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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A63189 it is the complementary color #59CE76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A63189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A63189 shade: #AB3184, #BC4397, #CD55AA, #DE67BD and #EF79D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A63189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A63189 shade: #A63189, #951F76, #840D63, #730050 and #62003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A63189 shade: #A53188, #A53169, #A5314A and #A53131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A63189 shade: #A53188, #A231A5, #8331A5, #6431A5 and #4531A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A63189 shade matches the following richer shades: #A53188, #B62091 and #C80F9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A63189 shade: #A53188, #944380, #825477, #71656E and #607765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A63189 shade: #8231A5, #A131A5, #A5318A, #A5316B and #A5314C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A63189 shade: #651E54, #85286E, #A53188, #C43BA2 and #CE5BB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A63189 shade: #A63189, #A56331 and #31A592

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A63189 shade: #A63189, #8AA531 and #318AA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A63189 shade: #A63189, #A56331, #31A54C and #3173A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A63189 shade: #A63189, #A58631, #31A54C and #3150A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 17 / 35

HEX #A63189

RGB 166 49 137

HSL 314.87, 0.54%, 0.42%

LAB 41.39, 56.52, -23.32

 

Complementary color

CMYK 57 / 0 / 43 / 19

HEX #59CE76

RGB 89 206 118

HSL 134.87, 0.54%, 0.58%

LAB 74.56, -51.94, 34.04

 

CMYK 0 / 71 / 23 / 33

HEX #AB3184

RGB 171 49 132

HSL 319.18, 0.55%, 0.43%

LAB 42.03, 57.13, -19.2

 

CMYK 0 / 64 / 20 / 26

HEX #BC4397

RGB 188 67 151

HSL 318.35, 0.47%, 0.5%

LAB 48.18, 57.35, -20.99

 

CMYK 0 / 59 / 17 / 20

HEX #CD55AA

RGB 205 85 170

HSL 317.5, 0.55%, 0.57%

LAB 54.43, 57.13, -22.37

 

CMYK 0 / 54 / 15 / 13

HEX #DE67BD

RGB 222 103 189

HSL 316.64, 0.64%, 0.64%

LAB 60.7, 56.67, -23.49

 

CMYK 0 / 49 / 13 / 6

HEX #EF79D0

RGB 239 121 208

HSL 315.76, 0.79%, 0.71%

LAB 66.96, 56.07, -24.41

 

CMYK 0 / 70 / 17 / 35

HEX #A63189

RGB 166 49 137

HSL 314.87, 0.54%, 0.42%

LAB 41.39, 56.52, -23.32

 

CMYK 0 / 79 / 21 / 42

HEX #951F76

RGB 149 31 118

HSL 315.76, 0.66%, 0.35%

LAB 35.36, 55.6, -21.15

 

CMYK 0 / 90 / 25 / 48

HEX #840D63

RGB 132 13 99

HSL 316.64, 0.82%, 0.28%

LAB 29.65, 53.45, -18.12

 

CMYK 0 / 100 / 30 / 55

HEX #730050

RGB 115 0 80

HSL 318.26, 1%, 0.23%

LAB 24.4, 49.62, -13.96

 

CMYK 0 / 100 / 38 / 62

HEX #62003D

RGB 98 0 61

HSL 322.65, 1%, 0.19%

LAB 19.78, 43.54, -8.33

 

CMYK 0 / 70 / 18 / 35

HEX #A53188

RGB 165 49 136

HSL 315, 0.54%, 0.42%

LAB 41.17, 56.12, -23.06

 

CMYK 0 / 70 / 36 / 35

HEX #A53169

RGB 165 49 105

HSL 331.03, 0.54%, 0.42%

LAB 39.94, 52.07, -5.73

 

CMYK 0 / 70 / 55 / 35

HEX #A5314A

RGB 165 49 74

HSL 347.07, 0.54%, 0.42%

LAB 39.05, 49.04, 12.57

 

CMYK 0 / 70 / 70 / 35

HEX #A53131

RGB 165 49 49

HSL 0, 0.54%, 0.42%

LAB 38.58, 47.38, 27.56

 

CMYK 0 / 70 / 18 / 35

HEX #A53188

RGB 165 49 136

HSL 315, 0.54%, 0.42%

LAB 41.17, 56.12, -23.06

 

CMYK 2 / 70 / 0 / 35

HEX #A231A5

RGB 162 49 165

HSL 298.45, 0.54%, 0.42%

LAB 42.15, 60, -39.1

 

CMYK 21 / 70 / 0 / 35

HEX #8331A5

RGB 131 49 165

HSL 282.41, 0.54%, 0.42%

LAB 37.37, 53.05, -47

 

CMYK 39 / 70 / 0 / 35

HEX #6431A5

RGB 100 49 165

HSL 266.38, 0.54%, 0.42%

LAB 33.18, 46.57, -53.98

 

CMYK 58 / 70 / 0 / 35

HEX #4531A5

RGB 69 49 165

HSL 250.34, 0.54%, 0.42%

LAB 29.86, 41.05, -59.54

 

CMYK 0 / 70 / 18 / 35

HEX #A53188

RGB 165 49 136

HSL 315, 0.54%, 0.42%

LAB 41.17, 56.12, -23.06

 

CMYK 0 / 82 / 20 / 29

HEX #B62091

RGB 182 32 145

HSL 314.8, 0.7%, 0.42%

LAB 42.8, 66.58, -25.79

 

CMYK 0 / 93 / 23 / 22

HEX #C80F9A

RGB 200 15 154

HSL 314.92, 0.86%, 0.42%

LAB 45.57, 74.37, -26.66

 

CMYK 0 / 70 / 18 / 35

HEX #A53188

RGB 165 49 136

HSL 315, 0.54%, 0.42%

LAB 41.17, 56.12, -23.06

 

CMYK 0 / 55 / 14 / 42

HEX #944380

RGB 148 67 128

HSL 314.81, 0.38%, 0.42%

LAB 41.01, 42.03, -18.64

 

CMYK 0 / 35 / 8 / 49

HEX #825477

RGB 130 84 119

HSL 314.35, 0.21%, 0.42%

LAB 41.87, 24.92, -12.02

 

CMYK 0 / 11 / 3 / 56

HEX #71656E

RGB 113 101 110

HSL 315, 0.06%, 0.42%

LAB 44.15, 6.52, -3.33

 

CMYK 19 / 0 / 15 / 53

HEX #607765

RGB 96 119 101

HSL 133.04, 0.11%, 0.42%

LAB 47.78, -12.3, 7.14

 

CMYK 21 / 70 / 0 / 35

HEX #8231A5

RGB 130 49 165

HSL 281.9, 0.54%, 0.42%

LAB 37.22, 52.83, -47.25

 

CMYK 2 / 70 / 0 / 35

HEX #A131A5

RGB 161 49 165

HSL 297.93, 0.54%, 0.42%

LAB 41.99, 59.77, -39.36

 

CMYK 0 / 70 / 16 / 35

HEX #A5318A

RGB 165 49 138

HSL 313.97, 0.54%, 0.42%

LAB 41.27, 56.41, -24.14

 

CMYK 0 / 70 / 35 / 35

HEX #A5316B

RGB 165 49 107

HSL 330, 0.54%, 0.42%

LAB 40.01, 52.3, -6.88

 

CMYK 0 / 70 / 54 / 35

HEX #A5314C

RGB 165 49 76

HSL 346.03, 0.54%, 0.42%

LAB 39.1, 49.2, 11.37

 

CMYK 0 / 70 / 17 / 60

HEX #651E54

RGB 101 30 84

HSL 314.37, 0.54%, 0.26%

LAB 24.75, 38.15, -16.32

 

CMYK 0 / 70 / 17 / 48

HEX #85286E

RGB 133 40 110

HSL 314.84, 0.54%, 0.34%

LAB 33.2, 47.16, -19.66

 

CMYK 0 / 70 / 18 / 35

HEX #A53188

RGB 165 49 136

HSL 315, 0.54%, 0.42%

LAB 41.17, 56.12, -23.06

 

CMYK 0 / 70 / 17 / 23

HEX #C43BA2

RGB 196 59 162

HSL 314.89, 0.54%, 0.5%

LAB 48.85, 64.09, -26.4

 

CMYK 0 / 56 / 14 / 19

HEX #CE5BB1

RGB 206 91 177

HSL 315.13, 0.54%, 0.58%

LAB 55.87, 55.75, -24.21

 

CMYK 0 / 70 / 17 / 35

HEX #A63189

RGB 166 49 137

HSL 314.87, 0.54%, 0.42%

LAB 41.39, 56.52, -23.32

 

CMYK 0 / 40 / 70 / 35

HEX #A56331

RGB 165 99 49

HSL 25.86, 0.54%, 0.42%

LAB 48.44, 22.25, 38.86

 

CMYK 70 / 0 / 12 / 35

HEX #31A592

RGB 49 165 146

HSL 170.17, 0.54%, 0.42%

LAB 61.34, -36.42, 0.56

 

CMYK 0 / 70 / 17 / 35

HEX #A63189

RGB 166 49 137

HSL 314.87, 0.54%, 0.42%

LAB 41.39, 56.52, -23.32

 

CMYK 16 / 0 / 70 / 35

HEX #8AA531

RGB 138 165 49

HSL 73.97, 0.54%, 0.42%

LAB 63.78, -25.72, 54.16

 

CMYK 70 / 16 / 0 / 35

HEX #318AA5

RGB 49 138 165

HSL 193.97, 0.54%, 0.42%

LAB 53.54, -17.23, -21.96

 

CMYK 0 / 70 / 17 / 35

HEX #A63189

RGB 166 49 137

HSL 314.87, 0.54%, 0.42%

LAB 41.39, 56.52, -23.32

 

CMYK 0 / 40 / 70 / 35

HEX #A56331

RGB 165 99 49

HSL 25.86, 0.54%, 0.42%

LAB 48.44, 22.25, 38.86

 

CMYK 70 / 0 / 54 / 35

HEX #31A54C

RGB 49 165 76

HSL 133.97, 0.54%, 0.42%

LAB 59.97, -51.21, 36.67

 

CMYK 70 / 30 / 0 / 35

HEX #3173A5

RGB 49 115 165

HSL 205.86, 0.54%, 0.42%

LAB 46.49, -4.1, -32.91

 

CMYK 0 / 70 / 17 / 35

HEX #A63189

RGB 166 49 137

HSL 314.87, 0.54%, 0.42%

LAB 41.39, 56.52, -23.32

 

CMYK 0 / 19 / 70 / 35

HEX #A58631

RGB 165 134 49

HSL 43.97, 0.54%, 0.42%

LAB 57.34, 2.51, 48.33

 

CMYK 70 / 0 / 54 / 35

HEX #31A54C

RGB 49 165 76

HSL 133.97, 0.54%, 0.42%

LAB 59.97, -51.21, 36.67

 

CMYK 70 / 52 / 0 / 35

HEX #3150A5

RGB 49 80 165

HSL 223.97, 0.54%, 0.42%

LAB 36.19, 18.17, -49.31

 

Description

Color code: HEX #A63189 | qconv.com Color code: HEX #A63189 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 49 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 49 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 17 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 17% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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