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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A72172 it is the complementary color #58DE8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A72172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A72172 shade: #AC216D, #BD3380, #CE4593, #DF57A6 and #F069B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A72172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A72172 shade: #A72172, #960F5F, #85004C, #740039 and #630026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A72172 shade: #A62171, #A6214D, #A6212A and #A62121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A72172 shade: #A62171, #A62195, #9321A6, #6F21A6 and #4B21A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A72172 shade matches the following richer shades: #A62171, #B61175 and #C60178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A72172 shade: #A62171, #96316E, #86416B, #765167 and #666164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A72172 shade: #9221A6, #A62197, #A62173, #A6214F and #A6212C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A72172 shade: #611342, #841A5A, #A62171, #C92889 and #D9409D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A72172 shade: #A72172, #A66F21 and #21A6A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A72172 shade: #A72172, #73A621 and #2173A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A72172 shade: #A72172, #A66F21, #21A654 and #2158A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A72172 shade: #A72172, #A69721, #21A654 and #2130A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 32 / 35

HEX #A72172

RGB 167 33 114

HSL 323.73, 0.67%, 0.39%

LAB 38.76, 58.96, -13.12

 

Complementary color

CMYK 60 / 0 / 36 / 13

HEX #58DE8D

RGB 88 222 141

HSL 143.73, 0.67%, 0.61%

LAB 79.75, -54.49, 29.12

 

CMYK 0 / 81 / 37 / 33

HEX #AC216D

RGB 172 33 109

HSL 327.19, 0.68%, 0.4%

LAB 39.52, 59.66, -8.74

 

CMYK 0 / 73 / 32 / 26

HEX #BD3380

RGB 189 51 128

HSL 326.52, 0.58%, 0.47%

LAB 45.28, 60.7, -11.51

 

CMYK 0 / 67 / 29 / 19

HEX #CE4593

RGB 206 69 147

HSL 325.84, 0.58%, 0.54%

LAB 51.25, 61.01, -13.66

 

CMYK 0 / 61 / 26 / 13

HEX #DF57A6

RGB 223 87 166

HSL 325.15, 0.68%, 0.61%

LAB 57.33, 60.88, -15.38

 

CMYK 0 / 56 / 23 / 6

HEX #F069B9

RGB 240 105 185

HSL 324.44, 0.82%, 0.68%

LAB 63.45, 60.47, -16.78

 

CMYK 0 / 80 / 32 / 35

HEX #A72172

RGB 167 33 114

HSL 323.73, 0.67%, 0.39%

LAB 38.76, 58.96, -13.12

 

CMYK 0 / 90 / 37 / 41

HEX #960F5F

RGB 150 15 95

HSL 324.44, 0.82%, 0.32%

LAB 33.25, 56.81, -9.69

 

CMYK 0 / 100 / 43 / 48

HEX #85004C

RGB 133 0 76

HSL 325.71, 1%, 0.26%

LAB 28.14, 53.25, -5.23

 

CMYK 0 / 100 / 51 / 55

HEX #740039

RGB 116 0 57

HSL 330.52, 1%, 0.23%

LAB 23.7, 47.47, 0.73

 

CMYK 0 / 100 / 62 / 61

HEX #630026

RGB 99 0 38

HSL 336.97, 1%, 0.19%

LAB 19.19, 41.65, 7.19

 

CMYK 0 / 80 / 32 / 35

HEX #A62171

RGB 166 33 113

HSL 323.91, 0.67%, 0.39%

LAB 38.53, 58.6, -12.86

 

CMYK 0 / 80 / 54 / 35

HEX #A6214D

RGB 166 33 77

HSL 340.15, 0.67%, 0.39%

LAB 37.35, 55.06, 8.32

 

CMYK 0 / 80 / 75 / 35

HEX #A6212A

RGB 166 33 42

HSL 355.94, 0.67%, 0.39%

LAB 36.67, 52.94, 29.63

 

CMYK 0 / 80 / 80 / 35

HEX #A62121

RGB 166 33 33

HSL 0, 0.67%, 0.39%

LAB 36.56, 52.6, 34.84

 

CMYK 0 / 80 / 32 / 35

HEX #A62171

RGB 166 33 113

HSL 323.91, 0.67%, 0.39%

LAB 38.53, 58.6, -12.86

 

CMYK 0 / 80 / 10 / 35

HEX #A62195

RGB 166 33 149

HSL 307.67, 0.67%, 0.39%

LAB 40.19, 63.38, -32.52

 

CMYK 11 / 80 / 0 / 35

HEX #9321A6

RGB 147 33 166

HSL 291.43, 0.67%, 0.39%

LAB 37.92, 62.27, -46.58

 

CMYK 33 / 80 / 0 / 35

HEX #6F21A6

RGB 111 33 166

HSL 275.19, 0.67%, 0.39%

LAB 32.3, 55.74, -55.95

 

CMYK 55 / 80 / 0 / 35

HEX #4B21A6

RGB 75 33 166

HSL 258.95, 0.67%, 0.39%

LAB 27.67, 50.35, -63.71

 

CMYK 0 / 80 / 32 / 35

HEX #A62171

RGB 166 33 113

HSL 323.91, 0.67%, 0.39%

LAB 38.53, 58.6, -12.86

 

CMYK 0 / 91 / 36 / 29

HEX #B61175

RGB 182 17 117

HSL 323.64, 0.83%, 0.39%

LAB 40.62, 66.17, -11.89

 

CMYK 0 / 99 / 39 / 22

HEX #C60178

RGB 198 1 120

HSL 323.76, 0.99%, 0.39%

LAB 43.34, 71.66, -9.35

 

CMYK 0 / 80 / 32 / 35

HEX #A62171

RGB 166 33 113

HSL 323.91, 0.67%, 0.39%

LAB 38.53, 58.6, -12.86

 

CMYK 0 / 67 / 27 / 41

HEX #96316E

RGB 150 49 110

HSL 323.76, 0.51%, 0.39%

LAB 37.49, 48.3, -12.82

 

CMYK 0 / 51 / 20 / 47

HEX #86416B

RGB 134 65 107

HSL 323.48, 0.35%, 0.39%

LAB 37.68, 35.01, -10.89

 

CMYK 0 / 31 / 13 / 54

HEX #765167

RGB 118 81 103

HSL 324.32, 0.19%, 0.39%

LAB 39.1, 19.21, -6.48

 

CMYK 0 / 5 / 2 / 60

HEX #666164

RGB 102 97 100

HSL 324, 0.03%, 0.39%

LAB 41.68, 2.59, -1

 

CMYK 12 / 80 / 0 / 35

HEX #9221A6

RGB 146 33 166

HSL 290.98, 0.67%, 0.39%

LAB 37.76, 62.08, -46.86

 

CMYK 0 / 80 / 9 / 35

HEX #A62197

RGB 166 33 151

HSL 306.77, 0.67%, 0.39%

LAB 40.29, 63.68, -33.56

 

CMYK 0 / 80 / 31 / 35

HEX #A62173

RGB 166 33 115

HSL 323.01, 0.67%, 0.39%

LAB 38.61, 58.83, -13.99

 

CMYK 0 / 80 / 52 / 35

HEX #A6214F

RGB 166 33 79

HSL 339.25, 0.67%, 0.39%

LAB 37.41, 55.22, 7.11

 

CMYK 0 / 80 / 73 / 35

HEX #A6212C

RGB 166 33 44

HSL 355.04, 0.67%, 0.39%

LAB 36.7, 53.03, 28.43

 

CMYK 0 / 80 / 32 / 62

HEX #611342

RGB 97 19 66

HSL 323.85, 0.67%, 0.23%

LAB 21.58, 38.7, -9.08

 

CMYK 0 / 80 / 32 / 48

HEX #841A5A

RGB 132 26 90

HSL 323.77, 0.67%, 0.31%

LAB 30.36, 49.12, -11.16

 

CMYK 0 / 80 / 32 / 35

HEX #A62171

RGB 166 33 113

HSL 323.91, 0.67%, 0.39%

LAB 38.53, 58.6, -12.86

 

CMYK 0 / 80 / 32 / 21

HEX #C92889

RGB 201 40 137

HSL 323.85, 0.67%, 0.47%

LAB 46.63, 68.03, -14.74

 

CMYK 0 / 71 / 28 / 15

HEX #D9409D

RGB 217 64 157

HSL 323.53, 0.67%, 0.55%

LAB 52.79, 67.04, -17.08

 

CMYK 0 / 80 / 32 / 35

HEX #A72172

RGB 167 33 114

HSL 323.73, 0.67%, 0.39%

LAB 38.76, 58.96, -13.12

 

CMYK 0 / 33 / 80 / 35

HEX #A66F21

RGB 166 111 33

HSL 35.19, 0.67%, 0.39%

LAB 51.37, 15.15, 49.24

 

CMYK 80 / 0 / 1 / 35

HEX #21A6A4

RGB 33 166 164

HSL 179.1, 0.67%, 0.39%

LAB 61.89, -33.64, -8.78

 

CMYK 0 / 80 / 32 / 35

HEX #A72172

RGB 167 33 114

HSL 323.73, 0.67%, 0.39%

LAB 38.76, 58.96, -13.12

 

CMYK 31 / 0 / 80 / 35

HEX #73A621

RGB 115 166 33

HSL 83.01, 0.67%, 0.39%

LAB 62.53, -36.31, 57.95

 

CMYK 80 / 31 / 0 / 35

HEX #2173A6

RGB 33 115 166

HSL 203.01, 0.67%, 0.39%

LAB 46.09, -5.86, -34.15

 

CMYK 0 / 80 / 32 / 35

HEX #A72172

RGB 167 33 114

HSL 323.73, 0.67%, 0.39%

LAB 38.76, 58.96, -13.12

 

CMYK 0 / 33 / 80 / 35

HEX #A66F21

RGB 166 111 33

HSL 35.19, 0.67%, 0.39%

LAB 51.37, 15.15, 49.24

 

CMYK 80 / 0 / 49 / 35

HEX #21A654

RGB 33 166 84

HSL 143.01, 0.67%, 0.39%

LAB 60.1, -52.73, 32.72

 

CMYK 80 / 47 / 0 / 35

HEX #2158A6

RGB 33 88 166

HSL 215.19, 0.67%, 0.39%

LAB 37.94, 11.15, -47.11

 

CMYK 0 / 80 / 32 / 35

HEX #A72172

RGB 167 33 114

HSL 323.73, 0.67%, 0.39%

LAB 38.76, 58.96, -13.12

 

CMYK 0 / 9 / 80 / 35

HEX #A69721

RGB 166 151 33

HSL 53.23, 0.67%, 0.39%

LAB 61.96, -7.06, 58.85

 

CMYK 80 / 0 / 49 / 35

HEX #21A654

RGB 33 166 84

HSL 143.01, 0.67%, 0.39%

LAB 60.1, -52.73, 32.72

 

CMYK 80 / 71 / 0 / 35

HEX #2130A6

RGB 33 48 166

HSL 233.23, 0.67%, 0.39%

LAB 27.27, 37.67, -64.49

 

Description

Color code: HEX #A72172 | qconv.com Color code: HEX #A72172 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 33 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 33 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 32 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 32% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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