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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67F65 it is the complementary color #59809A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67F65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67F65 shade: #AB7F60, #BC9173, #CDA386, #DEB599 and #EFC7AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67F65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67F65 shade: #A67F65, #956D52, #845B3F, #73492C and #623719

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67F65 shade: #A67E64, #A66C64 and #A66464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67F65 shade: #A67E64, #A69064, #A6A264, #98A664 and #86A664

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67F65 shade matches the following richer shades: #A67E64, #B97A50, #CD763C, #E17228 and #F56E14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67F65 shade: #A67E64, #928277, #7E868B, #6A8A9F and #568EB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67F65 shade: #A6646C, #A66C64, #A67E64, #A69064 and #A6A164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67F65 shade: #745643, #8E6A52, #A67E64, #B5947E and #C4A998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67F65 shade: #A67F65, #7EA664 and #6464A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67F65 shade: #A67F65, #64A67E and #7E64A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67F65 shade: #A67F65, #7EA664, #648BA6 and #8B64A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67F65 shade: #A67F65, #6AA664, #648BA6 and #9F64A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 39 / 35

HEX #A67F65

RGB 166 127 101

HSL 24, 0.27%, 0.52%

LAB 56.31, 11.48, 19.95

 

Complementary color

CMYK 42 / 17 / 0 / 40

HEX #59809A

RGB 89 128 154

HSL 204, 0.27%, 0.48%

LAB 51.72, -6.51, -18.24

 

CMYK 0 / 26 / 44 / 33

HEX #AB7F60

RGB 171 127 96

HSL 24.8, 0.31%, 0.52%

LAB 56.76, 12.99, 23.48

 

CMYK 0 / 23 / 39 / 26

HEX #BC9173

RGB 188 145 115

HSL 24.66, 0.35%, 0.59%

LAB 63.49, 12.16, 22.16

 

CMYK 0 / 20 / 35 / 20

HEX #CDA386

RGB 205 163 134

HSL 24.51, 0.42%, 0.66%

LAB 70.1, 11.44, 20.96

 

CMYK 0 / 18 / 31 / 13

HEX #DEB599

RGB 222 181 153

HSL 24.35, 0.51%, 0.74%

LAB 76.6, 10.82, 19.85

 

CMYK 0 / 17 / 28 / 6

HEX #EFC7AC

RGB 239 199 172

HSL 24.18, 0.68%, 0.81%

LAB 83.01, 10.27, 18.82

 

CMYK 0 / 23 / 39 / 35

HEX #A67F65

RGB 166 127 101

HSL 24, 0.27%, 0.52%

LAB 56.31, 11.48, 19.95

 

CMYK 0 / 27 / 45 / 42

HEX #956D52

RGB 149 109 82

HSL 24.18, 0.29%, 0.45%

LAB 49.42, 12.34, 21.3

 

CMYK 0 / 31 / 52 / 48

HEX #845B3F

RGB 132 91 63

HSL 24.35, 0.35%, 0.38%

LAB 42.38, 13.39, 22.82

 

CMYK 0 / 37 / 62 / 55

HEX #73492C

RGB 115 73 44

HSL 24.51, 0.45%, 0.31%

LAB 35.19, 14.68, 24.55

 

CMYK 0 / 44 / 74 / 62

HEX #623719

RGB 98 55 25

HSL 24.66, 0.59%, 0.24%

LAB 27.84, 16.31, 26.45

 

CMYK 0 / 24 / 40 / 35

HEX #A67E64

RGB 166 126 100

HSL 23.64, 0.27%, 0.52%

LAB 56.04, 11.92, 20.14

 

CMYK 0 / 35 / 40 / 35

HEX #A66C64

RGB 166 108 100

HSL 7.27, 0.27%, 0.52%

LAB 51.56, 22.13, 14.02

 

CMYK 0 / 40 / 40 / 35

HEX #A66464

RGB 166 100 100

HSL 0, 0.27%, 0.52%

LAB 49.67, 26.64, 11.4

 

CMYK 0 / 24 / 40 / 35

HEX #A67E64

RGB 166 126 100

HSL 23.64, 0.27%, 0.52%

LAB 56.04, 11.92, 20.14

 

CMYK 0 / 13 / 40 / 35

HEX #A69064

RGB 166 144 100

HSL 40, 0.27%, 0.52%

LAB 60.76, 1.84, 26.42

 

CMYK 0 / 2 / 40 / 35

HEX #A6A264

RGB 166 162 100

HSL 56.36, 0.27%, 0.52%

LAB 65.65, -7.95, 32.75

 

CMYK 8 / 0 / 40 / 35

HEX #98A664

RGB 152 166 100

HSL 72.73, 0.27%, 0.52%

LAB 65.65, -15.76, 32.52

 

CMYK 19 / 0 / 40 / 35

HEX #86A664

RGB 134 166 100

HSL 89.09, 0.27%, 0.52%

LAB 64.37, -22.82, 30.63

 

CMYK 0 / 24 / 40 / 35

HEX #A67E64

RGB 166 126 100

HSL 23.64, 0.27%, 0.52%

LAB 56.04, 11.92, 20.14

 

CMYK 0 / 34 / 57 / 27

HEX #B97A50

RGB 185 122 80

HSL 24, 0.43%, 0.52%

LAB 56.89, 20.14, 32.87

 

CMYK 0 / 42 / 71 / 20

HEX #CD763C

RGB 205 118 60

HSL 24, 0.59%, 0.52%

LAB 58.29, 29.34, 45.61

 

CMYK 0 / 49 / 82 / 12

HEX #E17228

RGB 225 114 40

HSL 24, 0.76%, 0.52%

LAB 60.06, 38.7, 57.32

 

CMYK 0 / 55 / 92 / 4

HEX #F56E14

RGB 245 110 20

HSL 24, 0.92%, 0.52%

LAB 62.18, 47.91, 66.76

 

CMYK 0 / 24 / 40 / 35

HEX #A67E64

RGB 166 126 100

HSL 23.64, 0.27%, 0.52%

LAB 56.04, 11.92, 20.14

 

CMYK 0 / 11 / 18 / 43

HEX #928277

RGB 146 130 119

HSL 24.44, 0.11%, 0.52%

LAB 55.49, 4.18, 8.17

 

CMYK 9 / 4 / 0 / 45

HEX #7E868B

RGB 126 134 139

HSL 203.08, 0.05%, 0.52%

LAB 55.43, -1.88, -3.7

 

CMYK 33 / 13 / 0 / 38

HEX #6A8A9F

RGB 106 138 159

HSL 203.77, 0.22%, 0.52%

LAB 55.83, -5.96, -14.78

 

CMYK 52 / 21 / 0 / 30

HEX #568EB3

RGB 86 142 179

HSL 203.87, 0.38%, 0.52%

LAB 56.66, -7.86, -25.06

 

CMYK 0 / 40 / 35 / 35

HEX #A6646C

RGB 166 100 108

HSL 352.73, 0.27%, 0.52%

LAB 49.86, 27.64, 6.91

 

CMYK 0 / 35 / 40 / 35

HEX #A66C64

RGB 166 108 100

HSL 7.27, 0.27%, 0.52%

LAB 51.56, 22.13, 14.02

 

CMYK 0 / 24 / 40 / 35

HEX #A67E64

RGB 166 126 100

HSL 23.64, 0.27%, 0.52%

LAB 56.04, 11.92, 20.14

 

CMYK 0 / 13 / 40 / 35

HEX #A69064

RGB 166 144 100

HSL 40, 0.27%, 0.52%

LAB 60.76, 1.84, 26.42

 

CMYK 0 / 3 / 40 / 35

HEX #A6A164

RGB 166 161 100

HSL 55.45, 0.27%, 0.52%

LAB 65.37, -7.41, 32.4

 

CMYK 0 / 26 / 42 / 55

HEX #745643

RGB 116 86 67

HSL 23.27, 0.27%, 0.36%

LAB 39.2, 9.69, 15.89

 

CMYK 0 / 25 / 42 / 44

HEX #8E6A52

RGB 142 106 82

HSL 24, 0.27%, 0.44%

LAB 47.84, 11.07, 19.06

 

CMYK 0 / 24 / 40 / 35

HEX #A67E64

RGB 166 126 100

HSL 23.64, 0.27%, 0.52%

LAB 56.04, 11.92, 20.14

 

CMYK 0 / 18 / 30 / 29

HEX #B5947E

RGB 181 148 126

HSL 24, 0.27%, 0.6%

LAB 63.76, 9.08, 16.29

 

CMYK 0 / 14 / 22 / 23

HEX #C4A998

RGB 196 169 152

HSL 23.18, 0.27%, 0.68%

LAB 71.13, 7.14, 12.39

 

CMYK 0 / 23 / 39 / 35

HEX #A67F65

RGB 166 127 101

HSL 24, 0.27%, 0.52%

LAB 56.31, 11.48, 19.95

 

CMYK 24 / 0 / 40 / 35

HEX #7EA664

RGB 126 166 100

HSL 96.36, 0.27%, 0.52%

LAB 63.86, -25.83, 29.86

 

CMYK 40 / 40 / 0 / 35

HEX #6464A6

RGB 100 100 166

HSL 240, 0.27%, 0.52%

LAB 45.05, 16.88, -35.57

 

CMYK 0 / 23 / 39 / 35

HEX #A67F65

RGB 166 127 101

HSL 24, 0.27%, 0.52%

LAB 56.31, 11.48, 19.95

 

CMYK 40 / 0 / 24 / 35

HEX #64A67E

RGB 100 166 126

HSL 143.64, 0.27%, 0.52%

LAB 62.92, -30.14, 14.22

 

CMYK 24 / 40 / 0 / 35

HEX #7E64A6

RGB 126 100 166

HSL 263.64, 0.27%, 0.52%

LAB 47.37, 24.47, -31.76

 

CMYK 0 / 23 / 39 / 35

HEX #A67F65

RGB 166 127 101

HSL 24, 0.27%, 0.52%

LAB 56.31, 11.48, 19.95

 

CMYK 24 / 0 / 40 / 35

HEX #7EA664

RGB 126 166 100

HSL 96.36, 0.27%, 0.52%

LAB 63.86, -25.83, 29.86

 

CMYK 40 / 16 / 0 / 35

HEX #648BA6

RGB 100 139 166

HSL 204.55, 0.27%, 0.52%

LAB 56.02, -6.37, -18.56

 

CMYK 16 / 40 / 0 / 35

HEX #8B64A6

RGB 139 100 166

HSL 275.45, 0.27%, 0.52%

LAB 48.71, 28.5, -29.57

 

CMYK 0 / 23 / 39 / 35

HEX #A67F65

RGB 166 127 101

HSL 24, 0.27%, 0.52%

LAB 56.31, 11.48, 19.95

 

CMYK 36 / 0 / 40 / 35

HEX #6AA664

RGB 106 166 100

HSL 114.55, 0.27%, 0.52%

LAB 62.72, -32.89, 28.17

 

CMYK 40 / 16 / 0 / 35

HEX #648BA6

RGB 100 139 166

HSL 204.55, 0.27%, 0.52%

LAB 56.02, -6.37, -18.56

 

CMYK 4 / 40 / 0 / 35

HEX #9F64A6

RGB 159 100 166

HSL 293.64, 0.27%, 0.52%

LAB 50.97, 34.84, -25.89

 

Description

Color code: HEX #A67F65 | qconv.com Color code: HEX #A67F65 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 127 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 127 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 39 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 39% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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