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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A62BA9 it is the complementary color #59D456. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A62BA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A62BA9 shade: #AB2BA4, #BC3DB7, #CD4FCA, #DE61DD and #EF73F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A62BA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A62BA9 shade: #A62BA9, #951996, #840783, #730070 and #62005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A62BA9 shade: #A72CAA, #AA2C8B, #AA2C69, #AA2C47 and #AA2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A62BA9 shade: #A72CAA, #852CAA, #632CAA, #412CAA and #2C2CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A62BA9 shade matches the following richer shades: #A72CAA, #B81BBC and #C809CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A62BA9 shade: #A72CAA, #973D99, #864F88, #766076 and #657165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A62BA9 shade: #632CAA, #842CAA, #A62CAA, #AA2C8D and #AA2C6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A62BA9 shade: #671B69, #872389, #A72CAA, #C735CB and #D055D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A62BA9 shade: #A62BA9, #AA412C and #2CAA74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A62BA9 shade: #A62BA9, #AAA62C and #2CAAA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A62BA9 shade: #A62BA9, #AA412C, #30AA2C and #2C95AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A62BA9 shade: #A62BA9, #AA672C, #30AA2C and #2C6FAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 75 / 0 / 34

HEX #A62BA9

RGB 166 43 169

HSL 298.57, 0.59%, 0.42%

LAB 42.31, 63.61, -41.19

 

Complementary color

CMYK 58 / 0 / 59 / 17

HEX #59D456

RGB 89 212 86

HSL 118.57, 0.59%, 0.58%

LAB 76, -58.61, 51.16

 

CMYK 0 / 75 / 4 / 33

HEX #AB2BA4

RGB 171 43 164

HSL 303.28, 0.6%, 0.42%

LAB 42.86, 63.88, -37.27

 

CMYK 0 / 68 / 3 / 26

HEX #BC3DB7

RGB 188 61 183

HSL 302.36, 0.51%, 0.49%

LAB 48.82, 64.61, -38.89

 

CMYK 0 / 61 / 1 / 20

HEX #CD4FCA

RGB 205 79 202

HSL 301.43, 0.56%, 0.56%

LAB 54.9, 64.76, -40.11

 

CMYK 0 / 56 / 0 / 13

HEX #DE61DD

RGB 222 97 221

HSL 300.48, 0.65%, 0.63%

LAB 61.04, 64.56, -41.05

 

CMYK 0 / 52 / 0 / 6

HEX #EF73F0

RGB 239 115 240

HSL 299.52, 0.81%, 0.7%

LAB 67.2, 64.13, -41.8

 

CMYK 2 / 75 / 0 / 34

HEX #A62BA9

RGB 166 43 169

HSL 298.57, 0.59%, 0.42%

LAB 42.31, 63.61, -41.19

 

CMYK 1 / 83 / 0 / 41

HEX #951996

RGB 149 25 150

HSL 299.52, 0.71%, 0.34%

LAB 36.53, 62.01, -39.11

 

CMYK 0 / 95 / 1 / 48

HEX #840783

RGB 132 7 131

HSL 300.48, 0.9%, 0.27%

LAB 31.11, 59.05, -36.22

 

CMYK 0 / 100 / 3 / 55

HEX #730070

RGB 115 0 112

HSL 301.57, 1%, 0.23%

LAB 26.2, 54.1, -32.19

 

CMYK 0 / 100 / 5 / 62

HEX #62005D

RGB 98 0 93

HSL 303.06, 1%, 0.19%

LAB 21.53, 47.94, -27.41

 

CMYK 2 / 74 / 0 / 33

HEX #A72CAA

RGB 167 44 170

HSL 298.57, 0.59%, 0.42%

LAB 42.64, 63.67, -41.24

 

CMYK 0 / 74 / 18 / 33

HEX #AA2C8B

RGB 170 44 139

HSL 314.76, 0.59%, 0.42%

LAB 41.55, 59.58, -24.24

 

CMYK 0 / 74 / 38 / 33

HEX #AA2C69

RGB 170 44 105

HSL 330.95, 0.59%, 0.42%

LAB 40.19, 55.33, -5.26

 

CMYK 0 / 74 / 58 / 33

HEX #AA2C47

RGB 170 44 71

HSL 347.14, 0.59%, 0.42%

LAB 39.25, 52.24, 14.88

 

CMYK 0 / 74 / 74 / 33

HEX #AA2C2C

RGB 170 44 44

HSL 0, 0.59%, 0.42%

LAB 38.78, 50.67, 31.03

 

CMYK 2 / 74 / 0 / 33

HEX #A72CAA

RGB 167 44 170

HSL 298.57, 0.59%, 0.42%

LAB 42.64, 63.67, -41.24

 

CMYK 22 / 74 / 0 / 33

HEX #852CAA

RGB 133 44 170

HSL 282.38, 0.59%, 0.42%

LAB 37.28, 56.56, -50.13

 

CMYK 42 / 74 / 0 / 33

HEX #632CAA

RGB 99 44 170

HSL 266.19, 0.59%, 0.42%

LAB 32.6, 50.09, -57.93

 

CMYK 62 / 74 / 0 / 33

HEX #412CAA

RGB 65 44 170

HSL 250, 0.59%, 0.42%

LAB 28.97, 44.81, -64.02

 

CMYK 74 / 74 / 0 / 33

HEX #2C2CAA

RGB 44 44 170

HSL 240, 0.59%, 0.42%

LAB 27.41, 42.44, -66.66

 

CMYK 2 / 74 / 0 / 33

HEX #A72CAA

RGB 167 44 170

HSL 298.57, 0.59%, 0.42%

LAB 42.64, 63.67, -41.24

 

CMYK 2 / 86 / 0 / 26

HEX #B81BBC

RGB 184 27 188

HSL 298.51, 0.75%, 0.42%

LAB 45.09, 74.21, -47.79

 

CMYK 2 / 96 / 0 / 20

HEX #C809CD

RGB 200 9 205

HSL 298.47, 0.92%, 0.42%

LAB 48.11, 81.82, -52.68

 

CMYK 2 / 74 / 0 / 33

HEX #A72CAA

RGB 167 44 170

HSL 298.57, 0.59%, 0.42%

LAB 42.64, 63.67, -41.24

 

CMYK 1 / 60 / 0 / 40

HEX #973D99

RGB 151 61 153

HSL 298.7, 0.43%, 0.42%

LAB 41.56, 50.19, -32.94

 

CMYK 1 / 42 / 0 / 47

HEX #864F88

RGB 134 79 136

HSL 297.89, 0.27%, 0.42%

LAB 41.9, 32.52, -22.3

 

CMYK 0 / 19 / 0 / 54

HEX #766076

RGB 118 96 118

HSL 300, 0.1%, 0.42%

LAB 43.54, 13.09, -9.03

 

CMYK 11 / 0 / 11 / 56

HEX #657165

RGB 101 113 101

HSL 120, 0.06%, 0.42%

LAB 46.33, -7.03, 5.13

 

CMYK 42 / 74 / 0 / 33

HEX #632CAA

RGB 99 44 170

HSL 266.19, 0.59%, 0.42%

LAB 32.6, 50.09, -57.93

 

CMYK 22 / 74 / 0 / 33

HEX #842CAA

RGB 132 44 170

HSL 281.9, 0.59%, 0.42%

LAB 37.13, 56.36, -50.37

 

CMYK 2 / 74 / 0 / 33

HEX #A62CAA

RGB 166 44 170

HSL 298.1, 0.59%, 0.42%

LAB 42.48, 63.46, -41.51

 

CMYK 0 / 74 / 17 / 33

HEX #AA2C8D

RGB 170 44 141

HSL 313.81, 0.59%, 0.42%

LAB 41.64, 59.86, -25.32

 

CMYK 0 / 74 / 37 / 33

HEX #AA2C6B

RGB 170 44 107

HSL 330, 0.59%, 0.42%

LAB 40.26, 55.54, -6.41

 

CMYK 2 / 74 / 0 / 59

HEX #671B69

RGB 103 27 105

HSL 298.46, 0.59%, 0.26%

LAB 25.82, 43.63, -28.4

 

CMYK 1 / 74 / 0 / 46

HEX #872389

RGB 135 35 137

HSL 298.82, 0.59%, 0.34%

LAB 34.31, 53.99, -34.81

 

CMYK 2 / 74 / 0 / 33

HEX #A72CAA

RGB 167 44 170

HSL 298.57, 0.59%, 0.42%

LAB 42.64, 63.67, -41.24

 

CMYK 2 / 74 / 0 / 20

HEX #C735CB

RGB 199 53 203

HSL 298.4, 0.59%, 0.5%

LAB 50.69, 72.99, -47.42

 

CMYK 1 / 60 / 0 / 17

HEX #D055D3

RGB 208 85 211

HSL 298.57, 0.59%, 0.58%

LAB 56.69, 64.51, -42.39

 

CMYK 2 / 75 / 0 / 34

HEX #A62BA9

RGB 166 43 169

HSL 298.57, 0.59%, 0.42%

LAB 42.31, 63.61, -41.19

 

CMYK 0 / 62 / 74 / 33

HEX #AA412C

RGB 170 65 44

HSL 10, 0.59%, 0.42%

LAB 42.01, 41.9, 34.66

 

CMYK 74 / 0 / 32 / 33

HEX #2CAA74

RGB 44 170 116

HSL 154.29, 0.59%, 0.42%

LAB 62.12, -46.62, 18.34

 

CMYK 2 / 75 / 0 / 34

HEX #A62BA9

RGB 166 43 169

HSL 298.57, 0.59%, 0.42%

LAB 42.31, 63.61, -41.19

 

CMYK 0 / 2 / 74 / 33

HEX #AAA62C

RGB 170 166 44

HSL 58.1, 0.59%, 0.42%

LAB 66.52, -12.75, 59.52

 

CMYK 74 / 0 / 2 / 33

HEX #2CAAA6

RGB 44 170 166

HSL 178.1, 0.59%, 0.42%

LAB 63.37, -33.76, -7.67

 

CMYK 2 / 75 / 0 / 34

HEX #A62BA9

RGB 166 43 169

HSL 298.57, 0.59%, 0.42%

LAB 42.31, 63.61, -41.19

 

CMYK 0 / 62 / 74 / 33

HEX #AA412C

RGB 170 65 44

HSL 10, 0.59%, 0.42%

LAB 42.01, 41.9, 34.66

 

CMYK 72 / 0 / 74 / 33

HEX #30AA2C

RGB 48 170 44

HSL 118.1, 0.59%, 0.42%

LAB 61.27, -56.72, 52.19

 

CMYK 74 / 12 / 0 / 33

HEX #2C95AA

RGB 44 149 170

HSL 190, 0.59%, 0.42%

LAB 57.01, -22.13, -19.52

 

CMYK 2 / 75 / 0 / 34

HEX #A62BA9

RGB 166 43 169

HSL 298.57, 0.59%, 0.42%

LAB 42.31, 63.61, -41.19

 

CMYK 0 / 39 / 74 / 33

HEX #AA672C

RGB 170 103 44

HSL 28.1, 0.59%, 0.42%

LAB 50.01, 21.91, 43.23

 

CMYK 72 / 0 / 74 / 33

HEX #30AA2C

RGB 48 170 44

HSL 118.1, 0.59%, 0.42%

LAB 61.27, -56.72, 52.19

 

CMYK 74 / 35 / 0 / 33

HEX #2C6FAA

RGB 44 111 170

HSL 208.1, 0.59%, 0.42%

LAB 45.37, -0.59, -37.61

 

Description

Color code: HEX #A62BA9 | qconv.com Color code: HEX #A62BA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 43 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 43 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 75 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 75% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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