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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6E5CF it is the complementary color #591A30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6E5CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6E5CF shade: #ABE5CA, #BCF7DD, #CDFFF0, #DEFFFF and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6E5CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6E5CF shade: #A6E5CF, #95D3BC, #84C1A9, #73AF96 and #629D83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6E5CF shade: #A4E5CE, #A4E5BD, #A4E5AB, #AEE5A4 and #C0E5A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6E5CF shade: #A4E5CE, #A4E5DF, #A4D8E5, #A4C7E5 and #A4B6E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6E5CF shade matches the following richer shades: #A4E5CE, #9BEED1 and #91F8D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6E5CF shade: #A4E5CE, #AEDBCB, #B7D2C8, #C1C8C5 and #CABFC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6E5CF shade: #A4E5AC, #A4E5BD, #A4E5CE, #A4E5DF and #A4D9E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6E5CF shade: #64D2AC, #84DBBD, #A4E5CE, #C4EEDF and #E4F7F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6E5CF shade: #A6E5CF, #A4AEE5 and #E5B4A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6E5CF shade: #A6E5CF, #CEA4E5 and #E5CEA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6E5CF shade: #A6E5CF, #A4AEE5, #E5A4BB and #E5DBA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6E5CF shade: #A6E5CF, #AEA4E5, #E5A4BB and #DBE5A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 10 / 10

HEX #A6E5CF

RGB 166 229 207

HSL 159.05, 0.55%, 0.77%

LAB 86.33, -24.4, 4.33

 

Complementary color

CMYK 0 / 71 / 46 / 65

HEX #591A30

RGB 89 26 48

HSL 339.05, 0.55%, 0.23%

LAB 20.35, 30.97, 1.43

 

CMYK 25 / 0 / 12 / 10

HEX #ABE5CA

RGB 171 229 202

HSL 152.07, 0.53%, 0.78%

LAB 86.48, -23.89, 7.21

 

CMYK 24 / 0 / 11 / 3

HEX #BCF7DD

RGB 188 247 221

HSL 153.56, 0.79%, 0.85%

LAB 92.77, -23.72, 6.47

 

CMYK 20 / 0 / 6 / 0

HEX #CDFFF0

RGB 205 255 240

HSL 162, 1%, 0.9%

LAB 96.32, -18.72, 1.93

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 28 / 0 / 10 / 10

HEX #A6E5CF

RGB 166 229 207

HSL 159.05, 0.55%, 0.77%

LAB 86.33, -24.4, 4.33

 

CMYK 29 / 0 / 11 / 17

HEX #95D3BC

RGB 149 211 188

HSL 157.74, 0.41%, 0.71%

LAB 79.96, -24.6, 5.07

 

CMYK 32 / 0 / 12 / 24

HEX #84C1A9

RGB 132 193 169

HSL 156.39, 0.33%, 0.64%

LAB 73.49, -24.81, 5.85

 

CMYK 34 / 0 / 14 / 31

HEX #73AF96

RGB 115 175 150

HSL 155, 0.27%, 0.57%

LAB 66.91, -25.03, 6.68

 

CMYK 38 / 0 / 17 / 38

HEX #629D83

RGB 98 157 131

HSL 153.56, 0.23%, 0.5%

LAB 60.2, -25.28, 7.58

 

CMYK 28 / 0 / 10 / 10

HEX #A4E5CE

RGB 164 229 206

HSL 158.77, 0.56%, 0.77%

LAB 86.2, -25.2, 4.65

 

CMYK 28 / 0 / 17 / 10

HEX #A4E5BD

RGB 164 229 189

HSL 143.08, 0.56%, 0.77%

LAB 85.81, -28.55, 13.01

 

CMYK 28 / 0 / 25 / 10

HEX #A4E5AB

RGB 164 229 171

HSL 126.46, 0.56%, 0.77%

LAB 85.44, -31.79, 21.88

 

CMYK 24 / 0 / 28 / 10

HEX #AEE5A4

RGB 174 229 164

HSL 110.77, 0.56%, 0.77%

LAB 85.87, -29.67, 26.17

 

CMYK 16 / 0 / 28 / 10

HEX #C0E5A4

RGB 192 229 164

HSL 94.15, 0.56%, 0.77%

LAB 86.96, -23.49, 27.84

 

CMYK 28 / 0 / 10 / 10

HEX #A4E5CE

RGB 164 229 206

HSL 158.77, 0.56%, 0.77%

LAB 86.2, -25.2, 4.65

 

CMYK 28 / 0 / 3 / 10

HEX #A4E5DF

RGB 164 229 223

HSL 174.46, 0.56%, 0.77%

LAB 86.63, -21.6, -3.67

 

CMYK 28 / 6 / 0 / 10

HEX #A4D8E5

RGB 164 216 229

HSL 192, 0.56%, 0.77%

LAB 83.26, -13.72, -11.83

 

CMYK 28 / 13 / 0 / 10

HEX #A4C7E5

RGB 164 199 229

HSL 207.69, 0.56%, 0.77%

LAB 78.69, -4.86, -18.7

 

CMYK 28 / 21 / 0 / 10

HEX #A4B6E5

RGB 164 182 229

HSL 223.38, 0.56%, 0.77%

LAB 74.19, 4.31, -25.54

 

CMYK 28 / 0 / 10 / 10

HEX #A4E5CE

RGB 164 229 206

HSL 158.77, 0.56%, 0.77%

LAB 86.2, -25.2, 4.65

 

CMYK 35 / 0 / 12 / 7

HEX #9BEED1

RGB 155 238 209

HSL 159.04, 0.71%, 0.77%

LAB 88.31, -31.46, 6.07

 

CMYK 42 / 0 / 15 / 3

HEX #91F8D4

RGB 145 248 212

HSL 159.03, 0.88%, 0.77%

LAB 90.74, -38.11, 7.94

 

CMYK 28 / 0 / 10 / 10

HEX #A4E5CE

RGB 164 229 206

HSL 158.77, 0.56%, 0.77%

LAB 86.2, -25.2, 4.65

 

CMYK 21 / 0 / 7 / 14

HEX #AEDBCB

RGB 174 219 203

HSL 158.67, 0.38%, 0.77%

LAB 83.95, -17.82, 3.05

 

CMYK 13 / 0 / 5 / 18

HEX #B7D2C8

RGB 183 210 200

HSL 157.78, 0.23%, 0.77%

LAB 82.02, -10.94, 1.9

 

CMYK 4 / 0 / 1 / 22

HEX #C1C8C5

RGB 193 200 197

HSL 154.29, 0.06%, 0.77%

LAB 80, -2.95, 0.65

 

CMYK 0 / 5 / 3 / 21

HEX #CABFC3

RGB 202 191 195

HSL 338.18, 0.09%, 0.77%

LAB 78.32, 4.57, -0.63

 

CMYK 28 / 0 / 25 / 10

HEX #A4E5AC

RGB 164 229 172

HSL 127.38, 0.56%, 0.77%

LAB 85.46, -31.62, 21.38

 

CMYK 28 / 0 / 17 / 10

HEX #A4E5BD

RGB 164 229 189

HSL 143.08, 0.56%, 0.77%

LAB 85.81, -28.55, 13.01

 

CMYK 28 / 0 / 10 / 10

HEX #A4E5CE

RGB 164 229 206

HSL 158.77, 0.56%, 0.77%

LAB 86.2, -25.2, 4.65

 

CMYK 28 / 0 / 3 / 10

HEX #A4E5DF

RGB 164 229 223

HSL 174.46, 0.56%, 0.77%

LAB 86.63, -21.6, -3.67

 

CMYK 28 / 5 / 0 / 10

HEX #A4D9E5

RGB 164 217 229

HSL 191.08, 0.56%, 0.77%

LAB 83.53, -14.23, -11.43

 

CMYK 52 / 0 / 18 / 18

HEX #64D2AC

RGB 100 210 172

HSL 159.27, 0.55%, 0.61%

LAB 77.15, -40.59, 9.3

 

CMYK 40 / 0 / 14 / 14

HEX #84DBBD

RGB 132 219 189

HSL 159.31, 0.55%, 0.69%

LAB 81.42, -33.05, 6.54

 

CMYK 28 / 0 / 10 / 10

HEX #A4E5CE

RGB 164 229 206

HSL 158.77, 0.56%, 0.77%

LAB 86.2, -25.2, 4.65

 

CMYK 18 / 0 / 6 / 7

HEX #C4EEDF

RGB 196 238 223

HSL 158.57, 0.55%, 0.85%

LAB 90.88, -16.44, 2.76

 

CMYK 8 / 0 / 3 / 3

HEX #E4F7F0

RGB 228 247 240

HSL 157.89, 0.54%, 0.93%

LAB 95.71, -7.49, 1.22

 

CMYK 28 / 0 / 10 / 10

HEX #A6E5CF

RGB 166 229 207

HSL 159.05, 0.55%, 0.77%

LAB 86.33, -24.4, 4.33

 

CMYK 28 / 24 / 0 / 10

HEX #A4AEE5

RGB 164 174 229

HSL 230.77, 0.56%, 0.77%

LAB 72.11, 8.73, -28.74

 

CMYK 0 / 21 / 28 / 10

HEX #E5B4A4

RGB 229 180 164

HSL 14.77, 0.56%, 0.77%

LAB 77.27, 15.48, 14.95

 

CMYK 28 / 0 / 10 / 10

HEX #A6E5CF

RGB 166 229 207

HSL 159.05, 0.55%, 0.77%

LAB 86.33, -24.4, 4.33

 

CMYK 10 / 28 / 0 / 10

HEX #CEA4E5

RGB 206 164 229

HSL 278.77, 0.56%, 0.77%

LAB 73.11, 27.12, -26.9

 

CMYK 0 / 10 / 28 / 10

HEX #E5CEA4

RGB 229 206 164

HSL 38.77, 0.56%, 0.77%

LAB 83.69, 1.77, 23.85

 

CMYK 28 / 0 / 10 / 10

HEX #A6E5CF

RGB 166 229 207

HSL 159.05, 0.55%, 0.77%

LAB 86.33, -24.4, 4.33

 

CMYK 28 / 24 / 0 / 10

HEX #A4AEE5

RGB 164 174 229

HSL 230.77, 0.56%, 0.77%

LAB 72.11, 8.73, -28.74

 

CMYK 0 / 28 / 18 / 10

HEX #E5A4BB

RGB 229 164 187

HSL 338.77, 0.56%, 0.77%

LAB 74.06, 27.35, -2.22

 

CMYK 0 / 4 / 28 / 10

HEX #E5DBA4

RGB 229 219 164

HSL 50.77, 0.56%, 0.77%

LAB 87, -4.92, 28.34

 

CMYK 28 / 0 / 10 / 10

HEX #A6E5CF

RGB 166 229 207

HSL 159.05, 0.55%, 0.77%

LAB 86.33, -24.4, 4.33

 

CMYK 24 / 28 / 0 / 10

HEX #AEA4E5

RGB 174 164 229

HSL 249.23, 0.56%, 0.77%

LAB 70.32, 17.26, -31.43

 

CMYK 0 / 28 / 18 / 10

HEX #E5A4BB

RGB 229 164 187

HSL 338.77, 0.56%, 0.77%

LAB 74.06, 27.35, -2.22

 

CMYK 4 / 0 / 28 / 10

HEX #DBE5A4

RGB 219 229 164

HSL 69.23, 0.56%, 0.77%

LAB 88.82, -13.71, 30.66

 

Description

Color code: HEX #A6E5CF | qconv.com Color code: HEX #A6E5CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 229 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 229 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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