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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A665DA it is the complementary color #599A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A665DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A665DA shade: #AB65D5, #BC77E8, #CD89FB, #DE9BFF and #EFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A665DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A665DA shade: #A665DA, #9553C7, #8441B4, #732FA1 and #621D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A665DA shade: #A767DA, #C667DA, #DA67CF, #DA67B0 and #DA6791

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A665DA shade: #A767DA, #8867DA, #6967DA and #6767DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A665DA shade matches the following richer shades: #A767DA, #A958E9 and #AA49F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A665DA shade: #A767DA, #A576CB, #A486BC, #A295AC and #A0A49D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A665DA shade: #6967DA, #8867DA, #A667DA, #C567DA and #DA67D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A665DA shade: #7F2FC0, #9446D2, #A767DA, #BA88E2 and #CEAAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A665DA shade: #A665DA, #DA6784 and #67DA78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A665DA shade: #A665DA, #DAA667 and #67DAA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A665DA shade: #A665DA, #DA6784, #9BDA67 and #67DABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A665DA shade: #A665DA, #DA6D67, #9BDA67 and #67D4DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 54 / 0 / 15

HEX #A665DA

RGB 166 101 218

HSL 273.33, 0.61%, 0.63%

LAB 54.53, 47.54, -50.13

 

Complementary color

CMYK 42 / 0 / 76 / 40

HEX #599A25

RGB 89 154 37

HSL 93.33, 0.61%, 0.37%

LAB 57.43, -40.39, 51.34

 

CMYK 20 / 53 / 0 / 16

HEX #AB65D5

RGB 171 101 213

HSL 277.5, 0.57%, 0.62%

LAB 54.83, 47.72, -46.78

 

CMYK 19 / 49 / 0 / 9

HEX #BC77E8

RGB 188 119 232

HSL 276.64, 0.71%, 0.69%

LAB 61.4, 46.9, -46.92

 

CMYK 18 / 45 / 0 / 2

HEX #CD89FB

RGB 205 137 251

HSL 275.79, 0.93%, 0.76%

LAB 67.9, 46.08, -47.03

 

CMYK 13 / 39 / 0 / 0

HEX #DE9BFF

RGB 222 155 255

HSL 280.2, 1%, 0.8%

LAB 73.67, 42.16, -40.04

 

CMYK 6 / 32 / 0 / 0

HEX #EFADFF

RGB 239 173 255

HSL 288.29, 1%, 0.84%

LAB 79.3, 37.69, -31.18

 

CMYK 24 / 54 / 0 / 15

HEX #A665DA

RGB 166 101 218

HSL 273.33, 0.61%, 0.63%

LAB 54.53, 47.54, -50.13

 

CMYK 25 / 58 / 0 / 22

HEX #9553C7

RGB 149 83 199

HSL 274.14, 0.51%, 0.55%

LAB 47.88, 48.38, -50.01

 

CMYK 27 / 64 / 0 / 29

HEX #8441B4

RGB 132 65 180

HSL 274.96, 0.47%, 0.48%

LAB 41.19, 49.13, -49.78

 

CMYK 29 / 71 / 0 / 37

HEX #732FA1

RGB 115 47 161

HSL 275.79, 0.55%, 0.41%

LAB 34.5, 49.61, -49.34

 

CMYK 31 / 80 / 0 / 44

HEX #621D8E

RGB 98 29 142

HSL 276.64, 0.66%, 0.34%

LAB 27.92, 49.51, -48.5

 

CMYK 23 / 53 / 0 / 15

HEX #A767DA

RGB 167 103 218

HSL 273.39, 0.61%, 0.63%

LAB 55.05, 46.73, -49.29

 

CMYK 9 / 53 / 0 / 15

HEX #C667DA

RGB 198 103 218

HSL 289.57, 0.61%, 0.63%

LAB 58.76, 54.92, -43.18

 

CMYK 0 / 53 / 5 / 15

HEX #DA67CF

RGB 218 103 207

HSL 305.74, 0.61%, 0.63%

LAB 60.88, 58.4, -33.47

 

CMYK 0 / 53 / 19 / 15

HEX #DA67B0

RGB 218 103 176

HSL 321.91, 0.61%, 0.63%

LAB 59.65, 53.53, -17.69

 

CMYK 0 / 53 / 33 / 15

HEX #DA6791

RGB 218 103 145

HSL 338.09, 0.61%, 0.63%

LAB 58.65, 49.38, -1.27

 

CMYK 23 / 53 / 0 / 15

HEX #A767DA

RGB 167 103 218

HSL 273.39, 0.61%, 0.63%

LAB 55.05, 46.73, -49.29

 

CMYK 38 / 53 / 0 / 15

HEX #8867DA

RGB 136 103 218

HSL 257.22, 0.61%, 0.63%

LAB 51.83, 38.95, -54.61

 

CMYK 52 / 53 / 0 / 15

HEX #6967DA

RGB 105 103 218

HSL 241.04, 0.61%, 0.63%

LAB 49.21, 31.98, -58.96

 

CMYK 53 / 53 / 0 / 15

HEX #6767DA

RGB 103 103 218

HSL 240, 0.61%, 0.63%

LAB 49.06, 31.57, -59.21

 

CMYK 23 / 53 / 0 / 15

HEX #A767DA

RGB 167 103 218

HSL 273.39, 0.61%, 0.63%

LAB 55.05, 46.73, -49.29

 

CMYK 27 / 62 / 0 / 9

HEX #A958E9

RGB 169 88 233

HSL 273.52, 0.77%, 0.63%

LAB 53.27, 58.28, -60.57

 

CMYK 32 / 71 / 0 / 2

HEX #AA49F9

RGB 170 73 249

HSL 273.07, 0.94%, 0.63%

LAB 52.01, 68.83, -71.56

 

CMYK 23 / 53 / 0 / 15

HEX #A767DA

RGB 167 103 218

HSL 273.39, 0.61%, 0.63%

LAB 55.05, 46.73, -49.29

 

CMYK 19 / 42 / 0 / 20

HEX #A576CB

RGB 165 118 203

HSL 273.18, 0.45%, 0.63%

LAB 57.34, 34.52, -37.21

 

CMYK 13 / 29 / 0 / 26

HEX #A486BC

RGB 164 134 188

HSL 273.33, 0.29%, 0.63%

LAB 60.4, 21.78, -23.95

 

CMYK 6 / 13 / 0 / 33

HEX #A295AC

RGB 162 149 172

HSL 273.91, 0.12%, 0.63%

LAB 63.47, 9.21, -10.27

 

CMYK 2 / 0 / 4 / 36

HEX #A0A49D

RGB 160 164 157

HSL 94.29, 0.04%, 0.63%

LAB 66.87, -2.75, 3.12

 

CMYK 52 / 53 / 0 / 15

HEX #6967DA

RGB 105 103 218

HSL 241.04, 0.61%, 0.63%

LAB 49.21, 31.98, -58.96

 

CMYK 38 / 53 / 0 / 15

HEX #8867DA

RGB 136 103 218

HSL 257.22, 0.61%, 0.63%

LAB 51.83, 38.95, -54.61

 

CMYK 24 / 53 / 0 / 15

HEX #A667DA

RGB 166 103 218

HSL 272.87, 0.61%, 0.63%

LAB 54.94, 46.47, -49.48

 

CMYK 10 / 53 / 0 / 15

HEX #C567DA

RGB 197 103 218

HSL 289.04, 0.61%, 0.63%

LAB 58.63, 54.65, -43.39

 

CMYK 0 / 53 / 4 / 15

HEX #DA67D1

RGB 218 103 209

HSL 304.7, 0.61%, 0.63%

LAB 60.97, 58.73, -34.46

 

CMYK 34 / 76 / 0 / 25

HEX #7F2FC0

RGB 127 47 192

HSL 273.1, 0.61%, 0.47%

LAB 38.46, 59.04, -61.27

 

CMYK 30 / 67 / 0 / 18

HEX #9446D2

RGB 148 70 210

HSL 273.43, 0.61%, 0.55%

LAB 46.08, 57.13, -59.23

 

CMYK 23 / 53 / 0 / 15

HEX #A767DA

RGB 167 103 218

HSL 273.39, 0.61%, 0.63%

LAB 55.05, 46.73, -49.29

 

CMYK 18 / 40 / 0 / 11

HEX #BA88E2

RGB 186 136 226

HSL 273.33, 0.61%, 0.71%

LAB 64.59, 35.79, -38.59

 

CMYK 12 / 27 / 0 / 8

HEX #CEAAEA

RGB 206 170 234

HSL 273.75, 0.6%, 0.79%

LAB 74.71, 24.87, -27.18

 

CMYK 24 / 54 / 0 / 15

HEX #A665DA

RGB 166 101 218

HSL 273.33, 0.61%, 0.63%

LAB 54.53, 47.54, -50.13

 

CMYK 0 / 53 / 39 / 15

HEX #DA6784

RGB 218 103 132

HSL 344.87, 0.61%, 0.63%

LAB 58.29, 47.88, 5.79

 

CMYK 53 / 0 / 45 / 15

HEX #67DA78

RGB 103 218 120

HSL 128.87, 0.61%, 0.63%

LAB 78.68, -52.99, 38.42

 

CMYK 24 / 54 / 0 / 15

HEX #A665DA

RGB 166 101 218

HSL 273.33, 0.61%, 0.63%

LAB 54.53, 47.54, -50.13

 

CMYK 0 / 24 / 53 / 15

HEX #DAA667

RGB 218 166 103

HSL 32.87, 0.61%, 0.63%

LAB 71.66, 11.84, 39.79

 

CMYK 53 / 0 / 24 / 15

HEX #67DAA6

RGB 103 218 166

HSL 152.87, 0.61%, 0.63%

LAB 79.49, -44.71, 15.81

 

CMYK 24 / 54 / 0 / 15

HEX #A665DA

RGB 166 101 218

HSL 273.33, 0.61%, 0.63%

LAB 54.53, 47.54, -50.13

 

CMYK 0 / 53 / 39 / 15

HEX #DA6784

RGB 218 103 132

HSL 344.87, 0.61%, 0.63%

LAB 58.29, 47.88, 5.79

 

CMYK 29 / 0 / 53 / 15

HEX #9BDA67

RGB 155 218 103

HSL 92.87, 0.61%, 0.63%

LAB 80.79, -39.29, 49.73

 

CMYK 53 / 0 / 13 / 15

HEX #67DABD

RGB 103 218 189

HSL 164.87, 0.61%, 0.63%

LAB 80.01, -39.61, 4.36

 

CMYK 24 / 54 / 0 / 15

HEX #A665DA

RGB 166 101 218

HSL 273.33, 0.61%, 0.63%

LAB 54.53, 47.54, -50.13

 

CMYK 0 / 50 / 53 / 15

HEX #DA6D67

RGB 218 109 103

HSL 3.13, 0.61%, 0.63%

LAB 58.81, 42.07, 23.29

 

CMYK 29 / 0 / 53 / 15

HEX #9BDA67

RGB 155 218 103

HSL 92.87, 0.61%, 0.63%

LAB 80.79, -39.29, 49.73

 

CMYK 53 / 3 / 0 / 15

HEX #67D4DA

RGB 103 212 218

HSL 183.13, 0.61%, 0.63%

LAB 79.06, -29.53, -12.54

 

Description

Color code: HEX #A665DA | qconv.com Color code: HEX #A665DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 101 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 101 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 54 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 54% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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