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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6C92A it is the complementary color #5936D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6C92A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6C92A shade: #ABC925, #BCDB38, #CDED4B, #DEFF5E and #EFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6C92A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6C92A shade: #A6C92A, #95B717, #84A504, #739300 and #628100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6C92A shade: #A6C92A, #C9C22A, #C9972A, #C96C2A and #C9412A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6C92A shade: #A6C92A, #7CC92A, #51C92A, #2AC92F and #2AC95A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6C92A shade matches the following richer shades: #A6C92A, #B2DD17 and #BDF103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6C92A shade: #A6C92A, #9BB63E, #90A252, #858E66 and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6C92A shade: #C9972A, #C9C22A, #A7C92A, #7DC92A and #52C92A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6C92A shade: #6E851C, #8AA723, #A6C92A, #B7D746 and #C4DF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6C92A shade: #A6C92A, #2AC96D and #AC2AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6C92A shade: #A6C92A, #2AA7C9 and #C92AA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6C92A shade: #A6C92A, #2AC96D, #4D2AC9 and #C92A87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6C92A shade: #A6C92A, #2AC99C, #4D2AC9 and #C92A57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

Complementary color

CMYK 58 / 75 / 0 / 16

HEX #5936D5

RGB 89 54 213

HSL 253.21, 0.65%, 0.52%

LAB 37.05, 55.5, -75.96

 

CMYK 15 / 0 / 82 / 21

HEX #ABC925

RGB 171 201 37

HSL 70.98, 0.69%, 0.47%

LAB 76.41, -29.95, 70.61

 

CMYK 14 / 0 / 74 / 14

HEX #BCDB38

RGB 188 219 56

HSL 71.41, 0.69%, 0.54%

LAB 82.72, -30.74, 71.29

 

CMYK 14 / 0 / 68 / 7

HEX #CDED4B

RGB 205 237 75

HSL 71.85, 0.82%, 0.61%

LAB 88.95, -31.38, 71.26

 

CMYK 13 / 0 / 63 / 0

HEX #DEFF5E

RGB 222 255 94

HSL 72.3, 1%, 0.68%

LAB 95.1, -31.9, 70.79

 

CMYK 6 / 0 / 56 / 0

HEX #EFFF71

RGB 239 255 113

HSL 66.76, 1%, 0.72%

LAB 96.44, -23.96, 64.76

 

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

CMYK 19 / 0 / 87 / 28

HEX #95B717

RGB 149 183 23

HSL 72.75, 0.78%, 0.4%

LAB 69.7, -30.91, 67.48

 

CMYK 20 / 0 / 98 / 35

HEX #84A504

RGB 132 165 4

HSL 72.3, 0.95%, 0.33%

LAB 63.2, -29.82, 64.71

 

CMYK 22 / 0 / 100 / 42

HEX #739300

RGB 115 147 0

HSL 73.06, 1%, 0.29%

LAB 56.6, -28.45, 59.76

 

CMYK 24 / 0 / 100 / 49

HEX #628100

RGB 98 129 0

HSL 74.42, 1%, 0.25%

LAB 49.85, -26.99, 54.14

 

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

CMYK 0 / 3 / 79 / 21

HEX #C9C22A

RGB 201 194 42

HSL 57.36, 0.65%, 0.48%

LAB 76.78, -13.72, 70.46

 

CMYK 0 / 25 / 79 / 21

HEX #C9972A

RGB 201 151 42

HSL 41.13, 0.65%, 0.48%

LAB 65.53, 8.91, 60.38

 

CMYK 0 / 46 / 79 / 21

HEX #C96C2A

RGB 201 108 42

HSL 24.91, 0.65%, 0.48%

LAB 55.39, 32.22, 50.92

 

CMYK 0 / 68 / 79 / 21

HEX #C9412A

RGB 201 65 42

HSL 8.68, 0.65%, 0.48%

LAB 47.45, 52.72, 43.14

 

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

CMYK 38 / 0 / 79 / 21

HEX #7CC92A

RGB 124 201 42

HSL 89.06, 0.65%, 0.48%

LAB 73.69, -47.63, 65.77

 

CMYK 60 / 0 / 79 / 21

HEX #51C92A

RGB 81 201 42

HSL 105.28, 0.65%, 0.48%

LAB 72.02, -60.34, 63.61

 

CMYK 79 / 0 / 77 / 21

HEX #2AC92F

RGB 42 201 47

HSL 121.89, 0.65%, 0.48%

LAB 71.19, -67.2, 60.98

 

CMYK 79 / 0 / 55 / 21

HEX #2AC95A

RGB 42 201 90

HSL 138.11, 0.65%, 0.48%

LAB 71.56, -62.75, 43.85

 

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

CMYK 19 / 0 / 90 / 13

HEX #B2DD17

RGB 178 221 23

HSL 73.03, 0.81%, 0.48%

LAB 82.51, -36.73, 78.73

 

CMYK 22 / 0 / 99 / 5

HEX #BDF103

RGB 189 241 3

HSL 73.11, 0.98%, 0.48%

LAB 88.8, -41.58, 86

 

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

CMYK 15 / 0 / 66 / 29

HEX #9BB63E

RGB 155 182 62

HSL 73.5, 0.49%, 0.48%

LAB 70.02, -26.16, 55.76

 

CMYK 11 / 0 / 49 / 36

HEX #90A252

RGB 144 162 82

HSL 73.5, 0.33%, 0.48%

LAB 63.66, -19, 39.2

 

CMYK 6 / 0 / 28 / 44

HEX #858E66

RGB 133 142 102

HSL 73.5, 0.16%, 0.48%

LAB 57.36, -10.4, 20.27

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 0 / 25 / 79 / 21

HEX #C9972A

RGB 201 151 42

HSL 41.13, 0.65%, 0.48%

LAB 65.53, 8.91, 60.38

 

CMYK 0 / 3 / 79 / 21

HEX #C9C22A

RGB 201 194 42

HSL 57.36, 0.65%, 0.48%

LAB 76.78, -13.72, 70.46

 

CMYK 17 / 0 / 79 / 21

HEX #A7C92A

RGB 167 201 42

HSL 72.83, 0.65%, 0.48%

LAB 76.16, -31.39, 68.94

 

CMYK 38 / 0 / 79 / 21

HEX #7DC92A

RGB 125 201 42

HSL 88.68, 0.65%, 0.48%

LAB 73.74, -47.28, 65.84

 

CMYK 59 / 0 / 79 / 21

HEX #52C92A

RGB 82 201 42

HSL 104.91, 0.65%, 0.48%

LAB 72.05, -60.09, 63.65

 

CMYK 17 / 0 / 79 / 48

HEX #6E851C

RGB 110 133 28

HSL 73.14, 0.65%, 0.32%

LAB 52.03, -22.88, 49.72

 

CMYK 17 / 0 / 79 / 35

HEX #8AA723

RGB 138 167 35

HSL 73.18, 0.65%, 0.4%

LAB 64.29, -27.43, 59.5

 

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

CMYK 15 / 0 / 67 / 16

HEX #B7D746

RGB 183 215 70

HSL 73.24, 0.64%, 0.56%

LAB 81.35, -30.11, 64.93

 

CMYK 12 / 0 / 53 / 13

HEX #C4DF68

RGB 196 223 104

HSL 73.61, 0.65%, 0.64%

LAB 84.75, -26.23, 54.56

 

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

CMYK 79 / 0 / 46 / 21

HEX #2AC96D

RGB 42 201 109

HSL 145.28, 0.65%, 0.48%

LAB 71.81, -59.82, 34.85

 

CMYK 14 / 79 / 0 / 21

HEX #AC2AC9

RGB 172 42 201

HSL 289.06, 0.65%, 0.48%

LAB 45.14, 70.66, -55.38

 

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

CMYK 79 / 17 / 0 / 21

HEX #2AA7C9

RGB 42 167 201

HSL 192.83, 0.65%, 0.48%

LAB 63.63, -21.52, -26.83

 

CMYK 0 / 79 / 17 / 21

HEX #C92AA7

RGB 201 42 167

HSL 312.83, 0.65%, 0.48%

LAB 48.09, 71.2, -30.48

 

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

CMYK 79 / 0 / 46 / 21

HEX #2AC96D

RGB 42 201 109

HSL 145.28, 0.65%, 0.48%

LAB 71.81, -59.82, 34.85

 

CMYK 62 / 79 / 0 / 21

HEX #4D2AC9

RGB 77 42 201

HSL 253.21, 0.65%, 0.48%

LAB 32.81, 56.35, -76.02

 

CMYK 0 / 79 / 33 / 21

HEX #C92A87

RGB 201 42 135

HSL 324.91, 0.65%, 0.48%

LAB 46.74, 67.28, -13.36

 

CMYK 17 / 0 / 79 / 21

HEX #A6C92A

RGB 166 201 42

HSL 73.21, 0.65%, 0.48%

LAB 76.1, -31.79, 68.86

 

CMYK 79 / 0 / 22 / 21

HEX #2AC99C

RGB 42 201 156

HSL 163.02, 0.65%, 0.48%

LAB 72.67, -50.14, 11.33

 

CMYK 62 / 79 / 0 / 21

HEX #4D2AC9

RGB 77 42 201

HSL 253.21, 0.65%, 0.48%

LAB 32.81, 56.35, -76.02

 

CMYK 0 / 79 / 57 / 21

HEX #C92A57

RGB 201 42 87

HSL 343.02, 0.65%, 0.48%

LAB 45.31, 62.95, 14.09

 

Description

Color code: HEX #A6C92A | qconv.com Color code: HEX #A6C92A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 201 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 201 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 79 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 79% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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