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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A63BCA it is the complementary color #59C435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A63BCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A63BCA shade: #AB3BC5, #BC4DD8, #CD5FEB, #DE71FE and #EF83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A63BCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A63BCA shade: #A63BCA, #9529B7, #8417A4, #730591 and #62007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A63BCA shade: #A53BC9, #C93BC7, #C93BA0, #C93B7A and #C93B53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A63BCA shade: #A53BC9, #7F3BC9, #593BC9 and #3B3BC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A63BCA shade matches the following richer shades: #A53BC9, #AF27DD and #BA12F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A63BCA shade: #A53BC9, #9B4FB5, #9163A1, #87778D and #7D8C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A63BCA shade: #573BC9, #7D3BC9, #A33BC9, #C93BC9 and #C93BA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A63BCA shade: #72268B, #8C2FAC, #A53BC9, #B45BD2 and #C37CDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A63BCA shade: #A63BCA, #C93B44 and #3BC96A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A63BCA shade: #A63BCA, #C9A33B and #3BC9A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A63BCA shade: #A63BCA, #C93B44, #61C93B and #3BC9C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A63BCA shade: #A63BCA, #C95C3B, #61C93B and #3BA8C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 71 / 0 / 21

HEX #A63BCA

RGB 166 59 202

HSL 284.9, 0.57%, 0.51%

LAB 46.31, 63.92, -54.13

 

Complementary color

CMYK 55 / 0 / 73 / 23

HEX #59C435

RGB 89 196 53

HSL 104.9, 0.57%, 0.49%

LAB 70.77, -55.81, 58.91

 

CMYK 13 / 70 / 0 / 23

HEX #AB3BC5

RGB 171 59 197

HSL 288.7, 0.54%, 0.5%

LAB 46.73, 64.01, -50.52

 

CMYK 13 / 64 / 0 / 15

HEX #BC4DD8

RGB 188 77 216

HSL 287.91, 0.64%, 0.57%

LAB 52.9, 64.06, -51.42

 

CMYK 13 / 60 / 0 / 8

HEX #CD5FEB

RGB 205 95 235

HSL 287.14, 0.78%, 0.65%

LAB 59.12, 63.75, -52.07

 

CMYK 13 / 56 / 0 / 0

HEX #DE71FE

RGB 222 113 254

HSL 286.38, 0.99%, 0.72%

LAB 65.35, 63.24, -52.56

 

CMYK 6 / 49 / 0 / 0

HEX #EF83FF

RGB 239 131 255

HSL 292.26, 1%, 0.76%

LAB 70.74, 59.22, -44.49

 

CMYK 18 / 71 / 0 / 21

HEX #A63BCA

RGB 166 59 202

HSL 284.9, 0.57%, 0.51%

LAB 46.31, 63.92, -54.13

 

CMYK 19 / 78 / 0 / 28

HEX #9529B7

RGB 149 41 183

HSL 285.63, 0.63%, 0.44%

LAB 40.24, 63.36, -52.95

 

CMYK 20 / 86 / 0 / 36

HEX #8417A4

RGB 132 23 164

HSL 286.38, 0.75%, 0.37%

LAB 34.39, 61.84, -51.2

 

CMYK 21 / 97 / 0 / 43

HEX #730591

RGB 115 5 145

HSL 287.14, 0.93%, 0.29%

LAB 28.9, 58.94, -48.65

 

CMYK 22 / 100 / 0 / 51

HEX #62007E

RGB 98 0 126

HSL 286.67, 1%, 0.25%

LAB 24.01, 53.77, -44.83

 

CMYK 18 / 71 / 0 / 21

HEX #A53BC9

RGB 165 59 201

HSL 284.79, 0.57%, 0.51%

LAB 46.1, 63.51, -53.89

 

CMYK 0 / 71 / 1 / 21

HEX #C93BC7

RGB 201 59 199

HSL 300.85, 0.57%, 0.51%

LAB 51.46, 70.85, -43.87

 

CMYK 0 / 71 / 20 / 21

HEX #C93BA0

RGB 201 59 160

HSL 317.32, 0.57%, 0.51%

LAB 49.6, 65.08, -23.99

 

CMYK 0 / 71 / 39 / 21

HEX #C93B7A

RGB 201 59 122

HSL 333.38, 0.57%, 0.51%

LAB 48.2, 60.53, -3.28

 

CMYK 0 / 71 / 59 / 21

HEX #C93B53

RGB 201 59 83

HSL 349.86, 0.57%, 0.51%

LAB 47.2, 57.15, 19.12

 

CMYK 18 / 71 / 0 / 21

HEX #A53BC9

RGB 165 59 201

HSL 284.79, 0.57%, 0.51%

LAB 46.1, 63.51, -53.89

 

CMYK 37 / 71 / 0 / 21

HEX #7F3BC9

RGB 127 59 201

HSL 268.73, 0.57%, 0.51%

LAB 40.99, 55.96, -62.41

 

CMYK 56 / 71 / 0 / 21

HEX #593BC9

RGB 89 59 201

HSL 252.68, 0.57%, 0.51%

LAB 36.87, 49.48, -69.3

 

CMYK 71 / 71 / 0 / 21

HEX #3B3BC9

RGB 59 59 201

HSL 240, 0.57%, 0.51%

LAB 34.55, 45.61, -73.2

 

CMYK 18 / 71 / 0 / 21

HEX #A53BC9

RGB 165 59 201

HSL 284.79, 0.57%, 0.51%

LAB 46.1, 63.51, -53.89

 

CMYK 21 / 82 / 0 / 13

HEX #AF27DD

RGB 175 39 221

HSL 284.84, 0.73%, 0.51%

LAB 46.69, 75.63, -64.36

 

CMYK 23 / 93 / 0 / 5

HEX #BA12F2

RGB 186 18 242

HSL 285, 0.9%, 0.51%

LAB 48.61, 84.9, -73.05

 

CMYK 18 / 71 / 0 / 21

HEX #A53BC9

RGB 165 59 201

HSL 284.79, 0.57%, 0.51%

LAB 46.1, 63.51, -53.89

 

CMYK 14 / 56 / 0 / 29

HEX #9B4FB5

RGB 155 79 181

HSL 284.71, 0.41%, 0.51%

LAB 46.84, 48.02, -41.17

 

CMYK 10 / 39 / 0 / 37

HEX #9163A1

RGB 145 99 161

HSL 284.52, 0.25%, 0.51%

LAB 48.9, 29.87, -26.28

 

CMYK 4 / 16 / 0 / 45

HEX #87778D

RGB 135 119 141

HSL 283.64, 0.09%, 0.51%

LAB 52.14, 10.46, -9.68

 

CMYK 11 / 0 / 14 / 45

HEX #7D8C78

RGB 125 140 120

HSL 105, 0.08%, 0.51%

LAB 56.56, -9.4, 8.86

 

CMYK 57 / 71 / 0 / 21

HEX #573BC9

RGB 87 59 201

HSL 251.83, 0.57%, 0.51%

LAB 36.69, 49.18, -69.61

 

CMYK 38 / 71 / 0 / 21

HEX #7D3BC9

RGB 125 59 201

HSL 267.89, 0.57%, 0.51%

LAB 40.74, 55.58, -62.82

 

CMYK 19 / 71 / 0 / 21

HEX #A33BC9

RGB 163 59 201

HSL 283.94, 0.57%, 0.51%

LAB 45.81, 63.1, -54.37

 

CMYK 0 / 71 / 0 / 21

HEX #C93BC9

RGB 201 59 201

HSL 300, 0.57%, 0.51%

LAB 51.57, 71.17, -44.85

 

CMYK 0 / 71 / 19 / 21

HEX #C93BA3

RGB 201 59 163

HSL 316.06, 0.57%, 0.51%

LAB 49.73, 65.48, -25.56

 

CMYK 18 / 73 / 0 / 45

HEX #72268B

RGB 114 38 139

HSL 285.15, 0.57%, 0.35%

LAB 31.41, 48.5, -40.88

 

CMYK 19 / 73 / 0 / 33

HEX #8C2FAC

RGB 140 47 172

HSL 284.64, 0.57%, 0.43%

LAB 38.88, 57.24, -48.69

 

CMYK 18 / 71 / 0 / 21

HEX #A53BC9

RGB 165 59 201

HSL 284.79, 0.57%, 0.51%

LAB 46.1, 63.51, -53.89

 

CMYK 14 / 57 / 0 / 18

HEX #B45BD2

RGB 180 91 210

HSL 284.87, 0.57%, 0.59%

LAB 53.86, 54.52, -46.56

 

CMYK 11 / 43 / 0 / 14

HEX #C37CDB

RGB 195 124 219

HSL 284.84, 0.57%, 0.67%

LAB 62.62, 43.47, -37.71

 

CMYK 18 / 71 / 0 / 21

HEX #A63BCA

RGB 166 59 202

HSL 284.9, 0.57%, 0.51%

LAB 46.31, 63.92, -54.13

 

CMYK 0 / 71 / 66 / 21

HEX #C93B44

RGB 201 59 68

HSL 356.2, 0.57%, 0.51%

LAB 46.93, 56.21, 27.83

 

CMYK 71 / 0 / 47 / 21

HEX #3BC96A

RGB 59 201 106

HSL 139.86, 0.57%, 0.51%

LAB 72.06, -57.95, 36.74

 

CMYK 18 / 71 / 0 / 21

HEX #A63BCA

RGB 166 59 202

HSL 284.9, 0.57%, 0.51%

LAB 46.31, 63.92, -54.13

 

CMYK 0 / 19 / 71 / 21

HEX #C9A33B

RGB 201 163 59

HSL 43.94, 0.57%, 0.51%

LAB 68.7, 3.18, 56.86

 

CMYK 71 / 0 / 19 / 21

HEX #3BC9A3

RGB 59 201 163

HSL 163.94, 0.57%, 0.51%

LAB 73.12, -46.37, 8.23

 

CMYK 18 / 71 / 0 / 21

HEX #A63BCA

RGB 166 59 202

HSL 284.9, 0.57%, 0.51%

LAB 46.31, 63.92, -54.13

 

CMYK 0 / 71 / 66 / 21

HEX #C93B44

RGB 201 59 68

HSL 356.2, 0.57%, 0.51%

LAB 46.93, 56.21, 27.83

 

CMYK 52 / 0 / 71 / 21

HEX #61C93B

RGB 97 201 59

HSL 103.94, 0.57%, 0.51%

LAB 72.65, -55.03, 58.72

 

CMYK 71 / 0 / 4 / 21

HEX #3BC9C0

RGB 59 201 192

HSL 176.2, 0.57%, 0.51%

LAB 73.87, -38.81, -6.37

 

CMYK 18 / 71 / 0 / 21

HEX #A63BCA

RGB 166 59 202

HSL 284.9, 0.57%, 0.51%

LAB 46.31, 63.92, -54.13

 

CMYK 0 / 54 / 71 / 21

HEX #C95C3B

RGB 201 92 59

HSL 13.94, 0.57%, 0.51%

LAB 52.27, 41.18, 39.31

 

CMYK 52 / 0 / 71 / 21

HEX #61C93B

RGB 97 201 59

HSL 103.94, 0.57%, 0.51%

LAB 72.65, -55.03, 58.72

 

CMYK 71 / 16 / 0 / 21

HEX #3BA8C9

RGB 59 168 201

HSL 193.94, 0.57%, 0.51%

LAB 64.28, -20.03, -25.79

 

Description

Color code: HEX #A63BCA | qconv.com Color code: HEX #A63BCA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 59 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 59 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 71 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 71% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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