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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6606D it is the complementary color #599F92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6606D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6606D shade: #AB6068, #BC727B, #CD848E, #DE96A1 and #EFA8B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6606D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6606D shade: #A6606D, #954E5A, #843C47, #732A34 and #621821

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6606D shade: #A55F6C and #A55F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6606D shade: #A55F6C, #A55F7F, #A55F92, #A55FA5 and #935FA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6606D shade matches the following richer shades: #A55F6C, #B94B5F, #CD3753, #E22246 and #F60E39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6606D shade: #A55F6C, #917379, #7D8785, #689C92 and #54B09F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6606D shade: #A55F92, #A55F80, #A55F6D, #A5645F and #A5765F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6606D shade: #724049, #8C4F5A, #A55F6C, #B47984 and #C3949D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6606D shade: #A6606D, #A5A55F and #5F89A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6606D shade: #A6606D, #6DA55F and #5F6DA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6606D shade: #A6606D, #A5A55F, #5FA597 and #5F5FA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6606D shade: #A6606D, #90A55F, #5FA597 and #745FA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 34 / 35

HEX #A6606D

RGB 166 96 109

HSL 348.86, 0.28%, 0.51%

LAB 48.98, 30, 5.05

 

Complementary color

CMYK 44 / 0 / 8 / 38

HEX #599F92

RGB 89 159 146

HSL 168.86, 0.28%, 0.49%

LAB 60.78, -25.32, -0.11

 

CMYK 0 / 44 / 39 / 33

HEX #AB6068

RGB 171 96 104

HSL 353.6, 0.31%, 0.52%

LAB 49.52, 31.28, 8.91

 

CMYK 0 / 39 / 35 / 26

HEX #BC727B

RGB 188 114 123

HSL 352.7, 0.36%, 0.59%

LAB 56.24, 30.29, 7.55

 

CMYK 0 / 36 / 31 / 20

HEX #CD848E

RGB 205 132 142

HSL 351.78, 0.42%, 0.66%

LAB 62.87, 29.37, 6.37

 

CMYK 0 / 32 / 27 / 13

HEX #DE96A1

RGB 222 150 161

HSL 350.83, 0.52%, 0.73%

LAB 69.41, 28.54, 5.32

 

CMYK 0 / 30 / 25 / 6

HEX #EFA8B4

RGB 239 168 180

HSL 349.86, 0.69%, 0.8%

LAB 75.85, 27.78, 4.36

 

CMYK 0 / 42 / 34 / 35

HEX #A6606D

RGB 166 96 109

HSL 348.86, 0.28%, 0.51%

LAB 48.98, 30, 5.05

 

CMYK 0 / 48 / 40 / 42

HEX #954E5A

RGB 149 78 90

HSL 349.86, 0.31%, 0.45%

LAB 42.12, 31.01, 6.48

 

CMYK 0 / 55 / 46 / 48

HEX #843C47

RGB 132 60 71

HSL 350.83, 0.38%, 0.38%

LAB 35.19, 32.06, 8.24

 

CMYK 0 / 63 / 55 / 55

HEX #732A34

RGB 115 42 52

HSL 351.78, 0.46%, 0.31%

LAB 28.24, 33.05, 10.52

 

CMYK 0 / 76 / 66 / 62

HEX #621821

RGB 98 24 33

HSL 352.7, 0.61%, 0.24%

LAB 21.43, 33.66, 13.68

 

CMYK 0 / 42 / 35 / 35

HEX #A55F6C

RGB 165 95 108

HSL 348.86, 0.28%, 0.51%

LAB 48.59, 30.04, 5.08

 

CMYK 0 / 42 / 42 / 35

HEX #A55F5F

RGB 165 95 95

HSL 0, 0.28%, 0.51%

LAB 48.27, 28.44, 12.42

 

CMYK 0 / 42 / 35 / 35

HEX #A55F6C

RGB 165 95 108

HSL 348.86, 0.28%, 0.51%

LAB 48.59, 30.04, 5.08

 

CMYK 0 / 42 / 23 / 35

HEX #A55F7F

RGB 165 95 127

HSL 332.57, 0.28%, 0.51%

LAB 49.15, 32.73, -5.5

 

CMYK 0 / 42 / 12 / 35

HEX #A55F92

RGB 165 95 146

HSL 316.29, 0.28%, 0.51%

LAB 49.81, 35.83, -15.82

 

CMYK 0 / 42 / 0 / 35

HEX #A55FA5

RGB 165 95 165

HSL 300, 0.28%, 0.51%

LAB 50.57, 39.29, -25.85

 

CMYK 11 / 42 / 0 / 35

HEX #935FA5

RGB 147 95 165

HSL 284.57, 0.28%, 0.51%

LAB 48.39, 33.65, -29.41

 

CMYK 0 / 42 / 35 / 35

HEX #A55F6C

RGB 165 95 108

HSL 348.86, 0.28%, 0.51%

LAB 48.59, 30.04, 5.08

 

CMYK 0 / 59 / 49 / 27

HEX #B94B5F

RGB 185 75 95

HSL 349.09, 0.44%, 0.51%

LAB 47.2, 46.18, 11.37

 

CMYK 0 / 73 / 60 / 20

HEX #CD3753

RGB 205 55 83

HSL 348.8, 0.6%, 0.51%

LAB 47.41, 59.78, 19.53

 

CMYK 0 / 85 / 69 / 11

HEX #E22246

RGB 226 34 70

HSL 348.75, 0.77%, 0.51%

LAB 49.2, 70.54, 30.5

 

CMYK 0 / 94 / 77 / 4

HEX #F60E39

RGB 246 14 57

HSL 348.88, 0.93%, 0.51%

LAB 52.07, 77.85, 42.45

 

CMYK 0 / 42 / 35 / 35

HEX #A55F6C

RGB 165 95 108

HSL 348.86, 0.28%, 0.51%

LAB 48.59, 30.04, 5.08

 

CMYK 0 / 21 / 17 / 43

HEX #917379

RGB 145 115 121

HSL 348, 0.12%, 0.51%

LAB 51.45, 12.77, 1.18

 

CMYK 7 / 0 / 1 / 47

HEX #7D8785

RGB 125 135 133

HSL 168, 0.04%, 0.51%

LAB 55.46, -4.06, -0.19

 

CMYK 33 / 0 / 6 / 39

HEX #689C92

RGB 104 156 146

HSL 168.46, 0.21%, 0.51%

LAB 60.6, -19.57, -0.28

 

CMYK 52 / 0 / 10 / 31

HEX #54B09F

RGB 84 176 159

HSL 168.91, 0.37%, 0.51%

LAB 66.09, -31.61, 0.35

 

CMYK 0 / 42 / 12 / 35

HEX #A55F92

RGB 165 95 146

HSL 316.29, 0.28%, 0.51%

LAB 49.81, 35.83, -15.82

 

CMYK 0 / 42 / 22 / 35

HEX #A55F80

RGB 165 95 128

HSL 331.71, 0.28%, 0.51%

LAB 49.18, 32.89, -6.05

 

CMYK 0 / 42 / 34 / 35

HEX #A55F6D

RGB 165 95 109

HSL 348, 0.28%, 0.51%

LAB 48.62, 30.17, 4.52

 

CMYK 0 / 39 / 42 / 35

HEX #A5645F

RGB 165 100 95

HSL 4.29, 0.28%, 0.51%

LAB 49.42, 25.65, 14.01

 

CMYK 0 / 28 / 42 / 35

HEX #A5765F

RGB 165 118 95

HSL 19.71, 0.28%, 0.51%

LAB 53.8, 15.46, 19.97

 

CMYK 0 / 44 / 36 / 55

HEX #724049

RGB 114 64 73

HSL 349.2, 0.28%, 0.35%

LAB 33.4, 22.9, 4.05

 

CMYK 0 / 44 / 36 / 45

HEX #8C4F5A

RGB 140 79 90

HSL 349.18, 0.28%, 0.43%

LAB 41.07, 26.94, 4.8

 

CMYK 0 / 42 / 35 / 35

HEX #A55F6C

RGB 165 95 108

HSL 348.86, 0.28%, 0.51%

LAB 48.59, 30.04, 5.08

 

CMYK 0 / 33 / 27 / 29

HEX #B47984

RGB 180 121 132

HSL 348.81, 0.28%, 0.59%

LAB 57.12, 24.6, 3.45

 

CMYK 0 / 24 / 19 / 24

HEX #C3949D

RGB 195 148 157

HSL 348.51, 0.28%, 0.67%

LAB 65.92, 19.03, 2.14

 

CMYK 0 / 42 / 34 / 35

HEX #A6606D

RGB 166 96 109

HSL 348.86, 0.28%, 0.51%

LAB 48.98, 30, 5.05

 

CMYK 0 / 0 / 42 / 35

HEX #A5A55F

RGB 165 165 95

HSL 60, 0.28%, 0.51%

LAB 66.32, -10.5, 36.19

 

CMYK 42 / 17 / 0 / 35

HEX #5F89A5

RGB 95 137 165

HSL 204, 0.28%, 0.51%

LAB 55.11, -6.89, -19.38

 

CMYK 0 / 42 / 34 / 35

HEX #A6606D

RGB 166 96 109

HSL 348.86, 0.28%, 0.51%

LAB 48.98, 30, 5.05

 

CMYK 34 / 0 / 42 / 35

HEX #6DA55F

RGB 109 165 95

HSL 108, 0.28%, 0.51%

LAB 62.5, -32.16, 30.56

 

CMYK 42 / 34 / 0 / 35

HEX #5F6DA5

RGB 95 109 165

HSL 228, 0.28%, 0.51%

LAB 47.09, 9.67, -31.8

 

CMYK 0 / 42 / 34 / 35

HEX #A6606D

RGB 166 96 109

HSL 348.86, 0.28%, 0.51%

LAB 48.98, 30, 5.05

 

CMYK 0 / 0 / 42 / 35

HEX #A5A55F

RGB 165 165 95

HSL 60, 0.28%, 0.51%

LAB 66.32, -10.5, 36.19

 

CMYK 42 / 0 / 8 / 35

HEX #5FA597

RGB 95 165 151

HSL 168, 0.28%, 0.51%

LAB 62.99, -25.51, 0.35

 

CMYK 42 / 42 / 0 / 35

HEX #5F5FA5

RGB 95 95 165

HSL 240, 0.28%, 0.51%

LAB 43.26, 18.33, -37.83

 

CMYK 0 / 42 / 34 / 35

HEX #A6606D

RGB 166 96 109

HSL 348.86, 0.28%, 0.51%

LAB 48.98, 30, 5.05

 

CMYK 13 / 0 / 42 / 35

HEX #90A55F

RGB 144 165 95

HSL 78, 0.28%, 0.51%

LAB 64.7, -19.06, 33.81

 

CMYK 42 / 0 / 8 / 35

HEX #5FA597

RGB 95 165 151

HSL 168, 0.28%, 0.51%

LAB 62.99, -25.51, 0.35

 

CMYK 30 / 42 / 0 / 35

HEX #745FA5

RGB 116 95 165

HSL 258, 0.28%, 0.51%

LAB 45.1, 24.22, -34.8

 

Description

Color code: HEX #A6606D | qconv.com Color code: HEX #A6606D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 96 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 96 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 34 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 34% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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