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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A69FB6 it is the complementary color #596049. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A69FB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A69FB6 shade: #AB9FB1, #BCB1C4, #CDC3D7, #DED5EA and #EFE7FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A69FB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A69FB6 shade: #A69FB6, #958DA3, #847B90, #73697D and #62576A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A69FB6 shade: #A69FB7, #AD9FB7, #B39FB7, #B79FB4 and #B79FAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A69FB6 shade: #A69FB7, #A09FB7 and #9F9FB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A69FB6 shade matches the following richer shades: #A69FB7, #A191C4, #9C84D2, #9676DF and #9169ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A69FB6 shade: #A69FB7, #ACADA9, #B1BA9B, #B6C88E and #BCD680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A69FB6 shade: #9FA5B7, #A09FB7, #A69FB7, #AC9FB7 and #B39FB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A69FB6 shade: #7B7093, #9088A5, #A69FB7, #BCB7C8 and #D2CEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A69FB6 shade: #A69FB6, #B79FAB and #A1B79F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A69FB6 shade: #A69FB6, #B7A69F and #9FB7A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A69FB6 shade: #A69FB6, #B79FAB, #B0B79F and #9FB7AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A69FB6 shade: #A69FB6, #B79FA4, #B0B79F and #9FB7B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 13 / 0 / 29

HEX #A69FB6

RGB 166 159 182

HSL 258.26, 0.14%, 0.67%

LAB 66.73, 7.04, -10.97

 

Complementary color

CMYK 7 / 0 / 24 / 62

HEX #596049

RGB 89 96 73

HSL 78.26, 0.14%, 0.33%

LAB 39.53, -7.27, 12.26

 

CMYK 3 / 10 / 0 / 31

HEX #AB9FB1

RGB 171 159 177

HSL 280, 0.1%, 0.66%

LAB 67, 7.76, -7.74

 

CMYK 4 / 10 / 0 / 23

HEX #BCB1C4

RGB 188 177 196

HSL 274.74, 0.14%, 0.73%

LAB 73.62, 7.46, -8.23

 

CMYK 5 / 9 / 0 / 16

HEX #CDC3D7

RGB 205 195 215

HSL 270, 0.2%, 0.8%

LAB 80.13, 7.18, -8.72

 

CMYK 5 / 9 / 0 / 8

HEX #DED5EA

RGB 222 213 234

HSL 265.71, 0.33%, 0.88%

LAB 86.53, 6.92, -9.19

 

CMYK 6 / 9 / 0 / 1

HEX #EFE7FD

RGB 239 231 253

HSL 261.82, 0.85%, 0.95%

LAB 92.84, 6.67, -9.66

 

CMYK 9 / 13 / 0 / 29

HEX #A69FB6

RGB 166 159 182

HSL 258.26, 0.14%, 0.67%

LAB 66.73, 7.04, -10.97

 

CMYK 9 / 13 / 0 / 36

HEX #958DA3

RGB 149 141 163

HSL 261.82, 0.11%, 0.6%

LAB 59.96, 7.35, -10.54

 

CMYK 8 / 15 / 0 / 44

HEX #847B90

RGB 132 123 144

HSL 265.71, 0.09%, 0.52%

LAB 53.04, 7.68, -10.11

 

CMYK 8 / 16 / 0 / 51

HEX #73697D

RGB 115 105 125

HSL 270, 0.09%, 0.45%

LAB 45.95, 8.05, -9.67

 

CMYK 8 / 18 / 0 / 58

HEX #62576A

RGB 98 87 106

HSL 274.74, 0.1%, 0.38%

LAB 38.64, 8.47, -9.24

 

CMYK 9 / 13 / 0 / 28

HEX #A69FB7

RGB 166 159 183

HSL 257.5, 0.14%, 0.67%

LAB 66.77, 7.25, -11.48

 

CMYK 5 / 13 / 0 / 28

HEX #AD9FB7

RGB 173 159 183

HSL 275, 0.14%, 0.67%

LAB 67.35, 9.65, -10.54

 

CMYK 2 / 13 / 0 / 28

HEX #B39FB7

RGB 179 159 183

HSL 290, 0.14%, 0.67%

LAB 67.87, 11.72, -9.71

 

CMYK 0 / 13 / 2 / 28

HEX #B79FB4

RGB 183 159 180

HSL 307.5, 0.14%, 0.67%

LAB 68.14, 12.55, -7.6

 

CMYK 0 / 13 / 5 / 28

HEX #B79FAE

RGB 183 159 174

HSL 322.5, 0.14%, 0.67%

LAB 67.96, 11.43, -4.52

 

CMYK 9 / 13 / 0 / 28

HEX #A69FB7

RGB 166 159 183

HSL 257.5, 0.14%, 0.67%

LAB 66.77, 7.25, -11.48

 

CMYK 13 / 13 / 0 / 28

HEX #A09FB7

RGB 160 159 183

HSL 242.5, 0.14%, 0.67%

LAB 66.28, 5.23, -12.25

 

CMYK 13 / 13 / 0 / 28

HEX #9F9FB7

RGB 159 159 183

HSL 240, 0.14%, 0.67%

LAB 66.2, 4.89, -12.38

 

CMYK 9 / 13 / 0 / 28

HEX #A69FB7

RGB 166 159 183

HSL 257.5, 0.14%, 0.67%

LAB 66.77, 7.25, -11.48

 

CMYK 18 / 26 / 0 / 23

HEX #A191C4

RGB 161 145 196

HSL 258.82, 0.3%, 0.67%

LAB 63.19, 16.33, -24.21

 

CMYK 26 / 37 / 0 / 18

HEX #9C84D2

RGB 156 132 210

HSL 258.46, 0.46%, 0.67%

LAB 60.09, 25.54, -36.91

 

CMYK 33 / 47 / 0 / 13

HEX #9676DF

RGB 150 118 223

HSL 258.29, 0.62%, 0.67%

LAB 56.85, 35.18, -49.35

 

CMYK 39 / 56 / 0 / 7

HEX #9169ED

RGB 145 105 237

HSL 258.18, 0.79%, 0.67%

LAB 54.28, 44.97, -61.33

 

CMYK 9 / 13 / 0 / 28

HEX #A69FB7

RGB 166 159 183

HSL 257.5, 0.14%, 0.67%

LAB 66.77, 7.25, -11.48

 

CMYK 1 / 0 / 2 / 32

HEX #ACADA9

RGB 172 173 169

HSL 75, 0.02%, 0.67%

LAB 70.54, -1.1, 1.92

 

CMYK 5 / 0 / 17 / 27

HEX #B1BA9B

RGB 177 186 155

HSL 77.42, 0.18%, 0.67%

LAB 74.08, -8.64, 14.68

 

CMYK 9 / 0 / 29 / 22

HEX #B6C88E

RGB 182 200 142

HSL 78.62, 0.35%, 0.67%

LAB 78, -15.96, 27.05

 

CMYK 12 / 0 / 40 / 16

HEX #BCD680

RGB 188 214 128

HSL 78.14, 0.51%, 0.67%

LAB 82.02, -22.47, 39.59

 

CMYK 13 / 10 / 0 / 28

HEX #9FA5B7

RGB 159 165 183

HSL 225, 0.14%, 0.67%

LAB 67.8, 1.56, -9.99

 

CMYK 13 / 13 / 0 / 28

HEX #A09FB7

RGB 160 159 183

HSL 242.5, 0.14%, 0.67%

LAB 66.28, 5.23, -12.25

 

CMYK 9 / 13 / 0 / 28

HEX #A69FB7

RGB 166 159 183

HSL 257.5, 0.14%, 0.67%

LAB 66.77, 7.25, -11.48

 

CMYK 6 / 13 / 0 / 28

HEX #AC9FB7

RGB 172 159 183

HSL 272.5, 0.14%, 0.67%

LAB 67.27, 9.3, -10.67

 

CMYK 2 / 13 / 0 / 28

HEX #B39FB7

RGB 179 159 183

HSL 290, 0.14%, 0.67%

LAB 67.87, 11.72, -9.71

 

CMYK 16 / 24 / 0 / 42

HEX #7B7093

RGB 123 112 147

HSL 258.86, 0.14%, 0.51%

LAB 49.38, 11.71, -17.48

 

CMYK 13 / 18 / 0 / 35

HEX #9088A5

RGB 144 136 165

HSL 256.55, 0.14%, 0.59%

LAB 58.28, 8.92, -14.26

 

CMYK 9 / 13 / 0 / 28

HEX #A69FB7

RGB 166 159 183

HSL 257.5, 0.14%, 0.67%

LAB 66.77, 7.25, -11.48

 

CMYK 6 / 9 / 0 / 22

HEX #BCB7C8

RGB 188 183 200

HSL 257.65, 0.13%, 0.75%

LAB 75.28, 4.99, -7.95

 

CMYK 4 / 6 / 0 / 15

HEX #D2CEDA

RGB 210 206 218

HSL 260, 0.14%, 0.83%

LAB 83.39, 3.59, -5.45

 

CMYK 9 / 13 / 0 / 29

HEX #A69FB6

RGB 166 159 182

HSL 258.26, 0.14%, 0.67%

LAB 66.73, 7.04, -10.97

 

CMYK 0 / 13 / 7 / 28

HEX #B79FAB

RGB 183 159 171

HSL 330, 0.14%, 0.67%

LAB 67.88, 10.89, -2.97

 

CMYK 12 / 0 / 13 / 28

HEX #A1B79F

RGB 161 183 159

HSL 115, 0.14%, 0.67%

LAB 72.19, -12.16, 9.67

 

CMYK 9 / 13 / 0 / 29

HEX #A69FB6

RGB 166 159 182

HSL 258.26, 0.14%, 0.67%

LAB 66.73, 7.04, -10.97

 

CMYK 0 / 9 / 13 / 28

HEX #B7A69F

RGB 183 166 159

HSL 17.5, 0.14%, 0.67%

LAB 69.36, 4.96, 5.85

 

CMYK 13 / 0 / 9 / 28

HEX #9FB7A6

RGB 159 183 166

HSL 137.5, 0.14%, 0.67%

LAB 72.22, -11.56, 5.88

 

CMYK 9 / 13 / 0 / 29

HEX #A69FB6

RGB 166 159 182

HSL 258.26, 0.14%, 0.67%

LAB 66.73, 7.04, -10.97

 

CMYK 0 / 13 / 7 / 28

HEX #B79FAB

RGB 183 159 171

HSL 330, 0.14%, 0.67%

LAB 67.88, 10.89, -2.97

 

CMYK 4 / 0 / 13 / 28

HEX #B0B79F

RGB 176 183 159

HSL 77.5, 0.14%, 0.67%

LAB 73.29, -6.77, 11.38

 

CMYK 13 / 0 / 7 / 28

HEX #9FB7AB

RGB 159 183 171

HSL 150, 0.14%, 0.67%

LAB 72.35, -10.59, 3.32

 

CMYK 9 / 13 / 0 / 29

HEX #A69FB6

RGB 166 159 182

HSL 258.26, 0.14%, 0.67%

LAB 66.73, 7.04, -10.97

 

CMYK 0 / 13 / 10 / 28

HEX #B79FA4

RGB 183 159 164

HSL 347.5, 0.14%, 0.67%

LAB 67.68, 9.66, 0.65

 

CMYK 4 / 0 / 13 / 28

HEX #B0B79F

RGB 176 183 159

HSL 77.5, 0.14%, 0.67%

LAB 73.29, -6.77, 11.38

 

CMYK 13 / 0 / 3 / 28

HEX #9FB7B2

RGB 159 183 178

HSL 167.5, 0.14%, 0.67%

LAB 72.53, -9.2, -0.24

 

Description

Color code: HEX #A69FB6 | qconv.com Color code: HEX #A69FB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 159 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 159 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 13 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 13% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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