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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7274ACE it is the complementary color #58D8B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7274ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7274ACE shade: #AC2745CE, #BD3958CE, #CE4B6BCE, #DF5D7ECE and #F06F91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7274ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7274ACE shade: #A7274ACE, #961537CE, #850324CE, #740011CE and #630000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7274ACE shade: #A52749 and #A52727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7274ACE shade: #A52749, #A5276B, #A5278E, #9B27A5 and #7927A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7274ACE shade matches the following richer shades: #A52749, #B61642 and #C6063A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7274ACE shade: #A52749, #953751, #844858, #745860 and #636967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7274ACE shade: #A5278E, #A5276C, #A5274B, #A52729 and #A54627

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7274ACE shade: #62172C, #841F3B, #A52749, #C72F58 and #D54A70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7274ACE shade: #A7274A, #A59B27 and #277DA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7274ACE shade: #A7274A, #4BA527 and #274BA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7274ACE shade: #A7274A, #A59B27, #27A581 and #2731A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7274ACE shade: #A7274A, #8AA527, #27A581 and #4227A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 45 / 28

HEX #A7274ACE

RGBA 167 39 74 0.81

HSLA 343.59, 0.62%, 0.4%, 0.81

LABA 38.13, 53.27, 11.36, 0.81

 

Complementary color

CMYK 48 / 0 / 13 / 12

HEX #58D8B5CE

RGBA 88 216 181 0.81

HSLA 163.59, 0.62%, 0.6%, 0.81

LABA 78.77, -43.65, 6.76, 0.81

 

CMYK 0 / 63 / 49 / 26

HEX #AC2745CE

RGBA 172 39 69 0.81

HSLA 346.47, 0.63%, 0.41%, 0.81

LABA 38.99, 54.38, 15.87, 0.81

 

CMYK 0 / 57 / 43 / 21

HEX #BD3958CE

RGBA 189 57 88 0.81

HSLA 345.91, 0.54%, 0.48%, 0.81

LABA 44.87, 54.58, 12.53, 0.81

 

CMYK 0 / 52 / 39 / 16

HEX #CE4B6BCE

RGBA 206 75 107 0.81

HSLA 345.34, 0.57%, 0.55%, 0.81

LABA 50.94, 54.25, 9.86, 0.81

 

CMYK 0 / 47 / 35 / 10

HEX #DF5D7ECE

RGBA 223 93 126 0.81

HSLA 344.77, 0.67%, 0.62%, 0.81

LABA 57.1, 53.63, 7.68, 0.81

 

CMYK 0 / 44 / 32 / 5

HEX #F06F91CE

RGBA 240 111 145 0.81

HSLA 344.19, 0.81%, 0.69%, 0.81

LABA 63.29, 52.85, 5.86, 0.81

 

CMYK 0 / 62 / 45 / 28

HEX #A7274ACE

RGBA 167 39 74 0.81

HSLA 343.59, 0.62%, 0.4%, 0.81

LABA 38.13, 53.27, 11.36, 0.81

 

CMYK 0 / 70 / 51 / 33

HEX #961537CE

RGBA 150 21 55 0.81

HSLA 344.19, 0.75%, 0.34%, 0.81

LABA 32.47, 52.17, 15.41, 0.81

 

CMYK 0 / 79 / 59 / 39

HEX #850324CE

RGBA 133 3 36 0.81

HSLA 344.77, 0.96%, 0.27%, 0.81

LABA 27.24, 49.86, 20.57, 0.81

 

CMYK 0 / 81 / 69 / 44

HEX #740011CE

RGBA 116 0 17 0.81

HSLA 351.21, 1%, 0.23%, 0.81

LABA 22.84, 45.16, 26.94, 0.81

 

CMYK 0 / 81 / 81 / 50

HEX #630000CE

RGBA 99 0 0 0.81

HSLA 0, 1%, 0.19%, 0.81

LABA 18.6, 40.03, 28.62, 0.81

 

CMYK 0 / 76 / 56 / 35

HEX #A52749

RGB 165 39 73

HSL 343.81, 0.62%, 0.4%

LAB 37.72, 52.6, 11.37

 

CMYK 0 / 76 / 76 / 35

HEX #A52727

RGB 165 39 39

HSL 0, 0.62%, 0.4%

LAB 37.11, 50.62, 31.86

 

CMYK 0 / 76 / 56 / 35

HEX #A52749

RGB 165 39 73

HSL 343.81, 0.62%, 0.4%

LAB 37.72, 52.6, 11.37

 

CMYK 0 / 76 / 35 / 35

HEX #A5276B

RGB 165 39 107

HSL 327.62, 0.62%, 0.4%

LAB 38.75, 55.85, -8.77

 

CMYK 0 / 76 / 14 / 35

HEX #A5278E

RGB 165 39 142

HSL 310.95, 0.62%, 0.4%

LAB 40.25, 60.41, -28.16

 

CMYK 6 / 76 / 0 / 35

HEX #9B27A5

RGB 155 39 165

HSL 295.24, 0.62%, 0.4%

LAB 39.81, 61.88, -42.89

 

CMYK 27 / 76 / 0 / 35

HEX #7927A5

RGB 121 39 165

HSL 279.05, 0.62%, 0.4%

LAB 34.46, 55.08, -51.77

 

CMYK 0 / 76 / 56 / 35

HEX #A52749

RGB 165 39 73

HSL 343.81, 0.62%, 0.4%

LAB 37.72, 52.6, 11.37

 

CMYK 0 / 88 / 64 / 29

HEX #B61642

RGB 182 22 66

HSL 343.5, 0.78%, 0.4%

LAB 39.43, 61.22, 18.73

 

CMYK 0 / 97 / 71 / 22

HEX #C6063A

RGB 198 6 58

HSL 343.75, 0.94%, 0.4%

LAB 41.91, 66.94, 27.59

 

CMYK 0 / 76 / 56 / 35

HEX #A52749

RGB 165 39 73

HSL 343.81, 0.62%, 0.4%

LAB 37.72, 52.6, 11.37

 

CMYK 0 / 63 / 46 / 42

HEX #953751

RGB 149 55 81

HSL 343.4, 0.46%, 0.4%

LAB 37.33, 41.81, 5.29

 

CMYK 0 / 45 / 33 / 48

HEX #844858

RGB 132 72 88

HSL 344, 0.29%, 0.4%

LAB 38.28, 27.53, 1.89

 

CMYK 0 / 24 / 17 / 55

HEX #745860

RGB 116 88 96

HSL 342.86, 0.14%, 0.4%

LAB 40.47, 12.9, -0.15

 

CMYK 6 / 0 / 2 / 59

HEX #636967

RGB 99 105 103

HSL 160, 0.03%, 0.4%

LAB 43.85, -2.73, 0.32

 

CMYK 0 / 76 / 14 / 35

HEX #A5278E

RGB 165 39 142

HSL 310.95, 0.62%, 0.4%

LAB 40.25, 60.41, -28.16

 

CMYK 0 / 76 / 35 / 35

HEX #A5276C

RGB 165 39 108

HSL 327.14, 0.62%, 0.4%

LAB 38.78, 55.96, -9.35

 

CMYK 0 / 76 / 55 / 35

HEX #A5274B

RGB 165 39 75

HSL 342.86, 0.62%, 0.4%

LAB 37.77, 52.76, 10.15

 

CMYK 0 / 76 / 75 / 35

HEX #A52729

RGB 165 39 41

HSL 359.05, 0.62%, 0.4%

LAB 37.13, 50.7, 30.7

 

CMYK 0 / 58 / 76 / 35

HEX #A54627

RGB 165 70 39

HSL 14.76, 0.62%, 0.4%

LAB 42.04, 37.35, 37.18

 

CMYK 0 / 77 / 55 / 62

HEX #62172C

RGB 98 23 44

HSL 343.2, 0.62%, 0.24%

LAB 21.55, 34.98, 6.19

 

CMYK 0 / 77 / 55 / 48

HEX #841F3B

RGB 132 31 59

HSL 343.37, 0.62%, 0.32%

LAB 29.91, 44.23, 8.68

 

CMYK 0 / 76 / 56 / 35

HEX #A52749

RGB 165 39 73

HSL 343.81, 0.62%, 0.4%

LAB 37.72, 52.6, 11.37

 

CMYK 0 / 76 / 56 / 22

HEX #C72F58

RGB 199 47 88

HSL 343.82, 0.62%, 0.48%

LAB 45.47, 60.99, 13.64

 

CMYK 0 / 65 / 47 / 16

HEX #D54A70

RGB 213 74 112

HSL 343.6, 0.62%, 0.56%

LAB 52.08, 57.32, 8.63

 

CMYK 0 / 77 / 56 / 35

HEX #A7274A

RGB 167 39 74

HSL 343.59, 0.62%, 0.4%

LAB 38.13, 53.27, 11.36

 

CMYK 0 / 6 / 76 / 35

HEX #A59B27

RGB 165 155 39

HSL 55.24, 0.62%, 0.4%

LAB 63, -9.4, 57.8

 

CMYK 76 / 24 / 0 / 35

HEX #277DA5

RGB 39 125 165

HSL 199.05, 0.62%, 0.4%

LAB 49.27, -11.37, -28.58

 

CMYK 0 / 77 / 56 / 35

HEX #A7274A

RGB 167 39 74

HSL 343.59, 0.62%, 0.4%

LAB 38.13, 53.27, 11.36

 

CMYK 55 / 0 / 76 / 35

HEX #4BA527

RGB 75 165 39

HSL 102.86, 0.62%, 0.4%

LAB 60.38, -49.07, 53.34

 

CMYK 76 / 55 / 0 / 35

HEX #274BA5

RGB 39 75 165

HSL 222.86, 0.62%, 0.4%

LAB 34.36, 20.12, -52.29

 

CMYK 0 / 77 / 56 / 35

HEX #A7274A

RGB 167 39 74

HSL 343.59, 0.62%, 0.4%

LAB 38.13, 53.27, 11.36

 

CMYK 0 / 6 / 76 / 35

HEX #A59B27

RGB 165 155 39

HSL 55.24, 0.62%, 0.4%

LAB 63, -9.4, 57.8

 

CMYK 76 / 0 / 22 / 35

HEX #27A581

RGB 39 165 129

HSL 162.86, 0.62%, 0.4%

LAB 60.72, -42.2, 9.17

 

CMYK 76 / 70 / 0 / 35

HEX #2731A5

RGB 39 49 165

HSL 235.24, 0.62%, 0.4%

LAB 27.69, 37.23, -63.18

 

CMYK 0 / 77 / 56 / 35

HEX #A7274A

RGB 167 39 74

HSL 343.59, 0.62%, 0.4%

LAB 38.13, 53.27, 11.36

 

CMYK 16 / 0 / 76 / 35

HEX #8AA527

RGB 138 165 39

HSL 72.86, 0.62%, 0.4%

LAB 63.72, -26.27, 57.7

 

CMYK 76 / 0 / 22 / 35

HEX #27A581

RGB 39 165 129

HSL 162.86, 0.62%, 0.4%

LAB 60.72, -42.2, 9.17

 

CMYK 60 / 76 / 0 / 35

HEX #4227A5

RGB 66 39 165

HSL 252.86, 0.62%, 0.4%

LAB 27.64, 46.05, -63.19

 

Description

Color code: HEX #A7274ACE | qconv.com Color code: HEX #A7274ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 39 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 39 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 45 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 45% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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