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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6575B it is the complementary color #59A8A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6575B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6575B shade: #AB5756, #BC6969, #CD7B7C, #DE8D8F and #EF9FA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6575B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6575B shade: #A6575B, #954548, #843335, #732122 and #620F0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6575B shade: #A7585C and #A75858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6575B shade: #A7585C, #A75871, #A75887, #A7589C and #9D58A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6575B shade matches the following richer shades: #A7585C, #BC4349, #D02F37, #E51A24 and #FA0512

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6575B shade: #A7585C, #926D6F, #7E8181, #699694 and #55AAA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6575B shade: #A75887, #A75872, #A7585D, #A76858 and #A77D58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6575B shade: #713C3E, #8C4A4D, #A7585C, #B57376 and #C38E91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6575B shade: #A6575B, #9CA758 and #587DA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6575B shade: #A6575B, #5DA758 and #585DA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6575B shade: #A6575B, #9CA758, #58A7A2 and #6358A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6575B shade: #A6575B, #85A758, #58A7A2 and #7A58A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 45 / 35

HEX #A6575B

RGB 166 87 91

HSL 356.96, 0.31%, 0.5%

LAB 46.55, 32.77, 12.45

 

Complementary color

CMYK 47 / 0 / 2 / 34

HEX #59A8A4

RGB 89 168 164

HSL 176.96, 0.31%, 0.5%

LAB 64.01, -25.25, -5.47

 

CMYK 0 / 49 / 50 / 33

HEX #AB5756

RGB 171 87 86

HSL 0.71, 0.34%, 0.5%

LAB 47.17, 34.18, 16.42

 

CMYK 0 / 44 / 44 / 26

HEX #BC6969

RGB 188 105 105

HSL 0, 0.38%, 0.57%

LAB 53.83, 33.05, 14.68

 

CMYK 0 / 40 / 40 / 20

HEX #CD7B7C

RGB 205 123 124

HSL 359.27, 0.45%, 0.64%

LAB 60.43, 31.99, 13.18

 

CMYK 0 / 36 / 36 / 13

HEX #DE8D8F

RGB 222 141 143

HSL 358.52, 0.55%, 0.71%

LAB 66.95, 31.03, 11.88

 

CMYK 0 / 33 / 32 / 6

HEX #EF9FA2

RGB 239 159 162

HSL 357.75, 0.71%, 0.78%

LAB 73.39, 30.14, 10.71

 

CMYK 0 / 48 / 45 / 35

HEX #A6575B

RGB 166 87 91

HSL 356.96, 0.31%, 0.5%

LAB 46.55, 32.77, 12.45

 

CMYK 0 / 54 / 52 / 42

HEX #954548

RGB 149 69 72

HSL 357.75, 0.37%, 0.43%

LAB 39.77, 33.9, 14.36

 

CMYK 0 / 61 / 60 / 48

HEX #843335

RGB 132 51 53

HSL 358.52, 0.44%, 0.36%

LAB 32.98, 35.02, 16.75

 

CMYK 0 / 71 / 70 / 55

HEX #732122

RGB 115 33 34

HSL 359.27, 0.55%, 0.29%

LAB 26.3, 35.92, 19.87

 

CMYK 0 / 85 / 85 / 62

HEX #620F0F

RGB 98 15 15

HSL 0, 0.73%, 0.22%

LAB 19.93, 36.06, 23.69

 

CMYK 0 / 47 / 45 / 35

HEX #A7585C

RGB 167 88 92

HSL 356.96, 0.31%, 0.5%

LAB 46.93, 32.72, 12.4

 

CMYK 0 / 47 / 47 / 35

HEX #A75858

RGB 167 88 88

HSL 0, 0.31%, 0.5%

LAB 46.84, 32.3, 14.68

 

CMYK 0 / 47 / 45 / 35

HEX #A7585C

RGB 167 88 92

HSL 356.96, 0.31%, 0.5%

LAB 46.93, 32.72, 12.4

 

CMYK 0 / 47 / 32 / 35

HEX #A75871

RGB 167 88 113

HSL 341.01, 0.31%, 0.5%

LAB 47.48, 35.26, 0.49

 

CMYK 0 / 47 / 19 / 35

HEX #A75887

RGB 167 88 135

HSL 324.3, 0.31%, 0.5%

LAB 48.19, 38.47, -11.69

 

CMYK 0 / 47 / 7 / 35

HEX #A7589C

RGB 167 88 156

HSL 308.35, 0.31%, 0.5%

LAB 49, 41.99, -22.96

 

CMYK 6 / 47 / 0 / 35

HEX #9D58A7

RGB 157 88 167

HSL 292.41, 0.31%, 0.5%

LAB 48.18, 41, -30.82

 

CMYK 0 / 47 / 45 / 35

HEX #A7585C

RGB 167 88 92

HSL 356.96, 0.31%, 0.5%

LAB 46.93, 32.72, 12.4

 

CMYK 0 / 64 / 61 / 26

HEX #BC4349

RGB 188 67 73

HSL 357.02, 0.47%, 0.5%

LAB 45.89, 49.04, 23.03

 

CMYK 0 / 77 / 74 / 18

HEX #D02F37

RGB 208 47 55

HSL 357.02, 0.63%, 0.5%

LAB 46.6, 61.73, 35.43

 

CMYK 0 / 89 / 84 / 10

HEX #E51A24

RGB 229 26 36

HSL 357.04, 0.8%, 0.5%

LAB 48.91, 71.62, 49.49

 

CMYK 0 / 98 / 93 / 2

HEX #FA0512

RGB 250 5 18

HSL 356.82, 0.96%, 0.5%

LAB 52.37, 78.7, 61.51

 

CMYK 0 / 47 / 45 / 35

HEX #A7585C

RGB 167 88 92

HSL 356.96, 0.31%, 0.5%

LAB 46.93, 32.72, 12.4

 

CMYK 0 / 25 / 24 / 43

HEX #926D6F

RGB 146 109 111

HSL 356.76, 0.15%, 0.5%

LAB 49.73, 15.01, 4.62

 

CMYK 2 / 0 / 0 / 49

HEX #7E8181

RGB 126 129 129

HSL 180, 0.01%, 0.5%

LAB 53.73, -1.11, -0.4

 

CMYK 30 / 0 / 1 / 41

HEX #699694

RGB 105 150 148

HSL 177.33, 0.18%, 0.5%

LAB 58.93, -15.63, -3.86

 

CMYK 50 / 0 / 2 / 33

HEX #55AAA6

RGB 85 170 166

HSL 177.18, 0.33%, 0.5%

LAB 64.51, -26.65, -5.86

 

CMYK 0 / 47 / 19 / 35

HEX #A75887

RGB 167 88 135

HSL 324.3, 0.31%, 0.5%

LAB 48.19, 38.47, -11.69

 

CMYK 0 / 47 / 32 / 35

HEX #A75872

RGB 167 88 114

HSL 340.25, 0.31%, 0.5%

LAB 47.51, 35.4, -0.07

 

CMYK 0 / 47 / 44 / 35

HEX #A7585D

RGB 167 88 93

HSL 356.2, 0.31%, 0.5%

LAB 46.96, 32.83, 11.83

 

CMYK 0 / 38 / 47 / 35

HEX #A76858

RGB 167 104 88

HSL 12.15, 0.31%, 0.5%

LAB 50.48, 23.44, 19.61

 

CMYK 0 / 25 / 47 / 35

HEX #A77D58

RGB 167 125 88

HSL 28.1, 0.31%, 0.5%

LAB 55.67, 11.56, 26.46

 

CMYK 0 / 47 / 45 / 56

HEX #713C3E

RGB 113 60 62

HSL 357.74, 0.31%, 0.34%

LAB 32.01, 23.42, 9.13

 

CMYK 0 / 47 / 45 / 45

HEX #8C4A4D

RGB 140 74 77

HSL 357.27, 0.31%, 0.42%

LAB 39.6, 28.16, 10.79

 

CMYK 0 / 47 / 45 / 35

HEX #A7585C

RGB 167 88 92

HSL 356.96, 0.31%, 0.5%

LAB 46.93, 32.72, 12.4

 

CMYK 0 / 36 / 35 / 29

HEX #B57376

RGB 181 115 118

HSL 357.27, 0.31%, 0.58%

LAB 55.48, 26.41, 9.25

 

CMYK 0 / 27 / 26 / 24

HEX #C38E91

RGB 195 142 145

HSL 356.6, 0.31%, 0.66%

LAB 64.15, 20.54, 6.36

 

CMYK 0 / 48 / 45 / 35

HEX #A6575B

RGB 166 87 91

HSL 356.96, 0.31%, 0.5%

LAB 46.55, 32.77, 12.45

 

CMYK 7 / 0 / 47 / 35

HEX #9CA758

RGB 156 167 88

HSL 68.35, 0.31%, 0.5%

LAB 66.07, -16.01, 39.31

 

CMYK 47 / 25 / 0 / 35

HEX #587DA7

RGB 88 125 167

HSL 211.9, 0.31%, 0.5%

LAB 51.3, -1.21, -26.43

 

CMYK 0 / 48 / 45 / 35

HEX #A6575B

RGB 166 87 91

HSL 356.96, 0.31%, 0.5%

LAB 46.55, 32.77, 12.45

 

CMYK 44 / 0 / 47 / 35

HEX #5DA758

RGB 93 167 88

HSL 116.2, 0.31%, 0.5%

LAB 62.23, -39.32, 33.71

 

CMYK 47 / 44 / 0 / 35

HEX #585DA7

RGB 88 93 167

HSL 236.2, 0.31%, 0.5%

LAB 42.3, 18.4, -40.57

 

CMYK 0 / 48 / 45 / 35

HEX #A6575B

RGB 166 87 91

HSL 356.96, 0.31%, 0.5%

LAB 46.55, 32.77, 12.45

 

CMYK 7 / 0 / 47 / 35

HEX #9CA758

RGB 156 167 88

HSL 68.35, 0.31%, 0.5%

LAB 66.07, -16.01, 39.31

 

CMYK 47 / 0 / 3 / 35

HEX #58A7A2

RGB 88 167 162

HSL 176.2, 0.31%, 0.5%

LAB 63.61, -25.51, -4.95

 

CMYK 41 / 47 / 0 / 35

HEX #6358A7

RGB 99 88 167

HSL 248.35, 0.31%, 0.5%

LAB 41.88, 24.34, -41.19

 

CMYK 0 / 48 / 45 / 35

HEX #A6575B

RGB 166 87 91

HSL 356.96, 0.31%, 0.5%

LAB 46.55, 32.77, 12.45

 

CMYK 20 / 0 / 47 / 35

HEX #85A758

RGB 133 167 88

HSL 85.82, 0.31%, 0.5%

LAB 64.43, -25.23, 36.92

 

CMYK 47 / 0 / 3 / 35

HEX #58A7A2

RGB 88 167 162

HSL 176.2, 0.31%, 0.5%

LAB 63.61, -25.51, -4.95

 

CMYK 27 / 47 / 0 / 35

HEX #7A58A7

RGB 122 88 167

HSL 265.82, 0.31%, 0.5%

LAB 44.1, 30.67, -37.52

 

Description

Color code: HEX #A6575B | qconv.com Color code: HEX #A6575B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 87 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 87 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 45 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 45% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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