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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67AE9 it is the complementary color #598516. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67AE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67AE9 shade: #AB7AE4, #BC8CF7, #CD9EFF, #DEB0FF and #EFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67AE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67AE9 shade: #A67AE9, #9568D6, #8456C3, #7344B0 and #62329D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67AE9 shade: #A77BEA, #C57BEA, #E27BEA, #EA7BD3 and #EA7BB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67AE9 shade: #A77BEA, #897BEA and #7B7BEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67AE9 shade matches the following richer shades: #A77BEA and #A56FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67AE9 shade: #A77BEA, #AA88DD, #AC94D1, #AFA1C4 and #B1ADB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67AE9 shade: #7B8CEA, #887BEA, #A67BEA, #C37BEA and #E07BEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67AE9 shade: #7834DE, #8F58E4, #A77BEA, #BF9FEF and #D6C2F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67AE9 shade: #A67AE9, #EA7BA9 and #7DEA7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67AE9 shade: #A67AE9, #EAA67B and #7BEAA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67AE9 shade: #A67AE9, #EA7BA9, #BFEA7B and #7BEABC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67AE9 shade: #A67AE9, #EA7B88, #BFEA7B and #7BEADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 48 / 0 / 9

HEX #A67AE9

RGB 166 122 233

HSL 263.78, 0.72%, 0.7%

LAB 59.81, 39.62, -50.15

 

Complementary color

CMYK 33 / 0 / 83 / 48

HEX #598516

RGB 89 133 22

HSL 83.78, 0.72%, 0.3%

LAB 50.64, -31.93, 49.81

 

CMYK 25 / 46 / 0 / 11

HEX #AB7AE4

RGB 171 122 228

HSL 267.74, 0.66%, 0.69%

LAB 60.05, 39.76, -46.95

 

CMYK 24 / 43 / 0 / 3

HEX #BC8CF7

RGB 188 140 247

HSL 266.92, 0.87%, 0.76%

LAB 66.64, 38.9, -46.93

 

CMYK 20 / 38 / 0 / 0

HEX #CD9EFF

RGB 205 158 255

HSL 269.07, 1%, 0.81%

LAB 72.66, 35.63, -41.74

 

CMYK 13 / 31 / 0 / 0

HEX #DEB0FF

RGB 222 176 255

HSL 274.94, 1%, 0.85%

LAB 78.35, 30.9, -32.8

 

CMYK 6 / 24 / 0 / 0

HEX #EFC2FF

RGB 239 194 255

HSL 284.26, 1%, 0.88%

LAB 84.05, 26.53, -23.93

 

CMYK 29 / 48 / 0 / 9

HEX #A67AE9

RGB 166 122 233

HSL 263.78, 0.72%, 0.7%

LAB 59.81, 39.62, -50.15

 

CMYK 30 / 51 / 0 / 16

HEX #9568D6

RGB 149 104 214

HSL 264.55, 0.57%, 0.62%

LAB 53.11, 40.58, -50.23

 

CMYK 32 / 56 / 0 / 24

HEX #8456C3

RGB 132 86 195

HSL 265.32, 0.48%, 0.55%

LAB 46.31, 41.6, -50.31

 

CMYK 35 / 61 / 0 / 31

HEX #7344B0

RGB 115 68 176

HSL 266.11, 0.44%, 0.48%

LAB 39.43, 42.63, -50.34

 

CMYK 38 / 68 / 0 / 38

HEX #62329D

RGB 98 50 157

HSL 266.92, 0.52%, 0.41%

LAB 32.51, 43.57, -50.25

 

CMYK 29 / 47 / 0 / 8

HEX #A77BEA

RGB 167 123 234

HSL 263.78, 0.73%, 0.7%

LAB 60.18, 39.57, -50.11

 

CMYK 16 / 47 / 0 / 8

HEX #C57BEA

RGB 197 123 234

HSL 280, 0.73%, 0.7%

LAB 63.32, 47.67, -44.93

 

CMYK 3 / 47 / 0 / 8

HEX #E27BEA

RGB 226 123 234

HSL 295.68, 0.73%, 0.7%

LAB 66.73, 55.72, -39.35

 

CMYK 0 / 47 / 10 / 8

HEX #EA7BD3

RGB 234 123 211

HSL 312.43, 0.73%, 0.7%

LAB 66.8, 54.08, -26.4

 

CMYK 0 / 47 / 23 / 8

HEX #EA7BB5

RGB 234 123 181

HSL 328.65, 0.73%, 0.7%

LAB 65.74, 49.54, -11.14

 

CMYK 29 / 47 / 0 / 8

HEX #A77BEA

RGB 167 123 234

HSL 263.78, 0.73%, 0.7%

LAB 60.18, 39.57, -50.11

 

CMYK 41 / 47 / 0 / 8

HEX #897BEA

RGB 137 123 234

HSL 247.57, 0.73%, 0.7%

LAB 57.49, 31.99, -54.55

 

CMYK 47 / 47 / 0 / 8

HEX #7B7BEA

RGB 123 123 234

HSL 240, 0.73%, 0.7%

LAB 56.4, 28.73, -56.35

 

CMYK 29 / 47 / 0 / 8

HEX #A77BEA

RGB 167 123 234

HSL 263.78, 0.73%, 0.7%

LAB 60.18, 39.57, -50.11

 

CMYK 33 / 55 / 0 / 4

HEX #A56FF6

RGB 165 111 246

HSL 264, 0.88%, 0.7%

LAB 58.06, 48.6, -60.16

 

CMYK 29 / 47 / 0 / 8

HEX #A77BEA

RGB 167 123 234

HSL 263.78, 0.73%, 0.7%

LAB 60.18, 39.57, -50.11

 

CMYK 23 / 38 / 0 / 13

HEX #AA88DD

RGB 170 136 221

HSL 264, 0.56%, 0.7%

LAB 62.82, 29.98, -38.69

 

CMYK 18 / 29 / 0 / 18

HEX #AC94D1

RGB 172 148 209

HSL 263.61, 0.4%, 0.7%

LAB 65.4, 21.04, -28

 

CMYK 11 / 18 / 0 / 23

HEX #AFA1C4

RGB 175 161 196

HSL 264, 0.23%, 0.7%

LAB 68.45, 11.88, -16.09

 

CMYK 4 / 6 / 0 / 28

HEX #B1ADB8

RGB 177 173 184

HSL 261.82, 0.07%, 0.7%

LAB 71.35, 3.51, -5.12

 

CMYK 47 / 40 / 0 / 8

HEX #7B8CEA

RGB 123 140 234

HSL 230.81, 0.73%, 0.7%

LAB 60.7, 18.67, -49.51

 

CMYK 42 / 47 / 0 / 8

HEX #887BEA

RGB 136 123 234

HSL 247.03, 0.73%, 0.7%

LAB 57.41, 31.75, -54.69

 

CMYK 29 / 47 / 0 / 8

HEX #A67BEA

RGB 166 123 234

HSL 263.24, 0.73%, 0.7%

LAB 60.08, 39.31, -50.27

 

CMYK 17 / 47 / 0 / 8

HEX #C37BEA

RGB 195 123 234

HSL 278.92, 0.73%, 0.7%

LAB 63.1, 47.12, -45.3

 

CMYK 4 / 47 / 0 / 8

HEX #E07BEA

RGB 224 123 234

HSL 294.59, 0.73%, 0.7%

LAB 66.48, 55.16, -39.75

 

CMYK 46 / 77 / 0 / 13

HEX #7834DE

RGB 120 52 222

HSL 264, 0.72%, 0.54%

LAB 40.77, 63.02, -74.9

 

CMYK 37 / 61 / 0 / 11

HEX #8F58E4

RGB 143 88 228

HSL 263.57, 0.72%, 0.62%

LAB 50, 51.42, -63.17

 

CMYK 29 / 47 / 0 / 8

HEX #A77BEA

RGB 167 123 234

HSL 263.78, 0.73%, 0.7%

LAB 60.18, 39.57, -50.11

 

CMYK 20 / 33 / 0 / 6

HEX #BF9FEF

RGB 191 159 239

HSL 264, 0.71%, 0.78%

LAB 70.94, 27.43, -35.82

 

CMYK 13 / 21 / 0 / 4

HEX #D6C2F5

RGB 214 194 245

HSL 263.53, 0.72%, 0.86%

LAB 81.55, 16.64, -22.6

 

CMYK 29 / 48 / 0 / 9

HEX #A67AE9

RGB 166 122 233

HSL 263.78, 0.72%, 0.7%

LAB 59.81, 39.62, -50.15

 

CMYK 0 / 47 / 28 / 8

HEX #EA7BA9

RGB 234 123 169

HSL 335.14, 0.73%, 0.7%

LAB 65.38, 47.9, -4.89

 

CMYK 47 / 0 / 47 / 8

HEX #7DEA7B

RGB 125 234 123

HSL 118.92, 0.73%, 0.7%

LAB 84.3, -53.12, 44.2

 

CMYK 29 / 48 / 0 / 9

HEX #A67AE9

RGB 166 122 233

HSL 263.78, 0.72%, 0.7%

LAB 59.81, 39.62, -50.15

 

CMYK 0 / 29 / 47 / 8

HEX #EAA67B

RGB 234 166 123

HSL 23.24, 0.73%, 0.7%

LAB 73.67, 20.16, 32.2

 

CMYK 47 / 0 / 29 / 8

HEX #7BEAA6

RGB 123 234 166

HSL 143.24, 0.73%, 0.7%

LAB 84.9, -46.74, 23.42

 

CMYK 29 / 48 / 0 / 9

HEX #A67AE9

RGB 166 122 233

HSL 263.78, 0.72%, 0.7%

LAB 59.81, 39.62, -50.15

 

CMYK 0 / 47 / 28 / 8

HEX #EA7BA9

RGB 234 123 169

HSL 335.14, 0.73%, 0.7%

LAB 65.38, 47.9, -4.89

 

CMYK 18 / 0 / 47 / 8

HEX #BFEA7B

RGB 191 234 123

HSL 83.24, 0.73%, 0.7%

LAB 87.66, -31.44, 49.1

 

CMYK 47 / 0 / 20 / 8

HEX #7BEABC

RGB 123 234 188

HSL 155.14, 0.73%, 0.7%

LAB 85.35, -42.38, 12.62

 

CMYK 29 / 48 / 0 / 9

HEX #A67AE9

RGB 166 122 233

HSL 263.78, 0.72%, 0.7%

LAB 59.81, 39.62, -50.15

 

CMYK 0 / 47 / 42 / 8

HEX #EA7B88

RGB 234 123 136

HSL 352.97, 0.73%, 0.7%

LAB 64.51, 43.98, 12.62

 

CMYK 18 / 0 / 47 / 8

HEX #BFEA7B

RGB 191 234 123

HSL 83.24, 0.73%, 0.7%

LAB 87.66, -31.44, 49.1

 

CMYK 47 / 0 / 6 / 8

HEX #7BEADD

RGB 123 234 221

HSL 172.97, 0.73%, 0.7%

LAB 86.14, -34.93, -3.54

 

Description

Color code: HEX #A67AE9 | qconv.com Color code: HEX #A67AE9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 122 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 122 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 48 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 48% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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