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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A66258 it is the complementary color #599DA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A66258. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A66258 shade: #AB6253, #BC7466, #CD8679, #DE988C and #EFAA9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A66258. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A66258 shade: #A66258, #955045, #843E32, #732C1F and #621A0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A66258 shade: #A76258 and #A75858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A66258 shade: #A76258, #A77758, #A78D58, #A7A258 and #97A758

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A66258 shade matches the following richer shades: #A76258, #BC5343, #D0432F, #E5341A and #FA2505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A66258 shade: #A76258, #92716D, #7E8181, #699096 and #559FAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A66258 shade: #A75879, #A75864, #A76158, #A77658 and #A78B58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A66258 shade: #71423C, #8C524A, #A76258, #B57B73 and #C3958E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A66258 shade: #A66258, #8EA758 and #586EA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A66258 shade: #A66258, #58A761 and #6158A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A66258 shade: #A66258, #8EA758, #589EA7 and #7158A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A66258 shade: #A66258, #76A758, #589EA7 and #8958A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 47 / 35

HEX #A66258

RGB 166 98 88

HSL 7.69, 0.31%, 0.5%

LAB 48.94, 26.4, 17.52

 

Complementary color

CMYK 47 / 6 / 0 / 35

HEX #599DA7

RGB 89 157 167

HSL 187.69, 0.31%, 0.5%

LAB 60.81, -18.8, -11.93

 

CMYK 0 / 43 / 51 / 33

HEX #AB6253

RGB 171 98 83

HSL 10.23, 0.35%, 0.5%

LAB 49.52, 27.92, 21.35

 

CMYK 0 / 38 / 46 / 26

HEX #BC7466

RGB 188 116 102

HSL 9.77, 0.39%, 0.57%

LAB 56.23, 26.75, 19.7

 

CMYK 0 / 35 / 41 / 20

HEX #CD8679

RGB 205 134 121

HSL 9.29, 0.46%, 0.64%

LAB 62.85, 25.71, 18.25

 

CMYK 0 / 32 / 37 / 13

HEX #DE988C

RGB 222 152 140

HSL 8.78, 0.55%, 0.71%

LAB 69.38, 24.78, 16.96

 

CMYK 0 / 29 / 33 / 6

HEX #EFAA9F

RGB 239 170 159

HSL 8.25, 0.71%, 0.78%

LAB 75.83, 23.94, 15.79

 

CMYK 0 / 41 / 47 / 35

HEX #A66258

RGB 166 98 88

HSL 7.69, 0.31%, 0.5%

LAB 48.94, 26.4, 17.52

 

CMYK 0 / 46 / 54 / 42

HEX #955045

RGB 149 80 69

HSL 8.25, 0.37%, 0.43%

LAB 42.09, 27.63, 19.3

 

CMYK 0 / 53 / 62 / 48

HEX #843E32

RGB 132 62 50

HSL 8.78, 0.45%, 0.36%

LAB 35.16, 28.99, 21.45

 

CMYK 0 / 62 / 73 / 55

HEX #732C1F

RGB 115 44 31

HSL 9.29, 0.58%, 0.29%

LAB 28.23, 30.43, 24.09

 

CMYK 0 / 73 / 88 / 62

HEX #621A0C

RGB 98 26 12

HSL 9.77, 0.78%, 0.22%

LAB 21.44, 31.7, 26.83

 

CMYK 0 / 41 / 47 / 35

HEX #A76258

RGB 167 98 88

HSL 7.59, 0.31%, 0.5%

LAB 49.08, 26.8, 17.72

 

CMYK 0 / 47 / 47 / 35

HEX #A75858

RGB 167 88 88

HSL 0, 0.31%, 0.5%

LAB 46.84, 32.3, 14.68

 

CMYK 0 / 41 / 47 / 35

HEX #A76258

RGB 167 98 88

HSL 7.59, 0.31%, 0.5%

LAB 49.08, 26.8, 17.72

 

CMYK 0 / 29 / 47 / 35

HEX #A77758

RGB 167 119 88

HSL 23.54, 0.31%, 0.5%

LAB 54.15, 14.96, 24.47

 

CMYK 0 / 16 / 47 / 35

HEX #A78D58

RGB 167 141 88

HSL 40.25, 0.31%, 0.5%

LAB 59.86, 2.6, 31.82

 

CMYK 0 / 3 / 47 / 35

HEX #A7A258

RGB 167 162 88

HSL 56.2, 0.31%, 0.5%

LAB 65.56, -8.81, 38.9

 

CMYK 10 / 0 / 47 / 35

HEX #97A758

RGB 151 167 88

HSL 72.15, 0.31%, 0.5%

LAB 65.69, -18.06, 38.76

 

CMYK 0 / 41 / 47 / 35

HEX #A76258

RGB 167 98 88

HSL 7.59, 0.31%, 0.5%

LAB 49.08, 26.8, 17.72

 

CMYK 0 / 56 / 64 / 26

HEX #BC5343

RGB 188 83 67

HSL 7.93, 0.47%, 0.5%

LAB 48.61, 41.19, 30.02

 

CMYK 0 / 68 / 77 / 18

HEX #D0432F

RGB 208 67 47

HSL 7.45, 0.63%, 0.5%

LAB 49.04, 54.43, 42.55

 

CMYK 0 / 77 / 89 / 10

HEX #E5341A

RGB 229 52 26

HSL 7.68, 0.8%, 0.5%

LAB 50.91, 65.59, 55.61

 

CMYK 0 / 85 / 98 / 2

HEX #FA2505

RGB 250 37 5

HSL 7.84, 0.96%, 0.5%

LAB 53.66, 74.78, 65.55

 

CMYK 0 / 41 / 47 / 35

HEX #A76258

RGB 167 98 88

HSL 7.59, 0.31%, 0.5%

LAB 49.08, 26.8, 17.72

 

CMYK 0 / 23 / 25 / 43

HEX #92716D

RGB 146 113 109

HSL 6.49, 0.15%, 0.5%

LAB 50.72, 12.38, 7.21

 

CMYK 2 / 0 / 0 / 49

HEX #7E8181

RGB 126 129 129

HSL 180, 0.01%, 0.5%

LAB 53.73, -1.11, -0.4

 

CMYK 30 / 4 / 0 / 41

HEX #699096

RGB 105 144 150

HSL 188, 0.18%, 0.5%

LAB 57.22, -11.89, -7.53

 

CMYK 50 / 6 / 0 / 33

HEX #559FAA

RGB 85 159 170

HSL 187.76, 0.33%, 0.5%

LAB 61.33, -19.96, -12.85

 

CMYK 0 / 47 / 28 / 35

HEX #A75879

RGB 167 88 121

HSL 334.94, 0.31%, 0.5%

LAB 47.72, 36.37, -3.98

 

CMYK 0 / 47 / 40 / 35

HEX #A75864

RGB 167 88 100

HSL 350.89, 0.31%, 0.5%

LAB 47.13, 33.63, 7.84

 

CMYK 0 / 42 / 47 / 35

HEX #A76158

RGB 167 97 88

HSL 6.84, 0.31%, 0.5%

LAB 48.85, 27.36, 17.41

 

CMYK 0 / 29 / 47 / 35

HEX #A77658

RGB 167 118 88

HSL 22.78, 0.31%, 0.5%

LAB 53.9, 15.52, 24.14

 

CMYK 0 / 17 / 47 / 35

HEX #A78B58

RGB 167 139 88

HSL 38.73, 0.31%, 0.5%

LAB 59.33, 3.71, 31.15

 

CMYK 0 / 42 / 47 / 56

HEX #71423C

RGB 113 66 60

HSL 6.79, 0.31%, 0.34%

LAB 33.42, 19.62, 12.35

 

CMYK 0 / 41 / 47 / 45

HEX #8C524A

RGB 140 82 74

HSL 7.27, 0.31%, 0.42%

LAB 41.38, 23.28, 15.09

 

CMYK 0 / 41 / 47 / 35

HEX #A76258

RGB 167 98 88

HSL 7.59, 0.31%, 0.5%

LAB 49.08, 26.8, 17.72

 

CMYK 0 / 32 / 36 / 29

HEX #B57B73

RGB 181 123 115

HSL 7.27, 0.31%, 0.58%

LAB 57.3, 21.58, 13.55

 

CMYK 0 / 24 / 27 / 24

HEX #C3958E

RGB 195 149 142

HSL 7.92, 0.31%, 0.66%

LAB 65.79, 16.25, 10.37

 

CMYK 0 / 41 / 47 / 35

HEX #A66258

RGB 166 98 88

HSL 7.69, 0.31%, 0.5%

LAB 48.94, 26.4, 17.52

 

CMYK 15 / 0 / 47 / 35

HEX #8EA758

RGB 142 167 88

HSL 78.99, 0.31%, 0.5%

LAB 65.04, -21.69, 37.81

 

CMYK 47 / 34 / 0 / 35

HEX #586EA7

RGB 88 110 167

HSL 223.29, 0.31%, 0.5%

LAB 47, 7.81, -33.15

 

CMYK 0 / 41 / 47 / 35

HEX #A66258

RGB 166 98 88

HSL 7.69, 0.31%, 0.5%

LAB 48.94, 26.4, 17.52

 

CMYK 47 / 0 / 42 / 35

HEX #58A761

RGB 88 167 97

HSL 126.84, 0.31%, 0.5%

LAB 62.15, -39.44, 28.85

 

CMYK 42 / 47 / 0 / 35

HEX #6158A7

RGB 97 88 167

HSL 246.84, 0.31%, 0.5%

LAB 41.71, 23.82, -41.47

 

CMYK 0 / 41 / 47 / 35

HEX #A66258

RGB 166 98 88

HSL 7.69, 0.31%, 0.5%

LAB 48.94, 26.4, 17.52

 

CMYK 15 / 0 / 47 / 35

HEX #8EA758

RGB 142 167 88

HSL 78.99, 0.31%, 0.5%

LAB 65.04, -21.69, 37.81

 

CMYK 47 / 5 / 0 / 35

HEX #589EA7

RGB 88 158 167

HSL 186.84, 0.31%, 0.5%

LAB 61.06, -19.57, -11.55

 

CMYK 32 / 47 / 0 / 35

HEX #7158A7

RGB 113 88 167

HSL 258.99, 0.31%, 0.5%

LAB 43.18, 28.13, -39.03

 

CMYK 0 / 41 / 47 / 35

HEX #A66258

RGB 166 98 88

HSL 7.69, 0.31%, 0.5%

LAB 48.94, 26.4, 17.52

 

CMYK 29 / 0 / 47 / 35

HEX #76A758

RGB 118 167 88

HSL 97.22, 0.31%, 0.5%

LAB 63.5, -30.87, 35.57

 

CMYK 47 / 5 / 0 / 35

HEX #589EA7

RGB 88 158 167

HSL 186.84, 0.31%, 0.5%

LAB 61.06, -19.57, -11.55

 

CMYK 18 / 47 / 0 / 35

HEX #8958A7

RGB 137 88 167

HSL 277.22, 0.31%, 0.5%

LAB 45.75, 35.04, -34.8

 

Description

Color code: HEX #A66258 | qconv.com Color code: HEX #A66258 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 98 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 98 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 47 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 47% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Gnome Stew | The Gam...
Link: http://www.gnomestew.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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