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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6AC09 it is the complementary color #5953F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6AC09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6AC09 shade: #ABAC04, #BCBE17, #CDD02A, #DEE23D and #EFF450

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6AC09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6AC09 shade: #A6AC09, #959A00, #848800, #737600 and #626400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6AC09 shade: #A4AA09, #AA8409, #AA5909, #AA2E09 and #AA0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6AC09 shade: #A4AA09, #78AA09, #4DAA09, #22AA09 and #09AA1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6AC09 shade matches the following richer shades: #A4AA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6AC09 shade: #A4AA09, #969B17, #898D26, #7C7E34 and #6E7043

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6AC09 shade: #AA5909, #AA8409, #A4AA09, #79AA09 and #4FAA09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6AC09 shade: #585B05, #7E8207, #A4AA09, #C9D10B and #EAF312

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6AC09 shade: #A6AC09, #09AA2E and #6F09AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6AC09 shade: #A6AC09, #09A4AA and #AA09A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6AC09 shade: #A6AC09, #09AA2E, #0E09AA and #AA0984

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6AC09 shade: #A6AC09, #09AA5F, #0E09AA and #AA0954

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 95 / 33

HEX #A6AC09

RGB 166 172 9

HSL 62.21, 0.9%, 0.35%

LAB 67.75, -18.57, 68.66

 

Complementary color

CMYK 64 / 66 / 0 / 4

HEX #5953F6

RGB 89 83 246

HSL 242.21, 0.9%, 0.65%

LAB 45.59, 49.91, -80.69

 

CMYK 1 / 0 / 98 / 33

HEX #ABAC04

RGB 171 172 4

HSL 60.36, 0.95%, 0.35%

LAB 68.15, -16.44, 69.75

 

CMYK 1 / 0 / 88 / 25

HEX #BCBE17

RGB 188 190 23

HSL 60.72, 0.78%, 0.42%

LAB 74.56, -17.82, 72.64

 

CMYK 1 / 0 / 80 / 18

HEX #CDD02A

RGB 205 208 42

HSL 61.08, 0.66%, 0.49%

LAB 80.88, -19.01, 74.18

 

CMYK 2 / 0 / 73 / 11

HEX #DEE23D

RGB 222 226 61

HSL 61.45, 0.74%, 0.56%

LAB 87.12, -20, 74.71

 

CMYK 2 / 0 / 67 / 4

HEX #EFF450

RGB 239 244 80

HSL 61.83, 0.88%, 0.64%

LAB 93.29, -20.85, 74.6

 

CMYK 3 / 0 / 95 / 33

HEX #A6AC09

RGB 166 172 9

HSL 62.21, 0.9%, 0.35%

LAB 67.75, -18.57, 68.66

 

CMYK 3 / 0 / 100 / 40

HEX #959A00

RGB 149 154 0

HSL 61.95, 1%, 0.3%

LAB 61.22, -17.04, 64.34

 

CMYK 3 / 0 / 100 / 47

HEX #848800

RGB 132 136 0

HSL 61.76, 1%, 0.27%

LAB 54.57, -15.35, 58.81

 

CMYK 3 / 0 / 100 / 54

HEX #737600

RGB 115 118 0

HSL 61.53, 1%, 0.23%

LAB 47.75, -13.61, 53.15

 

CMYK 2 / 0 / 100 / 61

HEX #626400

RGB 98 100 0

HSL 61.2, 1%, 0.2%

LAB 40.75, -11.82, 47.33

 

CMYK 4 / 0 / 95 / 33

HEX #A4AA09

RGB 164 170 9

HSL 62.24, 0.9%, 0.35%

LAB 67.02, -18.43, 68.03

 

CMYK 0 / 22 / 95 / 33

HEX #AA8409

RGB 170 132 9

HSL 45.84, 0.9%, 0.35%

LAB 57.14, 4.57, 60.83

 

CMYK 0 / 48 / 95 / 33

HEX #AA5909

RGB 170 89 9

HSL 29.81, 0.9%, 0.35%

LAB 46.59, 28.58, 53.23

 

CMYK 0 / 73 / 95 / 33

HEX #AA2E09

RGB 170 46 9

HSL 13.79, 0.9%, 0.35%

LAB 38.76, 48.98, 48

 

CMYK 0 / 95 / 95 / 33

HEX #AA0909

RGB 170 9 9

HSL 0, 0.9%, 0.35%

LAB 35.52, 58.11, 46.02

 

CMYK 4 / 0 / 95 / 33

HEX #A4AA09

RGB 164 170 9

HSL 62.24, 0.9%, 0.35%

LAB 67.02, -18.43, 68.03

 

CMYK 29 / 0 / 95 / 33

HEX #78AA09

RGB 120 170 9

HSL 78.63, 0.9%, 0.35%

LAB 63.97, -36.91, 64.33

 

CMYK 55 / 0 / 95 / 33

HEX #4DAA09

RGB 77 170 9

HSL 94.66, 0.9%, 0.35%

LAB 61.95, -51.64, 61.86

 

CMYK 80 / 0 / 95 / 33

HEX #22AA09

RGB 34 170 9

HSL 110.68, 0.9%, 0.35%

LAB 60.88, -60.67, 60.54

 

CMYK 95 / 0 / 84 / 33

HEX #09AA1B

RGB 9 170 27

HSL 126.71, 0.9%, 0.35%

LAB 60.68, -62.23, 56.79

 

CMYK 4 / 0 / 95 / 33

HEX #A4AA09

RGB 164 170 9

HSL 62.24, 0.9%, 0.35%

LAB 67.02, -18.43, 68.03

 

CMYK 4 / 0 / 95 / 33

HEX #A4AA09

RGB 164 170 9

HSL 62.24, 0.9%, 0.35%

LAB 67.02, -18.43, 68.03

 

CMYK 3 / 0 / 85 / 39

HEX #969B17

RGB 150 155 23

HSL 62.27, 0.74%, 0.35%

LAB 61.64, -16.67, 60.8

 

CMYK 3 / 0 / 73 / 45

HEX #898D26

RGB 137 141 38

HSL 62.33, 0.58%, 0.35%

LAB 56.59, -14.56, 51.23

 

CMYK 2 / 0 / 59 / 51

HEX #7C7E34

RGB 124 126 52

HSL 61.62, 0.42%, 0.35%

LAB 51.22, -11.4, 39.19

 

CMYK 2 / 0 / 40 / 56

HEX #6E7043

RGB 110 112 67

HSL 62.67, 0.25%, 0.35%

LAB 46.05, -8.3, 24.76

 

CMYK 0 / 48 / 95 / 33

HEX #AA5909

RGB 170 89 9

HSL 29.81, 0.9%, 0.35%

LAB 46.59, 28.58, 53.23

 

CMYK 0 / 22 / 95 / 33

HEX #AA8409

RGB 170 132 9

HSL 45.84, 0.9%, 0.35%

LAB 57.14, 4.57, 60.83

 

CMYK 4 / 0 / 95 / 33

HEX #A4AA09

RGB 164 170 9

HSL 62.24, 0.9%, 0.35%

LAB 67.02, -18.43, 68.03

 

CMYK 29 / 0 / 95 / 33

HEX #79AA09

RGB 121 170 9

HSL 78.26, 0.9%, 0.35%

LAB 64.03, -36.51, 64.4

 

CMYK 54 / 0 / 95 / 33

HEX #4FAA09

RGB 79 170 9

HSL 93.91, 0.9%, 0.35%

LAB 62.02, -51.06, 61.95

 

CMYK 3 / 0 / 95 / 64

HEX #585B05

RGB 88 91 5

HSL 62.09, 0.9%, 0.19%

LAB 37.06, -11.47, 42.7

 

CMYK 3 / 0 / 95 / 49

HEX #7E8207

RGB 126 130 7

HSL 61.95, 0.9%, 0.27%

LAB 52.3, -14.79, 55.63

 

CMYK 4 / 0 / 95 / 33

HEX #A4AA09

RGB 164 170 9

HSL 62.24, 0.9%, 0.35%

LAB 67.02, -18.43, 68.03

 

CMYK 4 / 0 / 95 / 18

HEX #C9D10B

RGB 201 209 11

HSL 62.42, 0.9%, 0.43%

LAB 80.76, -21.84, 79.56

 

CMYK 4 / 0 / 93 / 5

HEX #EAF312

RGB 234 243 18

HSL 62.4, 0.9%, 0.51%

LAB 92.41, -24.34, 88.83

 

CMYK 3 / 0 / 95 / 33

HEX #A6AC09

RGB 166 172 9

HSL 62.21, 0.9%, 0.35%

LAB 67.75, -18.57, 68.66

 

CMYK 95 / 0 / 73 / 33

HEX #09AA2E

RGB 9 170 46

HSL 133.79, 0.9%, 0.35%

LAB 60.79, -60.89, 50.79

 

CMYK 35 / 95 / 0 / 33

HEX #6F09AA

RGB 111 9 170

HSL 278.01, 0.9%, 0.35%

LAB 30.59, 62.68, -61.16

 

CMYK 3 / 0 / 95 / 33

HEX #A6AC09

RGB 166 172 9

HSL 62.21, 0.9%, 0.35%

LAB 67.75, -18.57, 68.66

 

CMYK 95 / 4 / 0 / 33

HEX #09A4AA

RGB 9 164 170

HSL 182.24, 0.9%, 0.35%

LAB 61.23, -32.34, -13.17

 

CMYK 0 / 95 / 4 / 33

HEX #AA09A4

RGB 170 9 164

HSL 302.24, 0.9%, 0.35%

LAB 40.28, 70.67, -41.38

 

CMYK 3 / 0 / 95 / 33

HEX #A6AC09

RGB 166 172 9

HSL 62.21, 0.9%, 0.35%

LAB 67.75, -18.57, 68.66

 

CMYK 95 / 0 / 73 / 33

HEX #09AA2E

RGB 9 170 46

HSL 133.79, 0.9%, 0.35%

LAB 60.79, -60.89, 50.79

 

CMYK 92 / 95 / 0 / 33

HEX #0E09AA

RGB 14 9 170

HSL 241.86, 0.9%, 0.35%

LAB 20.79, 56.2, -77.68

 

CMYK 0 / 95 / 22 / 33

HEX #AA0984

RGB 170 9 132

HSL 314.16, 0.9%, 0.35%

LAB 38.56, 66.31, -24.59

 

CMYK 3 / 0 / 95 / 33

HEX #A6AC09

RGB 166 172 9

HSL 62.21, 0.9%, 0.35%

LAB 67.75, -18.57, 68.66

 

CMYK 95 / 0 / 44 / 33

HEX #09AA5F

RGB 9 170 95

HSL 152.05, 0.9%, 0.35%

LAB 61.34, -54.13, 28.52

 

CMYK 92 / 95 / 0 / 33

HEX #0E09AA

RGB 14 9 170

HSL 241.86, 0.9%, 0.35%

LAB 20.79, 56.2, -77.68

 

CMYK 0 / 95 / 51 / 33

HEX #AA0954

RGB 170 9 84

HSL 332.05, 0.9%, 0.35%

LAB 36.71, 61.4, 3

 

Description

Color code: HEX #A6AC09 | qconv.com Color code: HEX #A6AC09 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 172 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 172 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 95 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 95% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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