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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6884D it is the complementary color #5977B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6884D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6884D shade: #AB8848, #BC9A5B, #CDAC6E, #DEBE81 and #EFD094

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6884D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6884D shade: #A6884D, #95763A, #846427, #735214 and #624001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6884D shade: #A8894D, #A8714D, #A8584D and #A84D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6884D shade: #A8894D, #A8A24D, #95A84D, #7DA84D and #65A84D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6884D shade matches the following richer shades: #A8894D, #BB9039, #CF9626 and #E39D12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6884D shade: #A8894D, #948361, #807C75, #6C7689 and #586F9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6884D shade: #A8584D, #A8704D, #A8884D, #A8A04D and #97A84D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6884D shade: #6F5B33, #8B7240, #A8894D, #B89D66 and #C5AF82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6884D shade: #A6884D, #5BA84D and #644DA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6884D shade: #A6884D, #4DA888 and #884DA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6884D shade: #A6884D, #5BA84D, #4D6DA8 and #9A4DA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6884D shade: #A6884D, #4DA85B, #4D6DA8 and #A84D9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 54 / 35

HEX #A6884D

RGB 166 136 77

HSL 39.78, 0.37%, 0.48%

LAB 58.27, 3.88, 35.7

 

Complementary color

CMYK 50 / 33 / 0 / 30

HEX #5977B2

RGB 89 119 178

HSL 219.78, 0.37%, 0.52%

LAB 50.13, 6.01, -34.63

 

CMYK 0 / 20 / 58 / 33

HEX #AB8848

RGB 171 136 72

HSL 38.79, 0.41%, 0.48%

LAB 58.73, 5.64, 38.97

 

CMYK 0 / 18 / 52 / 26

HEX #BC9A5B

RGB 188 154 91

HSL 38.97, 0.42%, 0.55%

LAB 65.4, 4.7, 37.6

 

CMYK 0 / 16 / 46 / 20

HEX #CDAC6E

RGB 205 172 110

HSL 39.16, 0.49%, 0.62%

LAB 71.97, 3.9, 36.27

 

CMYK 0 / 14 / 42 / 13

HEX #DEBE81

RGB 222 190 129

HSL 39.35, 0.58%, 0.69%

LAB 78.43, 3.23, 35

 

CMYK 0 / 13 / 38 / 6

HEX #EFD094

RGB 239 208 148

HSL 39.56, 0.74%, 0.76%

LAB 84.79, 2.65, 33.8

 

CMYK 0 / 18 / 54 / 35

HEX #A6884D

RGB 166 136 77

HSL 39.78, 0.37%, 0.48%

LAB 58.27, 3.88, 35.7

 

CMYK 0 / 21 / 61 / 42

HEX #95763A

RGB 149 118 58

HSL 39.56, 0.44%, 0.41%

LAB 51.44, 4.89, 37.08

 

CMYK 0 / 24 / 70 / 48

HEX #846427

RGB 132 100 39

HSL 39.35, 0.54%, 0.34%

LAB 44.47, 6.14, 38.37

 

CMYK 0 / 29 / 83 / 55

HEX #735214

RGB 115 82 20

HSL 39.16, 0.7%, 0.26%

LAB 37.35, 7.74, 39.2

 

CMYK 0 / 35 / 99 / 62

HEX #624001

RGB 98 64 1

HSL 38.97, 0.98%, 0.19%

LAB 30.07, 9.75, 39.32

 

CMYK 0 / 18 / 54 / 34

HEX #A8894D

RGB 168 137 77

HSL 39.56, 0.37%, 0.48%

LAB 58.74, 4.2, 36.31

 

CMYK 0 / 33 / 54 / 34

HEX #A8714D

RGB 168 113 77

HSL 23.74, 0.37%, 0.48%

LAB 52.59, 17.71, 28.69

 

CMYK 0 / 48 / 54 / 34

HEX #A8584D

RGB 168 88 77

HSL 7.25, 0.37%, 0.48%

LAB 46.76, 31.63, 21.18

 

CMYK 0 / 54 / 54 / 34

HEX #A84D4D

RGB 168 77 77

HSL 0, 0.37%, 0.48%

LAB 44.47, 37.44, 18.14

 

CMYK 0 / 18 / 54 / 34

HEX #A8894D

RGB 168 137 77

HSL 39.56, 0.37%, 0.48%

LAB 58.74, 4.2, 36.31

 

CMYK 0 / 4 / 54 / 34

HEX #A8A24D

RGB 168 162 77

HSL 56.04, 0.37%, 0.48%

LAB 65.52, -9.39, 44.35

 

CMYK 11 / 0 / 54 / 34

HEX #95A84D

RGB 149 168 77

HSL 72.53, 0.37%, 0.48%

LAB 65.69, -20.49, 44.17

 

CMYK 26 / 0 / 54 / 34

HEX #7DA84D

RGB 125 168 77

HSL 88.35, 0.37%, 0.48%

LAB 64.08, -30.03, 41.87

 

CMYK 40 / 0 / 54 / 34

HEX #65A84D

RGB 101 168 77

HSL 104.18, 0.37%, 0.48%

LAB 62.77, -38.64, 39.99

 

CMYK 0 / 18 / 54 / 34

HEX #A8894D

RGB 168 137 77

HSL 39.56, 0.37%, 0.48%

LAB 58.74, 4.2, 36.31

 

CMYK 0 / 23 / 70 / 27

HEX #BB9039

RGB 187 144 57

HSL 40.15, 0.53%, 0.48%

LAB 62.34, 7.24, 50.71

 

CMYK 0 / 28 / 82 / 19

HEX #CF9626

RGB 207 150 38

HSL 39.76, 0.69%, 0.48%

LAB 65.92, 11.95, 62.35

 

CMYK 0 / 31 / 92 / 11

HEX #E39D12

RGB 227 157 18

HSL 39.9, 0.85%, 0.48%

LAB 69.82, 16.44, 71.53

 

CMYK 0 / 18 / 54 / 34

HEX #A8894D

RGB 168 137 77

HSL 39.56, 0.37%, 0.48%

LAB 58.74, 4.2, 36.31

 

CMYK 0 / 11 / 34 / 42

HEX #948361

RGB 148 131 97

HSL 40, 0.21%, 0.48%

LAB 55.47, 1.17, 20.77

 

CMYK 0 / 3 / 9 / 50

HEX #807C75

RGB 128 124 117

HSL 38.18, 0.04%, 0.48%

LAB 52.16, 0.19, 4.35

 

CMYK 21 / 14 / 0 / 46

HEX #6C7689

RGB 108 118 137

HSL 219.31, 0.12%, 0.48%

LAB 49.44, 0.64, -11.62

 

CMYK 44 / 29 / 0 / 39

HEX #586F9C

RGB 88 111 156

HSL 219.71, 0.28%, 0.48%

LAB 46.77, 3.84, -27.04

 

CMYK 0 / 48 / 54 / 34

HEX #A8584D

RGB 168 88 77

HSL 7.25, 0.37%, 0.48%

LAB 46.76, 31.63, 21.18

 

CMYK 0 / 33 / 54 / 34

HEX #A8704D

RGB 168 112 77

HSL 23.08, 0.37%, 0.48%

LAB 52.34, 18.27, 28.38

 

CMYK 0 / 19 / 54 / 34

HEX #A8884D

RGB 168 136 77

HSL 38.9, 0.37%, 0.48%

LAB 58.48, 4.75, 35.99

 

CMYK 0 / 5 / 54 / 34

HEX #A8A04D

RGB 168 160 77

HSL 54.73, 0.37%, 0.48%

LAB 64.96, -8.33, 43.7

 

CMYK 10 / 0 / 54 / 34

HEX #97A84D

RGB 151 168 77

HSL 71.21, 0.37%, 0.48%

LAB 65.84, -19.66, 44.38

 

CMYK 0 / 18 / 54 / 56

HEX #6F5B33

RGB 111 91 51

HSL 40, 0.37%, 0.32%

LAB 39.75, 2.58, 25.96

 

CMYK 0 / 18 / 54 / 45

HEX #8B7240

RGB 139 114 64

HSL 40, 0.37%, 0.4%

LAB 49.37, 3.18, 31.17

 

CMYK 0 / 18 / 54 / 34

HEX #A8894D

RGB 168 137 77

HSL 39.56, 0.37%, 0.48%

LAB 58.74, 4.2, 36.31

 

CMYK 0 / 15 / 45 / 28

HEX #B89D66

RGB 184 157 102

HSL 40.24, 0.37%, 0.56%

LAB 65.95, 2.46, 32.41

 

CMYK 0 / 11 / 34 / 23

HEX #C5AF82

RGB 197 175 130

HSL 40.3, 0.37%, 0.64%

LAB 72.32, 1.29, 26.01

 

CMYK 0 / 18 / 54 / 35

HEX #A6884D

RGB 166 136 77

HSL 39.78, 0.37%, 0.48%

LAB 58.27, 3.88, 35.7

 

CMYK 46 / 0 / 54 / 34

HEX #5BA84D

RGB 91 168 77

HSL 110.77, 0.37%, 0.48%

LAB 62.31, -41.86, 39.33

 

CMYK 40 / 54 / 0 / 34

HEX #644DA8

RGB 100 77 168

HSL 255.16, 0.37%, 0.48%

LAB 39.32, 31.63, -45.87

 

CMYK 0 / 18 / 54 / 35

HEX #A6884D

RGB 166 136 77

HSL 39.78, 0.37%, 0.48%

LAB 58.27, 3.88, 35.7

 

CMYK 54 / 0 / 19 / 34

HEX #4DA888

RGB 77 168 136

HSL 158.9, 0.37%, 0.48%

LAB 62.81, -35.02, 8.38

 

CMYK 19 / 54 / 0 / 34

HEX #884DA8

RGB 136 77 168

HSL 278.9, 0.37%, 0.48%

LAB 43.31, 41.11, -39.26

 

CMYK 0 / 18 / 54 / 35

HEX #A6884D

RGB 166 136 77

HSL 39.78, 0.37%, 0.48%

LAB 58.27, 3.88, 35.7

 

CMYK 46 / 0 / 54 / 34

HEX #5BA84D

RGB 91 168 77

HSL 110.77, 0.37%, 0.48%

LAB 62.31, -41.86, 39.33

 

CMYK 54 / 35 / 0 / 34

HEX #4D6DA8

RGB 77 109 168

HSL 218.9, 0.37%, 0.48%

LAB 46.1, 6.07, -35.19

 

CMYK 8 / 54 / 0 / 34

HEX #9A4DA8

RGB 154 77 168

HSL 290.77, 0.37%, 0.48%

LAB 45.64, 46.1, -35.43

 

CMYK 0 / 18 / 54 / 35

HEX #A6884D

RGB 166 136 77

HSL 39.78, 0.37%, 0.48%

LAB 58.27, 3.88, 35.7

 

CMYK 54 / 0 / 46 / 34

HEX #4DA85B

RGB 77 168 91

HSL 129.23, 0.37%, 0.48%

LAB 61.95, -43.87, 31.66

 

CMYK 54 / 35 / 0 / 34

HEX #4D6DA8

RGB 77 109 168

HSL 218.9, 0.37%, 0.48%

LAB 46.1, 6.07, -35.19

 

CMYK 0 / 54 / 8 / 34

HEX #A84D9A

RGB 168 77 154

HSL 309.23, 0.37%, 0.48%

LAB 46.93, 47.55, -24.96

 

Description

Color code: HEX #A6884D | qconv.com Color code: HEX #A6884D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 136 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 136 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 54 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 54% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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