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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67C5A it is the complementary color #5983A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67C5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67C5A shade: #AB7C55, #BC8E68, #CDA07B, #DEB28E and #EFC4A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67C5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67C5A shade: #A67C5A, #956A47, #845834, #734621 and #62340E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67C5A shade: #A67B59, #A66759 and #A65959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67C5A shade: #A67B59, #A69059, #A6A559, #92A659 and #7EA659

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67C5A shade matches the following richer shades: #A67B59, #BA7945, #CF7730, #E4751B and #F87307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67C5A shade: #A67B59, #917E6E, #7C8083, #688297 and #5384AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67C5A shade: #A65961, #A66659, #A67A59, #A68F59 and #A6A359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67C5A shade: #70543C, #8B674B, #A67B59, #B49174 and #C3A68F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67C5A shade: #A67C5A, #75A659 and #5C59A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67C5A shade: #A67C5A, #59A67A and #7A59A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67C5A shade: #A67C5A, #75A659, #5985A6 and #8A59A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67C5A shade: #A67C5A, #5EA659, #5985A6 and #A159A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 46 / 35

HEX #A67C5A

RGB 166 124 90

HSL 26.84, 0.3%, 0.5%

LAB 55.34, 11.91, 24.88

 

Complementary color

CMYK 46 / 21 / 0 / 35

HEX #5983A5

RGB 89 131 165

HSL 206.84, 0.3%, 0.5%

LAB 53.03, -5.05, -22.61

 

CMYK 0 / 27 / 50 / 33

HEX #AB7C55

RGB 171 124 85

HSL 27.21, 0.34%, 0.5%

LAB 55.82, 13.53, 28.4

 

CMYK 0 / 24 / 45 / 26

HEX #BC8E68

RGB 188 142 104

HSL 27.14, 0.39%, 0.57%

LAB 62.54, 12.58, 26.98

 

CMYK 0 / 22 / 40 / 20

HEX #CDA07B

RGB 205 160 123

HSL 27.07, 0.45%, 0.64%

LAB 69.15, 11.76, 25.67

 

CMYK 0 / 20 / 36 / 13

HEX #DEB28E

RGB 222 178 142

HSL 27, 0.55%, 0.71%

LAB 75.65, 11.05, 24.46

 

CMYK 0 / 18 / 33 / 6

HEX #EFC4A1

RGB 239 196 161

HSL 26.92, 0.71%, 0.78%

LAB 82.06, 10.43, 23.34

 

CMYK 0 / 25 / 46 / 35

HEX #A67C5A

RGB 166 124 90

HSL 26.84, 0.3%, 0.5%

LAB 55.34, 11.91, 24.88

 

CMYK 0 / 29 / 52 / 42

HEX #956A47

RGB 149 106 71

HSL 26.92, 0.35%, 0.43%

LAB 48.45, 12.92, 26.37

 

CMYK 0 / 33 / 61 / 48

HEX #845834

RGB 132 88 52

HSL 27, 0.43%, 0.36%

LAB 41.43, 14.15, 28.01

 

CMYK 0 / 39 / 71 / 55

HEX #734621

RGB 115 70 33

HSL 27.07, 0.55%, 0.29%

LAB 34.26, 15.68, 29.77

 

CMYK 0 / 47 / 86 / 62

HEX #62340E

RGB 98 52 14

HSL 27.14, 0.75%, 0.22%

LAB 26.97, 17.59, 31.35

 

CMYK 0 / 26 / 46 / 35

HEX #A67B59

RGB 166 123 89

HSL 26.49, 0.3%, 0.5%

LAB 55.07, 12.37, 25.09

 

CMYK 0 / 38 / 46 / 35

HEX #A66759

RGB 166 103 89

HSL 10.91, 0.3%, 0.5%

LAB 50.13, 23.7, 18.54

 

CMYK 0 / 46 / 46 / 35

HEX #A65959

RGB 166 89 89

HSL 0, 0.3%, 0.5%

LAB 46.94, 31.47, 14.19

 

CMYK 0 / 26 / 46 / 35

HEX #A67B59

RGB 166 123 89

HSL 26.49, 0.3%, 0.5%

LAB 55.07, 12.37, 25.09

 

CMYK 0 / 13 / 46 / 35

HEX #A69059

RGB 166 144 89

HSL 42.86, 0.3%, 0.5%

LAB 60.58, 0.61, 32.17

 

CMYK 0 / 1 / 46 / 35

HEX #A6A559

RGB 166 165 89

HSL 59.22, 0.3%, 0.5%

LAB 66.32, -10.71, 39.29

 

CMYK 12 / 0 / 46 / 35

HEX #92A659

RGB 146 166 89

HSL 75.58, 0.3%, 0.5%

LAB 65.05, -19.46, 37.38

 

CMYK 24 / 0 / 46 / 35

HEX #7EA659

RGB 126 166 89

HSL 91.17, 0.3%, 0.5%

LAB 63.7, -27.3, 35.41

 

CMYK 0 / 26 / 46 / 35

HEX #A67B59

RGB 166 123 89

HSL 26.49, 0.3%, 0.5%

LAB 55.07, 12.37, 25.09

 

CMYK 0 / 35 / 63 / 27

HEX #BA7945

RGB 186 121 69

HSL 26.67, 0.46%, 0.5%

LAB 56.63, 20.28, 38.48

 

CMYK 0 / 43 / 77 / 19

HEX #CF7730

RGB 207 119 48

HSL 26.79, 0.62%, 0.5%

LAB 58.67, 29.08, 51.75

 

CMYK 0 / 49 / 88 / 11

HEX #E4751B

RGB 228 117 27

HSL 26.87, 0.79%, 0.5%

LAB 61.04, 38.05, 62.87

 

CMYK 0 / 54 / 97 / 3

HEX #F87307

RGB 248 115 7

HSL 26.89, 0.95%, 0.5%

LAB 63.54, 46.53, 70.33

 

CMYK 0 / 26 / 46 / 35

HEX #A67B59

RGB 166 123 89

HSL 26.49, 0.3%, 0.5%

LAB 55.07, 12.37, 25.09

 

CMYK 0 / 13 / 24 / 43

HEX #917E6E

RGB 145 126 110

HSL 27.43, 0.14%, 0.5%

LAB 54.1, 4.63, 11.39

 

CMYK 5 / 2 / 0 / 49

HEX #7C8083

RGB 124 128 131

HSL 205.71, 0.03%, 0.5%

LAB 53.34, -0.87, -2.15

 

CMYK 31 / 14 / 0 / 41

HEX #688297

RGB 104 130 151

HSL 206.81, 0.18%, 0.5%

LAB 53.11, -4.1, -14.3

 

CMYK 52 / 23 / 0 / 33

HEX #5384AC

RGB 83 132 172

HSL 206.97, 0.35%, 0.5%

LAB 53.3, -4.99, -26.26

 

CMYK 0 / 46 / 42 / 35

HEX #A65961

RGB 166 89 97

HSL 353.77, 0.3%, 0.5%

LAB 47.12, 32.35, 9.63

 

CMYK 0 / 39 / 46 / 35

HEX #A66659

RGB 166 102 89

HSL 10.13, 0.3%, 0.5%

LAB 49.9, 24.26, 18.22

 

CMYK 0 / 27 / 46 / 35

HEX #A67A59

RGB 166 122 89

HSL 25.71, 0.3%, 0.5%

LAB 54.81, 12.94, 24.75

 

CMYK 0 / 14 / 46 / 35

HEX #A68F59

RGB 166 143 89

HSL 42.08, 0.3%, 0.5%

LAB 60.31, 1.17, 31.83

 

CMYK 0 / 2 / 46 / 35

HEX #A6A359

RGB 166 163 89

HSL 57.66, 0.3%, 0.5%

LAB 65.77, -9.66, 38.62

 

CMYK 0 / 25 / 46 / 56

HEX #70543C

RGB 112 84 60

HSL 27.69, 0.3%, 0.34%

LAB 38.04, 8.25, 18.51

 

CMYK 0 / 26 / 46 / 45

HEX #8B674B

RGB 139 103 75

HSL 26.25, 0.3%, 0.42%

LAB 46.58, 10.7, 21.41

 

CMYK 0 / 26 / 46 / 35

HEX #A67B59

RGB 166 123 89

HSL 26.49, 0.3%, 0.5%

LAB 55.07, 12.37, 25.09

 

CMYK 0 / 19 / 36 / 29

HEX #B49174

RGB 180 145 116

HSL 27.19, 0.3%, 0.58%

LAB 62.69, 9.02, 20.38

 

CMYK 0 / 15 / 27 / 24

HEX #C3A68F

RGB 195 166 143

HSL 26.54, 0.3%, 0.66%

LAB 70.08, 7.08, 15.84

 

CMYK 0 / 25 / 46 / 35

HEX #A67C5A

RGB 166 124 90

HSL 26.84, 0.3%, 0.5%

LAB 55.34, 11.91, 24.88

 

CMYK 30 / 0 / 46 / 35

HEX #75A659

RGB 117 166 89

HSL 98.18, 0.3%, 0.5%

LAB 63.16, -30.63, 34.62

 

CMYK 45 / 46 / 0 / 35

HEX #5C59A6

RGB 92 89 166

HSL 242.34, 0.3%, 0.5%

LAB 41.49, 21.61, -41.25

 

CMYK 0 / 25 / 46 / 35

HEX #A67C5A

RGB 166 124 90

HSL 26.84, 0.3%, 0.5%

LAB 55.34, 11.91, 24.88

 

CMYK 46 / 0 / 27 / 35

HEX #59A67A

RGB 89 166 122

HSL 145.71, 0.3%, 0.5%

LAB 62.34, -34.11, 15.55

 

CMYK 27 / 46 / 0 / 35

HEX #7A59A6

RGB 122 89 166

HSL 265.71, 0.3%, 0.5%

LAB 44.28, 29.82, -36.64

 

CMYK 0 / 25 / 46 / 35

HEX #A67C5A

RGB 166 124 90

HSL 26.84, 0.3%, 0.5%

LAB 55.34, 11.91, 24.88

 

CMYK 30 / 0 / 46 / 35

HEX #75A659

RGB 117 166 89

HSL 98.18, 0.3%, 0.5%

LAB 63.16, -30.63, 34.62

 

CMYK 46 / 20 / 0 / 35

HEX #5985A6

RGB 89 133 166

HSL 205.71, 0.3%, 0.5%

LAB 53.66, -5.9, -22.22

 

CMYK 17 / 46 / 0 / 35

HEX #8A59A6

RGB 138 89 166

HSL 278.18, 0.3%, 0.5%

LAB 46.04, 34.54, -33.75

 

CMYK 0 / 25 / 46 / 35

HEX #A67C5A

RGB 166 124 90

HSL 26.84, 0.3%, 0.5%

LAB 55.34, 11.91, 24.88

 

CMYK 43 / 0 / 46 / 35

HEX #5EA659

RGB 94 166 89

HSL 116.1, 0.3%, 0.5%

LAB 61.98, -38.43, 32.88

 

CMYK 46 / 20 / 0 / 35

HEX #5985A6

RGB 89 133 166

HSL 205.71, 0.3%, 0.5%

LAB 53.66, -5.9, -22.22

 

CMYK 3 / 46 / 0 / 35

HEX #A159A6

RGB 161 89 166

HSL 296.1, 0.3%, 0.5%

LAB 48.85, 41.47, -29.15

 

Description

Color code: HEX #A67C5A | qconv.com Color code: HEX #A67C5A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 124 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 124 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 46 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 46% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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