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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6C92D it is the complementary color #5936D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6C92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6C92D shade: #ABC928, #BCDB3B, #CDED4E, #DEFF61 and #EFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6C92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6C92D shade: #A6C92D, #95B71A, #84A507, #739300 and #628100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6C92D shade: #A4C72D, #C7C02D, #C7962D, #C76D2D and #C7432D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6C92D shade: #A4C72D, #7BC72D, #51C72D, #2DC732 and #2DC75C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6C92D shade matches the following richer shades: #A4C72D, #AFDB19 and #BAEF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6C92D shade: #A4C72D, #99B341, #8F9F54, #848C68 and #79787C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6C92D shade: #C7962D, #C7BF2D, #A6C72D, #7CC72D and #53C72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6C92D shade: #6D841E, #89A525, #A4C72D, #B5D548 and #C3DD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6C92D shade: #A6C92D, #2DC76D and #AB2DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6C92D shade: #A6C92D, #2DA6C7 and #C72DA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6C92D shade: #A6C92D, #2DC76D, #4E2DC7 and #C72D87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6C92D shade: #A6C92D, #2DC79B, #4E2DC7 and #C72D58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 78 / 21

HEX #A6C92D

RGB 166 201 45

HSL 73.46, 0.63%, 0.48%

LAB 76.11, -31.67, 68

 

Complementary color

CMYK 58 / 74 / 0 / 18

HEX #5936D2

RGB 89 54 210

HSL 253.46, 0.63%, 0.52%

LAB 36.77, 54.64, -74.69

 

CMYK 15 / 0 / 80 / 21

HEX #ABC928

RGB 171 201 40

HSL 71.18, 0.67%, 0.47%

LAB 76.43, -29.84, 69.83

 

CMYK 14 / 0 / 73 / 14

HEX #BCDB3B

RGB 188 219 59

HSL 71.63, 0.69%, 0.55%

LAB 82.74, -30.6, 70.33

 

CMYK 14 / 0 / 67 / 7

HEX #CDED4E

RGB 205 237 78

HSL 72.08, 0.82%, 0.62%

LAB 88.97, -31.21, 70.18

 

CMYK 13 / 0 / 62 / 0

HEX #DEFF61

RGB 222 255 97

HSL 72.53, 1%, 0.69%

LAB 95.12, -31.7, 69.63

 

CMYK 6 / 0 / 55 / 0

HEX #EFFF74

RGB 239 255 116

HSL 66.91, 1%, 0.73%

LAB 96.46, -23.73, 63.49

 

CMYK 17 / 0 / 78 / 21

HEX #A6C92D

RGB 166 201 45

HSL 73.46, 0.63%, 0.48%

LAB 76.11, -31.67, 68

 

CMYK 19 / 0 / 86 / 28

HEX #95B71A

RGB 149 183 26

HSL 72.99, 0.75%, 0.41%

LAB 69.7, -30.83, 66.87

 

CMYK 20 / 0 / 96 / 35

HEX #84A507

RGB 132 165 7

HSL 72.53, 0.92%, 0.34%

LAB 63.2, -29.77, 64.31

 

CMYK 22 / 0 / 100 / 42

HEX #739300

RGB 115 147 0

HSL 73.06, 1%, 0.29%

LAB 56.6, -28.45, 59.76

 

CMYK 24 / 0 / 100 / 49

HEX #628100

RGB 98 129 0

HSL 74.42, 1%, 0.25%

LAB 49.85, -26.99, 54.14

 

CMYK 18 / 0 / 77 / 22

HEX #A4C72D

RGB 164 199 45

HSL 73.64, 0.63%, 0.48%

LAB 75.41, -31.54, 67.31

 

CMYK 0 / 4 / 77 / 22

HEX #C7C02D

RGB 199 192 45

HSL 57.27, 0.63%, 0.48%

LAB 76.09, -13.46, 68.9

 

CMYK 0 / 25 / 77 / 22

HEX #C7962D

RGB 199 150 45

HSL 40.91, 0.63%, 0.48%

LAB 65.08, 8.68, 58.79

 

CMYK 0 / 45 / 77 / 22

HEX #C76D2D

RGB 199 109 45

HSL 24.94, 0.63%, 0.48%

LAB 55.35, 30.98, 49.45

 

CMYK 0 / 66 / 77 / 22

HEX #C7432D

RGB 199 67 45

HSL 8.57, 0.63%, 0.48%

LAB 47.43, 51.33, 41.43

 

CMYK 18 / 0 / 77 / 22

HEX #A4C72D

RGB 164 199 45

HSL 73.64, 0.63%, 0.48%

LAB 75.41, -31.54, 67.31

 

CMYK 38 / 0 / 77 / 22

HEX #7BC72D

RGB 123 199 45

HSL 89.61, 0.63%, 0.48%

LAB 73.05, -47, 64.27

 

CMYK 59 / 0 / 77 / 22

HEX #51C72D

RGB 81 199 45

HSL 105.97, 0.63%, 0.48%

LAB 71.41, -59.46, 62.12

 

CMYK 77 / 0 / 75 / 22

HEX #2DC732

RGB 45 199 50

HSL 121.95, 0.63%, 0.48%

LAB 70.62, -65.98, 59.44

 

CMYK 77 / 0 / 54 / 22

HEX #2DC75C

RGB 45 199 92

HSL 138.31, 0.63%, 0.48%

LAB 70.99, -61.43, 42.23

 

CMYK 18 / 0 / 77 / 22

HEX #A4C72D

RGB 164 199 45

HSL 73.64, 0.63%, 0.48%

LAB 75.41, -31.54, 67.31

 

CMYK 20 / 0 / 89 / 14

HEX #AFDB19

RGB 175 219 25

HSL 73.61, 0.8%, 0.48%

LAB 81.76, -36.97, 77.72

 

CMYK 22 / 0 / 98 / 6

HEX #BAEF05

RGB 186 239 5

HSL 73.59, 0.96%, 0.48%

LAB 88.06, -41.84, 85.2

 

CMYK 18 / 0 / 77 / 22

HEX #A4C72D

RGB 164 199 45

HSL 73.64, 0.63%, 0.48%

LAB 75.41, -31.54, 67.31

 

CMYK 15 / 0 / 64 / 30

HEX #99B341

RGB 153 179 65

HSL 73.68, 0.47%, 0.48%

LAB 69.04, -25.3, 53.43

 

CMYK 10 / 0 / 47 / 38

HEX #8F9F54

RGB 143 159 84

HSL 72.8, 0.31%, 0.48%

LAB 62.74, -17.65, 37.05

 

CMYK 6 / 0 / 26 / 45

HEX #848C68

RGB 132 140 104

HSL 73.33, 0.15%, 0.48%

LAB 56.74, -9.41, 18.3

 

CMYK 2 / 3 / 0 / 51

HEX #79787C

RGB 121 120 124

HSL 255, 0.02%, 0.48%

LAB 50.63, 1.19, -2.06

 

CMYK 0 / 25 / 77 / 22

HEX #C7962D

RGB 199 150 45

HSL 40.91, 0.63%, 0.48%

LAB 65.08, 8.68, 58.79

 

CMYK 0 / 4 / 77 / 22

HEX #C7BF2D

RGB 199 191 45

HSL 56.88, 0.63%, 0.48%

LAB 75.82, -12.96, 68.66

 

CMYK 17 / 0 / 77 / 22

HEX #A6C72D

RGB 166 199 45

HSL 72.86, 0.63%, 0.48%

LAB 75.54, -30.73, 67.48

 

CMYK 38 / 0 / 77 / 22

HEX #7CC72D

RGB 124 199 45

HSL 89.22, 0.63%, 0.48%

LAB 73.1, -46.65, 64.33

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 17 / 0 / 77 / 48

HEX #6D841E

RGB 109 132 30

HSL 73.53, 0.63%, 0.32%

LAB 51.66, -22.71, 48.66

 

CMYK 17 / 0 / 78 / 35

HEX #89A525

RGB 137 165 37

HSL 73.13, 0.63%, 0.4%

LAB 63.64, -26.79, 58.25

 

CMYK 18 / 0 / 77 / 22

HEX #A4C72D

RGB 164 199 45

HSL 73.64, 0.63%, 0.48%

LAB 75.41, -31.54, 67.31

 

CMYK 15 / 0 / 66 / 16

HEX #B5D548

RGB 181 213 72

HSL 73.62, 0.63%, 0.56%

LAB 80.67, -29.84, 63.42

 

CMYK 12 / 0 / 52 / 13

HEX #C3DD6A

RGB 195 221 106

HSL 73.57, 0.63%, 0.64%

LAB 84.15, -25.48, 52.92

 

CMYK 17 / 0 / 78 / 21

HEX #A6C92D

RGB 166 201 45

HSL 73.46, 0.63%, 0.48%

LAB 76.11, -31.67, 68

 

CMYK 77 / 0 / 45 / 22

HEX #2DC76D

RGB 45 199 109

HSL 144.94, 0.63%, 0.48%

LAB 71.22, -58.76, 34.11

 

CMYK 14 / 77 / 0 / 22

HEX #AB2DC7

RGB 171 45 199

HSL 289.09, 0.63%, 0.48%

LAB 45.16, 69.23, -54.2

 

CMYK 17 / 0 / 78 / 21

HEX #A6C92D

RGB 166 201 45

HSL 73.46, 0.63%, 0.48%

LAB 76.11, -31.67, 68

 

CMYK 77 / 17 / 0 / 22

HEX #2DA6C7

RGB 45 166 199

HSL 192.86, 0.63%, 0.48%

LAB 63.3, -21.36, -26.21

 

CMYK 0 / 77 / 17 / 22

HEX #C72DA6

RGB 199 45 166

HSL 312.86, 0.63%, 0.48%

LAB 47.97, 69.81, -30.09

 

CMYK 17 / 0 / 78 / 21

HEX #A6C92D

RGB 166 201 45

HSL 73.46, 0.63%, 0.48%

LAB 76.11, -31.67, 68

 

CMYK 77 / 0 / 45 / 22

HEX #2DC76D

RGB 45 199 109

HSL 144.94, 0.63%, 0.48%

LAB 71.22, -58.76, 34.11

 

CMYK 61 / 77 / 0 / 22

HEX #4E2DC7

RGB 78 45 199

HSL 252.86, 0.63%, 0.48%

LAB 33.18, 54.51, -74.24

 

CMYK 0 / 77 / 32 / 22

HEX #C72D87

RGB 199 45 135

HSL 324.94, 0.63%, 0.48%

LAB 46.67, 65.96, -13.5

 

CMYK 17 / 0 / 78 / 21

HEX #A6C92D

RGB 166 201 45

HSL 73.46, 0.63%, 0.48%

LAB 76.11, -31.67, 68

 

CMYK 77 / 0 / 22 / 22

HEX #2DC79B

RGB 45 199 155

HSL 162.86, 0.63%, 0.48%

LAB 72.08, -49.25, 11.03

 

CMYK 61 / 77 / 0 / 22

HEX #4E2DC7

RGB 78 45 199

HSL 252.86, 0.63%, 0.48%

LAB 33.18, 54.51, -74.24

 

CMYK 0 / 77 / 56 / 22

HEX #C72D58

RGB 199 45 88

HSL 343.25, 0.63%, 0.48%

LAB 45.25, 61.6, 13.34

 

Description

Color code: HEX #A6C92D | qconv.com Color code: HEX #A6C92D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 201 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 201 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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