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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A63650 it is the complementary color #59C9AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A63650. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A63650 shade: #AB364B, #BC485E, #CD5A71, #DE6C84 and #EF7E97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A63650. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A63650 shade: #A63650, #95243D, #84122A, #730017 and #620004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A63650 shade: #A63650 and #A63636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A63650 shade: #A63650, #A6366E, #A6368C, #A136A6 and #8336A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A63650 shade matches the following richer shades: #A63650, #B72446, #C9123D and #DB0133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A63650 shade: #A63650, #944759, #825963, #706B6C and #5F7D76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A63650 shade: #A6368B, #A6366E, #A63650, #A63936 and #A65736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A63650 shade: #672232, #862C41, #A63650, #C24360 and #CC627A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A63650 shade: #A63650, #A6A236 and #367DA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A63650 shade: #A63650, #50A636 and #3650A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A63650 shade: #A63650, #A6A236, #36A68B and #3639A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A63650 shade: #A63650, #88A636, #36A68B and #5436A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

Complementary color

CMYK 56 / 0 / 13 / 21

HEX #59C9AF

RGB 89 201 175

HSL 166.07, 0.51%, 0.57%

LAB 74.18, -38.22, 3.38

 

CMYK 0 / 68 / 56 / 33

HEX #AB364B

RGB 171 54 75

HSL 349.23, 0.52%, 0.44%

LAB 40.9, 49.04, 14.65

 

CMYK 0 / 62 / 50 / 26

HEX #BC485E

RGB 188 72 94

HSL 348.62, 0.46%, 0.51%

LAB 47.15, 48.49, 11.98

 

CMYK 0 / 56 / 45 / 20

HEX #CD5A71

RGB 205 90 113

HSL 348, 0.53%, 0.58%

LAB 53.47, 47.7, 9.83

 

CMYK 0 / 51 / 41 / 13

HEX #DE6C84

RGB 222 108 132

HSL 347.37, 0.63%, 0.65%

LAB 59.82, 46.81, 8.04

 

CMYK 0 / 47 / 37 / 6

HEX #EF7E97

RGB 239 126 151

HSL 346.73, 0.78%, 0.72%

LAB 66.14, 45.89, 6.51

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 0 / 76 / 59 / 42

HEX #95243D

RGB 149 36 61

HSL 346.73, 0.61%, 0.36%

LAB 33.96, 47.89, 13.45

 

CMYK 0 / 86 / 68 / 48

HEX #84122A

RGB 132 18 42

HSL 347.37, 0.76%, 0.29%

LAB 28.13, 47.01, 17.63

 

CMYK 0 / 100 / 80 / 55

HEX #730017

RGB 115 0 23

HSL 348, 1%, 0.23%

LAB 22.68, 45.09, 22.86

 

CMYK 0 / 100 / 96 / 62

HEX #620004

RGB 98 0 4

HSL 357.55, 1%, 0.19%

LAB 18.39, 39.85, 26.68

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 0 / 67 / 67 / 35

HEX #A63636

RGB 166 54 54

HSL 0, 0.51%, 0.43%

LAB 39.6, 45.93, 25.79

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 0 / 67 / 34 / 35

HEX #A6366E

RGB 166 54 110

HSL 330, 0.51%, 0.43%

LAB 41.01, 50.96, -7.24

 

CMYK 0 / 67 / 16 / 35

HEX #A6368C

RGB 166 54 140

HSL 313.93, 0.51%, 0.43%

LAB 42.21, 55.04, -23.87

 

CMYK 3 / 67 / 0 / 35

HEX #A136A6

RGB 161 54 166

HSL 297.32, 0.51%, 0.43%

LAB 42.72, 58.04, -38.8

 

CMYK 21 / 67 / 0 / 35

HEX #8336A6

RGB 131 54 166

HSL 281.25, 0.51%, 0.43%

LAB 38.23, 51.04, -46.22

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 0 / 80 / 62 / 28

HEX #B72446

RGB 183 36 70

HSL 346.12, 0.67%, 0.43%

LAB 40.85, 58.49, 18.11

 

CMYK 0 / 91 / 70 / 21

HEX #C9123D

RGB 201 18 61

HSL 345.9, 0.84%, 0.43%

LAB 43.04, 66.48, 27.27

 

CMYK 0 / 100 / 77 / 14

HEX #DB0133

RGB 219 1 51

HSL 346.24, 0.99%, 0.43%

LAB 46.07, 72.21, 37.78

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 0 / 52 / 40 / 42

HEX #944759

RGB 148 71 89

HSL 345.97, 0.35%, 0.43%

LAB 40.45, 34.3, 4.69

 

CMYK 0 / 32 / 24 / 49

HEX #825963

RGB 130 89 99

HSL 345.37, 0.19%, 0.43%

LAB 42.45, 18.46, 1.09

 

CMYK 0 / 4 / 4 / 56

HEX #706B6C

RGB 112 107 108

HSL 348, 0.02%, 0.43%

LAB 45.69, 2.14, 0.13

 

CMYK 24 / 0 / 6 / 51

HEX #5F7D76

RGB 95 125 118

HSL 166, 0.14%, 0.43%

LAB 49.99, -12.3, 0.3

 

CMYK 0 / 67 / 16 / 35

HEX #A6368B

RGB 166 54 139

HSL 314.46, 0.51%, 0.43%

LAB 42.17, 54.89, -23.34

 

CMYK 0 / 67 / 34 / 35

HEX #A6366E

RGB 166 54 110

HSL 330, 0.51%, 0.43%

LAB 41.01, 50.96, -7.24

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 0 / 66 / 67 / 35

HEX #A63936

RGB 166 57 54

HSL 1.61, 0.51%, 0.43%

LAB 40.08, 44.63, 26.38

 

CMYK 0 / 48 / 67 / 35

HEX #A65736

RGB 166 87 54

HSL 17.68, 0.51%, 0.43%

LAB 45.89, 29.62, 33.33

 

CMYK 0 / 67 / 51 / 60

HEX #672232

RGB 103 34 50

HSL 346.09, 0.5%, 0.27%

LAB 24.51, 32.37, 6.34

 

CMYK 0 / 67 / 51 / 47

HEX #862C41

RGB 134 44 65

HSL 346, 0.51%, 0.35%

LAB 32.37, 40.13, 8.21

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 0 / 65 / 51 / 24

HEX #C24360

RGB 194 67 96

HSL 346.3, 0.51%, 0.51%

LAB 47.4, 52.81, 11.27

 

CMYK 0 / 52 / 40 / 20

HEX #CC627A

RGB 204 98 122

HSL 346.42, 0.51%, 0.59%

LAB 55.05, 44.4, 6.73

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 0 / 2 / 67 / 35

HEX #A6A236

RGB 166 162 54

HSL 57.86, 0.51%, 0.43%

LAB 65.13, -11.9, 54.24

 

CMYK 67 / 25 / 0 / 35

HEX #367DA6

RGB 54 125 166

HSL 201.96, 0.51%, 0.43%

LAB 49.74, -8.82, -28.39

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 52 / 0 / 67 / 35

HEX #50A636

RGB 80 166 54

HSL 106.07, 0.51%, 0.43%

LAB 61, -46.84, 48.27

 

CMYK 67 / 52 / 0 / 35

HEX #3650A6

RGB 54 80 166

HSL 226.07, 0.51%, 0.43%

LAB 36.51, 19.33, -49.38

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 0 / 2 / 67 / 35

HEX #A6A236

RGB 166 162 54

HSL 57.86, 0.51%, 0.43%

LAB 65.13, -11.9, 54.24

 

CMYK 67 / 0 / 16 / 35

HEX #36A68B

RGB 54 166 139

HSL 165.54, 0.51%, 0.43%

LAB 61.59, -37.93, 4.86

 

CMYK 67 / 66 / 0 / 35

HEX #3639A6

RGB 54 57 166

HSL 238.39, 0.51%, 0.43%

LAB 30.55, 34.33, -59.05

 

CMYK 0 / 67 / 52 / 35

HEX #A63650

RGB 166 54 80

HSL 346.07, 0.51%, 0.43%

LAB 40.12, 47.83, 10.29

 

CMYK 18 / 0 / 67 / 35

HEX #88A636

RGB 136 166 54

HSL 76.07, 0.51%, 0.43%

LAB 63.98, -26.71, 52.32

 

CMYK 67 / 0 / 16 / 35

HEX #36A68B

RGB 54 166 139

HSL 165.54, 0.51%, 0.43%

LAB 61.59, -37.93, 4.86

 

CMYK 49 / 67 / 0 / 35

HEX #5436A6

RGB 84 54 166

HSL 256.07, 0.51%, 0.43%

LAB 32.43, 41.1, -55.89

 

Description

Color code: HEX #A63650 | qconv.com Color code: HEX #A63650 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 54 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 54 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 52 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 52% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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