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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6B5C0 it is the complementary color #594A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6B5C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6B5C0 shade: #ABB5BB, #BCC7CE, #CDD9E1, #DEEBF4 and #EFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6B5C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6B5C0 shade: #A6B5C0, #95A3AD, #84919A, #737F87 and #626D74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6B5C0 shade: #A5B5C0, #A5ADC0, #A5A6C0, #ACA5C0 and #B3A5C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6B5C0 shade: #A5B5C0, #A5ADC0, #A5A6C0 and #A5A5C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6B5C0 shade matches the following richer shades: #A5B5C0, #99B6CC, #8DB8D8, #80BAE5 and #74BCF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6B5C0 shade: #A5B5C0, #B2B3B3, #BEB1A7, #CBAF9A and #D7AD8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6B5C0 shade: #A5C0BC, #A5BCC0, #A5B5C0, #A5AEC0 and #A5A7C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6B5C0 shade: #758C9D, #8DA0AE, #A5B5C0, #BEC9D1 and #D6DDE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6B5C0 shade: #A6B5C0, #B6A5C0 and #BFC0A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6B5C0 shade: #A6B5C0, #C0A5B5 and #B5C0A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6B5C0 shade: #A6B5C0, #B6A5C0, #C0B0A5 and #AFC0A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6B5C0 shade: #A6B5C0, #BDA5C0, #C0B0A5 and #A8C0A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 6 / 0 / 25

HEX #A6B5C0

RGB 166 181 192

HSL 205.38, 0.17%, 0.7%

LAB 72.87, -2.92, -7.35

 

Complementary color

CMYK 0 / 17 / 29 / 65

HEX #594A3F

RGB 89 74 63

HSL 25.38, 0.17%, 0.3%

LAB 32.66, 4.4, 8.93

 

CMYK 9 / 3 / 0 / 27

HEX #ABB5BB

RGB 171 181 187

HSL 202.5, 0.11%, 0.7%

LAB 73.08, -2.28, -4.25

 

CMYK 9 / 3 / 0 / 19

HEX #BCC7CE

RGB 188 199 206

HSL 203.33, 0.16%, 0.77%

LAB 79.61, -2.38, -4.79

 

CMYK 9 / 4 / 0 / 12

HEX #CDD9E1

RGB 205 217 225

HSL 204, 0.25%, 0.84%

LAB 86.03, -2.49, -5.32

 

CMYK 9 / 4 / 0 / 4

HEX #DEEBF4

RGB 222 235 244

HSL 204.55, 0.5%, 0.91%

LAB 92.34, -2.59, -5.84

 

CMYK 6 / 1 / 0 / 0

HEX #EFFDFF

RGB 239 253 255

HSL 187.5, 1%, 0.97%

LAB 98.36, -4.19, -2.54

 

CMYK 14 / 6 / 0 / 25

HEX #A6B5C0

RGB 166 181 192

HSL 205.38, 0.17%, 0.7%

LAB 72.87, -2.92, -7.35

 

CMYK 14 / 6 / 0 / 32

HEX #95A3AD

RGB 149 163 173

HSL 205, 0.13%, 0.63%

LAB 66.21, -2.83, -6.86

 

CMYK 14 / 6 / 0 / 40

HEX #84919A

RGB 132 145 154

HSL 204.55, 0.1%, 0.56%

LAB 59.42, -2.74, -6.35

 

CMYK 15 / 6 / 0 / 47

HEX #737F87

RGB 115 127 135

HSL 204, 0.08%, 0.49%

LAB 52.48, -2.65, -5.84

 

CMYK 16 / 6 / 0 / 55

HEX #626D74

RGB 98 109 116

HSL 203.33, 0.08%, 0.42%

LAB 45.35, -2.56, -5.31

 

CMYK 14 / 6 / 0 / 25

HEX #A5B5C0

RGB 165 181 192

HSL 204.44, 0.18%, 0.7%

LAB 72.79, -3.25, -7.47

 

CMYK 14 / 10 / 0 / 25

HEX #A5ADC0

RGB 165 173 192

HSL 222.22, 0.18%, 0.7%

LAB 70.66, 1.09, -10.65

 

CMYK 14 / 14 / 0 / 25

HEX #A5A6C0

RGB 165 166 192

HSL 237.78, 0.18%, 0.7%

LAB 68.81, 4.94, -13.42

 

CMYK 10 / 14 / 0 / 25

HEX #ACA5C0

RGB 172 165 192

HSL 255.56, 0.18%, 0.7%

LAB 69.1, 7.82, -12.92

 

CMYK 7 / 14 / 0 / 25

HEX #B3A5C0

RGB 179 165 192

HSL 271.11, 0.18%, 0.7%

LAB 69.68, 10.18, -11.99

 

CMYK 14 / 6 / 0 / 25

HEX #A5B5C0

RGB 165 181 192

HSL 204.44, 0.18%, 0.7%

LAB 72.79, -3.25, -7.47

 

CMYK 14 / 10 / 0 / 25

HEX #A5ADC0

RGB 165 173 192

HSL 222.22, 0.18%, 0.7%

LAB 70.66, 1.09, -10.65

 

CMYK 14 / 14 / 0 / 25

HEX #A5A6C0

RGB 165 166 192

HSL 237.78, 0.18%, 0.7%

LAB 68.81, 4.94, -13.42

 

CMYK 14 / 14 / 0 / 25

HEX #A5A5C0

RGB 165 165 192

HSL 240, 0.18%, 0.7%

LAB 68.54, 5.49, -13.82

 

CMYK 14 / 6 / 0 / 25

HEX #A5B5C0

RGB 165 181 192

HSL 204.44, 0.18%, 0.7%

LAB 72.79, -3.25, -7.47

 

CMYK 25 / 11 / 0 / 20

HEX #99B6CC

RGB 153 182 204

HSL 205.88, 0.33%, 0.7%

LAB 72.62, -4.92, -14.38

 

CMYK 35 / 15 / 0 / 15

HEX #8DB8D8

RGB 141 184 216

HSL 205.6, 0.49%, 0.7%

LAB 72.83, -6.57, -20.69

 

CMYK 44 / 19 / 0 / 10

HEX #80BAE5

RGB 128 186 229

HSL 205.54, 0.66%, 0.7%

LAB 73.13, -7.61, -27.35

 

CMYK 52 / 22 / 0 / 5

HEX #74BCF1

RGB 116 188 241

HSL 205.44, 0.82%, 0.7%

LAB 73.57, -8.07, -33.23

 

CMYK 14 / 6 / 0 / 25

HEX #A5B5C0

RGB 165 181 192

HSL 204.44, 0.18%, 0.7%

LAB 72.79, -3.25, -7.47

 

CMYK 1 / 0 / 0 / 30

HEX #B2B3B3

RGB 178 179 179

HSL 180, 0.01%, 0.7%

LAB 72.87, -0.35, -0.13

 

CMYK 0 / 7 / 12 / 25

HEX #BEB1A7

RGB 190 177 167

HSL 26.09, 0.15%, 0.7%

LAB 73.01, 2.92, 6.77

 

CMYK 0 / 14 / 24 / 20

HEX #CBAF9A

RGB 203 175 154

HSL 25.71, 0.32%, 0.7%

LAB 73.34, 6.87, 14.5

 

CMYK 0 / 20 / 34 / 16

HEX #D7AD8E

RGB 215 173 142

HSL 25.48, 0.48%, 0.7%

LAB 73.73, 10.98, 21.73

 

CMYK 14 / 0 / 2 / 25

HEX #A5C0BC

RGB 165 192 188

HSL 171.11, 0.18%, 0.7%

LAB 75.66, -9.92, -1.07

 

CMYK 14 / 2 / 0 / 25

HEX #A5BCC0

RGB 165 188 192

HSL 188.89, 0.18%, 0.7%

LAB 74.68, -6.98, -4.68

 

CMYK 14 / 6 / 0 / 25

HEX #A5B5C0

RGB 165 181 192

HSL 204.44, 0.18%, 0.7%

LAB 72.79, -3.25, -7.47

 

CMYK 14 / 9 / 0 / 25

HEX #A5AEC0

RGB 165 174 192

HSL 220, 0.18%, 0.7%

LAB 70.92, 0.54, -10.25

 

CMYK 14 / 13 / 0 / 25

HEX #A5A7C0

RGB 165 167 192

HSL 235.56, 0.18%, 0.7%

LAB 69.07, 4.39, -13.03

 

CMYK 25 / 11 / 0 / 38

HEX #758C9D

RGB 117 140 157

HSL 205.5, 0.17%, 0.54%

LAB 57.05, -4.19, -11.73

 

CMYK 19 / 8 / 0 / 32

HEX #8DA0AE

RGB 141 160 174

HSL 205.45, 0.17%, 0.62%

LAB 64.85, -3.6, -9.51

 

CMYK 14 / 6 / 0 / 25

HEX #A5B5C0

RGB 165 181 192

HSL 204.44, 0.18%, 0.7%

LAB 72.79, -3.25, -7.47

 

CMYK 9 / 4 / 0 / 18

HEX #BEC9D1

RGB 190 201 209

HSL 205.26, 0.17%, 0.78%

LAB 80.36, -2.18, -5.28

 

CMYK 5 / 2 / 0 / 11

HEX #D6DDE2

RGB 214 221 226

HSL 205, 0.17%, 0.86%

LAB 87.73, -1.41, -3.27

 

CMYK 14 / 6 / 0 / 25

HEX #A6B5C0

RGB 166 181 192

HSL 205.38, 0.17%, 0.7%

LAB 72.87, -2.92, -7.35

 

CMYK 5 / 14 / 0 / 25

HEX #B6A5C0

RGB 182 165 192

HSL 277.78, 0.18%, 0.7%

LAB 69.94, 11.2, -11.58

 

CMYK 1 / 0 / 14 / 25

HEX #BFC0A5

RGB 191 192 165

HSL 62.22, 0.18%, 0.7%

LAB 76.98, -5.02, 13.51

 

CMYK 14 / 6 / 0 / 25

HEX #A6B5C0

RGB 166 181 192

HSL 205.38, 0.17%, 0.7%

LAB 72.87, -2.92, -7.35

 

CMYK 0 / 14 / 6 / 25

HEX #C0A5B5

RGB 192 165 181

HSL 324.44, 0.18%, 0.7%

LAB 70.49, 12.61, -4.58

 

CMYK 6 / 0 / 14 / 25

HEX #B5C0A5

RGB 181 192 165

HSL 84.44, 0.18%, 0.7%

LAB 76.22, -8.66, 12.33

 

CMYK 14 / 6 / 0 / 25

HEX #A6B5C0

RGB 166 181 192

HSL 205.38, 0.17%, 0.7%

LAB 72.87, -2.92, -7.35

 

CMYK 5 / 14 / 0 / 25

HEX #B6A5C0

RGB 182 165 192

HSL 277.78, 0.18%, 0.7%

LAB 69.94, 11.2, -11.58

 

CMYK 0 / 8 / 14 / 25

HEX #C0B0A5

RGB 192 176 165

HSL 24.44, 0.18%, 0.7%

LAB 72.87, 3.87, 7.69

 

CMYK 9 / 0 / 14 / 25

HEX #AFC0A5

RGB 175 192 165

HSL 97.78, 0.18%, 0.7%

LAB 75.78, -10.81, 11.65

 

CMYK 14 / 6 / 0 / 25

HEX #A6B5C0

RGB 166 181 192

HSL 205.38, 0.17%, 0.7%

LAB 72.87, -2.92, -7.35

 

CMYK 2 / 14 / 0 / 25

HEX #BDA5C0

RGB 189 165 192

HSL 293.33, 0.18%, 0.7%

LAB 70.55, 13.6, -10.61

 

CMYK 0 / 8 / 14 / 25

HEX #C0B0A5

RGB 192 176 165

HSL 24.44, 0.18%, 0.7%

LAB 72.87, 3.87, 7.69

 

CMYK 13 / 0 / 14 / 25

HEX #A8C0A5

RGB 168 192 165

HSL 113.33, 0.18%, 0.7%

LAB 75.29, -13.29, 10.89

 

Description

Color code: HEX #A6B5C0 | qconv.com Color code: HEX #A6B5C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 181 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 181 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 6 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 6% 0% 25% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - ninpen.tumblr.com
Link: http://fluffybap.tumblr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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