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Color name
HEX #A66F28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A66F28 it is the complementary color #5990D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A66F28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A66F28 shade: #AB6F23, #BC8136, #CD9349, #DEA55C and #EFB76F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A66F28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A66F28 shade: #A66F28, #955D15, #844B02, #733900 and #622700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A66F28 shade: #A46E28, #A44C28, #A42B28 and #A42828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A66F28 shade: #A46E28, #A48F28, #97A428, #76A428 and #54A428

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A66F28 shade matches the following richer shades: #A46E28, #B57017 and #C57207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A66F28 shade: #A46E28, #946C38, #836A49, #736859 and #62666A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A66F28 shade: #A42A28, #A44B28, #A46C28, #A48D28 and #9AA428

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A66F28 shade: #624118, #835820, #A46E28, #C58430 and #D3984B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A66F28 shade: #A66F28, #47A428 and #3A28A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A66F28 shade: #A66F28, #28A46C and #6C28A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A66F28 shade: #A66F28, #47A428, #2860A4 and #8528A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A66F28 shade: #A66F28, #28A42E, #2860A4 and #A4289E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 76 / 35

HEX #A66F28

RGB 166 111 40

HSL 33.81, 0.61%, 0.4%

LAB 51.42, 15.45, 46.34

 

Complementary color

CMYK 59 / 33 / 0 / 16

HEX #5990D7

RGB 89 144 215

HSL 213.81, 0.61%, 0.6%

LAB 58.95, 2.99, -41.82

 

CMYK 0 / 35 / 80 / 33

HEX #AB6F23

RGB 171 111 35

HSL 33.53, 0.66%, 0.4%

LAB 52, 17.47, 49.26

 

CMYK 0 / 31 / 71 / 26

HEX #BC8136

RGB 188 129 54

HSL 33.58, 0.55%, 0.47%

LAB 58.66, 15.8, 48.24

 

CMYK 0 / 28 / 64 / 20

HEX #CD9349

RGB 205 147 73

HSL 33.64, 0.57%, 0.55%

LAB 65.22, 14.37, 46.92

 

CMYK 0 / 26 / 59 / 13

HEX #DEA55C

RGB 222 165 92

HSL 33.69, 0.66%, 0.62%

LAB 71.7, 13.15, 45.52

 

CMYK 0 / 23 / 54 / 6

HEX #EFB76F

RGB 239 183 111

HSL 33.75, 0.8%, 0.69%

LAB 78.09, 12.1, 44.12

 

CMYK 0 / 33 / 76 / 35

HEX #A66F28

RGB 166 111 40

HSL 33.81, 0.61%, 0.4%

LAB 51.42, 15.45, 46.34

 

CMYK 0 / 38 / 86 / 42

HEX #955D15

RGB 149 93 21

HSL 33.75, 0.75%, 0.33%

LAB 44.62, 17.31, 46.94

 

CMYK 0 / 43 / 98 / 48

HEX #844B02

RGB 132 75 2

HSL 33.69, 0.97%, 0.26%

LAB 37.74, 19.5, 46.46

 

CMYK 0 / 50 / 100 / 55

HEX #733900

RGB 115 57 0

HSL 29.74, 1%, 0.23%

LAB 30.81, 22.12, 41.41

 

CMYK 0 / 60 / 100 / 62

HEX #622700

RGB 98 39 0

HSL 23.88, 1%, 0.19%

LAB 23.83, 24.75, 34.25

 

CMYK 0 / 33 / 76 / 36

HEX #A46E28

RGB 164 110 40

HSL 33.87, 0.61%, 0.4%

LAB 50.92, 15.12, 45.76

 

CMYK 0 / 54 / 76 / 36

HEX #A44C28

RGB 164 76 40

HSL 17.42, 0.61%, 0.4%

LAB 43.08, 33.92, 37.71

 

CMYK 0 / 74 / 76 / 36

HEX #A42B28

RGB 164 43 40

HSL 1.45, 0.61%, 0.4%

LAB 37.43, 48.93, 31.58

 

CMYK 0 / 76 / 76 / 36

HEX #A42828

RGB 164 40 40

HSL 0, 0.61%, 0.4%

LAB 37.05, 50, 31.15

 

CMYK 0 / 33 / 76 / 36

HEX #A46E28

RGB 164 110 40

HSL 33.87, 0.61%, 0.4%

LAB 50.92, 15.12, 45.76

 

CMYK 0 / 13 / 76 / 36

HEX #A48F28

RGB 164 143 40

HSL 49.84, 0.61%, 0.4%

LAB 59.61, -3.35, 54.22

 

CMYK 8 / 0 / 76 / 36

HEX #97A428

RGB 151 164 40

HSL 66.29, 0.61%, 0.4%

LAB 64.39, -20.19, 58.33

 

CMYK 28 / 0 / 76 / 36

HEX #76A428

RGB 118 164 40

HSL 82.26, 0.61%, 0.4%

LAB 62.13, -33.88, 55.39

 

CMYK 49 / 0 / 76 / 36

HEX #54A428

RGB 84 164 40

HSL 98.71, 0.61%, 0.4%

LAB 60.42, -45.94, 53.14

 

CMYK 0 / 33 / 76 / 36

HEX #A46E28

RGB 164 110 40

HSL 33.87, 0.61%, 0.4%

LAB 50.92, 15.12, 45.76

 

CMYK 0 / 38 / 87 / 29

HEX #B57017

RGB 181 112 23

HSL 33.8, 0.77%, 0.4%

LAB 53.46, 20.96, 55.35

 

CMYK 0 / 42 / 96 / 23

HEX #C57207

RGB 197 114 7

HSL 33.79, 0.93%, 0.4%

LAB 56.01, 26.54, 61.89

 

CMYK 0 / 33 / 76 / 36

HEX #A46E28

RGB 164 110 40

HSL 33.87, 0.61%, 0.4%

LAB 50.92, 15.12, 45.76

 

CMYK 0 / 27 / 62 / 42

HEX #946C38

RGB 148 108 56

HSL 33.91, 0.45%, 0.4%

LAB 48.64, 10.02, 34.85

 

CMYK 0 / 19 / 44 / 49

HEX #836A49

RGB 131 106 73

HSL 34.14, 0.28%, 0.4%

LAB 46.46, 5.19, 22.26

 

CMYK 0 / 10 / 23 / 55

HEX #736859

RGB 115 104 89

HSL 34.62, 0.13%, 0.4%

LAB 44.61, 1.68, 10.03

 

CMYK 8 / 4 / 0 / 58

HEX #62666A

RGB 98 102 106

HSL 210, 0.04%, 0.4%

LAB 42.97, -0.68, -2.79

 

CMYK 0 / 74 / 76 / 36

HEX #A42A28

RGB 164 42 40

HSL 0.97, 0.61%, 0.4%

LAB 37.3, 49.29, 31.43

 

CMYK 0 / 54 / 76 / 36

HEX #A44B28

RGB 164 75 40

HSL 16.94, 0.61%, 0.4%

LAB 42.88, 34.44, 37.49

 

CMYK 0 / 34 / 76 / 36

HEX #A46C28

RGB 164 108 40

HSL 32.9, 0.61%, 0.4%

LAB 50.42, 16.25, 45.26

 

CMYK 0 / 14 / 76 / 36

HEX #A48D28

RGB 164 141 40

HSL 48.87, 0.61%, 0.4%

LAB 59.06, -2.26, 53.7

 

CMYK 6 / 0 / 76 / 36

HEX #9AA428

RGB 154 164 40

HSL 64.84, 0.61%, 0.4%

LAB 64.62, -18.89, 58.64

 

CMYK 0 / 34 / 76 / 62

HEX #624118

RGB 98 65 24

HSL 33.24, 0.61%, 0.24%

LAB 30.5, 10.05, 29.86

 

CMYK 0 / 33 / 76 / 49

HEX #835820

RGB 131 88 32

HSL 33.94, 0.61%, 0.32%

LAB 41.07, 12.35, 38.17

 

CMYK 0 / 33 / 76 / 36

HEX #A46E28

RGB 164 110 40

HSL 33.87, 0.61%, 0.4%

LAB 50.92, 15.12, 45.76

 

CMYK 0 / 33 / 76 / 23

HEX #C58430

RGB 197 132 48

HSL 33.83, 0.61%, 0.48%

LAB 60.41, 17.77, 53.04

 

CMYK 0 / 28 / 64 / 17

HEX #D3984B

RGB 211 152 75

HSL 33.97, 0.61%, 0.56%

LAB 67.14, 14.34, 48.29

 

CMYK 0 / 33 / 76 / 35

HEX #A66F28

RGB 166 111 40

HSL 33.81, 0.61%, 0.4%

LAB 51.42, 15.45, 46.34

 

CMYK 57 / 0 / 76 / 36

HEX #47A428

RGB 71 164 40

HSL 105, 0.61%, 0.4%

LAB 59.93, -49.73, 52.49

 

CMYK 65 / 76 / 0 / 36

HEX #3A28A4

RGB 58 40 164

HSL 248.71, 0.61%, 0.4%

LAB 27.01, 44.22, -63.65

 

CMYK 0 / 33 / 76 / 35

HEX #A66F28

RGB 166 111 40

HSL 33.81, 0.61%, 0.4%

LAB 51.42, 15.45, 46.34

 

CMYK 76 / 0 / 34 / 36

HEX #28A46C

RGB 40 164 108

HSL 152.9, 0.61%, 0.4%

LAB 59.97, -46.51, 19.76

 

CMYK 34 / 76 / 0 / 36

HEX #6C28A4

RGB 108 40 164

HSL 272.9, 0.61%, 0.4%

LAB 32.67, 52.02, -54.16

 

CMYK 0 / 33 / 76 / 35

HEX #A66F28

RGB 166 111 40

HSL 33.81, 0.61%, 0.4%

LAB 51.42, 15.45, 46.34

 

CMYK 57 / 0 / 76 / 36

HEX #47A428

RGB 71 164 40

HSL 105, 0.61%, 0.4%

LAB 59.93, -49.73, 52.49

 

CMYK 76 / 41 / 0 / 36

HEX #2860A4

RGB 40 96 164

HSL 212.9, 0.61%, 0.4%

LAB 40.41, 6.01, -41.96

 

CMYK 19 / 76 / 0 / 36

HEX #8528A4

RGB 133 40 164

HSL 285, 0.61%, 0.4%

LAB 36.34, 56.85, -48.05

 

CMYK 0 / 33 / 76 / 35

HEX #A66F28

RGB 166 111 40

HSL 33.81, 0.61%, 0.4%

LAB 51.42, 15.45, 46.34

 

CMYK 76 / 0 / 72 / 36

HEX #28A42E

RGB 40 164 46

HSL 122.9, 0.61%, 0.4%

LAB 59.16, -55.91, 49.22

 

CMYK 76 / 41 / 0 / 36

HEX #2860A4

RGB 40 96 164

HSL 212.9, 0.61%, 0.4%

LAB 40.41, 6.01, -41.96

 

CMYK 0 / 76 / 4 / 36

HEX #A4289E

RGB 164 40 158

HSL 302.9, 0.61%, 0.4%

LAB 41.02, 62.32, -36.66

 

Description

Color code: HEX #A66F28 | qconv.com Color code: HEX #A66F28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 111 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 111 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 76 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 76% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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