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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A72BEA it is the complementary color #58D415. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A72BEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A72BEA shade: #AC2BE5, #BD3DF8, #CE4FFF, #DF61FF and #F073FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A72BEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A72BEA shade: #A72BEA, #9619D7, #8507C4, #7400B1 and #63009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A72BEA shade: #A62AEA, #DA2AEA, #EA2AC6, #EA2A92 and #EA2A5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A72BEA shade: #A62AEA, #732AEA, #3F2AEA and #2A2AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A72BEA shade matches the following richer shades: #A62AEA and #AC17FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A72BEA shade: #A62AEA, #A13CD7, #9B4FC4, #9562B1 and #90759E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A72BEA shade: #3D2AEA, #702AEA, #A32AEA, #D72AEA and #EA2ACA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A72BEA shade: #7811B0, #9215D5, #A62AEA, #B64FEE and #C675F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A72BEA shade: #A72BEA, #EA2A4A and #2AEA56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A72BEA shade: #A72BEA, #EAA32A and #2AEAA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A72BEA shade: #A72BEA, #EA2A4A, #70EA2A and #2AEACA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A72BEA shade: #A72BEA, #EA432A, #70EA2A and #2AD0EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 82 / 0 / 8

HEX #A72BEA

RGB 167 43 234

HSL 278.95, 0.82%, 0.54%

LAB 46.82, 75.79, -71.58

 

Complementary color

CMYK 58 / 0 / 90 / 17

HEX #58D415

RGB 88 212 21

HSL 98.95, 0.82%, 0.46%

LAB 75.59, -63.25, 71.6

 

CMYK 25 / 81 / 0 / 10

HEX #AC2BE5

RGB 172 43 229

HSL 281.61, 0.78%, 0.53%

LAB 47.18, 75.59, -68.14

 

CMYK 24 / 75 / 0 / 3

HEX #BD3DF8

RGB 189 61 248

HSL 281.07, 0.93%, 0.61%

LAB 52.88, 76.55, -69.47

 

CMYK 19 / 69 / 0 / 0

HEX #CE4FFF

RGB 206 79 255

HSL 283.3, 1%, 0.65%

LAB 57.97, 74.56, -65.02

 

CMYK 13 / 62 / 0 / 0

HEX #DF61FF

RGB 223 97 255

HSL 287.85, 1%, 0.69%

LAB 62.89, 70.86, -57.01

 

CMYK 6 / 55 / 0 / 0

HEX #F073FF

RGB 240 115 255

HSL 293.57, 1%, 0.73%

LAB 68.03, 67.01, -48.74

 

CMYK 29 / 82 / 0 / 8

HEX #A72BEA

RGB 167 43 234

HSL 278.95, 0.82%, 0.54%

LAB 46.82, 75.79, -71.58

 

CMYK 30 / 88 / 0 / 16

HEX #9619D7

RGB 150 25 215

HSL 279.47, 0.79%, 0.47%

LAB 41.35, 73.97, -69.77

 

CMYK 32 / 96 / 0 / 23

HEX #8507C4

RGB 133 7 196

HSL 280, 0.93%, 0.4%

LAB 36.22, 70.87, -67.24

 

CMYK 34 / 100 / 0 / 31

HEX #7400B1

RGB 116 0 177

HSL 279.32, 1%, 0.35%

LAB 31.55, 66.08, -63.75

 

CMYK 37 / 100 / 0 / 38

HEX #63009E

RGB 99 0 158

HSL 277.59, 1%, 0.31%

LAB 27.08, 60.3, -59.72

 

CMYK 29 / 82 / 0 / 8

HEX #A62AEA

RGB 166 42 234

HSL 278.75, 0.82%, 0.54%

LAB 46.58, 75.91, -71.98

 

CMYK 7 / 82 / 0 / 8

HEX #DA2AEA

RGB 218 42 234

HSL 295, 0.82%, 0.54%

LAB 54.56, 84.4, -58.7

 

CMYK 0 / 82 / 15 / 8

HEX #EA2AC6

RGB 234 42 198

HSL 311.25, 0.82%, 0.54%

LAB 55.3, 82.22, -36.86

 

CMYK 0 / 82 / 38 / 8

HEX #EA2A92

RGB 234 42 146

HSL 327.5, 0.82%, 0.54%

LAB 53.19, 76.28, -9.65

 

CMYK 0 / 82 / 60 / 8

HEX #EA2A5E

RGB 234 42 94

HSL 343.75, 0.82%, 0.54%

LAB 51.79, 72.17, 19.66

 

CMYK 29 / 82 / 0 / 8

HEX #A62AEA

RGB 166 42 234

HSL 278.75, 0.82%, 0.54%

LAB 46.58, 75.91, -71.98

 

CMYK 51 / 82 / 0 / 8

HEX #732AEA

RGB 115 42 234

HSL 262.81, 0.82%, 0.54%

LAB 39.98, 69.13, -83.05

 

CMYK 73 / 82 / 0 / 8

HEX #3F2AEA

RGB 63 42 234

HSL 246.56, 0.82%, 0.54%

LAB 35.31, 64.53, -90.93

 

CMYK 82 / 82 / 0 / 8

HEX #2A2AEA

RGB 42 42 234

HSL 240, 0.82%, 0.54%

LAB 34.17, 63.44, -92.86

 

CMYK 29 / 82 / 0 / 8

HEX #A62AEA

RGB 166 42 234

HSL 278.75, 0.82%, 0.54%

LAB 46.58, 75.91, -71.98

 

CMYK 32 / 91 / 0 / 1

HEX #AC17FD

RGB 172 23 253

HSL 278.87, 0.98%, 0.54%

LAB 47.59, 84.45, -80.97

 

CMYK 29 / 82 / 0 / 8

HEX #A62AEA

RGB 166 42 234

HSL 278.75, 0.82%, 0.54%

LAB 46.58, 75.91, -71.98

 

CMYK 25 / 72 / 0 / 16

HEX #A13CD7

RGB 161 60 215

HSL 279.1, 0.66%, 0.54%

LAB 46.6, 65.15, -61.18

 

CMYK 21 / 60 / 0 / 23

HEX #9B4FC4

RGB 155 79 196

HSL 278.97, 0.5%, 0.54%

LAB 47.68, 51.23, -48.54

 

CMYK 16 / 45 / 0 / 31

HEX #9562B1

RGB 149 98 177

HSL 278.73, 0.34%, 0.54%

LAB 49.86, 35.2, -34.12

 

CMYK 9 / 26 / 0 / 38

HEX #90759E

RGB 144 117 158

HSL 279.51, 0.17%, 0.54%

LAB 53.08, 18.42, -18.1

 

CMYK 74 / 82 / 0 / 8

HEX #3D2AEA

RGB 61 42 234

HSL 245.94, 0.82%, 0.54%

LAB 35.18, 64.41, -91.15

 

CMYK 52 / 82 / 0 / 8

HEX #702AEA

RGB 112 42 234

HSL 261.88, 0.82%, 0.54%

LAB 39.65, 68.8, -83.61

 

CMYK 30 / 82 / 0 / 8

HEX #A32AEA

RGB 163 42 234

HSL 277.81, 0.82%, 0.54%

LAB 46.15, 75.46, -72.7

 

CMYK 8 / 82 / 0 / 8

HEX #D72AEA

RGB 215 42 234

HSL 294.06, 0.82%, 0.54%

LAB 54.07, 83.88, -59.5

 

CMYK 0 / 82 / 14 / 8

HEX #EA2ACA

RGB 234 42 202

HSL 310, 0.82%, 0.54%

LAB 55.49, 82.74, -38.86

 

CMYK 32 / 90 / 0 / 31

HEX #7811B0

RGB 120 17 176

HSL 278.87, 0.82%, 0.38%

LAB 32.98, 63.7, -60.79

 

CMYK 31 / 90 / 0 / 16

HEX #9215D5

RGB 146 21 213

HSL 279.06, 0.82%, 0.46%

LAB 40.33, 73.81, -70.32

 

CMYK 29 / 82 / 0 / 8

HEX #A62AEA

RGB 166 42 234

HSL 278.75, 0.82%, 0.54%

LAB 46.58, 75.91, -71.98

 

CMYK 24 / 67 / 0 / 7

HEX #B64FEE

RGB 182 79 238

HSL 278.87, 0.82%, 0.62%

LAB 53.72, 66.28, -62.57

 

CMYK 18 / 51 / 0 / 5

HEX #C675F1

RGB 198 117 241

HSL 279.19, 0.82%, 0.7%

LAB 62.57, 52.53, -49.99

 

CMYK 29 / 82 / 0 / 8

HEX #A72BEA

RGB 167 43 234

HSL 278.95, 0.82%, 0.54%

LAB 46.82, 75.79, -71.58

 

CMYK 0 / 82 / 68 / 8

HEX #EA2A4A

RGB 234 42 74

HSL 350, 0.82%, 0.54%

LAB 51.43, 71.1, 31.21

 

CMYK 82 / 0 / 63 / 8

HEX #2AEA56

RGB 42 234 86

HSL 133.75, 0.82%, 0.54%

LAB 81.84, -73.7, 57.53

 

CMYK 29 / 82 / 0 / 8

HEX #A72BEA

RGB 167 43 234

HSL 278.95, 0.82%, 0.54%

LAB 46.82, 75.79, -71.58

 

CMYK 0 / 30 / 82 / 8

HEX #EAA32A

RGB 234 163 42

HSL 37.81, 0.82%, 0.54%

LAB 72.13, 16.76, 67.65

 

CMYK 82 / 0 / 30 / 8

HEX #2AEAA3

RGB 42 234 163

HSL 157.81, 0.82%, 0.54%

LAB 82.9, -61.27, 21.92

 

CMYK 29 / 82 / 0 / 8

HEX #A72BEA

RGB 167 43 234

HSL 278.95, 0.82%, 0.54%

LAB 46.82, 75.79, -71.58

 

CMYK 0 / 82 / 68 / 8

HEX #EA2A4A

RGB 234 42 74

HSL 350, 0.82%, 0.54%

LAB 51.43, 71.1, 31.21

 

CMYK 52 / 0 / 82 / 8

HEX #70EA2A

RGB 112 234 42

HSL 98.13, 0.82%, 0.54%

LAB 83.16, -63.89, 74.22

 

CMYK 82 / 0 / 14 / 8

HEX #2AEACA

RGB 42 234 202

HSL 170, 0.82%, 0.54%

LAB 83.76, -52.08, 2.74

 

CMYK 29 / 82 / 0 / 8

HEX #A72BEA

RGB 167 43 234

HSL 278.95, 0.82%, 0.54%

LAB 46.82, 75.79, -71.58

 

CMYK 0 / 71 / 82 / 8

HEX #EA432A

RGB 234 67 42

HSL 7.81, 0.82%, 0.54%

LAB 53.68, 62.61, 51.21

 

CMYK 52 / 0 / 82 / 8

HEX #70EA2A

RGB 112 234 42

HSL 98.13, 0.82%, 0.54%

LAB 83.16, -63.89, 74.22

 

CMYK 82 / 11 / 0 / 8

HEX #2AD0EA

RGB 42 208 234

HSL 188.13, 0.82%, 0.54%

LAB 77.01, -31.39, -24.35

 

Description

Color code: HEX #A72BEA | qconv.com Color code: HEX #A72BEA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 43 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 43 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 82 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 82% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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