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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A656B7 it is the complementary color #59A948. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A656B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A656B7 shade: #AB56B2, #BC68C5, #CD7AD8, #DE8CEB and #EF9EFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A656B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A656B7 shade: #A656B7, #9544A4, #843291, #73207E and #620E6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A656B7 shade: #A657B7, #B757AE, #B75794, #B7577A and #B75760

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A656B7 shade: #A657B7, #8C57B7, #7357B7, #5957B7 and #5757B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A656B7 shade matches the following richer shades: #A657B7, #B344CA, #BF30DE and #CC1DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A656B7 shade: #A657B7, #9A6BA4, #8D7E90, #81917D and #74A56A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A656B7 shade: #7257B7, #8C57B7, #A657B7, #B757AF and #B75796

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A656B7 shade: #763883, #9045A0, #A657B7, #B674C3 and #C591D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A656B7 shade: #A656B7, #B75957 and #57B77F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A656B7 shade: #A656B7, #B7A657 and #57B7A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A656B7 shade: #A656B7, #B75957, #69B757 and #57B5B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A656B7 shade: #A656B7, #B77657, #69B757 and #5799B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 53 / 0 / 28

HEX #A656B7

RGB 166 86 183

HSL 289.48, 0.4%, 0.53%

LAB 49.72, 47.85, -37.69

 

Complementary color

CMYK 47 / 0 / 57 / 34

HEX #59A948

RGB 89 169 72

HSL 109.48, 0.4%, 0.47%

LAB 62.48, -43.49, 41.93

 

CMYK 4 / 52 / 0 / 30

HEX #AB56B2

RGB 171 86 178

HSL 295.43, 0.37%, 0.52%

LAB 50.13, 48.27, -34.08

 

CMYK 5 / 47 / 0 / 23

HEX #BC68C5

RGB 188 104 197

HSL 294.19, 0.44%, 0.59%

LAB 56.71, 47.59, -34.59

 

CMYK 5 / 44 / 0 / 15

HEX #CD7AD8

RGB 205 122 216

HSL 292.98, 0.55%, 0.66%

LAB 63.22, 46.86, -35

 

CMYK 6 / 40 / 0 / 8

HEX #DE8CEB

RGB 222 140 235

HSL 291.79, 0.7%, 0.74%

LAB 69.67, 46.11, -35.36

 

CMYK 6 / 38 / 0 / 0

HEX #EF9EFE

RGB 239 158 254

HSL 290.63, 0.98%, 0.81%

LAB 76.04, 45.38, -35.67

 

CMYK 9 / 53 / 0 / 28

HEX #A656B7

RGB 166 86 183

HSL 289.48, 0.4%, 0.53%

LAB 49.72, 47.85, -37.69

 

CMYK 9 / 59 / 0 / 36

HEX #9544A4

RGB 149 68 164

HSL 290.63, 0.41%, 0.45%

LAB 43.07, 48.44, -37.16

 

CMYK 9 / 66 / 0 / 43

HEX #843291

RGB 132 50 145

HSL 291.79, 0.49%, 0.38%

LAB 36.43, 48.76, -36.4

 

CMYK 9 / 75 / 0 / 51

HEX #73207E

RGB 115 32 126

HSL 292.98, 0.59%, 0.31%

LAB 29.87, 48.51, -35.23

 

CMYK 8 / 87 / 0 / 58

HEX #620E6B

RGB 98 14 107

HSL 294.19, 0.77%, 0.24%

LAB 23.58, 47.12, -33.33

 

CMYK 9 / 52 / 0 / 28

HEX #A657B7

RGB 166 87 183

HSL 289.38, 0.4%, 0.53%

LAB 49.91, 47.34, -37.39

 

CMYK 0 / 52 / 5 / 28

HEX #B757AE

RGB 183 87 174

HSL 305.63, 0.4%, 0.53%

LAB 51.77, 50.49, -29.07

 

CMYK 0 / 52 / 19 / 28

HEX #B75794

RGB 183 87 148

HSL 321.88, 0.4%, 0.53%

LAB 50.71, 46.25, -15.41

 

CMYK 0 / 52 / 33 / 28

HEX #B7577A

RGB 183 87 122

HSL 338.13, 0.4%, 0.53%

LAB 49.84, 42.62, -1.19

 

CMYK 0 / 52 / 48 / 28

HEX #B75760

RGB 183 87 96

HSL 354.38, 0.4%, 0.53%

LAB 49.16, 39.68, 13.45

 

CMYK 9 / 52 / 0 / 28

HEX #A657B7

RGB 166 87 183

HSL 289.38, 0.4%, 0.53%

LAB 49.91, 47.34, -37.39

 

CMYK 23 / 52 / 0 / 28

HEX #8C57B7

RGB 140 87 183

HSL 273.13, 0.4%, 0.53%

LAB 46.73, 40.17, -42.63

 

CMYK 37 / 52 / 0 / 28

HEX #7357B7

RGB 115 87 183

HSL 257.5, 0.4%, 0.53%

LAB 44.06, 33.6, -47.03

 

CMYK 51 / 52 / 0 / 28

HEX #5957B7

RGB 89 87 183

HSL 241.25, 0.4%, 0.53%

LAB 41.78, 27.45, -50.81

 

CMYK 52 / 52 / 0 / 28

HEX #5757B7

RGB 87 87 183

HSL 240, 0.4%, 0.53%

LAB 41.63, 27.02, -51.07

 

CMYK 9 / 52 / 0 / 28

HEX #A657B7

RGB 166 87 183

HSL 289.38, 0.4%, 0.53%

LAB 49.91, 47.34, -37.39

 

CMYK 11 / 66 / 0 / 21

HEX #B344CA

RGB 179 68 202

HSL 289.7, 0.56%, 0.53%

LAB 49.47, 63.13, -48.96

 

CMYK 14 / 78 / 0 / 13

HEX #BF30DE

RGB 191 48 222

HSL 289.31, 0.73%, 0.53%

LAB 50.05, 76.13, -59.37

 

CMYK 15 / 88 / 0 / 5

HEX #CC1DF1

RGB 204 29 241

HSL 289.53, 0.88%, 0.53%

LAB 51.91, 85.73, -67.01

 

CMYK 9 / 52 / 0 / 28

HEX #A657B7

RGB 166 87 183

HSL 289.38, 0.4%, 0.53%

LAB 49.91, 47.34, -37.39

 

CMYK 6 / 35 / 0 / 36

HEX #9A6BA4

RGB 154 107 164

HSL 289.47, 0.24%, 0.53%

LAB 51.91, 28.85, -23.3

 

CMYK 2 / 13 / 0 / 44

HEX #8D7E90

RGB 141 126 144

HSL 290, 0.08%, 0.53%

LAB 54.66, 9.18, -7.61

 

CMYK 11 / 0 / 14 / 43

HEX #81917D

RGB 129 145 125

HSL 108, 0.08%, 0.53%

LAB 58.41, -9.71, 8.69

 

CMYK 30 / 0 / 36 / 35

HEX #74A56A

RGB 116 165 106

HSL 109.83, 0.25%, 0.53%

LAB 63.06, -28.05, 25.5

 

CMYK 38 / 52 / 0 / 28

HEX #7257B7

RGB 114 87 183

HSL 256.88, 0.4%, 0.53%

LAB 43.96, 33.35, -47.2

 

CMYK 23 / 52 / 0 / 28

HEX #8C57B7

RGB 140 87 183

HSL 273.13, 0.4%, 0.53%

LAB 46.73, 40.17, -42.63

 

CMYK 9 / 52 / 0 / 28

HEX #A657B7

RGB 166 87 183

HSL 289.38, 0.4%, 0.53%

LAB 49.91, 47.34, -37.39

 

CMYK 0 / 52 / 4 / 28

HEX #B757AF

RGB 183 87 175

HSL 305, 0.4%, 0.53%

LAB 51.81, 50.67, -29.58

 

CMYK 0 / 52 / 18 / 28

HEX #B75796

RGB 183 87 150

HSL 320.63, 0.4%, 0.53%

LAB 50.79, 46.56, -16.48

 

CMYK 10 / 57 / 0 / 49

HEX #763883

RGB 118 56 131

HSL 289.6, 0.4%, 0.37%

LAB 34.64, 39.23, -30.75

 

CMYK 10 / 57 / 0 / 37

HEX #9045A0

RGB 144 69 160

HSL 289.45, 0.4%, 0.45%

LAB 42.34, 45.79, -35.97

 

CMYK 9 / 52 / 0 / 28

HEX #A657B7

RGB 166 87 183

HSL 289.38, 0.4%, 0.53%

LAB 49.91, 47.34, -37.39

 

CMYK 7 / 41 / 0 / 24

HEX #B674C3

RGB 182 116 195

HSL 290.13, 0.4%, 0.61%

LAB 58.39, 39.04, -30.88

 

CMYK 5 / 30 / 0 / 18

HEX #C591D0

RGB 197 145 208

HSL 289.52, 0.4%, 0.69%

LAB 67.03, 30.46, -24.73

 

CMYK 9 / 53 / 0 / 28

HEX #A656B7

RGB 166 86 183

HSL 289.48, 0.4%, 0.53%

LAB 49.72, 47.85, -37.69

 

CMYK 0 / 51 / 52 / 28

HEX #B75957

RGB 183 89 87

HSL 1.25, 0.4%, 0.53%

LAB 49.37, 37.81, 19.11

 

CMYK 52 / 0 / 31 / 28

HEX #57B77F

RGB 87 183 127

HSL 145, 0.4%, 0.53%

LAB 67.6, -41.27, 20.05

 

CMYK 9 / 53 / 0 / 28

HEX #A656B7

RGB 166 86 183

HSL 289.48, 0.4%, 0.53%

LAB 49.72, 47.85, -37.69

 

CMYK 0 / 9 / 52 / 28

HEX #B7A657

RGB 183 166 87

HSL 49.38, 0.4%, 0.53%

LAB 68.04, -4.26, 42.72

 

CMYK 52 / 0 / 9 / 28

HEX #57B7A6

RGB 87 183 166

HSL 169.38, 0.4%, 0.53%

LAB 68.49, -32.51, 0.01

 

CMYK 9 / 53 / 0 / 28

HEX #A656B7

RGB 166 86 183

HSL 289.48, 0.4%, 0.53%

LAB 49.72, 47.85, -37.69

 

CMYK 0 / 51 / 52 / 28

HEX #B75957

RGB 183 89 87

HSL 1.25, 0.4%, 0.53%

LAB 49.37, 37.81, 19.11

 

CMYK 43 / 0 / 52 / 28

HEX #69B757

RGB 105 183 87

HSL 108.75, 0.4%, 0.53%

LAB 67.69, -42.63, 41.06

 

CMYK 52 / 1 / 0 / 28

HEX #57B5B7

RGB 87 181 183

HSL 181.25, 0.4%, 0.53%

LAB 68.38, -27.1, -9.53

 

CMYK 9 / 53 / 0 / 28

HEX #A656B7

RGB 166 86 183

HSL 289.48, 0.4%, 0.53%

LAB 49.72, 47.85, -37.69

 

CMYK 0 / 36 / 52 / 28

HEX #B77657

RGB 183 118 87

HSL 19.38, 0.4%, 0.53%

LAB 55.8, 22.13, 27.55

 

CMYK 43 / 0 / 52 / 28

HEX #69B757

RGB 105 183 87

HSL 108.75, 0.4%, 0.53%

LAB 67.69, -42.63, 41.06

 

CMYK 52 / 16 / 0 / 28

HEX #5799B7

RGB 87 153 183

HSL 198.75, 0.4%, 0.53%

LAB 60.09, -12.54, -22.06

 

Description

Color code: HEX #A656B7 | qconv.com Color code: HEX #A656B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 86 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 86 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 53 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 53% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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