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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6B2DDBF it is the complementary color #594D22BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6B2DDBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6B2DDBF shade: #ABB2D8BF, #BCC4EBBF, #CDD6FEBF, #DEE8FFBF and #EFFAFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6B2DDBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6B2DDBF shade: #A6B2DDBF, #95A0CABF, #848EB7BF, #737CA4BF and #626A91BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6B2DDBF shade: #A6B2DD, #A9A6DD, #B8A6DD, #C7A6DD and #D6A6DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6B2DDBF shade: #A6B2DD and #A6A6DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6B2DDBF shade matches the following richer shades: #A6B2DD, #9CADE7, #92A7F1 and #89A2FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6B2DDBF shade: #A6B2DD, #B0B8D3, #BABDCA, #C4C3C0 and #CEC9B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6B2DDBF shade: #A6D0DD, #A6C2DD, #A6B3DD, #A8A6DD and #B7A6DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6B2DDBF shade: #6A7FC7, #8898D2, #A6B2DD, #C4CCE9 and #E2E6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6B2DDBF shade: #A6B2DD, #DCA6DD and #C9DDA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6B2DDBF shade: #A6B2DD, #DDA6B3 and #B3DDA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6B2DDBF shade: #A6B2DD, #DCA6DD, #DDD0A6 and #A8DDA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6B2DDBF shade: #A6B2DD, #DDA6CF, #DDD0A6 and #A6DDB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 15 / 0 / 10

HEX #A6B2DDBF

RGBA 166 178 221 0.75

HSLA 226.91, 0.45%, 0.76%, 0.75

LABA 73, 5.19, -23, 0.75

 

Complementary color

CMYK 0 / 10 / 46 / 49

HEX #594D22BF

RGBA 89 77 34 0.75

HSLA 46.91, 0.45%, 0.24%, 0.75

LABA 33.02, -1.09, 26.94, 0.75

 

CMYK 16 / 13 / 0 / 11

HEX #ABB2D8BF

RGBA 171 178 216 0.75

HSLA 230.67, 0.37%, 0.76%, 0.75

LABA 73.19, 5.57, -19.95, 0.75

 

CMYK 15 / 12 / 0 / 6

HEX #BCC4EBBF

RGBA 188 196 235 0.75

HSLA 229.79, 0.54%, 0.83%, 0.75

LABA 79.71, 5.31, -20.23, 0.75

 

CMYK 14 / 12 / 0 / 0

HEX #CDD6FEBF

RGBA 205 214 254 0.75

HSLA 228.98, 0.96%, 0.9%, 0.75

LABA 86.12, 5.06, -20.51, 0.75

 

CMYK 10 / 7 / 0 / 0

HEX #DEE8FFBF

RGBA 222 232 255 0.75

HSLA 221.82, 1%, 0.94%, 0.75

LABA 91.89, 1.12, -12.25, 0.75

 

CMYK 5 / 1 / 0 / 0

HEX #EFFAFFBF

RGBA 239 250 255 0.75

HSLA 198.75, 1%, 0.97%, 0.75

LABA 97.61, -2.68, -3.65, 0.75

 

CMYK 19 / 15 / 0 / 10

HEX #A6B2DDBF

RGBA 166 178 221 0.75

HSLA 226.91, 0.45%, 0.76%, 0.75

LABA 73, 5.19, -23, 0.75

 

CMYK 20 / 16 / 0 / 16

HEX #95A0CABF

RGBA 149 160 202 0.75

HSLA 227.55, 0.33%, 0.69%, 0.75

LABA 66.36, 5.49, -22.79, 0.75

 

CMYK 21 / 17 / 0 / 21

HEX #848EB7BF

RGBA 132 142 183 0.75

HSLA 228.24, 0.26%, 0.62%, 0.75

LABA 59.59, 5.83, -22.6, 0.75

 

CMYK 22 / 18 / 0 / 27

HEX #737CA4BF

RGBA 115 124 164 0.75

HSLA 228.98, 0.21%, 0.55%, 0.75

LABA 52.66, 6.2, -22.45, 0.75

 

CMYK 24 / 20 / 0 / 32

HEX #626A91BF

RGBA 98 106 145 0.75

HSLA 229.79, 0.19%, 0.48%, 0.75

LABA 45.56, 6.64, -22.34, 0.75

 

CMYK 25 / 19 / 0 / 13

HEX #A6B2DD

RGB 166 178 221

HSL 226.91, 0.45%, 0.76%

LAB 73, 5.19, -23

 

CMYK 24 / 25 / 0 / 13

HEX #A9A6DD

RGB 169 166 221

HSL 243.27, 0.45%, 0.76%

LAB 70.13, 12.75, -27.38

 

CMYK 17 / 25 / 0 / 13

HEX #B8A6DD

RGB 184 166 221

HSL 259.64, 0.45%, 0.76%

LAB 71.34, 17.39, -25.41

 

CMYK 10 / 25 / 0 / 13

HEX #C7A6DD

RGB 199 166 221

HSL 276, 0.45%, 0.76%

LAB 72.65, 22.16, -23.29

 

CMYK 3 / 25 / 0 / 13

HEX #D6A6DD

RGB 214 166 221

HSL 292.36, 0.45%, 0.76%

LAB 74.05, 27.02, -21.02

 

CMYK 25 / 19 / 0 / 13

HEX #A6B2DD

RGB 166 178 221

HSL 226.91, 0.45%, 0.76%

LAB 73, 5.19, -23

 

CMYK 25 / 25 / 0 / 13

HEX #A6A6DD

RGB 166 166 221

HSL 240, 0.45%, 0.76%

LAB 69.89, 11.85, -27.75

 

CMYK 25 / 19 / 0 / 13

HEX #A6B2DD

RGB 166 178 221

HSL 226.91, 0.45%, 0.76%

LAB 73, 5.19, -23

 

CMYK 32 / 25 / 0 / 9

HEX #9CADE7

RGB 156 173 231

HSL 226.4, 0.61%, 0.76%

LAB 71.37, 7.48, -31.02

 

CMYK 39 / 31 / 0 / 5

HEX #92A7F1

RGB 146 167 241

HSL 226.74, 0.77%, 0.76%

LAB 69.54, 10.77, -39.35

 

CMYK 45 / 35 / 0 / 2

HEX #89A2FB

RGB 137 162 251

HSL 226.84, 0.93%, 0.76%

LAB 68.11, 14.16, -47.08

 

CMYK 25 / 19 / 0 / 13

HEX #A6B2DD

RGB 166 178 221

HSL 226.91, 0.45%, 0.76%

LAB 73, 5.19, -23

 

CMYK 17 / 13 / 0 / 17

HEX #B0B8D3

RGB 176 184 211

HSL 226.29, 0.28%, 0.76%

LAB 74.96, 2.77, -14.52

 

CMYK 8 / 6 / 0 / 21

HEX #BABDCA

RGB 186 189 202

HSL 228.75, 0.13%, 0.76%

LAB 76.74, 1.48, -6.9

 

CMYK 0 / 1 / 2 / 23

HEX #C4C3C0

RGB 196 195 192

HSL 45, 0.03%, 0.76%

LAB 78.79, -0.2, 1.62

 

CMYK 0 / 2 / 12 / 19

HEX #CEC9B6

RGB 206 201 182

HSL 47.5, 0.2%, 0.76%

LAB 80.89, -1.52, 10.11

 

CMYK 25 / 6 / 0 / 13

HEX #A6D0DD

RGB 166 208 221

HSL 194.18, 0.45%, 0.76%

LAB 80.98, -10.84, -10.96

 

CMYK 25 / 12 / 0 / 13

HEX #A6C2DD

RGB 166 194 221

HSL 209.45, 0.45%, 0.76%

LAB 77.23, -3.48, -16.59

 

CMYK 25 / 19 / 0 / 13

HEX #A6B3DD

RGB 166 179 221

HSL 225.82, 0.45%, 0.76%

LAB 73.26, 4.64, -22.6

 

CMYK 24 / 25 / 0 / 13

HEX #A8A6DD

RGB 168 166 221

HSL 242.18, 0.45%, 0.76%

LAB 70.05, 12.45, -27.5

 

CMYK 17 / 25 / 0 / 13

HEX #B7A6DD

RGB 183 166 221

HSL 258.55, 0.45%, 0.76%

LAB 71.26, 17.08, -25.55

 

CMYK 47 / 36 / 0 / 22

HEX #6A7FC7

RGB 106 127 199

HSL 226.45, 0.45%, 0.6%

LAB 54.41, 11.83, -39.87

 

CMYK 35 / 28 / 0 / 18

HEX #8898D2

RGB 136 152 210

HSL 227.03, 0.45%, 0.68%

LAB 63.63, 8.26, -31.53

 

CMYK 25 / 19 / 0 / 13

HEX #A6B2DD

RGB 166 178 221

HSL 226.91, 0.45%, 0.76%

LAB 73, 5.19, -23

 

CMYK 16 / 12 / 0 / 9

HEX #C4CCE9

RGB 196 204 233

HSL 227.03, 0.46%, 0.84%

LAB 82.27, 3.09, -15.23

 

CMYK 7 / 6 / 0 / 4

HEX #E2E6F4

RGB 226 230 244

HSL 226.67, 0.45%, 0.92%

LAB 91.37, 1.27, -7.25

 

CMYK 25 / 19 / 0 / 13

HEX #A6B2DD

RGB 166 178 221

HSL 226.91, 0.45%, 0.76%

LAB 73, 5.19, -23

 

CMYK 0 / 25 / 0 / 13

HEX #DCA6DD

RGB 220 166 221

HSL 298.91, 0.45%, 0.76%

LAB 74.64, 28.98, -20.08

 

CMYK 9 / 0 / 25 / 13

HEX #C9DDA6

RGB 201 221 166

HSL 81.82, 0.45%, 0.76%

LAB 85.45, -16.04, 24.84

 

CMYK 25 / 19 / 0 / 13

HEX #A6B2DD

RGB 166 178 221

HSL 226.91, 0.45%, 0.76%

LAB 73, 5.19, -23

 

CMYK 0 / 25 / 19 / 13

HEX #DDA6B3

RGB 221 166 179

HSL 345.82, 0.45%, 0.76%

LAB 73.48, 22.18, 1.23

 

CMYK 19 / 0 / 25 / 13

HEX #B3DDA6

RGB 179 221 166

HSL 105.82, 0.45%, 0.76%

LAB 83.99, -23.82, 22.62

 

CMYK 25 / 19 / 0 / 13

HEX #A6B2DD

RGB 166 178 221

HSL 226.91, 0.45%, 0.76%

LAB 73, 5.19, -23

 

CMYK 0 / 25 / 0 / 13

HEX #DCA6DD

RGB 220 166 221

HSL 298.91, 0.45%, 0.76%

LAB 74.64, 28.98, -20.08

 

CMYK 0 / 6 / 25 / 13

HEX #DDD0A6

RGB 221 208 166

HSL 45.82, 0.45%, 0.76%

LAB 83.57, -2.03, 22.52

 

CMYK 24 / 0 / 25 / 13

HEX #A8DDA6

RGB 168 221 166

HSL 117.82, 0.45%, 0.76%

LAB 83.33, -27.54, 21.61

 

CMYK 25 / 19 / 0 / 13

HEX #A6B2DD

RGB 166 178 221

HSL 226.91, 0.45%, 0.76%

LAB 73, 5.19, -23

 

CMYK 0 / 25 / 6 / 13

HEX #DDA6CF

RGB 221 166 207

HSL 315.27, 0.45%, 0.76%

LAB 74.29, 26.78, -12.95

 

CMYK 0 / 6 / 25 / 13

HEX #DDD0A6

RGB 221 208 166

HSL 45.82, 0.45%, 0.76%

LAB 83.57, -2.03, 22.52

 

CMYK 25 / 0 / 18 / 13

HEX #A6DDB5

RGB 166 221 181

HSL 136.36, 0.45%, 0.76%

LAB 83.52, -25.57, 14

 

Description

Color code: HEX #A6B2DDBF | qconv.com Color code: HEX #A6B2DDBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 178 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 178 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 15 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 15% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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