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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6E561 it is the complementary color #591A9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6E561. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6E561 shade: #ABE55C, #BCF76F, #CDFF82, #DEFF95 and #EFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6E561. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6E561 shade: #A6E561, #95D34E, #84C13B, #73AF28 and #629D15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6E561 shade: #A6E561, #C9E561, #E5DD61, #E5B961 and #E59561

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6E561 shade: #A6E561, #82E561, #61E563, #61E586 and #61E5AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6E561 shade matches the following richer shades: #A6E561 and #A6F452

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6E561 shade: #A6E561, #A5D66F, #A4C77E, #A4B88D and #A3A99C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6E561 shade: #E5DC61, #CAE561, #A7E561, #84E561 and #61E561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6E561 shade: #7DD122, #92DF3D, #A6E561, #BAEB84 and #CEF0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6E561 shade: #A6E561, #61E5B9 and #E561DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6E561 shade: #A6E561, #61A7E5 and #E561A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6E561 shade: #A6E561, #61E5B9, #9E61E5 and #E5618D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6E561 shade: #A6E561, #61E5E0, #9E61E5 and #E56165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

Complementary color

CMYK 44 / 84 / 0 / 38

HEX #591A9E

RGB 89 26 158

HSL 268.64, 0.72%, 0.36%

LAB 27.66, 52.95, -58.82

 

CMYK 25 / 0 / 60 / 10

HEX #ABE55C

RGB 171 229 92

HSL 85.4, 0.72%, 0.63%

LAB 84.72, -39.49, 59.41

 

CMYK 24 / 0 / 55 / 3

HEX #BCF76F

RGB 188 247 111

HSL 86.03, 0.89%, 0.7%

LAB 90.94, -39.64, 58.48

 

CMYK 20 / 0 / 49 / 0

HEX #CDFF82

RGB 205 255 130

HSL 84, 1%, 0.75%

LAB 94.36, -35.25, 54.17

 

CMYK 13 / 0 / 42 / 0

HEX #DEFF95

RGB 222 255 149

HSL 78.68, 1%, 0.79%

LAB 95.67, -27.01, 47.07

 

CMYK 6 / 0 / 34 / 0

HEX #EFFFA8

RGB 239 255 168

HSL 71.03, 1%, 0.83%

LAB 97.1, -18.56, 39.88

 

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

CMYK 29 / 0 / 63 / 17

HEX #95D34E

RGB 149 211 78

HSL 87.97, 0.6%, 0.57%

LAB 78.19, -40.68, 57.77

 

CMYK 32 / 0 / 69 / 24

HEX #84C13B

RGB 132 193 59

HSL 87.31, 0.53%, 0.49%

LAB 71.8, -40.39, 58.35

 

CMYK 34 / 0 / 77 / 31

HEX #73AF28

RGB 115 175 40

HSL 86.67, 0.63%, 0.42%

LAB 65.32, -39.94, 58.38

 

CMYK 38 / 0 / 87 / 38

HEX #629D15

RGB 98 157 21

HSL 86.03, 0.76%, 0.35%

LAB 58.76, -39.25, 57.43

 

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

CMYK 12 / 0 / 58 / 10

HEX #C9E561

RGB 201 229 97

HSL 72.73, 0.72%, 0.64%

LAB 86.66, -27.72, 59.95

 

CMYK 0 / 3 / 58 / 10

HEX #E5DD61

RGB 229 221 97

HSL 56.36, 0.72%, 0.64%

LAB 86.62, -12.63, 60.48

 

CMYK 0 / 19 / 58 / 10

HEX #E5B961

RGB 229 185 97

HSL 40, 0.72%, 0.64%

LAB 77.41, 5.83, 49.97

 

CMYK 0 / 35 / 58 / 10

HEX #E59561

RGB 229 149 97

HSL 23.64, 0.72%, 0.64%

LAB 68.76, 24.97, 39.61

 

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

CMYK 43 / 0 / 58 / 10

HEX #82E561

RGB 130 229 97

HSL 105, 0.72%, 0.64%

LAB 82.73, -52.78, 54.42

 

CMYK 58 / 0 / 57 / 10

HEX #61E563

RGB 97 229 99

HSL 120.91, 0.72%, 0.64%

LAB 81.56, -61.43, 51.86

 

CMYK 58 / 0 / 41 / 10

HEX #61E586

RGB 97 229 134

HSL 136.82, 0.72%, 0.64%

LAB 82, -56.51, 35.68

 

CMYK 58 / 0 / 26 / 10

HEX #61E5AA

RGB 97 229 170

HSL 153.18, 0.72%, 0.64%

LAB 82.64, -49.83, 18.08

 

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

CMYK 32 / 0 / 66 / 4

HEX #A6F452

RGB 166 244 82

HSL 88.89, 0.88%, 0.64%

LAB 88.65, -48.52, 67.61

 

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

CMYK 23 / 0 / 48 / 16

HEX #A5D66F

RGB 165 214 111

HSL 88.54, 0.56%, 0.64%

LAB 80.31, -33.01, 45.5

 

CMYK 18 / 0 / 37 / 22

HEX #A4C77E

RGB 164 199 126

HSL 88.77, 0.39%, 0.64%

LAB 76.22, -24.38, 32.8

 

CMYK 11 / 0 / 23 / 28

HEX #A4B88D

RGB 164 184 141

HSL 87.91, 0.23%, 0.64%

LAB 72.29, -14.64, 19.61

 

CMYK 4 / 0 / 8 / 34

HEX #A3A99C

RGB 163 169 156

HSL 87.69, 0.07%, 0.64%

LAB 68.43, -4.56, 5.96

 

CMYK 0 / 4 / 58 / 10

HEX #E5DC61

RGB 229 220 97

HSL 55.91, 0.72%, 0.64%

LAB 86.36, -12.13, 60.19

 

CMYK 12 / 0 / 58 / 10

HEX #CAE561

RGB 202 229 97

HSL 72.27, 0.72%, 0.64%

LAB 86.73, -27.33, 60.04

 

CMYK 27 / 0 / 58 / 10

HEX #A7E561

RGB 167 229 97

HSL 88.18, 0.72%, 0.64%

LAB 84.54, -40.49, 56.98

 

CMYK 42 / 0 / 58 / 10

HEX #84E561

RGB 132 229 97

HSL 104.09, 0.72%, 0.64%

LAB 82.81, -52.18, 54.54

 

CMYK 58 / 0 / 58 / 10

HEX #61E561

RGB 97 229 97

HSL 120, 0.72%, 0.64%

LAB 81.53, -61.66, 52.73

 

CMYK 40 / 0 / 84 / 18

HEX #7DD122

RGB 125 209 34

HSL 88.8, 0.72%, 0.48%

LAB 76.12, -50.87, 70.06

 

CMYK 35 / 0 / 73 / 13

HEX #92DF3D

RGB 146 223 61

HSL 88.52, 0.72%, 0.56%

LAB 81.41, -48.08, 67.53

 

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

CMYK 21 / 0 / 44 / 8

HEX #BAEB84

RGB 186 235 132

HSL 88.54, 0.72%, 0.72%

LAB 87.74, -32.72, 44.81

 

CMYK 14 / 0 / 30 / 6

HEX #CEF0A8

RGB 206 240 168

HSL 88.33, 0.71%, 0.8%

LAB 90.9, -23.27, 31.26

 

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

CMYK 58 / 0 / 19 / 10

HEX #61E5B9

RGB 97 229 185

HSL 160, 0.72%, 0.64%

LAB 82.96, -46.59, 10.68

 

CMYK 0 / 58 / 4 / 10

HEX #E561DC

RGB 229 97 220

HSL 304.09, 0.72%, 0.64%

LAB 61.98, 66.19, -38.96

 

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

CMYK 58 / 27 / 0 / 10

HEX #61A7E5

RGB 97 167 229

HSL 208.18, 0.72%, 0.64%

LAB 66.39, -4.11, -37.89

 

CMYK 0 / 58 / 27 / 10

HEX #E561A7

RGB 229 97 167

HSL 328.18, 0.72%, 0.64%

LAB 59.89, 58.41, -12

 

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

CMYK 58 / 0 / 19 / 10

HEX #61E5B9

RGB 97 229 185

HSL 160, 0.72%, 0.64%

LAB 82.96, -46.59, 10.68

 

CMYK 31 / 58 / 0 / 10

HEX #9E61E5

RGB 158 97 229

HSL 267.73, 0.72%, 0.64%

LAB 53.47, 50.28, -58.08

 

CMYK 0 / 58 / 38 / 10

HEX #E5618D

RGB 229 97 141

HSL 340, 0.72%, 0.64%

LAB 59.09, 55.32, 1.91

 

CMYK 28 / 0 / 58 / 10

HEX #A6E561

RGB 166 229 97

HSL 88.64, 0.72%, 0.64%

LAB 84.49, -40.85, 56.9

 

CMYK 58 / 0 / 2 / 10

HEX #61E5E0

RGB 97 229 224

HSL 177.73, 0.72%, 0.64%

LAB 83.95, -37.09, -8.47

 

CMYK 31 / 58 / 0 / 10

HEX #9E61E5

RGB 158 97 229

HSL 267.73, 0.72%, 0.64%

LAB 53.47, 50.28, -58.08

 

CMYK 0 / 58 / 56 / 10

HEX #E56165

RGB 229 97 101

HSL 358.18, 0.72%, 0.64%

LAB 58.18, 51.62, 23.9

 

Description

Color code: HEX #A6E561 | qconv.com Color code: HEX #A6E561 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 229 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 229 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 58 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 58% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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