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Color name
HEX #A66D28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A66D28 it is the complementary color #5992D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A66D28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A66D28 shade: #AB6D23, #BC7F36, #CD9149, #DEA35C and #EFB56F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A66D28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A66D28 shade: #A66D28, #955B15, #844902, #733700 and #622500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A66D28 shade: #A46C28, #A44A28, #A42928 and #A42828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A66D28 shade: #A46C28, #A48D28, #99A428, #78A428 and #56A428

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A66D28 shade matches the following richer shades: #A46C28, #B56E17 and #C56F07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A66D28 shade: #A46C28, #946A38, #836949, #736759 and #62666A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A66D28 shade: #A42828, #A44928, #A46A28, #A48B28 and #9CA428

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A66D28 shade: #624018, #835620, #A46C28, #C58230 and #D3964B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A66D28 shade: #A66D28, #49A428 and #3828A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A66D28 shade: #A66D28, #28A46A and #6A28A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A66D28 shade: #A66D28, #49A428, #2862A4 and #8328A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A66D28 shade: #A66D28, #28A42C, #2862A4 and #A428A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 76 / 35

HEX #A66D28

RGB 166 109 40

HSL 32.86, 0.61%, 0.4%

LAB 50.92, 16.58, 45.84

 

Complementary color

CMYK 59 / 32 / 0 / 16

HEX #5992D7

RGB 89 146 215

HSL 212.86, 0.61%, 0.6%

LAB 59.51, 1.82, -40.93

 

CMYK 0 / 36 / 80 / 33

HEX #AB6D23

RGB 171 109 35

HSL 32.65, 0.66%, 0.4%

LAB 51.52, 18.59, 48.8

 

CMYK 0 / 32 / 71 / 26

HEX #BC7F36

RGB 188 127 54

HSL 32.69, 0.55%, 0.47%

LAB 58.17, 16.9, 47.73

 

CMYK 0 / 29 / 64 / 20

HEX #CD9149

RGB 205 145 73

HSL 32.73, 0.57%, 0.55%

LAB 64.73, 15.46, 46.37

 

CMYK 0 / 27 / 59 / 13

HEX #DEA35C

RGB 222 163 92

HSL 32.77, 0.66%, 0.62%

LAB 71.21, 14.23, 44.94

 

CMYK 0 / 24 / 54 / 6

HEX #EFB56F

RGB 239 181 111

HSL 32.81, 0.8%, 0.69%

LAB 77.61, 13.16, 43.53

 

CMYK 0 / 34 / 76 / 35

HEX #A66D28

RGB 166 109 40

HSL 32.86, 0.61%, 0.4%

LAB 50.92, 16.58, 45.84

 

CMYK 0 / 39 / 86 / 42

HEX #955B15

RGB 149 91 21

HSL 32.81, 0.75%, 0.33%

LAB 44.13, 18.46, 46.52

 

CMYK 0 / 45 / 98 / 48

HEX #844902

RGB 132 73 2

HSL 32.77, 0.97%, 0.26%

LAB 37.25, 20.66, 46.14

 

CMYK 0 / 52 / 100 / 55

HEX #733700

RGB 115 55 0

HSL 28.7, 1%, 0.23%

LAB 30.34, 23.27, 41.07

 

CMYK 0 / 62 / 100 / 62

HEX #622500

RGB 98 37 0

HSL 22.65, 1%, 0.19%

LAB 23.4, 25.85, 33.83

 

CMYK 0 / 34 / 76 / 36

HEX #A46C28

RGB 164 108 40

HSL 32.9, 0.61%, 0.4%

LAB 50.42, 16.25, 45.26

 

CMYK 0 / 55 / 76 / 36

HEX #A44A28

RGB 164 74 40

HSL 16.45, 0.61%, 0.4%

LAB 42.68, 34.96, 37.28

 

CMYK 0 / 75 / 76 / 36

HEX #A42928

RGB 164 41 40

HSL 0.48, 0.61%, 0.4%

LAB 37.17, 49.65, 31.29

 

CMYK 0 / 76 / 76 / 36

HEX #A42828

RGB 164 40 40

HSL 0, 0.61%, 0.4%

LAB 37.05, 50, 31.15

 

CMYK 0 / 34 / 76 / 36

HEX #A46C28

RGB 164 108 40

HSL 32.9, 0.61%, 0.4%

LAB 50.42, 16.25, 45.26

 

CMYK 0 / 14 / 76 / 36

HEX #A48D28

RGB 164 141 40

HSL 48.87, 0.61%, 0.4%

LAB 59.06, -2.26, 53.7

 

CMYK 7 / 0 / 76 / 36

HEX #99A428

RGB 153 164 40

HSL 65.32, 0.61%, 0.4%

LAB 64.54, -19.32, 58.53

 

CMYK 27 / 0 / 76 / 36

HEX #78A428

RGB 120 164 40

HSL 81.29, 0.61%, 0.4%

LAB 62.25, -33.09, 55.55

 

CMYK 48 / 0 / 76 / 36

HEX #56A428

RGB 86 164 40

HSL 97.74, 0.61%, 0.4%

LAB 60.5, -45.32, 53.25

 

CMYK 0 / 34 / 76 / 36

HEX #A46C28

RGB 164 108 40

HSL 32.9, 0.61%, 0.4%

LAB 50.42, 16.25, 45.26

 

CMYK 0 / 39 / 87 / 29

HEX #B56E17

RGB 181 110 23

HSL 33.04, 0.77%, 0.4%

LAB 52.99, 22.07, 54.97

 

CMYK 0 / 44 / 96 / 23

HEX #C56F07

RGB 197 111 7

HSL 32.84, 0.93%, 0.4%

LAB 55.33, 28.16, 61.43

 

CMYK 0 / 34 / 76 / 36

HEX #A46C28

RGB 164 108 40

HSL 32.9, 0.61%, 0.4%

LAB 50.42, 16.25, 45.26

 

CMYK 0 / 28 / 62 / 42

HEX #946A38

RGB 148 106 56

HSL 32.61, 0.45%, 0.4%

LAB 48.12, 11.18, 34.24

 

CMYK 0 / 20 / 44 / 49

HEX #836949

RGB 131 105 73

HSL 33.1, 0.28%, 0.4%

LAB 46.19, 5.78, 21.9

 

CMYK 0 / 10 / 23 / 55

HEX #736759

RGB 115 103 89

HSL 32.31, 0.13%, 0.4%

LAB 44.33, 2.27, 9.63

 

CMYK 8 / 4 / 0 / 58

HEX #62666A

RGB 98 102 106

HSL 210, 0.04%, 0.4%

LAB 42.97, -0.68, -2.79

 

CMYK 0 / 76 / 76 / 36

HEX #A42828

RGB 164 40 40

HSL 0, 0.61%, 0.4%

LAB 37.05, 50, 31.15

 

CMYK 0 / 55 / 76 / 36

HEX #A44928

RGB 164 73 40

HSL 15.97, 0.61%, 0.4%

LAB 42.48, 35.48, 37.06

 

CMYK 0 / 35 / 76 / 36

HEX #A46A28

RGB 164 106 40

HSL 31.94, 0.61%, 0.4%

LAB 49.92, 17.39, 44.76

 

CMYK 0 / 15 / 76 / 36

HEX #A48B28

RGB 164 139 40

HSL 47.9, 0.61%, 0.4%

LAB 58.52, -1.16, 53.18

 

CMYK 5 / 0 / 76 / 36

HEX #9CA428

RGB 156 164 40

HSL 63.87, 0.61%, 0.4%

LAB 64.78, -18.02, 58.84

 

CMYK 0 / 35 / 76 / 62

HEX #624018

RGB 98 64 24

HSL 32.43, 0.61%, 0.24%

LAB 30.23, 10.67, 29.57

 

CMYK 0 / 34 / 76 / 49

HEX #835620

RGB 131 86 32

HSL 32.73, 0.61%, 0.32%

LAB 40.55, 13.53, 37.63

 

CMYK 0 / 34 / 76 / 36

HEX #A46C28

RGB 164 108 40

HSL 32.9, 0.61%, 0.4%

LAB 50.42, 16.25, 45.26

 

CMYK 0 / 34 / 76 / 23

HEX #C58230

RGB 197 130 48

HSL 33.02, 0.61%, 0.48%

LAB 59.93, 18.87, 52.56

 

CMYK 0 / 29 / 64 / 17

HEX #D3964B

RGB 211 150 75

HSL 33.09, 0.61%, 0.56%

LAB 66.65, 15.43, 47.74

 

CMYK 0 / 34 / 76 / 35

HEX #A66D28

RGB 166 109 40

HSL 32.86, 0.61%, 0.4%

LAB 50.92, 16.58, 45.84

 

CMYK 55 / 0 / 76 / 36

HEX #49A428

RGB 73 164 40

HSL 104.03, 0.61%, 0.4%

LAB 60, -49.18, 52.58

 

CMYK 66 / 76 / 0 / 36

HEX #3828A4

RGB 56 40 164

HSL 247.74, 0.61%, 0.4%

LAB 26.84, 43.98, -63.93

 

CMYK 0 / 34 / 76 / 35

HEX #A66D28

RGB 166 109 40

HSL 32.86, 0.61%, 0.4%

LAB 50.92, 16.58, 45.84

 

CMYK 76 / 0 / 35 / 36

HEX #28A46A

RGB 40 164 106

HSL 151.94, 0.61%, 0.4%

LAB 59.93, -46.94, 20.81

 

CMYK 35 / 76 / 0 / 36

HEX #6A28A4

RGB 106 40 164

HSL 271.94, 0.61%, 0.4%

LAB 32.4, 51.65, -54.62

 

CMYK 0 / 34 / 76 / 35

HEX #A66D28

RGB 166 109 40

HSL 32.86, 0.61%, 0.4%

LAB 50.92, 16.58, 45.84

 

CMYK 55 / 0 / 76 / 36

HEX #49A428

RGB 73 164 40

HSL 104.03, 0.61%, 0.4%

LAB 60, -49.18, 52.58

 

CMYK 76 / 40 / 0 / 36

HEX #2862A4

RGB 40 98 164

HSL 211.94, 0.61%, 0.4%

LAB 41, 4.73, -41.01

 

CMYK 20 / 76 / 0 / 36

HEX #8328A4

RGB 131 40 164

HSL 284.03, 0.61%, 0.4%

LAB 36.03, 56.45, -48.56

 

CMYK 0 / 34 / 76 / 35

HEX #A66D28

RGB 166 109 40

HSL 32.86, 0.61%, 0.4%

LAB 50.92, 16.58, 45.84

 

CMYK 76 / 0 / 73 / 36

HEX #28A42C

RGB 40 164 44

HSL 121.94, 0.61%, 0.4%

LAB 59.14, -56.09, 49.98

 

CMYK 76 / 40 / 0 / 36

HEX #2862A4

RGB 40 98 164

HSL 211.94, 0.61%, 0.4%

LAB 41, 4.73, -41.01

 

CMYK 0 / 76 / 2 / 36

HEX #A428A0

RGB 164 40 160

HSL 301.94, 0.61%, 0.4%

LAB 41.13, 62.64, -37.69

 

Description

Color code: HEX #A66D28 | qconv.com Color code: HEX #A66D28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 109 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 109 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 76 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 76% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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