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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6214A it is the complementary color #59DEB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6214A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6214A shade: #AB2145, #BC3358, #CD456B, #DE577E and #EF6991

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6214A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6214A shade: #A6214A, #950F37, #840024, #730011 and #620000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6214A shade: #A6214A, #A62126 and #A62121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6214A shade: #A6214A, #A6216E, #A62192, #9621A6 and #7321A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6214A shade matches the following richer shades: #A6214A, #B61144 and #C6013E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6214A shade: #A6214A, #963150, #864156, #76515C and #666163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6214A shade: #A62192, #A6216F, #A6214B, #A62127 and #A63E21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6214A shade: #61132B, #841A3B, #A6214A, #C92859 and #D9406F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6214A shade: #A6214A, #A69721 and #2180A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6214A shade: #A6214A, #4BA621 and #214BA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6214A shade: #A6214A, #A69721, #21A67C and #2130A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6214A shade: #A6214A, #8EA621, #21A67C and #3921A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

Complementary color

CMYK 60 / 0 / 18 / 13

HEX #59DEB5

RGB 89 222 181

HSL 161.5, 0.67%, 0.61%

LAB 80.57, -46.05, 9.36

 

CMYK 0 / 81 / 60 / 33

HEX #AB2145

RGB 171 33 69

HSL 344.35, 0.68%, 0.4%

LAB 38.16, 55.88, 14.71

 

CMYK 0 / 73 / 53 / 26

HEX #BC3358

RGB 188 51 88

HSL 343.8, 0.57%, 0.47%

LAB 43.89, 56.48, 11.14

 

CMYK 0 / 66 / 48 / 20

HEX #CD456B

RGB 205 69 107

HSL 343.24, 0.58%, 0.54%

LAB 49.85, 56.42, 8.3

 

CMYK 0 / 61 / 43 / 13

HEX #DE577E

RGB 222 87 126

HSL 342.67, 0.67%, 0.61%

LAB 55.94, 55.98, 6.01

 

CMYK 0 / 56 / 39 / 6

HEX #EF6991

RGB 239 105 145

HSL 342.09, 0.81%, 0.67%

LAB 62.08, 55.32, 4.1

 

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

CMYK 0 / 90 / 63 / 42

HEX #950F37

RGB 149 15 55

HSL 342.09, 0.82%, 0.32%

LAB 31.82, 53.15, 14.51

 

CMYK 0 / 100 / 73 / 48

HEX #840024

RGB 132 0 36

HSL 343.64, 1%, 0.26%

LAB 26.83, 50.13, 20.02

 

CMYK 0 / 100 / 85 / 55

HEX #730011

RGB 115 0 17

HSL 351.13, 1%, 0.23%

LAB 22.6, 44.89, 26.62

 

CMYK 0 / 100 / 100 / 62

HEX #620000

RGB 98 0 0

HSL 0, 1%, 0.19%

LAB 18.35, 39.75, 28.27

 

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

CMYK 0 / 80 / 77 / 35

HEX #A62126

RGB 166 33 38

HSL 357.74, 0.67%, 0.39%

LAB 36.62, 52.78, 31.98

 

CMYK 0 / 80 / 80 / 35

HEX #A62121

RGB 166 33 33

HSL 0, 0.67%, 0.39%

LAB 36.56, 52.6, 34.84

 

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

CMYK 0 / 80 / 34 / 35

HEX #A6216E

RGB 166 33 110

HSL 325.26, 0.67%, 0.39%

LAB 38.41, 58.25, -11.15

 

CMYK 0 / 80 / 12 / 35

HEX #A62192

RGB 166 33 146

HSL 309.02, 0.67%, 0.39%

LAB 40.03, 62.94, -30.94

 

CMYK 10 / 80 / 0 / 35

HEX #9621A6

RGB 150 33 166

HSL 292.78, 0.67%, 0.39%

LAB 38.42, 62.85, -45.76

 

CMYK 31 / 80 / 0 / 35

HEX #7321A6

RGB 115 33 166

HSL 276.99, 0.67%, 0.39%

LAB 32.89, 56.42, -54.97

 

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

CMYK 0 / 91 / 63 / 29

HEX #B61144

RGB 182 17 68

HSL 341.45, 0.83%, 0.39%

LAB 39.18, 62.18, 17.12

 

CMYK 0 / 99 / 69 / 22

HEX #C6013E

RGB 198 1 62

HSL 341.42, 0.99%, 0.39%

LAB 41.81, 67.6, 24.97

 

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

CMYK 0 / 67 / 47 / 41

HEX #963150

RGB 150 49 80

HSL 341.58, 0.51%, 0.39%

LAB 36.48, 44.74, 4.74

 

CMYK 0 / 51 / 36 / 47

HEX #864156

RGB 134 65 86

HSL 341.74, 0.35%, 0.39%

LAB 36.97, 31.93, 1.28

 

CMYK 0 / 31 / 22 / 54

HEX #76515C

RGB 118 81 92

HSL 342.16, 0.19%, 0.39%

LAB 38.74, 17.26, -0.17

 

CMYK 0 / 5 / 3 / 60

HEX #666163

RGB 102 97 99

HSL 336, 0.03%, 0.39%

LAB 41.65, 2.39, -0.43

 

CMYK 0 / 80 / 12 / 35

HEX #A62192

RGB 166 33 146

HSL 309.02, 0.67%, 0.39%

LAB 40.03, 62.94, -30.94

 

CMYK 0 / 80 / 33 / 35

HEX #A6216F

RGB 166 33 111

HSL 324.81, 0.67%, 0.39%

LAB 38.45, 58.37, -11.72

 

CMYK 0 / 80 / 55 / 35

HEX #A6214B

RGB 166 33 75

HSL 341.05, 0.67%, 0.39%

LAB 37.3, 54.91, 9.54

 

CMYK 0 / 80 / 77 / 35

HEX #A62127

RGB 166 33 39

HSL 357.29, 0.67%, 0.39%

LAB 36.63, 52.82, 31.39

 

CMYK 0 / 63 / 80 / 35

HEX #A63E21

RGB 166 62 33

HSL 13.08, 0.67%, 0.39%

LAB 40.67, 41.37, 38.99

 

CMYK 0 / 80 / 56 / 62

HEX #61132B

RGB 97 19 43

HSL 341.54, 0.67%, 0.23%

LAB 20.76, 36.11, 5.75

 

CMYK 0 / 80 / 55 / 48

HEX #841A3B

RGB 132 26 59

HSL 341.32, 0.67%, 0.31%

LAB 29.31, 45.93, 7.84

 

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

CMYK 0 / 80 / 56 / 21

HEX #C92859

RGB 201 40 89

HSL 341.74, 0.67%, 0.47%

LAB 45.16, 63.63, 12.65

 

CMYK 0 / 71 / 49 / 15

HEX #D9406F

RGB 217 64 111

HSL 341.57, 0.67%, 0.55%

LAB 51.34, 62.27, 8.29

 

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

CMYK 0 / 9 / 80 / 35

HEX #A69721

RGB 166 151 33

HSL 53.23, 0.67%, 0.39%

LAB 61.96, -7.06, 58.85

 

CMYK 80 / 23 / 0 / 35

HEX #2180A6

RGB 33 128 166

HSL 197.14, 0.67%, 0.39%

LAB 50.11, -13.41, -27.86

 

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

CMYK 55 / 0 / 80 / 35

HEX #4BA621

RGB 75 166 33

HSL 101.05, 0.67%, 0.39%

LAB 60.67, -49.82, 55.56

 

CMYK 80 / 55 / 0 / 35

HEX #214BA6

RGB 33 75 166

HSL 221.05, 0.67%, 0.39%

LAB 34.21, 19.83, -53.14

 

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

CMYK 0 / 9 / 80 / 35

HEX #A69721

RGB 166 151 33

HSL 53.23, 0.67%, 0.39%

LAB 61.96, -7.06, 58.85

 

CMYK 80 / 0 / 25 / 35

HEX #21A67C

RGB 33 166 124

HSL 161.05, 0.67%, 0.39%

LAB 60.83, -44.54, 12.1

 

CMYK 80 / 71 / 0 / 35

HEX #2130A6

RGB 33 48 166

HSL 233.23, 0.67%, 0.39%

LAB 27.27, 37.67, -64.49

 

CMYK 0 / 80 / 55 / 35

HEX #A6214A

RGB 166 33 74

HSL 341.5, 0.67%, 0.39%

LAB 37.28, 54.83, 10.15

 

CMYK 14 / 0 / 80 / 35

HEX #8EA621

RGB 142 166 33

HSL 70.83, 0.67%, 0.39%

LAB 64.27, -25.34, 60.18

 

CMYK 80 / 0 / 25 / 35

HEX #21A67C

RGB 33 166 124

HSL 161.05, 0.67%, 0.39%

LAB 60.83, -44.54, 12.1

 

CMYK 66 / 80 / 0 / 35

HEX #3921A6

RGB 57 33 166

HSL 250.83, 0.67%, 0.39%

LAB 25.89, 48.28, -66.71

 

Description

Color code: HEX #A6214A | qconv.com Color code: HEX #A6214A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 33 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 33 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 55 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 55% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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