL 275.05, 0.81%, 0.46%

LAB 38.4, 71.78, -72.98

 

CMYK 40 / 98 / 0 / 24

HEX #7404C1

RGB 116 4 193

HSL 275.56, 0.96%, 0.39%

LAB 33.24, 68.75, -70.46

 

CMYK 43 / 100 / 0 / 32

HEX #6300AE

RGB 99 0 174

HSL 274.14, 1%, 0.34%

LAB 28.67, 63.67, -66.79

 

CMYK 34 / 78 / 0 / 2

HEX #A638FA

RGB 166 56 250

HSL 274.02, 0.95%, 0.6%

LAB 49.3, 74.85, -76.54

 

CMYK 13 / 78 / 0 / 2

HEX #DA38FA

RGB 218 56 250

HSL 290.1, 0.95%, 0.6%

LAB 56.72, 83.57, -64.17

 

CMYK 0 / 78 / 8 / 2

HEX #FA38E5

RGB 250 56 229

HSL 306.49, 0.95%, 0.6%

LAB 60.61, 86.38, -45.93

 

CMYK 0 / 78 / 29 / 2

HEX #FA38B1

RGB 250 56 177

HSL 322.58, 0.95%, 0.6%

LAB 58.35, 79.85, -19.8

 

CMYK 0 / 78 / 50 / 2

HEX #FA387D

RGB 250 56 125

HSL 338.66, 0.95%, 0.6%

LAB 56.72, 74.93, 8.35

 

CMYK 34 / 78 / 0 / 2

HEX #A638FA

RGB 166 56 250

HSL 274.02, 0.95%, 0.6%

LAB 49.3, 74.85, -76.54

 

CMYK 54 / 78 / 0 / 2

HEX #7238FA

RGB 114 56 250

HSL 257.94, 0.95%, 0.6%

LAB 43.22, 67.67, -86.74

 

CMYK 75 / 78 / 0 / 2

HEX #3E38FA

RGB 62 56 250

HSL 241.86, 0.95%, 0.6%

LAB 39.16, 62.84, -93.58

 

CMYK 78 / 78 / 0 / 2

HEX #3838FA

RGB 56 56 250

HSL 240, 0.95%, 0.6%

LAB 38.85, 62.46, -94.11

 

CMYK 34 / 78 / 0 / 2

HEX #A638FA

RGB 166 56 250

HSL 274.02, 0.95%, 0.6%

LAB 49.3, 74.85, -76.54

 

CMYK 34 / 78 / 0 / 2

HEX #A638FA

RGB 166 56 250

HSL 274.02, 0.95%, 0.6%

LAB 49.3, 74.85, -76.54

 

CMYK 30 / 69 / 0 / 9

HEX #A449E9

RGB 164 73 233

HSL 274.13, 0.78%, 0.6%

LAB 50.15, 64.17, -65.64

 

CMYK 25 / 59 / 0 / 15

HEX #A259D9

RGB 162 89 217

HSL 274.22, 0.63%, 0.6%

LAB 51.65, 52.56, -54.18

 

CMYK 21 / 47 / 0 / 22

HEX #9F6AC8

RGB 159 106 200

HSL 273.83, 0.46%, 0.6%

LAB 53.87, 38.82, -41

 

CMYK 15 / 34 / 0 / 28

HEX #9D7AB8

RGB 157 122 184

HSL 273.87, 0.3%, 0.6%

LAB 56.63, 25.52, -27.55

 

CMYK 75 / 78 / 0 / 2

HEX #3F38FA

RGB 63 56 250

HSL 242.16, 0.95%, 0.6%

LAB 39.22, 62.9, -93.48

 

CMYK 54 / 78 / 0 / 2

HEX #7238FA

RGB 114 56 250

HSL 257.94, 0.95%, 0.6%

LAB 43.22, 67.67, -86.74

 

CMYK 34 / 78 / 0 / 2

HEX #A638FA

RGB 166 56 250

HSL 274.02, 0.95%, 0.6%

LAB 49.3, 74.85, -76.54

 

CMYK 13 / 78 / 0 / 2

HEX #DA38FA

RGB 218 56 250

HSL 290.1, 0.95%, 0.6%

LAB 56.72, 83.57, -64.17

 

CMYK 0 / 78 / 8 / 2

HEX #FA38E7

RGB 250 56 231

HSL 305.88, 0.95%, 0.6%

LAB 60.71, 86.66, -46.9

 

CMYK 42 / 97 / 0 / 15

HEX #7E06DA

RGB 126 6 218

HSL 273.96, 0.95%, 0.44%

LAB 37.17, 74.66, -78.5

 

CMYK 41 / 94 / 0 / 2

HEX #9410F9

RGB 148 16 249

HSL 273.99, 0.95%, 0.52%

LAB 43.52, 81.98, -85.55

 

CMYK 34 / 78 / 0 / 2

HEX #A638FA

RGB 166 56 250

HSL 274.02, 0.95%, 0.6%

LAB 49.3, 74.85, -76.54

 

CMYK 27 / 62 / 0 / 2

HEX #B860FB

RGB 184 96 251

HSL 274.06, 0.95%, 0.68%

LAB 57.58, 61.75, -63.58

 

CMYK 20 / 46 / 0 / 1

HEX #CA89FC

RGB 202 137 252

HSL 273.91, 0.95%, 0.76%

LAB 67.63, 45.48, -48.01

 

CMYK 33 / 77 / 0 / 2

HEX #A73AFA

RGB 167 58 250

HSL 274.06, 0.95%, 0.6%

LAB 49.67, 74.31, -75.93

 

CMYK 0 / 78 / 60 / 2

HEX #FA3865

RGB 250 56 101

HSL 346.08, 0.95%, 0.6%

LAB 56.18, 73.27, 21.88

 

CMYK 78 / 0 / 65 / 2

HEX #38FA58

RGB 56 250 88

HSL 129.9, 0.95%, 0.6%

LAB 86.96, -76.8, 62.42

 

CMYK 33 / 77 / 0 / 2

HEX #A73AFA

RGB 167 58 250

HSL 274.06, 0.95%, 0.6%

LAB 49.67, 74.31, -75.93

 

CMYK 0 / 34 / 78 / 2

HEX #FAA638

RGB 250 166 56

HSL 34.02, 0.95%, 0.6%

LAB 74.75, 22.37, 65.78

 

CMYK 78 / 0 / 34 / 2

HEX #38FAA6

RGB 56 250 166

HSL 154.02, 0.95%, 0.6%

LAB 87.95, -65.13, 27.31

 

CMYK 33 / 77 / 0 / 2

HEX #A73AFA

RGB 167 58 250

HSL 274.06, 0.95%, 0.6%

LAB 49.67, 74.31, -75.93

 

CMYK 0 / 78 / 60 / 2

HEX #FA3865

RGB 250 56 101

HSL 346.08, 0.95%, 0.6%

LAB 56.18, 73.27, 21.88

 

CMYK 44 / 0 / 78 / 2

HEX #8CFA38

RGB 140 250 56

HSL 94.02, 0.95%, 0.6%

LAB 89.03, -60.97, 76.3

 

CMYK 78 / 0 / 18 / 2

HEX #38FACD

RGB 56 250 205

HSL 166.08, 0.95%, 0.6%

LAB 88.74, -56.55, 8.39

 

CMYK 33 / 77 / 0 / 2

HEX #A73AFA

RGB 167 58 250

HSL 274.06, 0.95%, 0.6%

LAB 49.67, 74.31, -75.93

 

CMYK 0 / 72 / 78 / 2

HEX #FA4538

RGB 250 69 56

HSL 4.02, 0.95%, 0.6%

LAB 56.94, 67.23, 48.36

 

CMYK 44 / 0 / 78 / 2

HEX #8CFA38

RGB 140 250 56

HSL 94.02, 0.95%, 0.6%

LAB 89.03, -60.97, 76.3

 

CMYK 78 / 5 / 0 / 2

HEX #38EDFA

RGB 56 237 250

HSL 184.02, 0.95%, 0.6%

LAB 86.16, -38.97, -18.93

 

Description

Color code: HEX #A73AFA | qconv.com Color code: HEX #A73AFA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 58 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 58 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 77 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 77% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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