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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A64EB6 it is the complementary color #59B149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A64EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A64EB6: #AB4EB1, #BC60C4, #CD72D7, #DE84EA and #EF96FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A64EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A64EB6: #A64EB6, #953CA3, #842A90, #73187D and #62066A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 57 / 0 / 29

HEX #A64EB6

RGB 166 78 182

HSL 290.77, 0.42%, 0.51%

LAB 48.18, 51.63, -39.54

 

Complementary color

CMYK 50 / 0 / 59 / 31

HEX #59B149

RGB 89 177 73

HSL 110.77, 0.42%, 0.49%

LAB 65, -46.66, 44.4

 

CMYK 3 / 56 / 0 / 31

HEX #AB4EB1

RGB 171 78 177

HSL 296.36, 0.39%, 0.5%

LAB 48.61, 52.02, -35.88

 

CMYK 4 / 51 / 0 / 23

HEX #BC60C4

RGB 188 96 196

HSL 295.2, 0.46%, 0.57%

LAB 55.12, 51.46, -36.51

 

CMYK 5 / 47 / 0 / 16

HEX #CD72D7

RGB 205 114 215

HSL 294.06, 0.56%, 0.65%

LAB 61.59, 50.78, -37

 

CMYK 5 / 44 / 0 / 8

HEX #DE84EA

RGB 222 132 234

HSL 292.94, 0.71%, 0.72%

LAB 68, 50.06, -37.4

 

CMYK 6 / 41 / 0 / 1

HEX #EF96FD

RGB 239 150 253

HSL 291.84, 0.96%, 0.79%

LAB 74.35, 49.32, -37.76

 

CMYK 9 / 57 / 0 / 29

HEX #A64EB6

RGB 166 78 182

HSL 290.77, 0.42%, 0.51%

LAB 48.18, 51.63, -39.54

 

CMYK 9 / 63 / 0 / 36

HEX #953CA3

RGB 149 60 163

HSL 291.84, 0.46%, 0.44%

LAB 41.64, 52.01, -38.84

 

CMYK 8 / 71 / 0 / 44

HEX #842A90

RGB 132 42 144

HSL 292.94, 0.55%, 0.36%

LAB 35.15, 51.96, -37.81

 

CMYK 8 / 81 / 0 / 51

HEX #73187D

RGB 115 24 125

HSL 294.06, 0.68%, 0.29%

LAB 28.85, 51.08, -36.24

 

CMYK 8 / 94 / 0 / 58

HEX #62066A

RGB 98 6 106

HSL 295.2, 0.89%, 0.22%

LAB 22.89, 48.76, -33.79

 

CMYK 9 / 57 / 0 / 29

HEX #A64EB6

RGB 166 78 182

HSL 290.77, 0.42%, 0.51%

LAB 48.18, 51.63, -39.54

 

CMYK 0 / 58 / 0 / 29

HEX #B64DB6

RGB 182 77 182

HSL 300, 0.42%, 0.51%

LAB 50.25, 56.33, -36.12

 

CMYK 0 / 58 / 9 / 29

HEX #B64DA5

RGB 182 77 165

HSL 309.71, 0.42%, 0.51%

LAB 49.46, 53.43, -27.39

 

CMYK 0 / 58 / 19 / 29

HEX #B64D93

RGB 182 77 147

HSL 320, 0.42%, 0.51%

LAB 48.71, 50.62, -17.88

 

CMYK 0 / 58 / 29 / 29

HEX #B64D82

RGB 182 77 130

HSL 329.71, 0.42%, 0.51%

LAB 48.09, 48.22, -8.62

 

CMYK 9 / 57 / 0 / 29

HEX #A64EB6

RGB 166 78 182

HSL 290.77, 0.42%, 0.51%

LAB 48.18, 51.63, -39.54

 

CMYK 9 / 57 / 0 / 9

HEX #D564E9

RGB 213 100 233

HSL 290.98, 0.75%, 0.65%

LAB 60.91, 63.06, -48.06

 

CMYK 10 / 59 / 0 / 89

HEX #1A0C1D

RGB 26 12 29

HSL 289.41, 0.41%, 0.08%

LAB 5.16, 9.68, -8.41

 

CMYK 9 / 58 / 0 / 69

HEX #492250

RGB 73 34 80

HSL 290.87, 0.4%, 0.22%

LAB 20.59, 26.66, -20.48

 

CMYK 9 / 57 / 0 / 49

HEX #773883

RGB 119 56 131

HSL 290.4, 0.4%, 0.37%

LAB 34.78, 39.52, -30.52

 

CMYK 9 / 57 / 0 / 29

HEX #A64EB6

RGB 166 78 182

HSL 290.77, 0.42%, 0.51%

LAB 48.18, 51.63, -39.54

 

CMYK 0 / 55 / 58 / 29

HEX #B6514D

RGB 182 81 77

HSL 2.29, 0.42%, 0.51%

LAB 47.45, 40.65, 22.48

 

CMYK 58 / 0 / 32 / 29

HEX #4DB67B

RGB 77 182 123

HSL 146.29, 0.42%, 0.51%

LAB 66.87, -44, 21.16

 

CMYK 9 / 57 / 0 / 29

HEX #A64EB6

RGB 166 78 182

HSL 290.77, 0.42%, 0.51%

LAB 48.18, 51.63, -39.54

 

CMYK 0 / 9 / 58 / 29

HEX #B6A54D

RGB 182 165 77

HSL 50.29, 0.42%, 0.51%

LAB 67.57, -4.98, 47.03

 

CMYK 58 / 0 / 9 / 29

HEX #4DB6A5

RGB 77 182 165

HSL 170.29, 0.42%, 0.51%

LAB 67.84, -34.39, -0.44

 

CMYK 9 / 57 / 0 / 29

HEX #A64EB6

RGB 166 78 182

HSL 290.77, 0.42%, 0.51%

LAB 48.18, 51.63, -39.54

 

CMYK 0 / 55 / 58 / 29

HEX #B6514D

RGB 182 81 77

HSL 2.29, 0.42%, 0.51%

LAB 47.45, 40.65, 22.48

 

CMYK 48 / 0 / 58 / 29

HEX #5FB64D

RGB 95 182 77

HSL 109.71, 0.42%, 0.51%

LAB 66.84, -46.47, 44.73

 

CMYK 58 / 2 / 0 / 29

HEX #4DB3B6

RGB 77 179 182

HSL 181.71, 0.42%, 0.51%

LAB 67.42, -28.39, -10.45

 

CMYK 9 / 57 / 0 / 29

HEX #A64EB6

RGB 166 78 182

HSL 290.77, 0.42%, 0.51%

LAB 48.18, 51.63, -39.54

 

CMYK 0 / 38 / 58 / 29

HEX #B6704D

RGB 182 112 77

HSL 20, 0.42%, 0.51%

LAB 54.1, 24.18, 30.96

 

CMYK 48 / 0 / 58 / 29

HEX #5FB64D

RGB 95 182 77

HSL 109.71, 0.42%, 0.51%

LAB 66.84, -46.47, 44.73

 

CMYK 58 / 19 / 0 / 29

HEX #4D93B6

RGB 77 147 182

HSL 200, 0.42%, 0.51%

LAB 57.87, -11.69, -24.94

 

Description

Color code: HEX #A64EB6 | qconv.com Color code: HEX #A64EB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 78 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 78 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 57 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 57% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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