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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A71ECC it is the complementary color #58E133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A71ECC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A71ECC shade: #AC1EC7, #BD30DA, #CE42ED, #DF54FF and #F066FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A71ECC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A71ECC shade: #A71ECC, #960CB9, #8500A6, #740093 and #630080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A71ECC shade: #A71ECC, #CC1EC2, #CC1E93, #CC1E65 and #CC1E36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A71ECC shade: #A71ECC, #781ECC, #4A1ECC and #1E1ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A71ECC shade matches the following richer shades: #A71ECC and #B20CDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A71ECC shade: #A71ECC, #9C31B9, #9144A6, #865793 and #7C6A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A71ECC shade: #4A1ECC, #781ECC, #A61ECC, #CC1EC3 and #CC1E95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A71ECC shade: #6C1484, #8A19A8, #A71ECC, #BC33E1 and #C857E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A71ECC shade: #A71ECC, #CC1E21 and #1ECC61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A71ECC shade: #A71ECC, #CCA61E and #1ECCA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A71ECC shade: #A71ECC, #CC1E21, #44CC1E and #1ECCC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A71ECC shade: #A71ECC, #CC501E, #44CC1E and #1E9BCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

Complementary color

CMYK 61 / 0 / 77 / 12

HEX #58E133

RGB 88 225 51

HSL 107.24, 0.74%, 0.54%

LAB 79.71, -66.34, 68.3

 

CMYK 14 / 85 / 0 / 22

HEX #AC1EC7

RGB 172 30 199

HSL 290.41, 0.74%, 0.45%

LAB 43.98, 73.32, -56.1

 

CMYK 13 / 78 / 0 / 15

HEX #BD30DA

RGB 189 48 218

HSL 289.76, 0.7%, 0.52%

LAB 49.49, 75.07, -58.02

 

CMYK 13 / 72 / 0 / 7

HEX #CE42ED

RGB 206 66 237

HSL 289.12, 0.83%, 0.59%

LAB 55.21, 75.97, -59.44

 

CMYK 13 / 67 / 0 / 0

HEX #DF54FF

RGB 223 84 255

HSL 288.77, 1%, 0.66%

LAB 61, 76.13, -60.03

 

CMYK 6 / 60 / 0 / 0

HEX #F066FF

RGB 240 102 255

HSL 294.12, 1%, 0.7%

LAB 65.94, 72.69, -52.03

 

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

CMYK 19 / 94 / 0 / 27

HEX #960CB9

RGB 150 12 185

HSL 287.86, 0.88%, 0.39%

LAB 38.29, 70.5, -57.28

 

CMYK 20 / 100 / 0 / 35

HEX #8500A6

RGB 133 0 166

HSL 288.07, 1%, 0.33%

LAB 33.43, 66.16, -53.95

 

CMYK 21 / 100 / 0 / 42

HEX #740093

RGB 116 0 147

HSL 287.35, 1%, 0.29%

LAB 28.95, 60.3, -49.78

 

CMYK 23 / 100 / 0 / 50

HEX #630080

RGB 99 0 128

HSL 286.41, 1%, 0.25%

LAB 24.36, 54.29, -45.53

 

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

CMYK 0 / 85 / 5 / 20

HEX #CC1EC2

RGB 204 30 194

HSL 303.45, 0.74%, 0.46%

LAB 49.08, 78.21, -44.72

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E93

RGB 204 30 147

HSL 319.66, 0.74%, 0.46%

LAB 46.81, 72.09, -20.47

 

CMYK 0 / 85 / 50 / 20

HEX #CC1E65

RGB 204 30 101

HSL 335.52, 0.74%, 0.46%

LAB 45.23, 67.65, 5.37

 

CMYK 0 / 85 / 74 / 20

HEX #CC1E36

RGB 204 30 54

HSL 351.72, 0.74%, 0.46%

LAB 44.28, 64.88, 33.15

 

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

CMYK 41 / 85 / 0 / 20

HEX #781ECC

RGB 120 30 204

HSL 271.03, 0.74%, 0.46%

LAB 36.52, 66.53, -71.49

 

CMYK 64 / 85 / 0 / 20

HEX #4A1ECC

RGB 74 30 204

HSL 255.17, 0.74%, 0.46%

LAB 31.22, 61.71, -80.42

 

CMYK 85 / 85 / 0 / 20

HEX #1E1ECC

RGB 30 30 204

HSL 240, 0.74%, 0.46%

LAB 28.29, 59.24, -85.37

 

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

CMYK 20 / 95 / 0 / 13

HEX #B20CDF

RGB 178 12 223

HSL 287.2, 0.9%, 0.46%

LAB 45.71, 81.16, -67.07

 

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

CMYK 16 / 74 / 0 / 27

HEX #9C31B9

RGB 156 49 185

HSL 287.21, 0.58%, 0.46%

LAB 42.41, 62.34, -50.57

 

CMYK 13 / 59 / 0 / 35

HEX #9144A6

RGB 145 68 166

HSL 287.14, 0.42%, 0.46%

LAB 42.62, 47.79, -39.09

 

CMYK 9 / 41 / 0 / 42

HEX #865793

RGB 134 87 147

HSL 287, 0.26%, 0.46%

LAB 44.22, 30.23, -25.34

 

CMYK 3 / 17 / 0 / 50

HEX #7C6A80

RGB 124 106 128

HSL 289.09, 0.09%, 0.46%

LAB 47.17, 11.4, -9.54

 

CMYK 64 / 85 / 0 / 20

HEX #4A1ECC

RGB 74 30 204

HSL 255.17, 0.74%, 0.46%

LAB 31.22, 61.71, -80.42

 

CMYK 41 / 85 / 0 / 20

HEX #781ECC

RGB 120 30 204

HSL 271.03, 0.74%, 0.46%

LAB 36.52, 66.53, -71.49

 

CMYK 19 / 85 / 0 / 20

HEX #A61ECC

RGB 166 30 204

HSL 286.9, 0.74%, 0.46%

LAB 43.35, 73.21, -60.06

 

CMYK 0 / 85 / 4 / 20

HEX #CC1EC3

RGB 204 30 195

HSL 303.1, 0.74%, 0.46%

LAB 49.14, 78.35, -45.21

 

CMYK 0 / 85 / 27 / 20

HEX #CC1E95

RGB 204 30 149

HSL 318.97, 0.74%, 0.46%

LAB 46.89, 72.32, -21.55

 

CMYK 18 / 85 / 0 / 48

HEX #6C1484

RGB 108 20 132

HSL 287.14, 0.74%, 0.3%

LAB 27.72, 52.21, -42.52

 

CMYK 18 / 85 / 0 / 34

HEX #8A19A8

RGB 138 25 168

HSL 287.41, 0.74%, 0.38%

LAB 35.84, 63.13, -51.21

 

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

CMYK 16 / 77 / 0 / 12

HEX #BC33E1

RGB 188 51 225

HSL 287.24, 0.74%, 0.54%

LAB 50.09, 75.25, -61.04

 

CMYK 13 / 62 / 0 / 10

HEX #C857E6

RGB 200 87 230

HSL 287.41, 0.74%, 0.62%

LAB 56.89, 65.18, -52.87

 

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

CMYK 0 / 85 / 84 / 20

HEX #CC1E21

RGB 204 30 33

HSL 358.97, 0.74%, 0.46%

LAB 44.05, 64.22, 44.75

 

CMYK 85 / 0 / 52 / 20

HEX #1ECC61

RGB 30 204 97

HSL 143.1, 0.74%, 0.46%

LAB 72.45, -63.95, 41.55

 

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

CMYK 0 / 19 / 85 / 20

HEX #CCA61E

RGB 204 166 30

HSL 46.9, 0.74%, 0.46%

LAB 69.61, 1.79, 67.7

 

CMYK 85 / 0 / 19 / 20

HEX #1ECCA6

RGB 30 204 166

HSL 166.9, 0.74%, 0.46%

LAB 73.68, -49.92, 7.36

 

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

CMYK 0 / 85 / 84 / 20

HEX #CC1E21

RGB 204 30 33

HSL 358.97, 0.74%, 0.46%

LAB 44.05, 64.22, 44.75

 

CMYK 67 / 0 / 85 / 20

HEX #44CC1E

RGB 68 204 30

HSL 106.9, 0.74%, 0.46%

LAB 72.57, -64.8, 67.08

 

CMYK 85 / 0 / 1 / 20

HEX #1ECCC9

RGB 30 204 201

HSL 178.97, 0.74%, 0.46%

LAB 74.62, -40.36, -10.18

 

CMYK 18 / 85 / 0 / 20

HEX #A71ECC

RGB 167 30 204

HSL 287.24, 0.74%, 0.46%

LAB 43.51, 73.38, -59.79

 

CMYK 0 / 61 / 85 / 20

HEX #CC501E

RGB 204 80 30

HSL 17.24, 0.74%, 0.46%

LAB 50.3, 46.95, 51.6

 

CMYK 67 / 0 / 85 / 20

HEX #44CC1E

RGB 68 204 30

HSL 106.9, 0.74%, 0.46%

LAB 72.57, -64.8, 67.08

 

CMYK 85 / 24 / 0 / 20

HEX #1E9BCC

RGB 30 155 204

HSL 196.9, 0.74%, 0.46%

LAB 59.96, -15.13, -34.2

 

Description

Color code: HEX #A71ECC | qconv.com Color code: HEX #A71ECC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 30 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 30 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 85 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 85% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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