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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6B47A it is the complementary color #594B85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6B47A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6B47A shade: #ABB475, #BCC688, #CDD89B, #DEEAAE and #EFFCC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6B47A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6B47A shade: #A6B47A, #95A267, #849054, #737E41 and #626C2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6B47A shade: #A6B479, #B4B279, #B4A279, #B49279 and #B48379

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6B47A shade: #A6B479, #96B479, #86B479, #79B47C and #79B48C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6B47A shade matches the following richer shades: #A6B479, #AEC568, #B7D657, #C0E646 and #C9F736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6B47A shade: #A6B479, #9DA38A, #94929B, #8B81AC and #8370BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6B47A shade: #B4A279, #B4B279, #A6B479, #96B479 and #87B479

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6B47A shade: #7D8C4F, #94A55F, #A6B479, #B7C394 and #C9D1AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6B47A shade: #A6B47A, #79B493 and #AA79B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6B47A shade: #A6B47A, #79A6B4 and #B479A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6B47A shade: #A6B47A, #79B493, #8779B4 and #B4799A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6B47A shade: #A6B47A, #79B4A4, #8779B4 and #B47989

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 32 / 29

HEX #A6B47A

RGB 166 180 122

HSL 74.48, 0.28%, 0.59%

LAB 70.98, -14.62, 28.03

 

Complementary color

CMYK 33 / 44 / 0 / 48

HEX #594B85

RGB 89 75 133

HSL 254.48, 0.28%, 0.41%

LAB 35.69, 19.88, -30.54

 

CMYK 5 / 0 / 35 / 29

HEX #ABB475

RGB 171 180 117

HSL 68.57, 0.3%, 0.58%

LAB 71.27, -13.32, 31.13

 

CMYK 5 / 0 / 31 / 22

HEX #BCC688

RGB 188 198 136

HSL 69.68, 0.35%, 0.65%

LAB 77.79, -13.49, 29.99

 

CMYK 5 / 0 / 28 / 15

HEX #CDD89B

RGB 205 216 155

HSL 70.82, 0.44%, 0.73%

LAB 84.2, -13.62, 28.91

 

CMYK 5 / 0 / 26 / 8

HEX #DEEAAE

RGB 222 234 174

HSL 72, 0.59%, 0.8%

LAB 90.52, -13.73, 27.88

 

CMYK 5 / 0 / 23 / 1

HEX #EFFCC1

RGB 239 252 193

HSL 73.22, 0.91%, 0.87%

LAB 96.75, -13.83, 26.9

 

CMYK 8 / 0 / 32 / 29

HEX #A6B47A

RGB 166 180 122

HSL 74.48, 0.28%, 0.59%

LAB 70.98, -14.62, 28.03

 

CMYK 8 / 0 / 36 / 36

HEX #95A267

RGB 149 162 103

HSL 73.22, 0.24%, 0.52%

LAB 64.33, -14.5, 29.19

 

CMYK 8 / 0 / 42 / 44

HEX #849054

RGB 132 144 84

HSL 72, 0.26%, 0.45%

LAB 57.55, -14.33, 30.4

 

CMYK 9 / 0 / 48 / 51

HEX #737E41

RGB 115 126 65

HSL 70.82, 0.32%, 0.37%

LAB 50.63, -14.1, 31.66

 

CMYK 9 / 0 / 57 / 58

HEX #626C2E

RGB 98 108 46

HSL 69.68, 0.4%, 0.3%

LAB 43.54, -13.75, 32.89

 

CMYK 8 / 0 / 33 / 29

HEX #A6B479

RGB 166 180 121

HSL 74.24, 0.28%, 0.59%

LAB 70.96, -14.75, 28.53

 

CMYK 0 / 1 / 33 / 29

HEX #B4B279

RGB 180 178 121

HSL 57.97, 0.28%, 0.59%

LAB 71.5, -8.2, 29.45

 

CMYK 0 / 10 / 33 / 29

HEX #B4A279

RGB 180 162 121

HSL 41.69, 0.28%, 0.59%

LAB 67.22, 0.33, 23.75

 

CMYK 0 / 19 / 33 / 29

HEX #B49279

RGB 180 146 121

HSL 25.42, 0.28%, 0.59%

LAB 63.05, 9.11, 18.08

 

CMYK 0 / 27 / 33 / 29

HEX #B48379

RGB 180 131 121

HSL 10.17, 0.28%, 0.59%

LAB 59.27, 17.48, 12.84

 

CMYK 8 / 0 / 33 / 29

HEX #A6B479

RGB 166 180 121

HSL 74.24, 0.28%, 0.59%

LAB 70.96, -14.75, 28.53

 

CMYK 17 / 0 / 33 / 29

HEX #96B479

RGB 150 180 121

HSL 90.51, 0.28%, 0.59%

LAB 69.83, -20.85, 26.83

 

CMYK 26 / 0 / 33 / 29

HEX #86B479

RGB 134 180 121

HSL 106.78, 0.28%, 0.59%

LAB 68.82, -26.66, 25.3

 

CMYK 33 / 0 / 31 / 29

HEX #79B47C

RGB 121 180 124

HSL 123.05, 0.28%, 0.59%

LAB 68.14, -30.6, 22.65

 

CMYK 33 / 0 / 22 / 29

HEX #79B48C

RGB 121 180 140

HSL 139.32, 0.28%, 0.59%

LAB 68.46, -27.68, 14.42

 

CMYK 8 / 0 / 33 / 29

HEX #A6B479

RGB 166 180 121

HSL 74.24, 0.28%, 0.59%

LAB 70.96, -14.75, 28.53

 

CMYK 12 / 0 / 47 / 23

HEX #AEC568

RGB 174 197 104

HSL 74.84, 0.44%, 0.59%

LAB 76.03, -22.22, 43.8

 

CMYK 14 / 0 / 59 / 16

HEX #B7D657

RGB 183 214 87

HSL 74.65, 0.61%, 0.59%

LAB 81.21, -28.45, 57.86

 

CMYK 17 / 0 / 70 / 10

HEX #C0E646

RGB 192 230 70

HSL 74.25, 0.76%, 0.59%

LAB 86.13, -33.53, 69.95

 

CMYK 19 / 0 / 78 / 3

HEX #C9F736

RGB 201 247 54

HSL 74.3, 0.92%, 0.59%

LAB 91.33, -38.48, 80.12

 

CMYK 8 / 0 / 33 / 29

HEX #A6B479

RGB 166 180 121

HSL 74.24, 0.28%, 0.59%

LAB 70.96, -14.75, 28.53

 

CMYK 4 / 0 / 15 / 36

HEX #9DA38A

RGB 157 163 138

HSL 74.4, 0.12%, 0.59%

LAB 65.9, -6.69, 12.27

 

CMYK 5 / 6 / 0 / 39

HEX #94929B

RGB 148 146 155

HSL 253.33, 0.04%, 0.59%

LAB 60.98, 2.51, -4.49

 

CMYK 19 / 25 / 0 / 33

HEX #8B81AC

RGB 139 129 172

HSL 253.95, 0.21%, 0.59%

LAB 56.26, 12.9, -21.39

 

CMYK 31 / 41 / 0 / 26

HEX #8370BD

RGB 131 112 189

HSL 254.81, 0.37%, 0.59%

LAB 51.94, 24.68, -37.92

 

CMYK 0 / 10 / 33 / 29

HEX #B4A279

RGB 180 162 121

HSL 41.69, 0.28%, 0.59%

LAB 67.22, 0.33, 23.75

 

CMYK 0 / 1 / 33 / 29

HEX #B4B279

RGB 180 178 121

HSL 57.97, 0.28%, 0.59%

LAB 71.5, -8.2, 29.45

 

CMYK 8 / 0 / 33 / 29

HEX #A6B479

RGB 166 180 121

HSL 74.24, 0.28%, 0.59%

LAB 70.96, -14.75, 28.53

 

CMYK 17 / 0 / 33 / 29

HEX #96B479

RGB 150 180 121

HSL 90.51, 0.28%, 0.59%

LAB 69.83, -20.85, 26.83

 

CMYK 25 / 0 / 33 / 29

HEX #87B479

RGB 135 180 121

HSL 105.76, 0.28%, 0.59%

LAB 68.88, -26.31, 25.39

 

CMYK 11 / 0 / 44 / 45

HEX #7D8C4F

RGB 125 140 79

HSL 74.75, 0.28%, 0.43%

LAB 55.77, -15.72, 30.72

 

CMYK 10 / 0 / 42 / 35

HEX #94A55F

RGB 148 165 95

HSL 74.57, 0.28%, 0.51%

LAB 64.99, -17.45, 34.24

 

CMYK 8 / 0 / 33 / 29

HEX #A6B479

RGB 166 180 121

HSL 74.24, 0.28%, 0.59%

LAB 70.96, -14.75, 28.53

 

CMYK 6 / 0 / 24 / 24

HEX #B7C394

RGB 183 195 148

HSL 75.32, 0.28%, 0.67%

LAB 76.82, -12.17, 22.3

 

CMYK 4 / 0 / 17 / 18

HEX #C9D1AE

RGB 201 209 174

HSL 73.71, 0.28%, 0.75%

LAB 82.42, -8.76, 16.47

 

CMYK 8 / 0 / 32 / 29

HEX #A6B47A

RGB 166 180 122

HSL 74.48, 0.28%, 0.59%

LAB 70.98, -14.62, 28.03

 

CMYK 33 / 0 / 18 / 29

HEX #79B493

RGB 121 180 147

HSL 146.44, 0.28%, 0.59%

LAB 68.62, -26.3, 10.82

 

CMYK 6 / 33 / 0 / 29

HEX #AA79B4

RGB 170 121 180

HSL 289.83, 0.28%, 0.59%

LAB 57.57, 29.44, -23.69

 

CMYK 8 / 0 / 32 / 29

HEX #A6B47A

RGB 166 180 122

HSL 74.48, 0.28%, 0.59%

LAB 70.98, -14.62, 28.03

 

CMYK 33 / 8 / 0 / 29

HEX #79A6B4

RGB 121 166 180

HSL 194.24, 0.28%, 0.59%

LAB 65.46, -11.61, -12.08

 

CMYK 0 / 33 / 8 / 29

HEX #B479A6

RGB 180 121 166

HSL 314.24, 0.28%, 0.59%

LAB 58.16, 30.13, -14.66

 

CMYK 8 / 0 / 32 / 29

HEX #A6B47A

RGB 166 180 122

HSL 74.48, 0.28%, 0.59%

LAB 70.98, -14.62, 28.03

 

CMYK 33 / 0 / 18 / 29

HEX #79B493

RGB 121 180 147

HSL 146.44, 0.28%, 0.59%

LAB 68.62, -26.3, 10.82

 

CMYK 25 / 33 / 0 / 29

HEX #8779B4

RGB 135 121 180

HSL 254.24, 0.28%, 0.59%

LAB 54.16, 18.25, -29.25

 

CMYK 0 / 33 / 14 / 29

HEX #B4799A

RGB 180 121 154

HSL 326.44, 0.28%, 0.59%

LAB 57.76, 28.05, -8.34

 

CMYK 8 / 0 / 32 / 29

HEX #A6B47A

RGB 166 180 122

HSL 74.48, 0.28%, 0.59%

LAB 70.98, -14.62, 28.03

 

CMYK 33 / 0 / 9 / 29

HEX #79B4A4

RGB 121 180 164

HSL 163.73, 0.28%, 0.59%

LAB 69.03, -22.68, 2.07

 

CMYK 25 / 33 / 0 / 29

HEX #8779B4

RGB 135 121 180

HSL 254.24, 0.28%, 0.59%

LAB 54.16, 18.25, -29.25

 

CMYK 0 / 33 / 24 / 29

HEX #B47989

RGB 180 121 137

HSL 343.73, 0.28%, 0.59%

LAB 57.25, 25.34, 0.75

 

Description

Color code: HEX #A6B47A | qconv.com Color code: HEX #A6B47A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 180 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 180 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 32 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 32% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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