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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6AA4A it is the complementary color #5955B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6AA4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6AA4A shade: #ABAA45, #BCBC58, #CDCE6B, #DEE07E and #EFF291

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6AA4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6AA4A shade: #A6AA4A, #959837, #848624, #737411 and #626200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6AA4A shade: #A6AA4B, #AA944B, #AA7B4B, #AA614B and #AA4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6AA4A shade: #A6AA4B, #8CAA4B, #73AA4B, #59AA4B and #4BAA56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6AA4A shade matches the following richer shades: #A6AA4B, #B8BE37, #CAD223 and #DDE60F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6AA4A shade: #A6AA4B, #94965E, #828372, #706F86 and #5E5B9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6AA4A shade: #AA7A4B, #AA944B, #A7AA4B, #8DAA4B and #74AA4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6AA4A shade: #6E7131, #8A8D3E, #A6AA4B, #B7BB63 and #C4C780

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6AA4A shade: #A6AA4A, #4BAA61 and #874BAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6AA4A shade: #A6AA4A, #4BA7AA and #AA4BA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6AA4A shade: #A6AA4A, #4BAA61, #4E4BAA and #AA4B94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6AA4A shade: #A6AA4A, #4BAA7E, #4E4BAA and #AA4B77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 56 / 33

HEX #A6AA4A

RGB 166 170 74

HSL 62.5, 0.39%, 0.48%

LAB 67.54, -14.67, 48.05

 

Complementary color

CMYK 51 / 53 / 0 / 29

HEX #5955B5

RGB 89 85 181

HSL 242.5, 0.39%, 0.52%

LAB 41.15, 28.07, -50.66

 

CMYK 0 / 1 / 60 / 33

HEX #ABAA45

RGB 171 170 69

HSL 59.41, 0.43%, 0.47%

LAB 67.9, -12.92, 50.85

 

CMYK 0 / 0 / 53 / 26

HEX #BCBC58

RGB 188 188 88

HSL 60, 0.43%, 0.54%

LAB 74.42, -13.55, 49.83

 

CMYK 0 / 0 / 48 / 19

HEX #CDCE6B

RGB 205 206 107

HSL 60.61, 0.5%, 0.61%

LAB 80.84, -14.05, 48.71

 

CMYK 1 / 0 / 44 / 12

HEX #DEE07E

RGB 222 224 126

HSL 61.22, 0.61%, 0.69%

LAB 87.17, -14.47, 47.55

 

CMYK 1 / 0 / 40 / 5

HEX #EFF291

RGB 239 242 145

HSL 61.86, 0.79%, 0.76%

LAB 93.41, -14.82, 46.4

 

CMYK 2 / 0 / 56 / 33

HEX #A6AA4A

RGB 166 170 74

HSL 62.5, 0.39%, 0.48%

LAB 67.54, -14.67, 48.05

 

CMYK 2 / 0 / 64 / 40

HEX #959837

RGB 149 152 55

HSL 61.86, 0.47%, 0.41%

LAB 60.89, -14.02, 48.96

 

CMYK 1 / 0 / 73 / 47

HEX #848624

RGB 132 134 36

HSL 61.22, 0.58%, 0.33%

LAB 54.12, -13.19, 49.44

 

CMYK 1 / 0 / 85 / 55

HEX #737411

RGB 115 116 17

HSL 60.61, 0.74%, 0.26%

LAB 47.2, -12.09, 48.94

 

CMYK 0 / 0 / 100 / 62

HEX #626200

RGB 98 98 0

HSL 60, 1%, 0.19%

LAB 40.13, -10.7, 46.88

 

CMYK 2 / 0 / 56 / 33

HEX #A6AA4B

RGB 166 170 75

HSL 62.53, 0.39%, 0.48%

LAB 67.55, -14.59, 47.59

 

CMYK 0 / 13 / 56 / 33

HEX #AA944B

RGB 170 148 75

HSL 46.11, 0.39%, 0.48%

LAB 61.86, -1.17, 41.1

 

CMYK 0 / 28 / 56 / 33

HEX #AA7B4B

RGB 170 123 75

HSL 30.32, 0.39%, 0.48%

LAB 55.3, 12.74, 33.22

 

CMYK 0 / 43 / 56 / 33

HEX #AA614B

RGB 170 97 75

HSL 13.89, 0.39%, 0.48%

LAB 49.01, 27.34, 25.33

 

CMYK 0 / 56 / 56 / 33

HEX #AA4B4B

RGB 170 75 75

HSL 0, 0.39%, 0.48%

LAB 44.36, 39.03, 19.25

 

CMYK 2 / 0 / 56 / 33

HEX #A6AA4B

RGB 166 170 75

HSL 62.53, 0.39%, 0.48%

LAB 67.55, -14.59, 47.59

 

CMYK 18 / 0 / 56 / 33

HEX #8CAA4B

RGB 140 170 75

HSL 78.95, 0.39%, 0.48%

LAB 65.62, -25.33, 44.87

 

CMYK 32 / 0 / 56 / 33

HEX #73AA4B

RGB 115 170 75

HSL 94.74, 0.39%, 0.48%

LAB 64.08, -34.89, 42.69

 

CMYK 48 / 0 / 56 / 33

HEX #59AA4B

RGB 89 170 75

HSL 111.16, 0.39%, 0.48%

LAB 62.83, -43.55, 40.9

 

CMYK 56 / 0 / 49 / 33

HEX #4BAA56

RGB 75 170 86

HSL 126.95, 0.39%, 0.48%

LAB 62.44, -45.97, 34.84

 

CMYK 2 / 0 / 56 / 33

HEX #A6AA4B

RGB 166 170 75

HSL 62.53, 0.39%, 0.48%

LAB 67.55, -14.59, 47.59

 

CMYK 3 / 0 / 71 / 25

HEX #B8BE37

RGB 184 190 55

HSL 62.67, 0.55%, 0.48%

LAB 74.38, -18.42, 63.55

 

CMYK 4 / 0 / 83 / 18

HEX #CAD223

RGB 202 210 35

HSL 62.74, 0.71%, 0.48%

LAB 81.17, -21.46, 76.05

 

CMYK 4 / 0 / 93 / 10

HEX #DDE60F

RGB 221 230 15

HSL 62.51, 0.88%, 0.48%

LAB 87.97, -23.55, 85.32

 

CMYK 2 / 0 / 56 / 33

HEX #A6AA4B

RGB 166 170 75

HSL 62.53, 0.39%, 0.48%

LAB 67.55, -14.59, 47.59

 

CMYK 1 / 0 / 37 / 41

HEX #94965E

RGB 148 150 94

HSL 62.14, 0.23%, 0.48%

LAB 60.71, -9.68, 29.32

 

CMYK 1 / 0 / 13 / 49

HEX #828372

RGB 130 131 114

HSL 63.53, 0.07%, 0.48%

LAB 54.23, -3.56, 9.07

 

CMYK 16 / 17 / 0 / 47

HEX #706F86

RGB 112 111 134

HSL 242.61, 0.09%, 0.48%

LAB 47.67, 5.44, -12.48

 

CMYK 39 / 41 / 0 / 40

HEX #5E5B9A

RGB 94 91 154

HSL 242.86, 0.26%, 0.48%

LAB 41.52, 17.3, -34.04

 

CMYK 0 / 28 / 56 / 33

HEX #AA7A4B

RGB 170 122 75

HSL 29.68, 0.39%, 0.48%

LAB 55.04, 13.31, 32.91

 

CMYK 0 / 13 / 56 / 33

HEX #AA944B

RGB 170 148 75

HSL 46.11, 0.39%, 0.48%

LAB 61.86, -1.17, 41.1

 

CMYK 2 / 0 / 56 / 33

HEX #A7AA4B

RGB 167 170 75

HSL 61.89, 0.39%, 0.48%

LAB 67.63, -14.16, 47.71

 

CMYK 17 / 0 / 56 / 33

HEX #8DAA4B

RGB 141 170 75

HSL 78.32, 0.39%, 0.48%

LAB 65.69, -24.92, 44.97

 

CMYK 32 / 0 / 56 / 33

HEX #74AA4B

RGB 116 170 75

HSL 94.11, 0.39%, 0.48%

LAB 64.14, -34.53, 42.77

 

CMYK 3 / 0 / 57 / 56

HEX #6E7131

RGB 110 113 49

HSL 62.81, 0.4%, 0.32%

LAB 46.11, -10.81, 34.57

 

CMYK 2 / 0 / 56 / 45

HEX #8A8D3E

RGB 138 141 62

HSL 62.28, 0.39%, 0.4%

LAB 56.88, -12.47, 41.05

 

CMYK 2 / 0 / 56 / 33

HEX #A6AA4B

RGB 166 170 75

HSL 62.53, 0.39%, 0.48%

LAB 67.55, -14.59, 47.59

 

CMYK 2 / 0 / 47 / 27

HEX #B7BB63

RGB 183 187 99

HSL 62.73, 0.39%, 0.56%

LAB 73.87, -14.1, 43.79

 

CMYK 2 / 0 / 36 / 22

HEX #C4C780

RGB 196 199 128

HSL 62.54, 0.39%, 0.64%

LAB 78.54, -11.89, 35.23

 

CMYK 2 / 0 / 56 / 33

HEX #A6AA4A

RGB 166 170 74

HSL 62.5, 0.39%, 0.48%

LAB 67.54, -14.67, 48.05

 

CMYK 56 / 0 / 43 / 33

HEX #4BAA61

RGB 75 170 97

HSL 133.89, 0.39%, 0.48%

LAB 62.6, -44.23, 29.34

 

CMYK 21 / 56 / 0 / 33

HEX #874BAA

RGB 135 75 170

HSL 277.89, 0.39%, 0.48%

LAB 42.89, 42.38, -41.12

 

CMYK 2 / 0 / 56 / 33

HEX #A6AA4A

RGB 166 170 74

HSL 62.5, 0.39%, 0.48%

LAB 67.54, -14.67, 48.05

 

CMYK 56 / 2 / 0 / 33

HEX #4BA7AA

RGB 75 167 170

HSL 181.89, 0.39%, 0.48%

LAB 63.37, -26.2, -9.83

 

CMYK 0 / 56 / 2 / 33

HEX #AA4BA7

RGB 170 75 167

HSL 301.89, 0.39%, 0.48%

LAB 47.45, 51.35, -31.83

 

CMYK 2 / 0 / 56 / 33

HEX #A6AA4A

RGB 166 170 74

HSL 62.5, 0.39%, 0.48%

LAB 67.54, -14.67, 48.05

 

CMYK 56 / 0 / 43 / 33

HEX #4BAA61

RGB 75 170 97

HSL 133.89, 0.39%, 0.48%

LAB 62.6, -44.23, 29.34

 

CMYK 54 / 56 / 0 / 33

HEX #4E4BAA

RGB 78 75 170

HSL 241.89, 0.39%, 0.48%

LAB 37.03, 28.47, -50.84

 

CMYK 0 / 56 / 13 / 33

HEX #AA4B94

RGB 170 75 148

HSL 313.89, 0.39%, 0.48%

LAB 46.6, 48.12, -21.87

 

CMYK 2 / 0 / 56 / 33

HEX #A6AA4A

RGB 166 170 74

HSL 62.5, 0.39%, 0.48%

LAB 67.54, -14.67, 48.05

 

CMYK 56 / 0 / 26 / 33

HEX #4BAA7E

RGB 75 170 126

HSL 152.21, 0.39%, 0.48%

LAB 63.14, -38.63, 14.37

 

CMYK 54 / 56 / 0 / 33

HEX #4E4BAA

RGB 78 75 170

HSL 241.89, 0.39%, 0.48%

LAB 37.03, 28.47, -50.84

 

CMYK 0 / 56 / 30 / 33

HEX #AA4B77

RGB 170 75 119

HSL 332.21, 0.39%, 0.48%

LAB 45.51, 43.82, -6

 

Description

Color code: HEX #A6AA4A | qconv.com Color code: HEX #A6AA4A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 170 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 170 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 56 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 56% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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