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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7158C it is the complementary color #58EA73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7158C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7158C shade: #AC1587, #BD279A, #CE39AD, #DF4BC0 and #F05DD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7158C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7158C shade: #A7158C, #960379, #850066, #740053 and #630040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7158C shade: #A8158D, #A81565, #A8153D, #A81516 and #A81515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7158C shade: #A8158D, #9B15A8, #7415A8, #4C15A8 and #2415A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7158C shade matches the following richer shades: #A8158D and #B70596

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7158C shade: #A8158D, #992483, #893379, #7A4370 and #6B5266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7158C shade: #7415A8, #9C15A8, #A8158D, #A81566 and #A8153E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7158C shade: #5F0C4F, #83106E, #A8158D, #CD19AB and #E52AC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7158C shade: #A7158C, #A84D15 and #15A888

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7158C shade: #A7158C, #8DA815 and #158DA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7158C shade: #A7158C, #A84D15, #15A830 and #1570A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7158C shade: #A7158C, #A87915, #15A830 and #1543A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 16 / 35

HEX #A7158C

RGB 167 21 140

HSL 311.1, 0.78%, 0.37%

LAB 38.98, 65.01, -28.91

 

Complementary color

CMYK 62 / 0 / 51 / 8

HEX #58EA73

RGB 88 234 115

HSL 131.1, 0.78%, 0.63%

LAB 83, -63.14, 46.14

 

CMYK 0 / 88 / 22 / 33

HEX #AC1587

RGB 172 21 135

HSL 314.7, 0.78%, 0.38%

LAB 39.68, 65.4, -24.68

 

CMYK 0 / 79 / 19 / 26

HEX #BD279A

RGB 189 39 154

HSL 314, 0.66%, 0.45%

LAB 45.09, 67.58, -27.57

 

CMYK 0 / 72 / 16 / 19

HEX #CE39AD

RGB 206 57 173

HSL 313.29, 0.6%, 0.52%

LAB 50.76, 68.75, -29.78

 

CMYK 0 / 66 / 14 / 13

HEX #DF4BC0

RGB 223 75 192

HSL 312.57, 0.7%, 0.58%

LAB 56.61, 69.25, -31.51

 

CMYK 0 / 61 / 12 / 6

HEX #F05DD3

RGB 240 93 211

HSL 311.84, 0.83%, 0.65%

LAB 62.56, 69.3, -32.88

 

CMYK 0 / 87 / 16 / 35

HEX #A7158C

RGB 167 21 140

HSL 311.1, 0.78%, 0.37%

LAB 38.98, 65.01, -28.91

 

CMYK 0 / 98 / 19 / 41

HEX #960379

RGB 150 3 121

HSL 311.84, 0.96%, 0.3%

LAB 33.84, 61.62, -25.39

 

CMYK 0 / 100 / 23 / 48

HEX #850066

RGB 133 0 102

HSL 313.98, 1%, 0.26%

LAB 29.28, 56.17, -20.63

 

CMYK 0 / 100 / 28 / 55

HEX #740053

RGB 116 0 83

HSL 317.07, 1%, 0.23%

LAB 24.76, 50.21, -15.4

 

CMYK 0 / 100 / 35 / 61

HEX #630040

RGB 99 0 64

HSL 321.21, 1%, 0.19%

LAB 20.14, 44.11, -9.86

 

CMYK 0 / 88 / 16 / 34

HEX #A8158D

RGB 168 21 141

HSL 311.02, 0.78%, 0.37%

LAB 39.21, 65.35, -29.14

 

CMYK 0 / 88 / 40 / 34

HEX #A81565

RGB 168 21 101

HSL 327.35, 0.78%, 0.37%

LAB 37.48, 60.62, -6.81

 

CMYK 0 / 88 / 64 / 34

HEX #A8153D

RGB 168 21 61

HSL 343.67, 0.78%, 0.37%

LAB 36.36, 57.43, 17.35

 

CMYK 0 / 88 / 87 / 34

HEX #A81516

RGB 168 21 22

HSL 359.59, 0.78%, 0.37%

LAB 35.83, 55.87, 40.29

 

CMYK 0 / 88 / 88 / 34

HEX #A81515

RGB 168 21 21

HSL 0, 0.78%, 0.37%

LAB 35.82, 55.85, 40.79

 

CMYK 0 / 88 / 16 / 34

HEX #A8158D

RGB 168 21 141

HSL 311.02, 0.78%, 0.37%

LAB 39.21, 65.35, -29.14

 

CMYK 8 / 88 / 0 / 34

HEX #9B15A8

RGB 155 21 168

HSL 294.69, 0.78%, 0.37%

LAB 38.43, 66.95, -46.89

 

CMYK 31 / 88 / 0 / 34

HEX #7415A8

RGB 116 21 168

HSL 278.78, 0.78%, 0.37%

LAB 31.98, 60.59, -57.65

 

CMYK 55 / 88 / 0 / 34

HEX #4C15A8

RGB 76 21 168

HSL 262.45, 0.78%, 0.37%

LAB 26.45, 55.54, -66.94

 

CMYK 79 / 88 / 0 / 34

HEX #2415A8

RGB 36 21 168

HSL 246.12, 0.78%, 0.37%

LAB 22.79, 52.51, -73.12

 

CMYK 0 / 88 / 16 / 34

HEX #A8158D

RGB 168 21 141

HSL 311.02, 0.78%, 0.37%

LAB 39.21, 65.35, -29.14

 

CMYK 0 / 97 / 18 / 28

HEX #B70596

RGB 183 5 150

HSL 311.12, 0.95%, 0.37%

LAB 41.81, 71.55, -30.35

 

CMYK 0 / 88 / 16 / 34

HEX #A8158D

RGB 168 21 141

HSL 311.02, 0.78%, 0.37%

LAB 39.21, 65.35, -29.14

 

CMYK 0 / 76 / 14 / 40

HEX #992483

RGB 153 36 131

HSL 311.28, 0.62%, 0.37%

LAB 37.25, 56.89, -26.26

 

CMYK 0 / 63 / 12 / 46

HEX #893379

RGB 137 51 121

HSL 311.16, 0.46%, 0.37%

LAB 36.11, 45.29, -22.01

 

CMYK 0 / 45 / 8 / 52

HEX #7A4370

RGB 122 67 112

HSL 310.91, 0.29%, 0.37%

LAB 36.6, 30.63, -15.83

 

CMYK 0 / 23 / 5 / 58

HEX #6B5266

RGB 107 82 102

HSL 312, 0.13%, 0.37%

LAB 38.06, 14.15, -7.55

 

CMYK 31 / 88 / 0 / 34

HEX #7415A8

RGB 116 21 168

HSL 278.78, 0.78%, 0.37%

LAB 31.98, 60.59, -57.65

 

CMYK 7 / 88 / 0 / 34

HEX #9C15A8

RGB 156 21 168

HSL 295.1, 0.78%, 0.37%

LAB 38.61, 67.12, -46.6

 

CMYK 0 / 88 / 16 / 34

HEX #A8158D

RGB 168 21 141

HSL 311.02, 0.78%, 0.37%

LAB 39.21, 65.35, -29.14

 

CMYK 0 / 88 / 39 / 34

HEX #A81566

RGB 168 21 102

HSL 326.94, 0.78%, 0.37%

LAB 37.52, 60.72, -7.39

 

CMYK 0 / 88 / 63 / 34

HEX #A8153E

RGB 168 21 62

HSL 343.27, 0.78%, 0.37%

LAB 36.38, 57.49, 16.73

 

CMYK 0 / 87 / 17 / 63

HEX #5F0C4F

RGB 95 12 79

HSL 311.57, 0.78%, 0.21%

LAB 21.06, 42.21, -18.8

 

CMYK 0 / 88 / 16 / 49

HEX #83106E

RGB 131 16 110

HSL 310.96, 0.78%, 0.29%

LAB 30.21, 54.13, -24.35

 

CMYK 0 / 88 / 16 / 34

HEX #A8158D

RGB 168 21 141

HSL 311.02, 0.78%, 0.37%

LAB 39.21, 65.35, -29.14

 

CMYK 0 / 88 / 17 / 20

HEX #CD19AB

RGB 205 25 171

HSL 311.33, 0.78%, 0.45%

LAB 47.77, 76.1, -33.29

 

CMYK 0 / 82 / 15 / 10

HEX #E52AC2

RGB 229 42 194

HSL 311.23, 0.78%, 0.53%

LAB 54.25, 80.68, -36.27

 

CMYK 0 / 87 / 16 / 35

HEX #A7158C

RGB 167 21 140

HSL 311.1, 0.78%, 0.37%

LAB 38.98, 65.01, -28.91

 

CMYK 0 / 54 / 88 / 34

HEX #A84D15

RGB 168 77 21

HSL 22.86, 0.78%, 0.37%

LAB 43.78, 34.36, 47.36

 

CMYK 88 / 0 / 19 / 34

HEX #15A888

RGB 21 168 136

HSL 166.94, 0.78%, 0.37%

LAB 61.6, -43.41, 6.49

 

CMYK 0 / 87 / 16 / 35

HEX #A7158C

RGB 167 21 140

HSL 311.1, 0.78%, 0.37%

LAB 38.98, 65.01, -28.91

 

CMYK 16 / 0 / 88 / 34

HEX #8DA815

RGB 141 168 21

HSL 71.02, 0.78%, 0.37%

LAB 64.74, -27.14, 63.55

 

CMYK 88 / 16 / 0 / 34

HEX #158DA8

RGB 21 141 168

HSL 191.02, 0.78%, 0.37%

LAB 54.07, -20.84, -22.92

 

CMYK 0 / 87 / 16 / 35

HEX #A7158C

RGB 167 21 140

HSL 311.1, 0.78%, 0.37%

LAB 38.98, 65.01, -28.91

 

CMYK 0 / 54 / 88 / 34

HEX #A84D15

RGB 168 77 21

HSL 22.86, 0.78%, 0.37%

LAB 43.78, 34.36, 47.36

 

CMYK 88 / 0 / 71 / 34

HEX #15A830

RGB 21 168 48

HSL 131.02, 0.78%, 0.37%

LAB 60.23, -59.3, 49.48

 

CMYK 88 / 33 / 0 / 34

HEX #1570A8

RGB 21 112 168

HSL 202.86, 0.78%, 0.37%

LAB 45.05, -4.39, -36.98

 

CMYK 0 / 87 / 16 / 35

HEX #A7158C

RGB 167 21 140

HSL 311.1, 0.78%, 0.37%

LAB 38.98, 65.01, -28.91

 

CMYK 0 / 28 / 88 / 34

HEX #A87915

RGB 168 121 21

HSL 40.82, 0.78%, 0.37%

LAB 54.08, 10.04, 55.78

 

CMYK 88 / 0 / 71 / 34

HEX #15A830

RGB 21 168 48

HSL 131.02, 0.78%, 0.37%

LAB 60.23, -59.3, 49.48

 

CMYK 88 / 60 / 0 / 34

HEX #1543A8

RGB 21 67 168

HSL 221.22, 0.78%, 0.37%

LAB 31.81, 25.02, -58.26

 

Description

Color code: HEX #A7158C | qconv.com Color code: HEX #A7158C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 21 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 21 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 16 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 16% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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