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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A65092 it is the complementary color #59AF6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A65092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A65092 shade: #AB508D, #BC62A0, #CD74B3, #DE86C6 and #EF98D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A65092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A65092 shade: #A65092, #953E7F, #842C6C, #731A59 and #620846

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A65092 shade: #A55091, #A5507A, #A55063 and #A55050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A65092 shade: #A55091, #A250A5, #8B50A5, #7450A5 and #5D50A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A65092 shade matches the following richer shades: #A55091, #B93C9C, #CD28A7, #E114B1 and #F400BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A65092 shade: #A55091, #916387, #7E777C, #6A8B72 and #569F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A65092 shade: #8A50A5, #A150A5, #A55093, #A5507C and #A55065

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A65092 shade: #6E3560, #894279, #A55091, #B668A4 and #C484B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A65092 shade: #A65092, #A57350 and #50A596

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A65092 shade: #A65092, #93A550 and #5093A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A65092 shade: #A65092, #A57350, #50A562 and #5082A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A65092 shade: #A65092, #A58D50, #50A562 and #5068A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 12 / 35

HEX #A65092

RGB 166 80 146

HSL 313.95, 0.35%, 0.48%

LAB 46.87, 44.09, -20.3

 

Complementary color

CMYK 49 / 0 / 38 / 31

HEX #59AF6D

RGB 89 175 109

HSL 133.95, 0.35%, 0.52%

LAB 64.87, -40.62, 26.05

 

CMYK 0 / 53 / 18 / 33

HEX #AB508D

RGB 171 80 141

HSL 319.78, 0.36%, 0.49%

LAB 47.39, 44.85, -16.45

 

CMYK 0 / 48 / 15 / 26

HEX #BC62A0

RGB 188 98 160

HSL 318.67, 0.4%, 0.56%

LAB 53.99, 44.16, -17.42

 

CMYK 0 / 43 / 13 / 20

HEX #CD74B3

RGB 205 116 179

HSL 317.53, 0.47%, 0.63%

LAB 60.54, 43.41, -18.23

 

CMYK 0 / 40 / 11 / 13

HEX #DE86C6

RGB 222 134 198

HSL 316.36, 0.57%, 0.7%

LAB 67.02, 42.65, -18.92

 

CMYK 0 / 36 / 9 / 6

HEX #EF98D9

RGB 239 152 217

HSL 315.17, 0.73%, 0.77%

LAB 73.43, 41.9, -19.54

 

CMYK 0 / 52 / 12 / 35

HEX #A65092

RGB 166 80 146

HSL 313.95, 0.35%, 0.48%

LAB 46.87, 44.09, -20.3

 

CMYK 0 / 58 / 15 / 42

HEX #953E7F

RGB 149 62 127

HSL 315.17, 0.41%, 0.41%

LAB 40.19, 44.65, -19.27

 

CMYK 0 / 67 / 18 / 48

HEX #842C6C

RGB 132 44 108

HSL 316.36, 0.5%, 0.35%

LAB 33.54, 44.89, -17.88

 

CMYK 0 / 77 / 23 / 55

HEX #731A59

RGB 115 26 89

HSL 317.53, 0.63%, 0.28%

LAB 27.03, 44.45, -15.89

 

CMYK 0 / 92 / 29 / 62

HEX #620846

RGB 98 8 70

HSL 318.67, 0.85%, 0.21%

LAB 20.88, 42.64, -12.89

 

CMYK 0 / 52 / 12 / 35

HEX #A55091

RGB 165 80 145

HSL 314.12, 0.35%, 0.48%

LAB 46.69, 43.61, -20

 

CMYK 0 / 52 / 26 / 35

HEX #A5507A

RGB 165 80 122

HSL 330.35, 0.35%, 0.48%

LAB 45.83, 40.02, -7.43

 

CMYK 0 / 52 / 40 / 35

HEX #A55063

RGB 165 80 99

HSL 346.59, 0.35%, 0.48%

LAB 45.13, 37.02, 5.57

 

CMYK 0 / 52 / 52 / 35

HEX #A55050

RGB 165 80 80

HSL 0, 0.35%, 0.48%

LAB 44.68, 35.01, 16.52

 

CMYK 0 / 52 / 12 / 35

HEX #A55091

RGB 165 80 145

HSL 314.12, 0.35%, 0.48%

LAB 46.69, 43.61, -20

 

CMYK 2 / 52 / 0 / 35

HEX #A250A5

RGB 162 80 165

HSL 297.88, 0.35%, 0.48%

LAB 47.15, 46.27, -31.21

 

CMYK 16 / 52 / 0 / 35

HEX #8B50A5

RGB 139 80 165

HSL 281.65, 0.35%, 0.48%

LAB 44.15, 39.64, -36.13

 

CMYK 30 / 52 / 0 / 35

HEX #7450A5

RGB 116 80 165

HSL 265.41, 0.35%, 0.48%

LAB 41.48, 33.19, -40.53

 

CMYK 44 / 52 / 0 / 35

HEX #5D50A5

RGB 93 80 165

HSL 249.18, 0.35%, 0.48%

LAB 39.21, 27.18, -44.29

 

CMYK 0 / 52 / 12 / 35

HEX #A55091

RGB 165 80 145

HSL 314.12, 0.35%, 0.48%

LAB 46.69, 43.61, -20

 

CMYK 0 / 68 / 16 / 27

HEX #B93C9C

RGB 185 60 156

HSL 313.92, 0.51%, 0.48%

LAB 46.9, 60.06, -25.99

 

CMYK 0 / 80 / 19 / 20

HEX #CD28A7

RGB 205 40 167

HSL 313.82, 0.67%, 0.48%

LAB 48.62, 72.57, -29.6

 

CMYK 0 / 91 / 21 / 12

HEX #E114B1

RGB 225 20 177

HSL 314.05, 0.84%, 0.48%

LAB 51.48, 81.45, -30.77

 

CMYK 0 / 100 / 23 / 4

HEX #F400BC

RGB 244 0 188

HSL 313.77, 1%, 0.48%

LAB 54.93, 87.92, -31.53

 

CMYK 0 / 52 / 12 / 35

HEX #A55091

RGB 165 80 145

HSL 314.12, 0.35%, 0.48%

LAB 46.69, 43.61, -20

 

CMYK 0 / 32 / 7 / 43

HEX #916387

RGB 145 99 135

HSL 313.04, 0.19%, 0.48%

LAB 47.87, 24.61, -12.45

 

CMYK 0 / 6 / 2 / 51

HEX #7E777C

RGB 126 119 124

HSL 317.14, 0.03%, 0.48%

LAB 50.79, 3.66, -1.78

 

CMYK 24 / 0 / 18 / 45

HEX #6A8B72

RGB 106 139 114

HSL 134.55, 0.13%, 0.48%

LAB 54.81, -16.94, 9.64

 

CMYK 46 / 0 / 35 / 38

HEX #569F67

RGB 86 159 103

HSL 133.97, 0.3%, 0.48%

LAB 59.67, -35.42, 22.33

 

CMYK 16 / 52 / 0 / 35

HEX #8A50A5

RGB 138 80 165

HSL 280.94, 0.35%, 0.48%

LAB 44.03, 39.36, -36.33

 

CMYK 2 / 52 / 0 / 35

HEX #A150A5

RGB 161 80 165

HSL 297.18, 0.35%, 0.48%

LAB 47.02, 45.98, -31.43

 

CMYK 0 / 52 / 11 / 35

HEX #A55093

RGB 165 80 147

HSL 312.71, 0.35%, 0.48%

LAB 46.77, 43.94, -21.07

 

CMYK 0 / 52 / 25 / 35

HEX #A5507C

RGB 165 80 124

HSL 328.94, 0.35%, 0.48%

LAB 45.9, 40.31, -8.54

 

CMYK 0 / 52 / 39 / 35

HEX #A55065

RGB 165 80 101

HSL 345.18, 0.35%, 0.48%

LAB 45.19, 37.25, 4.43

 

CMYK 0 / 52 / 13 / 57

HEX #6E3560

RGB 110 53 96

HSL 314.74, 0.35%, 0.32%

LAB 31.13, 31.44, -14.22

 

CMYK 0 / 52 / 12 / 46

HEX #894279

RGB 137 66 121

HSL 313.52, 0.35%, 0.4%

LAB 38.89, 37.84, -17.72

 

CMYK 0 / 52 / 12 / 35

HEX #A55091

RGB 165 80 145

HSL 314.12, 0.35%, 0.48%

LAB 46.69, 43.61, -20

 

CMYK 0 / 43 / 10 / 29

HEX #B668A4

RGB 182 104 164

HSL 313.85, 0.35%, 0.56%

LAB 54.58, 39.73, -18.92

 

CMYK 0 / 33 / 8 / 23

HEX #C484B5

RGB 196 132 181

HSL 314.06, 0.35%, 0.64%

LAB 62.99, 32.2, -15.75

 

CMYK 0 / 52 / 12 / 35

HEX #A65092

RGB 166 80 146

HSL 313.95, 0.35%, 0.48%

LAB 46.87, 44.09, -20.3

 

CMYK 0 / 30 / 52 / 35

HEX #A57350

RGB 165 115 80

HSL 24.71, 0.35%, 0.48%

LAB 52.77, 15.57, 27.17

 

CMYK 52 / 0 / 9 / 35

HEX #50A596

RGB 80 165 150

HSL 169.41, 0.35%, 0.48%

LAB 62.35, -29.49, -0.1

 

CMYK 0 / 52 / 12 / 35

HEX #A65092

RGB 166 80 146

HSL 313.95, 0.35%, 0.48%

LAB 46.87, 44.09, -20.3

 

CMYK 11 / 0 / 52 / 35

HEX #93A550

RGB 147 165 80

HSL 72.71, 0.35%, 0.48%

LAB 64.72, -19.5, 41.52

 

CMYK 52 / 11 / 0 / 35

HEX #5093A5

RGB 80 147 165

HSL 192.71, 0.35%, 0.48%

LAB 57.36, -16.18, -16.04

 

CMYK 0 / 52 / 12 / 35

HEX #A65092

RGB 166 80 146

HSL 313.95, 0.35%, 0.48%

LAB 46.87, 44.09, -20.3

 

CMYK 0 / 30 / 52 / 35

HEX #A57350

RGB 165 115 80

HSL 24.71, 0.35%, 0.48%

LAB 52.77, 15.57, 27.17

 

CMYK 52 / 0 / 41 / 35

HEX #50A562

RGB 80 165 98

HSL 132.71, 0.35%, 0.48%

LAB 61.22, -40.65, 27.05

 

CMYK 52 / 21 / 0 / 35

HEX #5082A5

RGB 80 130 165

HSL 204.71, 0.35%, 0.48%

LAB 52.27, -6.71, -23.81

 

CMYK 0 / 52 / 12 / 35

HEX #A65092

RGB 166 80 146

HSL 313.95, 0.35%, 0.48%

LAB 46.87, 44.09, -20.3

 

CMYK 0 / 15 / 52 / 35

HEX #A58D50

RGB 165 141 80

HSL 43.06, 0.35%, 0.48%

LAB 59.55, 0.95, 35.65

 

CMYK 52 / 0 / 41 / 35

HEX #50A562

RGB 80 165 98

HSL 132.71, 0.35%, 0.48%

LAB 61.22, -40.65, 27.05

 

CMYK 52 / 37 / 0 / 35

HEX #5068A5

RGB 80 104 165

HSL 223.06, 0.35%, 0.48%

LAB 44.69, 8.9, -35.63

 

Description

Color code: HEX #A65092 | qconv.com Color code: HEX #A65092 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 80 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 80 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 12 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 12% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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