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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6523C it is the complementary color #59ADC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6523C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6523C shade: #AB5237, #BC644A, #CD765D, #DE8870 and #EF9A83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6523C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6523C shade: #A6523C, #954029, #842E16, #731C03 and #620A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6523C shade: #A5513B and #A53B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6523C shade: #A5513B, #A56E3B, #A58A3B, #A3A53B and #87A53B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6523C shade matches the following richer shades: #A5513B, #B74729, #C93C17 and #DB3105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6523C shade: #A5513B, #935C4E, #816760, #6E7172 and #5C7C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6523C shade: #A53B5F, #A53B42, #A5513B, #A56D3B and #A5893B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6523C shade: #683326, #874231, #A5513B, #BE634B and #C97E6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6523C shade: #A6523C, #7BA53B and #3B51A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6523C shade: #A6523C, #3BA551 and #513BA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6523C shade: #A6523C, #7BA53B, #3B90A5 and #663BA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6523C shade: #A6523C, #5BA53B, #3B90A5 and #853BA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 64 / 35

HEX #A6523C

RGB 166 82 60

HSL 12.45, 0.47%, 0.44%

LAB 44.9, 32.71, 28.73

 

Complementary color

CMYK 54 / 11 / 0 / 24

HEX #59ADC3

RGB 89 173 195

HSL 192.45, 0.47%, 0.56%

LAB 66.48, -19.26, -19.02

 

CMYK 0 / 52 / 68 / 33

HEX #AB5237

RGB 171 82 55

HSL 13.97, 0.51%, 0.44%

LAB 45.59, 34.38, 32.61

 

CMYK 0 / 47 / 61 / 26

HEX #BC644A

RGB 188 100 74

HSL 13.68, 0.46%, 0.51%

LAB 52.17, 32.92, 30.43

 

CMYK 0 / 42 / 55 / 20

HEX #CD765D

RGB 205 118 93

HSL 13.39, 0.53%, 0.58%

LAB 58.72, 31.58, 28.51

 

CMYK 0 / 39 / 50 / 13

HEX #DE8870

RGB 222 136 112

HSL 13.09, 0.63%, 0.65%

LAB 65.21, 30.37, 26.81

 

CMYK 0 / 36 / 45 / 6

HEX #EF9A83

RGB 239 154 131

HSL 12.78, 0.77%, 0.73%

LAB 71.62, 29.27, 25.28

 

CMYK 0 / 51 / 64 / 35

HEX #A6523C

RGB 166 82 60

HSL 12.45, 0.47%, 0.44%

LAB 44.9, 32.71, 28.73

 

CMYK 0 / 57 / 72 / 42

HEX #954029

RGB 149 64 41

HSL 12.78, 0.57%, 0.37%

LAB 38.23, 34.21, 31.15

 

CMYK 0 / 65 / 83 / 48

HEX #842E16

RGB 132 46 22

HSL 13.09, 0.71%, 0.3%

LAB 31.62, 35.7, 33.8

 

CMYK 0 / 76 / 97 / 55

HEX #731C03

RGB 115 28 3

HSL 13.39, 0.95%, 0.23%

LAB 25.2, 36.87, 35.51

 

CMYK 0 / 90 / 100 / 62

HEX #620A00

RGB 98 10 0

HSL 6.12, 1%, 0.19%

LAB 19.28, 37.07, 29.36

 

CMYK 0 / 51 / 64 / 35

HEX #A5513B

RGB 165 81 59

HSL 12.45, 0.47%, 0.44%

LAB 44.52, 32.77, 28.81

 

CMYK 0 / 64 / 64 / 35

HEX #A53B3B

RGB 165 59 59

HSL 0, 0.47%, 0.44%

LAB 40.32, 43.7, 23.6

 

CMYK 0 / 51 / 64 / 35

HEX #A5513B

RGB 165 81 59

HSL 12.45, 0.47%, 0.44%

LAB 44.52, 32.77, 28.81

 

CMYK 0 / 33 / 64 / 35

HEX #A56E3B

RGB 165 110 59

HSL 28.87, 0.47%, 0.44%

LAB 51.23, 16.67, 36.79

 

CMYK 0 / 16 / 64 / 35

HEX #A58A3B

RGB 165 138 59

HSL 44.72, 0.47%, 0.44%

LAB 58.5, 0.91, 44.99

 

CMYK 1 / 0 / 64 / 35

HEX #A3A53B

RGB 163 165 59

HSL 61.13, 0.47%, 0.44%

LAB 65.76, -14.46, 52.73

 

CMYK 18 / 0 / 64 / 35

HEX #87A53B

RGB 135 165 59

HSL 76.98, 0.47%, 0.44%

LAB 63.65, -26.27, 49.86

 

CMYK 0 / 51 / 64 / 35

HEX #A5513B

RGB 165 81 59

HSL 12.45, 0.47%, 0.44%

LAB 44.52, 32.77, 28.81

 

CMYK 0 / 61 / 78 / 28

HEX #B74729

RGB 183 71 41

HSL 12.68, 0.63%, 0.44%

LAB 45.27, 43.75, 40.43

 

CMYK 0 / 70 / 89 / 21

HEX #C93C17

RGB 201 60 23

HSL 12.47, 0.79%, 0.44%

LAB 46.59, 54.18, 51.22

 

CMYK 0 / 78 / 98 / 14

HEX #DB3105

RGB 219 49 5

HSL 12.34, 0.96%, 0.44%

LAB 48.6, 63.28, 59.7

 

CMYK 0 / 51 / 64 / 35

HEX #A5513B

RGB 165 81 59

HSL 12.45, 0.47%, 0.44%

LAB 44.52, 32.77, 28.81

 

CMYK 0 / 37 / 47 / 42

HEX #935C4E

RGB 147 92 78

HSL 12.17, 0.31%, 0.44%

LAB 44.81, 20.89, 17.47

 

CMYK 0 / 20 / 26 / 49

HEX #816760

RGB 129 103 96

HSL 12.73, 0.15%, 0.44%

LAB 45.92, 9.25, 7.88

 

CMYK 4 / 1 / 0 / 55

HEX #6E7172

RGB 110 113 114

HSL 195, 0.02%, 0.44%

LAB 47.42, -0.93, -0.96

 

CMYK 30 / 6 / 0 / 48

HEX #5C7C84

RGB 92 124 132

HSL 192, 0.18%, 0.44%

LAB 49.93, -9.32, -8.05

 

CMYK 0 / 64 / 42 / 35

HEX #A53B5F

RGB 165 59 95

HSL 339.62, 0.47%, 0.44%

LAB 41.14, 46.8, 2.3

 

CMYK 0 / 64 / 60 / 35

HEX #A53B42

RGB 165 59 66

HSL 356.04, 0.47%, 0.44%

LAB 40.44, 44.18, 19.45

 

CMYK 0 / 51 / 64 / 35

HEX #A5513B

RGB 165 81 59

HSL 12.45, 0.47%, 0.44%

LAB 44.52, 32.77, 28.81

 

CMYK 0 / 34 / 64 / 35

HEX #A56D3B

RGB 165 109 59

HSL 28.3, 0.47%, 0.44%

LAB 50.98, 17.23, 36.5

 

CMYK 0 / 17 / 64 / 35

HEX #A5893B

RGB 165 137 59

HSL 44.15, 0.47%, 0.44%

LAB 58.23, 1.47, 44.69

 

CMYK 0 / 51 / 63 / 59

HEX #683326

RGB 104 51 38

HSL 11.82, 0.46%, 0.28%

LAB 27.98, 22.4, 18.96

 

CMYK 0 / 51 / 64 / 47

HEX #874231

RGB 135 66 49

HSL 11.86, 0.47%, 0.36%

LAB 36.5, 27.95, 23.83

 

CMYK 0 / 51 / 64 / 35

HEX #A5513B

RGB 165 81 59

HSL 12.45, 0.47%, 0.44%

LAB 44.52, 32.77, 28.81

 

CMYK 0 / 48 / 61 / 25

HEX #BE634B

RGB 190 99 75

HSL 12.52, 0.47%, 0.52%

LAB 52.26, 34.31, 30.03

 

CMYK 0 / 37 / 47 / 21

HEX #C97E6A

RGB 201 126 106

HSL 12.63, 0.47%, 0.6%

LAB 60.23, 26.88, 23.08

 

CMYK 0 / 51 / 64 / 35

HEX #A6523C

RGB 166 82 60

HSL 12.45, 0.47%, 0.44%

LAB 44.9, 32.71, 28.73

 

CMYK 25 / 0 / 64 / 35

HEX #7BA53B

RGB 123 165 59

HSL 83.77, 0.47%, 0.44%

LAB 62.87, -31.07, 48.79

 

CMYK 64 / 51 / 0 / 35

HEX #3B51A5

RGB 59 81 165

HSL 227.55, 0.47%, 0.44%

LAB 36.99, 19.17, -47.99

 

CMYK 0 / 51 / 64 / 35

HEX #A6523C

RGB 166 82 60

HSL 12.45, 0.47%, 0.44%

LAB 44.9, 32.71, 28.73

 

CMYK 64 / 0 / 51 / 35

HEX #3BA551

RGB 59 165 81

HSL 132.45, 0.47%, 0.44%

LAB 60.28, -48.5, 34.6

 

CMYK 51 / 64 / 0 / 35

HEX #513BA5

RGB 81 59 165

HSL 252.45, 0.47%, 0.44%

LAB 33.12, 37.34, -54.17

 

CMYK 0 / 51 / 64 / 35

HEX #A6523C

RGB 166 82 60

HSL 12.45, 0.47%, 0.44%

LAB 44.9, 32.71, 28.73

 

CMYK 25 / 0 / 64 / 35

HEX #7BA53B

RGB 123 165 59

HSL 83.77, 0.47%, 0.44%

LAB 62.87, -31.07, 48.79

 

CMYK 64 / 13 / 0 / 35

HEX #3B90A5

RGB 59 144 165

HSL 191.89, 0.47%, 0.44%

LAB 55.68, -18.83, -18.66

 

CMYK 38 / 64 / 0 / 35

HEX #663BA5

RGB 102 59 165

HSL 264.34, 0.47%, 0.44%

LAB 35.34, 41.73, -50.47

 

CMYK 0 / 51 / 64 / 35

HEX #A6523C

RGB 166 82 60

HSL 12.45, 0.47%, 0.44%

LAB 44.9, 32.71, 28.73

 

CMYK 45 / 0 / 64 / 35

HEX #5BA53B

RGB 91 165 59

HSL 101.89, 0.47%, 0.44%

LAB 61.18, -42.59, 46.45

 

CMYK 64 / 13 / 0 / 35

HEX #3B90A5

RGB 59 144 165

HSL 191.89, 0.47%, 0.44%

LAB 55.68, -18.83, -18.66

 

CMYK 19 / 64 / 0 / 35

HEX #853BA5

RGB 133 59 165

HSL 281.89, 0.47%, 0.44%

LAB 39.29, 48.94, -43.9

 

Description

Color code: HEX #A6523C | qconv.com Color code: HEX #A6523C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 82 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 82 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 64 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 64% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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