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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6EE32 it is the complementary color #5911CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6EE32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6EE32 shade: #ABEE2D, #BCFF40, #CDFF53, #DEFF66 and #EFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6EE32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6EE32 shade: #A6EE32, #95DC1F, #84CA0C, #73B800 and #62A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6EE32 shade: #A5EE2F, #D9EE2F, #EED02F, #EE9D2F and #EE692F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6EE32 shade: #A5EE2F, #72EE2F, #3EEE2F, #2FEE54 and #2FEE87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6EE32 shade matches the following richer shades: #A5EE2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6EE32 shade: #A5EE2F, #A1DC42, #9DCA54, #98B866 and #94A678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6EE32 shade: #EECE2F, #DBEE2F, #A8EE2F, #75EE2F and #43EE2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6EE32 shade: #7ABC0F, #92E212, #A5EE2F, #B6F156 and #C6F47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6EE32 shade: #A6EE32, #2FEE9C and #E82FEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6EE32 shade: #A6EE32, #2FA8EE and #EE2FA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6EE32 shade: #A6EE32, #2FEE9C, #752FEE and #EE2F82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6EE32 shade: #A6EE32, #2FEED5, #752FEE and #EE2F49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 79 / 7

HEX #A6EE32

RGB 166 238 50

HSL 82.98, 0.85%, 0.56%

LAB 86.74, -47.82, 76.3

 

Complementary color

CMYK 57 / 92 / 0 / 20

HEX #5911CD

RGB 89 17 205

HSL 262.98, 0.85%, 0.44%

LAB 31.65, 66.83, -80.23

 

CMYK 28 / 0 / 81 / 7

HEX #ABEE2D

RGB 171 238 45

HSL 80.83, 0.85%, 0.55%

LAB 87, -46.21, 77.92

 

CMYK 26 / 0 / 75 / 0

HEX #BCFF40

RGB 188 255 64

HSL 81.05, 1%, 0.63%

LAB 92.83, -46.41, 78.36

 

CMYK 20 / 0 / 67 / 0

HEX #CDFF53

RGB 205 255 83

HSL 77.44, 1%, 0.66%

LAB 93.94, -39.07, 73.41

 

CMYK 13 / 0 / 60 / 0

HEX #DEFF66

RGB 222 255 102

HSL 72.94, 1%, 0.7%

LAB 95.16, -31.35, 67.65

 

CMYK 6 / 0 / 53 / 0

HEX #EFFF79

RGB 239 255 121

HSL 67.16, 1%, 0.74%

LAB 96.51, -23.33, 61.35

 

CMYK 30 / 0 / 79 / 7

HEX #A6EE32

RGB 166 238 50

HSL 82.98, 0.85%, 0.56%

LAB 86.74, -47.82, 76.3

 

CMYK 32 / 0 / 86 / 14

HEX #95DC1F

RGB 149 220 31

HSL 82.54, 0.75%, 0.49%

LAB 80.56, -47.1, 75.02

 

CMYK 35 / 0 / 94 / 21

HEX #84CA0C

RGB 132 202 12

HSL 82.11, 0.89%, 0.42%

LAB 74.3, -46.16, 72.5

 

CMYK 38 / 0 / 100 / 28

HEX #73B800

RGB 115 184 0

HSL 82.5, 1%, 0.36%

LAB 67.97, -44.97, 68.47

 

CMYK 41 / 0 / 100 / 35

HEX #62A600

RGB 98 166 0

HSL 84.58, 1%, 0.33%

LAB 61.54, -43.56, 63.13

 

CMYK 31 / 0 / 80 / 7

HEX #A5EE2F

RGB 165 238 47

HSL 82.93, 0.85%, 0.56%

LAB 86.68, -48.31, 77.01

 

CMYK 9 / 0 / 80 / 7

HEX #D9EE2F

RGB 217 238 47

HSL 66.6, 0.85%, 0.56%

LAB 89.91, -28.29, 81.1

 

CMYK 0 / 13 / 80 / 7

HEX #EED02F

RGB 238 208 47

HSL 50.58, 0.85%, 0.56%

LAB 83.7, -4.85, 76.36

 

CMYK 0 / 34 / 80 / 7

HEX #EE9D2F

RGB 238 157 47

HSL 34.55, 0.85%, 0.56%

LAB 71.21, 21.79, 65.32

 

CMYK 0 / 56 / 80 / 7

HEX #EE692F

RGB 238 105 47

HSL 18.22, 0.85%, 0.56%

LAB 60.32, 48.27, 55.34

 

CMYK 31 / 0 / 80 / 7

HEX #A5EE2F

RGB 165 238 47

HSL 82.93, 0.85%, 0.56%

LAB 86.68, -48.31, 77.01

 

CMYK 52 / 0 / 80 / 7

HEX #72EE2F

RGB 114 238 47

HSL 98.95, 0.85%, 0.56%

LAB 84.45, -64.54, 74.16

 

CMYK 74 / 0 / 80 / 7

HEX #3EEE2F

RGB 62 238 47

HSL 115.29, 0.85%, 0.56%

LAB 83.11, -75.53, 72.44

 

CMYK 80 / 0 / 65 / 7

HEX #2FEE54

RGB 47 238 84

HSL 131.62, 0.85%, 0.56%

LAB 83.12, -74.6, 59.78

 

CMYK 80 / 0 / 43 / 7

HEX #2FEE87

RGB 47 238 135

HSL 147.64, 0.85%, 0.56%

LAB 83.71, -67.6, 37.19

 

CMYK 31 / 0 / 80 / 7

HEX #A5EE2F

RGB 165 238 47

HSL 82.93, 0.85%, 0.56%

LAB 86.68, -48.31, 77.01

 

CMYK 31 / 0 / 80 / 7

HEX #A5EE2F

RGB 165 238 47

HSL 82.93, 0.85%, 0.56%

LAB 86.68, -48.31, 77.01

 

CMYK 27 / 0 / 70 / 14

HEX #A1DC42

RGB 161 220 66

HSL 82.99, 0.69%, 0.56%

LAB 81.38, -41.1, 66

 

CMYK 22 / 0 / 58 / 21

HEX #9DCA54

RGB 157 202 84

HSL 82.88, 0.53%, 0.56%

LAB 76.1, -33.13, 52.99

 

CMYK 17 / 0 / 45 / 28

HEX #98B866

RGB 152 184 102

HSL 83.41, 0.37%, 0.56%

LAB 70.81, -24.6, 38.02

 

CMYK 11 / 0 / 28 / 35

HEX #94A678

RGB 148 166 120

HSL 83.48, 0.21%, 0.56%

LAB 65.69, -14.58, 21.79

 

CMYK 0 / 13 / 80 / 7

HEX #EECE2F

RGB 238 206 47

HSL 49.95, 0.85%, 0.56%

LAB 83.19, -3.83, 75.91

 

CMYK 8 / 0 / 80 / 7

HEX #DBEE2F

RGB 219 238 47

HSL 65.97, 0.85%, 0.56%

LAB 90.05, -27.48, 81.28

 

CMYK 29 / 0 / 80 / 7

HEX #A8EE2F

RGB 168 238 47

HSL 81.99, 0.85%, 0.56%

LAB 86.84, -47.22, 77.21

 

CMYK 51 / 0 / 80 / 7

HEX #75EE2F

RGB 117 238 47

HSL 98.01, 0.85%, 0.56%

LAB 84.55, -63.72, 74.29

 

CMYK 72 / 0 / 80 / 7

HEX #43EE2F

RGB 67 238 47

HSL 113.72, 0.85%, 0.56%

LAB 83.2, -74.76, 72.55

 

CMYK 35 / 0 / 92 / 26

HEX #7ABC0F

RGB 122 188 15

HSL 82.89, 0.85%, 0.4%

LAB 69.57, -43.86, 68.09

 

CMYK 35 / 0 / 92 / 11

HEX #92E212

RGB 146 226 18

HSL 83.08, 0.85%, 0.48%

LAB 82.13, -50.94, 78.38

 

CMYK 31 / 0 / 80 / 7

HEX #A5EE2F

RGB 165 238 47

HSL 82.93, 0.85%, 0.56%

LAB 86.68, -48.31, 77.01

 

CMYK 24 / 0 / 64 / 5

HEX #B6F156

RGB 182 241 86

HSL 82.84, 0.85%, 0.64%

LAB 88.7, -41.23, 66.39

 

CMYK 19 / 0 / 49 / 4

HEX #C6F47C

RGB 198 244 124

HSL 83, 0.85%, 0.72%

LAB 90.85, -33.39, 52.61

 

CMYK 30 / 0 / 79 / 7

HEX #A6EE32

RGB 166 238 50

HSL 82.98, 0.85%, 0.56%

LAB 86.74, -47.82, 76.3

 

CMYK 80 / 0 / 34 / 7

HEX #2FEE9C

RGB 47 238 156

HSL 154.24, 0.85%, 0.56%

LAB 84.05, -63.71, 27.08

 

CMYK 3 / 80 / 0 / 7

HEX #E82FEE

RGB 232 47 238

HSL 298.12, 0.85%, 0.56%

LAB 57.43, 86.4, -56.22

 

CMYK 30 / 0 / 79 / 7

HEX #A6EE32

RGB 166 238 50

HSL 82.98, 0.85%, 0.56%

LAB 86.74, -47.82, 76.3

 

CMYK 80 / 29 / 0 / 7

HEX #2FA8EE

RGB 47 168 238

HSL 201.99, 0.85%, 0.56%

LAB 65.58, -8.92, -44.21

 

CMYK 0 / 80 / 29 / 7

HEX #EE2FA8

RGB 238 47 168

HSL 321.99, 0.85%, 0.56%

LAB 55.11, 78.35, -19.68

 

CMYK 30 / 0 / 79 / 7

HEX #A6EE32

RGB 166 238 50

HSL 82.98, 0.85%, 0.56%

LAB 86.74, -47.82, 76.3

 

CMYK 80 / 0 / 34 / 7

HEX #2FEE9C

RGB 47 238 156

HSL 154.24, 0.85%, 0.56%

LAB 84.05, -63.71, 27.08

 

CMYK 51 / 80 / 0 / 7

HEX #752FEE

RGB 117 47 238

HSL 261.99, 0.85%, 0.56%

LAB 41.2, 68.55, -83.31

 

CMYK 0 / 80 / 45 / 7

HEX #EE2F82

RGB 238 47 130

HSL 333.93, 0.85%, 0.56%

LAB 53.84, 74.62, 0.94

 

CMYK 30 / 0 / 79 / 7

HEX #A6EE32

RGB 166 238 50

HSL 82.98, 0.85%, 0.56%

LAB 86.74, -47.82, 76.3

 

CMYK 80 / 0 / 11 / 7

HEX #2FEED5

RGB 47 238 213

HSL 172.15, 0.85%, 0.56%

LAB 85.28, -50.48, -0.82

 

CMYK 51 / 80 / 0 / 7

HEX #752FEE

RGB 117 47 238

HSL 261.99, 0.85%, 0.56%

LAB 41.2, 68.55, -83.31

 

CMYK 0 / 80 / 69 / 7

HEX #EE2F49

RGB 238 47 73

HSL 351.83, 0.85%, 0.56%

LAB 52.61, 70.92, 33.42

 

Description

Color code: HEX #A6EE32 | qconv.com Color code: HEX #A6EE32 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 238 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 238 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 79 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 79% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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