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Color name
HEX #A64E2F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A64E2F it is the complementary color #59B1D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A64E2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A64E2F shade: #AB4E2A, #BC603D, #CD7250, #DE8463 and #EF9676

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A64E2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A64E2F shade: #A64E2F, #953C1C, #842A09, #731800 and #620600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A64E2F shade: #A74E2F and #A72F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A64E2F shade: #A74E2F, #A76F2F, #A78F2F, #9FA72F and #7EA72F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A64E2F shade matches the following richer shades: #A74E2F, #B8461E and #CA3E0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A64E2F shade: #A74E2F, #965740, #845F52, #736763 and #627074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A64E2F shade: #A72F51, #A72F31, #A74D2F, #A76D2F and #A78D2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A64E2F shade: #67301D, #873F26, #A74E2F, #C75E38 and #D07859

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A64E2F shade: #A64E2F, #71A72F and #2F41A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A64E2F shade: #A64E2F, #2FA74D and #4D2FA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A64E2F shade: #A64E2F, #71A72F, #2F89A7 and #652FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A64E2F shade: #A64E2F, #4DA72F, #2F89A7 and #892FA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 72 / 35

HEX #A64E2F

RGB 166 78 47

HSL 15.63, 0.56%, 0.42%

LAB 43.89, 34.03, 34.91

 

Complementary color

CMYK 57 / 15 / 0 / 18

HEX #59B1D0

RGB 89 177 208

HSL 195.63, 0.56%, 0.58%

LAB 68.11, -17.53, -23.72

 

CMYK 0 / 54 / 75 / 33

HEX #AB4E2A

RGB 171 78 42

HSL 16.74, 0.61%, 0.42%

LAB 44.62, 35.78, 38.62

 

CMYK 0 / 49 / 68 / 26

HEX #BC603D

RGB 188 96 61

HSL 16.54, 0.51%, 0.49%

LAB 51.15, 34.17, 36.42

 

CMYK 0 / 44 / 61 / 20

HEX #CD7250

RGB 205 114 80

HSL 16.32, 0.56%, 0.56%

LAB 57.65, 32.7, 34.37

 

CMYK 0 / 41 / 55 / 13

HEX #DE8463

RGB 222 132 99

HSL 16.1, 0.65%, 0.63%

LAB 64.11, 31.36, 32.53

 

CMYK 0 / 37 / 51 / 6

HEX #EF9676

RGB 239 150 118

HSL 15.87, 0.79%, 0.7%

LAB 70.5, 30.15, 30.87

 

CMYK 0 / 53 / 72 / 35

HEX #A64E2F

RGB 166 78 47

HSL 15.63, 0.56%, 0.42%

LAB 43.89, 34.03, 34.91

 

CMYK 0 / 60 / 81 / 42

HEX #953C1C

RGB 149 60 28

HSL 15.87, 0.68%, 0.35%

LAB 37.31, 35.66, 37.25

 

CMYK 0 / 68 / 93 / 48

HEX #842A09

RGB 132 42 9

HSL 16.1, 0.87%, 0.28%

LAB 30.83, 37.23, 39.13

 

CMYK 0 / 79 / 100 / 55

HEX #731800

RGB 115 24 0

HSL 12.52, 1%, 0.23%

LAB 24.63, 38.33, 36.18

 

CMYK 0 / 94 / 100 / 62

HEX #620600

RGB 98 6 0

HSL 3.67, 1%, 0.19%

LAB 18.92, 38.12, 28.93

 

CMYK 0 / 53 / 72 / 35

HEX #A74E2F

RGB 167 78 47

HSL 15.5, 0.56%, 0.42%

LAB 44.05, 34.43, 35.12

 

CMYK 0 / 72 / 72 / 35

HEX #A72F2F

RGB 167 47 47

HSL 0, 0.56%, 0.42%

LAB 38.64, 48.73, 28.93

 

CMYK 0 / 53 / 72 / 35

HEX #A74E2F

RGB 167 78 47

HSL 15.5, 0.56%, 0.42%

LAB 44.05, 34.43, 35.12

 

CMYK 0 / 34 / 72 / 35

HEX #A76F2F

RGB 167 111 47

HSL 32, 0.56%, 0.42%

LAB 51.6, 16.24, 43.33

 

CMYK 0 / 14 / 72 / 35

HEX #A78F2F

RGB 167 143 47

HSL 48, 0.56%, 0.42%

LAB 59.95, -1.66, 51.9

 

CMYK 5 / 0 / 72 / 35

HEX #9FA72F

RGB 159 167 47

HSL 64, 0.56%, 0.42%

LAB 65.91, -17.91, 57.54

 

CMYK 25 / 0 / 72 / 35

HEX #7EA72F

RGB 126 167 47

HSL 80.5, 0.56%, 0.42%

LAB 63.57, -31.7, 54.45

 

CMYK 0 / 53 / 72 / 35

HEX #A74E2F

RGB 167 78 47

HSL 15.5, 0.56%, 0.42%

LAB 44.05, 34.43, 35.12

 

CMYK 0 / 62 / 84 / 28

HEX #B8461E

RGB 184 70 30

HSL 15.58, 0.72%, 0.42%

LAB 45.17, 44.22, 45.81

 

CMYK 0 / 69 / 94 / 21

HEX #CA3E0C

RGB 202 62 12

HSL 15.79, 0.89%, 0.42%

LAB 47.01, 53.58, 55.32

 

CMYK 0 / 53 / 72 / 35

HEX #A74E2F

RGB 167 78 47

HSL 15.5, 0.56%, 0.42%

LAB 44.05, 34.43, 35.12

 

CMYK 0 / 42 / 57 / 41

HEX #965740

RGB 150 87 64

HSL 16.05, 0.4%, 0.42%

LAB 43.76, 23.65, 24.47

 

CMYK 0 / 28 / 38 / 48

HEX #845F52

RGB 132 95 82

HSL 15.6, 0.23%, 0.42%

LAB 43.8, 13.23, 13.38

 

CMYK 0 / 10 / 14 / 55

HEX #736763

RGB 115 103 99

HSL 15, 0.07%, 0.42%

LAB 44.58, 4, 3.98

 

CMYK 16 / 3 / 0 / 55

HEX #627074

RGB 98 112 116

HSL 193.33, 0.08%, 0.42%

LAB 46.24, -4.32, -4

 

CMYK 0 / 72 / 51 / 35

HEX #A72F51

RGB 167 47 81

HSL 343, 0.56%, 0.42%

LAB 39.31, 51.02, 8.55

 

CMYK 0 / 72 / 71 / 35

HEX #A72F31

RGB 167 47 49

HSL 359, 0.56%, 0.42%

LAB 38.67, 48.83, 27.76

 

CMYK 0 / 54 / 72 / 35

HEX #A74D2F

RGB 167 77 47

HSL 15, 0.56%, 0.42%

LAB 43.84, 34.95, 34.9

 

CMYK 0 / 35 / 72 / 35

HEX #A76D2F

RGB 167 109 47

HSL 31, 0.56%, 0.42%

LAB 51.1, 17.37, 42.81

 

CMYK 0 / 16 / 72 / 35

HEX #A78D2F

RGB 167 141 47

HSL 47, 0.56%, 0.42%

LAB 59.41, -0.56, 51.36

 

CMYK 0 / 53 / 72 / 60

HEX #67301D

RGB 103 48 29

HSL 15.41, 0.56%, 0.26%

LAB 26.98, 23.05, 23.32

 

CMYK 0 / 53 / 72 / 47

HEX #873F26

RGB 135 63 38

HSL 15.46, 0.56%, 0.34%

LAB 35.69, 28.88, 29.37

 

CMYK 0 / 53 / 72 / 35

HEX #A74E2F

RGB 167 78 47

HSL 15.5, 0.56%, 0.42%

LAB 44.05, 34.43, 35.12

 

CMYK 0 / 53 / 72 / 22

HEX #C75E38

RGB 199 94 56

HSL 15.94, 0.56%, 0.5%

LAB 52.32, 39.26, 40.87

 

CMYK 0 / 42 / 57 / 18

HEX #D07859

RGB 208 120 89

HSL 15.63, 0.56%, 0.58%

LAB 59.49, 31.38, 31.8

 

CMYK 0 / 53 / 72 / 35

HEX #A64E2F

RGB 166 78 47

HSL 15.63, 0.56%, 0.42%

LAB 43.89, 34.03, 34.91

 

CMYK 32 / 0 / 72 / 35

HEX #71A72F

RGB 113 167 47

HSL 87, 0.56%, 0.42%

LAB 62.8, -36.73, 53.43

 

CMYK 72 / 61 / 0 / 35

HEX #2F41A7

RGB 47 65 167

HSL 231, 0.56%, 0.42%

LAB 32.2, 28.57, -56.98

 

CMYK 0 / 53 / 72 / 35

HEX #A64E2F

RGB 166 78 47

HSL 15.63, 0.56%, 0.42%

LAB 43.89, 34.03, 34.91

 

CMYK 72 / 0 / 54 / 35

HEX #2FA74D

RGB 47 167 77

HSL 135, 0.56%, 0.42%

LAB 60.58, -52.14, 36.92

 

CMYK 54 / 72 / 0 / 35

HEX #4D2FA7

RGB 77 47 167

HSL 255, 0.56%, 0.42%

LAB 30.4, 44.04, -59.83

 

CMYK 0 / 53 / 72 / 35

HEX #A64E2F

RGB 166 78 47

HSL 15.63, 0.56%, 0.42%

LAB 43.89, 34.03, 34.91

 

CMYK 32 / 0 / 72 / 35

HEX #71A72F

RGB 113 167 47

HSL 87, 0.56%, 0.42%

LAB 62.8, -36.73, 53.43

 

CMYK 72 / 18 / 0 / 35

HEX #2F89A7

RGB 47 137 167

HSL 195, 0.56%, 0.42%

LAB 53.26, -16.31, -23.55

 

CMYK 40 / 72 / 0 / 35

HEX #652FA7

RGB 101 47 167

HSL 267, 0.56%, 0.42%

LAB 33.11, 48.27, -55.29

 

CMYK 0 / 53 / 72 / 35

HEX #A64E2F

RGB 166 78 47

HSL 15.63, 0.56%, 0.42%

LAB 43.89, 34.03, 34.91

 

CMYK 54 / 0 / 72 / 35

HEX #4DA72F

RGB 77 167 47

HSL 105, 0.56%, 0.42%

LAB 61.15, -48.68, 51.21

 

CMYK 72 / 18 / 0 / 35

HEX #2F89A7

RGB 47 137 167

HSL 195, 0.56%, 0.42%

LAB 53.26, -16.31, -23.55

 

CMYK 18 / 72 / 0 / 35

HEX #892FA7

RGB 137 47 167

HSL 285, 0.56%, 0.42%

LAB 38.1, 55.59, -46.99

 

Description

Color code: HEX #A64E2F | qconv.com Color code: HEX #A64E2F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 78 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 78 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 72 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 72% 35% C M Y K

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Provide designers and agencies with accurate color values.

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