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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7223700 it is the complementary color #58DDC800. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7223700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7223700 shade: #AC223200, #BD344500, #CE465800, #DF586B00 and #F06A7E00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7223700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7223700 shade: #A7223700, #96102400, #85001100, #74000000 and #63000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7223700 shade: #A52237 and #A52222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7223700 shade: #A52237, #A5225A, #A5227D, #A522A1 and #8622A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7223700 shade matches the following richer shades: #A52237, #B5122C and #C50221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7223700 shade: #A52237, #953242, #85424D, #755258 and #656263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7223700 shade: #A5227E, #A5225B, #A52238, #A52F22 and #A55222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7223700 shade: #611420, #831B2B, #A52237, #C72942 and #D84159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7223700 shade: #A72237, #A1A522 and #226CA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7223700 shade: #A72237, #38A522 and #2238A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7223700 shade: #A72237, #A1A522, #22A58F and #2622A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7223700 shade: #A72237, #79A522, #22A58F and #4E22A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #A7223700

RGBA 167 34 55 0

HSLA 350.53, 0.66%, 0.39%, 0

LABA 37.18, 53.58, 22.2, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #58DDC800

RGBA 88 221 200 0

HSLA 170.53, 0.66%, 0.61%, 0

LABA 80.72, -41.23, -0.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AC223200

RGBA 172 34 50 0

HSLA 353.04, 0.67%, 0.4%, 0

LABA 38.1, 54.79, 26.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BD344500

RGBA 189 52 69 0

HSLA 352.55, 0.57%, 0.47%, 0

LABA 43.81, 55.09, 22.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CE465800

RGBA 206 70 88 0

HSLA 352.06, 0.58%, 0.54%, 0

LABA 49.75, 54.78, 19.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DF586B00

RGBA 223 88 107 0

HSLA 351.56, 0.68%, 0.61%, 0

LABA 55.82, 54.13, 17.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F06A7E00

RGBA 240 106 126 0

HSLA 351.04, 0.82%, 0.68%, 0

LABA 61.95, 53.3, 14.88, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A7223700

RGBA 167 34 55 0

HSLA 350.53, 0.66%, 0.39%, 0

LABA 37.18, 53.58, 22.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #96102400

RGBA 150 16 36 0

HSLA 351.04, 0.81%, 0.33%, 0

LABA 31.77, 52.26, 26.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #85001100

RGBA 133 0 17 0

HSLA 352.33, 1%, 0.26%, 0

LABA 26.81, 49.72, 32.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #74000000

RGBA 116 0 0 0

HSLA 0, 1%, 0.23%, 0

LABA 22.7, 44.78, 34.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #63000000

RGBA 99 0 0 0

HSLA 0, 1%, 0.19%, 0

LABA 18.6, 40.03, 28.62, 0

 

CMYK 0 / 79 / 67 / 35

HEX #A52237

RGB 165 34 55

HSL 350.38, 0.66%, 0.39%

LAB 36.78, 52.99, 21.6

 

CMYK 0 / 79 / 79 / 35

HEX #A52222

RGB 165 34 34

HSL 0, 0.66%, 0.39%

LAB 36.48, 52.03, 34.11

 

CMYK 0 / 79 / 67 / 35

HEX #A52237

RGB 165 34 55

HSL 350.38, 0.66%, 0.39%

LAB 36.78, 52.99, 21.6

 

CMYK 0 / 79 / 45 / 35

HEX #A5225A

RGB 165 34 90

HSL 334.35, 0.66%, 0.39%

LAB 37.63, 55.62, 0.36

 

CMYK 0 / 79 / 24 / 35

HEX #A5227D

RGB 165 34 125

HSL 318.32, 0.66%, 0.39%

LAB 38.94, 59.54, -19.74

 

CMYK 0 / 79 / 2 / 35

HEX #A522A1

RGB 165 34 161

HSL 301.83, 0.66%, 0.39%

LAB 40.76, 64.74, -38.87

 

CMYK 19 / 79 / 0 / 35

HEX #8622A5

RGB 134 34 165

HSL 285.8, 0.66%, 0.39%

LAB 35.85, 59.31, -49.43

 

CMYK 0 / 79 / 67 / 35

HEX #A52237

RGB 165 34 55

HSL 350.38, 0.66%, 0.39%

LAB 36.78, 52.99, 21.6

 

CMYK 0 / 90 / 76 / 29

HEX #B5122C

RGB 181 18 44

HSL 350.43, 0.82%, 0.39%

LAB 38.62, 60.61, 31.45

 

CMYK 0 / 99 / 83 / 23

HEX #C50221

RGB 197 2 33

HSL 350.46, 0.98%, 0.39%

LAB 41.25, 66.24, 41.64

 

CMYK 0 / 79 / 67 / 35

HEX #A52237

RGB 165 34 55

HSL 350.38, 0.66%, 0.39%

LAB 36.78, 52.99, 21.6

 

CMYK 0 / 66 / 56 / 42

HEX #953242

RGB 149 50 66

HSL 350.3, 0.5%, 0.39%

LAB 36.11, 42.68, 13.15

 

CMYK 0 / 50 / 42 / 48

HEX #85424D

RGB 133 66 77

HSL 350.15, 0.34%, 0.39%

LAB 36.78, 29.86, 6.69

 

CMYK 0 / 30 / 25 / 54

HEX #755258

RGB 117 82 88

HSL 349.71, 0.18%, 0.39%

LAB 38.76, 15.59, 2.34

 

CMYK 0 / 3 / 2 / 60

HEX #656263

RGB 101 98 99

HSL 340, 0.02%, 0.39%

LAB 41.85, 1.39, -0.15

 

CMYK 0 / 79 / 24 / 35

HEX #A5227E

RGB 165 34 126

HSL 317.86, 0.66%, 0.39%

LAB 38.98, 59.67, -20.29

 

CMYK 0 / 79 / 45 / 35

HEX #A5225B

RGB 165 34 91

HSL 333.89, 0.66%, 0.39%

LAB 37.66, 55.72, -0.24

 

CMYK 0 / 79 / 66 / 35

HEX #A52238

RGB 165 34 56

HSL 349.92, 0.66%, 0.39%

LAB 36.8, 53.05, 20.99

 

CMYK 0 / 72 / 79 / 35

HEX #A52F22

RGB 165 47 34

HSL 5.95, 0.66%, 0.39%

LAB 38.11, 47.51, 35.8

 

CMYK 0 / 50 / 79 / 35

HEX #A55222

RGB 165 82 34

HSL 21.98, 0.66%, 0.39%

LAB 44.45, 30.9, 42.16

 

CMYK 0 / 79 / 67 / 62

HEX #611420

RGB 97 20 32

HSL 350.65, 0.66%, 0.23%

LAB 20.62, 34.85, 13.28

 

CMYK 0 / 79 / 67 / 49

HEX #831B2B

RGB 131 27 43

HSL 350.77, 0.66%, 0.31%

LAB 28.86, 44.15, 17.86

 

CMYK 0 / 79 / 67 / 35

HEX #A52237

RGB 165 34 55

HSL 350.38, 0.66%, 0.39%

LAB 36.78, 52.99, 21.6

 

CMYK 0 / 79 / 67 / 22

HEX #C72942

RGB 199 41 66

HSL 350.51, 0.66%, 0.47%

LAB 44.41, 61.39, 25.8

 

CMYK 0 / 70 / 59 / 15

HEX #D84159

RGB 216 65 89

HSL 350.46, 0.66%, 0.55%

LAB 50.8, 59.93, 20.78

 

CMYK 0 / 80 / 67 / 35

HEX #A72237

RGB 167 34 55

HSL 350.53, 0.66%, 0.39%

LAB 37.18, 53.58, 22.2

 

CMYK 2 / 0 / 79 / 35

HEX #A1A522

RGB 161 165 34

HSL 61.83, 0.66%, 0.39%

LAB 65.44, -16.59, 61.48

 

CMYK 79 / 35 / 0 / 35

HEX #226CA5

RGB 34 108 165

HSL 206.11, 0.66%, 0.39%

LAB 43.92, -1.89, -36.99

 

CMYK 0 / 80 / 67 / 35

HEX #A72237

RGB 167 34 55

HSL 350.53, 0.66%, 0.39%

LAB 37.18, 53.58, 22.2

 

CMYK 66 / 0 / 79 / 35

HEX #38A522

RGB 56 165 34

HSL 109.92, 0.66%, 0.39%

LAB 59.77, -54.15, 54.18

 

CMYK 79 / 66 / 0 / 35

HEX #2238A5

RGB 34 56 165

HSL 229.92, 0.66%, 0.39%

LAB 29.12, 32.27, -60.84

 

CMYK 0 / 80 / 67 / 35

HEX #A72237

RGB 167 34 55

HSL 350.53, 0.66%, 0.39%

LAB 37.18, 53.58, 22.2

 

CMYK 2 / 0 / 79 / 35

HEX #A1A522

RGB 161 165 34

HSL 61.83, 0.66%, 0.39%

LAB 65.44, -16.59, 61.48

 

CMYK 79 / 0 / 13 / 35

HEX #22A58F

RGB 34 165 143

HSL 169.92, 0.66%, 0.39%

LAB 60.99, -39.12, 1.7

 

CMYK 77 / 79 / 0 / 35

HEX #2622A5

RGB 38 34 165

HSL 241.83, 0.66%, 0.39%

LAB 24.55, 45.8, -68.37

 

CMYK 0 / 80 / 67 / 35

HEX #A72237

RGB 167 34 55

HSL 350.53, 0.66%, 0.39%

LAB 37.18, 53.58, 22.2

 

CMYK 27 / 0 / 79 / 35

HEX #79A522

RGB 121 165 34

HSL 80.15, 0.66%, 0.39%

LAB 62.58, -33.46, 57.83

 

CMYK 79 / 0 / 13 / 35

HEX #22A58F

RGB 34 165 143

HSL 169.92, 0.66%, 0.39%

LAB 60.99, -39.12, 1.7

 

CMYK 53 / 79 / 0 / 35

HEX #4E22A5

RGB 78 34 165

HSL 260.15, 0.66%, 0.39%

LAB 28.06, 50.03, -62.46

 

Description

Color code: HEX #A7223700 | qconv.com Color code: HEX #A7223700 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 34 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 34 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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