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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A71FF1 it is the complementary color #58E00E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A71FF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A71FF1 shade: #AC1FEC, #BD31FF, #CE43FF, #DF55FF and #F067FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A71FF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A71FF1 shade: #A71FF1, #960DDE, #8500CB, #7400B8 and #6300A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A71FF1 shade: #A61EF1, #DF1EF1, #F11EC9, #F11E90 and #F11E57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A71FF1 shade: #A61EF1, #6D1EF1, #351EF1 and #1E1EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A71FF1 shade matches the following richer shades: #A61EF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A71FF1 shade: #A61EF1, #A131DD, #9B44CA, #9558B6 and #8F6BA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A71FF1 shade: #331EF1, #6B1EF1, #A31EF1, #DC1EF1 and #F11ECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A71FF1 shade: #760BB1, #900ED7, #A61EF1, #B644F3 and #C56BF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A71FF1 shade: #A71FF1, #F11E41 and #1EF14F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A71FF1 shade: #A71FF1, #F1A31E and #1EF1A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A71FF1 shade: #A71FF1, #F11E41, #6BF11E and #1EF1CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A71FF1 shade: #A71FF1, #F13A1E, #6BF11E and #1ED4F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 87 / 0 / 5

HEX #A71FF1

RGB 167 31 241

HSL 278.86, 0.88%, 0.53%

LAB 46.37, 80.08, -76.26

 

Complementary color

CMYK 61 / 0 / 94 / 12

HEX #58E00E

RGB 88 224 14

HSL 98.86, 0.88%, 0.47%

LAB 79.28, -67.41, 75.6

 

CMYK 27 / 87 / 0 / 7

HEX #AC1FEC

RGB 172 31 236

HSL 281.27, 0.84%, 0.52%

LAB 46.72, 79.81, -72.85

 

CMYK 26 / 81 / 0 / 0

HEX #BD31FF

RGB 189 49 255

HSL 280.78, 1%, 0.6%

LAB 52.1, 81.57, -74.63

 

CMYK 19 / 74 / 0 / 0

HEX #CE43FF

RGB 206 67 255

HSL 284.36, 1%, 0.63%

LAB 56.44, 78.91, -67.48

 

CMYK 13 / 67 / 0 / 0

HEX #DF55FF

RGB 223 85 255

HSL 288.71, 1%, 0.67%

LAB 61.14, 75.74, -59.81

 

CMYK 6 / 60 / 0 / 0

HEX #F067FF

RGB 240 103 255

HSL 294.08, 1%, 0.7%

LAB 66.09, 72.27, -51.79

 

CMYK 31 / 87 / 0 / 5

HEX #A71FF1

RGB 167 31 241

HSL 278.86, 0.88%, 0.53%

LAB 46.37, 80.08, -76.26

 

CMYK 32 / 94 / 0 / 13

HEX #960DDE

RGB 150 13 222

HSL 279.33, 0.89%, 0.46%

LAB 41.29, 77.25, -73.9

 

CMYK 34 / 100 / 0 / 20

HEX #8500CB

RGB 133 0 203

HSL 279.31, 1%, 0.4%

LAB 36.55, 73.1, -70.79

 

CMYK 37 / 100 / 0 / 28

HEX #7400B8

RGB 116 0 184

HSL 277.83, 1%, 0.36%

LAB 32.2, 67.48, -66.86

 

CMYK 40 / 100 / 0 / 35

HEX #6300A5

RGB 99 0 165

HSL 276, 1%, 0.32%

LAB 27.76, 61.77, -62.85

 

CMYK 31 / 88 / 0 / 5

HEX #A61EF1

RGB 166 30 241

HSL 278.67, 0.88%, 0.53%

LAB 46.16, 80.15, -76.62

 

CMYK 7 / 88 / 0 / 5

HEX #DF1EF1

RGB 223 30 241

HSL 294.88, 0.88%, 0.53%

LAB 55.04, 88.55, -61.81

 

CMYK 0 / 88 / 17 / 5

HEX #F11EC9

RGB 241 30 201

HSL 311.37, 0.88%, 0.53%

LAB 55.93, 86.12, -37.51

 

CMYK 0 / 88 / 40 / 5

HEX #F11E90

RGB 241 30 144

HSL 327.58, 0.88%, 0.53%

LAB 53.65, 79.95, -7.65

 

CMYK 0 / 88 / 64 / 5

HEX #F11E57

RGB 241 30 87

HSL 343.79, 0.88%, 0.53%

LAB 52.19, 75.88, 24.68

 

CMYK 31 / 88 / 0 / 5

HEX #A61EF1

RGB 166 30 241

HSL 278.67, 0.88%, 0.53%

LAB 46.16, 80.15, -76.62

 

CMYK 55 / 88 / 0 / 5

HEX #6D1EF1

RGB 109 30 241

HSL 262.46, 0.88%, 0.53%

LAB 38.78, 73.87, -89.03

 

CMYK 78 / 88 / 0 / 5

HEX #351EF1

RGB 53 30 241

HSL 246.54, 0.88%, 0.53%

LAB 34.06, 70.35, -97

 

CMYK 88 / 88 / 0 / 5

HEX #1E1EF1

RGB 30 30 241

HSL 240, 0.88%, 0.53%

LAB 33.04, 69.65, -98.72

 

CMYK 31 / 88 / 0 / 5

HEX #A61EF1

RGB 166 30 241

HSL 278.67, 0.88%, 0.53%

LAB 46.16, 80.15, -76.62

 

CMYK 31 / 88 / 0 / 5

HEX #A61EF1

RGB 166 30 241

HSL 278.67, 0.88%, 0.53%

LAB 46.16, 80.15, -76.62

 

CMYK 27 / 78 / 0 / 13

HEX #A131DD

RGB 161 49 221

HSL 279.07, 0.72%, 0.53%

LAB 45.63, 70.39, -66.18

 

CMYK 23 / 66 / 0 / 21

HEX #9B44CA

RGB 155 68 202

HSL 278.96, 0.56%, 0.53%

LAB 46.13, 57.78, -54.5

 

CMYK 18 / 52 / 0 / 29

HEX #9558B6

RGB 149 88 182

HSL 278.94, 0.39%, 0.53%

LAB 47.94, 41.86, -40.06

 

CMYK 12 / 34 / 0 / 36

HEX #8F6BA3

RGB 143 107 163

HSL 278.57, 0.23%, 0.53%

LAB 50.69, 25.02, -24.71

 

CMYK 79 / 88 / 0 / 5

HEX #331EF1

RGB 51 30 241

HSL 245.97, 0.88%, 0.53%

LAB 33.95, 70.27, -97.19

 

CMYK 56 / 88 / 0 / 5

HEX #6B1EF1

RGB 107 30 241

HSL 261.9, 0.88%, 0.53%

LAB 38.56, 73.69, -89.39

 

CMYK 32 / 88 / 0 / 5

HEX #A31EF1

RGB 163 30 241

HSL 277.82, 0.88%, 0.53%

LAB 45.72, 79.76, -77.35

 

CMYK 9 / 88 / 0 / 5

HEX #DC1EF1

RGB 220 30 241

HSL 294.03, 0.88%, 0.53%

LAB 54.55, 88.07, -62.62

 

CMYK 0 / 88 / 15 / 5

HEX #F11ECD

RGB 241 30 205

HSL 310.24, 0.88%, 0.53%

LAB 56.12, 86.62, -39.51

 

CMYK 33 / 94 / 0 / 31

HEX #760BB1

RGB 118 11 177

HSL 278.67, 0.88%, 0.37%

LAB 32.4, 64.69, -62.34

 

CMYK 33 / 93 / 0 / 16

HEX #900ED7

RGB 144 14 215

HSL 278.81, 0.88%, 0.45%

LAB 39.83, 75.04, -72.3

 

CMYK 31 / 88 / 0 / 5

HEX #A61EF1

RGB 166 30 241

HSL 278.67, 0.88%, 0.53%

LAB 46.16, 80.15, -76.62

 

CMYK 25 / 72 / 0 / 5

HEX #B644F3

RGB 182 68 243

HSL 279.09, 0.88%, 0.61%

LAB 52.45, 71.78, -67.41

 

CMYK 20 / 57 / 0 / 4

HEX #C56BF6

RGB 197 107 246

HSL 278.85, 0.89%, 0.69%

LAB 60.82, 58.36, -55.55

 

CMYK 31 / 87 / 0 / 5

HEX #A71FF1

RGB 167 31 241

HSL 278.86, 0.88%, 0.53%

LAB 46.37, 80.08, -76.26

 

CMYK 0 / 88 / 73 / 5

HEX #F11E41

RGB 241 30 65

HSL 350.05, 0.88%, 0.53%

LAB 51.85, 74.9, 37.33

 

CMYK 88 / 0 / 67 / 5

HEX #1EF14F

RGB 30 241 79

HSL 133.93, 0.88%, 0.53%

LAB 83.84, -77.48, 62.48

 

CMYK 31 / 87 / 0 / 5

HEX #A71FF1

RGB 167 31 241

HSL 278.86, 0.88%, 0.53%

LAB 46.37, 80.08, -76.26

 

CMYK 0 / 32 / 88 / 5

HEX #F1A31E

RGB 241 163 30

HSL 37.82, 0.88%, 0.53%

LAB 72.88, 19.44, 72.01

 

CMYK 88 / 0 / 32 / 5

HEX #1EF1A3

RGB 30 241 163

HSL 157.82, 0.88%, 0.53%

LAB 84.91, -64.68, 24.65

 

CMYK 31 / 87 / 0 / 5

HEX #A71FF1

RGB 167 31 241

HSL 278.86, 0.88%, 0.53%

LAB 46.37, 80.08, -76.26

 

CMYK 0 / 88 / 73 / 5

HEX #F11E41

RGB 241 30 65

HSL 350.05, 0.88%, 0.53%

LAB 51.85, 74.9, 37.33

 

CMYK 56 / 0 / 88 / 5

HEX #6BF11E

RGB 107 241 30

HSL 98.1, 0.88%, 0.53%

LAB 85.06, -68.07, 78.35

 

CMYK 88 / 0 / 15 / 5

HEX #1EF1CD

RGB 30 241 205

HSL 169.76, 0.88%, 0.53%

LAB 85.8, -54.94, 4.12

 

CMYK 31 / 87 / 0 / 5

HEX #A71FF1

RGB 167 31 241

HSL 278.86, 0.88%, 0.53%

LAB 46.37, 80.08, -76.26

 

CMYK 0 / 76 / 88 / 5

HEX #F13A1E

RGB 241 58 30

HSL 7.96, 0.88%, 0.53%

LAB 53.84, 67.4, 57.21

 

CMYK 56 / 0 / 88 / 5

HEX #6BF11E

RGB 107 241 30

HSL 98.1, 0.88%, 0.53%

LAB 85.06, -68.07, 78.35

 

CMYK 88 / 12 / 0 / 5

HEX #1ED4F1

RGB 30 212 241

HSL 188.25, 0.88%, 0.53%

LAB 78.29, -31.88, -26.14

 

Description

Color code: HEX #A71FF1 | qconv.com Color code: HEX #A71FF1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 31 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 31 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 87 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 87% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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