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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A61819 it is the complementary color #59E7E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A61819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A61819 shade: #AB1814, #BC2A27, #CD3C3A, #DE4E4D and #EF6060

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A61819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A61819 shade: #A61819, #950606, #840000, #730000 and #620000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A61819 shade: #A51819 and #A51818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A61819 shade: #A51819, #A5183F, #A51865, #A5188B and #9918A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A61819 shade matches the following richer shades: #A51819 and #B4080A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A61819 shade: #A51819, #962728, #873637, #774546 and #685555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A61819 shade: #A51865, #A51840, #A5181A, #A53B18 and #A56118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A61819 shade: #5D0D0E, #811213, #A51819, #C91D1E and #E12E2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A61819 shade: #A61819, #8BA518 and #1853A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A61819 shade: #A61819, #1AA518 and #181AA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A61819 shade: #A61819, #8BA518, #18A5A3 and #3218A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A61819 shade: #A61819, #61A518, #18A5A3 and #5C18A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 85 / 35

HEX #A61819

RGB 166 24 25

HSL 359.58, 0.75%, 0.37%

LAB 35.66, 54.73, 38.41

 

Complementary color

CMYK 61 / 0 / 0 / 9

HEX #59E7E6

RGB 89 231 230

HSL 179.58, 0.75%, 0.63%

LAB 84.48, -37.77, -10.87

 

CMYK 0 / 86 / 88 / 33

HEX #AB1814

RGB 171 24 20

HSL 1.59, 0.79%, 0.37%

LAB 36.67, 56.04, 42.24

 

CMYK 0 / 78 / 79 / 26

HEX #BC2A27

RGB 188 42 39

HSL 1.21, 0.66%, 0.45%

LAB 41.99, 56.73, 38.42

 

CMYK 0 / 71 / 72 / 20

HEX #CD3C3A

RGB 205 60 58

HSL 0.82, 0.6%, 0.52%

LAB 47.64, 56.6, 34.75

 

CMYK 0 / 65 / 65 / 13

HEX #DE4E4D

RGB 222 78 77

HSL 0.41, 0.69%, 0.59%

LAB 53.51, 55.99, 31.54

 

CMYK 0 / 60 / 60 / 6

HEX #EF6060

RGB 239 96 96

HSL 0, 0.82%, 0.66%

LAB 59.49, 55.12, 28.78

 

CMYK 0 / 86 / 85 / 35

HEX #A61819

RGB 166 24 25

HSL 359.58, 0.75%, 0.37%

LAB 35.66, 54.73, 38.41

 

CMYK 0 / 96 / 96 / 42

HEX #950606

RGB 149 6 6

HSL 0, 0.92%, 0.3%

LAB 30.72, 52.84, 41.88

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 100 / 100 / 55

HEX #730000

RGB 115 0 0

HSL 0, 1%, 0.23%

LAB 22.46, 44.5, 33.99

 

CMYK 0 / 100 / 100 / 62

HEX #620000

RGB 98 0 0

HSL 0, 1%, 0.19%

LAB 18.35, 39.75, 28.27

 

CMYK 0 / 85 / 85 / 35

HEX #A51819

RGB 165 24 25

HSL 359.57, 0.75%, 0.37%

LAB 35.44, 54.44, 38.14

 

CMYK 0 / 85 / 85 / 35

HEX #A51818

RGB 165 24 24

HSL 0, 0.75%, 0.37%

LAB 35.44, 54.42, 38.66

 

CMYK 0 / 85 / 85 / 35

HEX #A51819

RGB 165 24 25

HSL 359.57, 0.75%, 0.37%

LAB 35.44, 54.44, 38.14

 

CMYK 0 / 85 / 62 / 35

HEX #A5183F

RGB 165 24 63

HSL 343.4, 0.75%, 0.37%

LAB 36.01, 56.11, 15.47

 

CMYK 0 / 85 / 39 / 35

HEX #A51865

RGB 165 24 101

HSL 327.23, 0.75%, 0.37%

LAB 37.1, 59.27, -7.44

 

CMYK 0 / 85 / 16 / 35

HEX #A5188B

RGB 165 24 139

HSL 311.06, 0.75%, 0.37%

LAB 38.75, 63.86, -28.67

 

CMYK 7 / 85 / 0 / 35

HEX #9918A5

RGB 153 24 165

HSL 294.89, 0.75%, 0.37%

LAB 38.1, 65.48, -45.65

 

CMYK 0 / 85 / 85 / 35

HEX #A51819

RGB 165 24 25

HSL 359.57, 0.75%, 0.37%

LAB 35.44, 54.44, 38.14

 

CMYK 0 / 96 / 94 / 29

HEX #B4080A

RGB 180 8 10

HSL 359.3, 0.91%, 0.37%

LAB 37.66, 60.87, 48.03

 

CMYK 0 / 85 / 85 / 35

HEX #A51819

RGB 165 24 25

HSL 359.57, 0.75%, 0.37%

LAB 35.44, 54.44, 38.14

 

CMYK 0 / 74 / 73 / 41

HEX #962728

RGB 150 39 40

HSL 359.46, 0.59%, 0.37%

LAB 34.17, 45.84, 27.13

 

CMYK 0 / 60 / 59 / 47

HEX #873637

RGB 135 54 55

HSL 359.26, 0.43%, 0.37%

LAB 34.12, 34.81, 17.06

 

CMYK 0 / 42 / 41 / 53

HEX #774546

RGB 119 69 70

HSL 358.8, 0.27%, 0.37%

LAB 35.24, 21.61, 8.66

 

CMYK 0 / 18 / 18 / 59

HEX #685555

RGB 104 85 85

HSL 0, 0.1%, 0.37%

LAB 38.01, 7.83, 2.94

 

CMYK 0 / 85 / 39 / 35

HEX #A51865

RGB 165 24 101

HSL 327.23, 0.75%, 0.37%

LAB 37.1, 59.27, -7.44

 

CMYK 0 / 85 / 61 / 35

HEX #A51840

RGB 165 24 64

HSL 342.98, 0.75%, 0.37%

LAB 36.03, 56.17, 14.85

 

CMYK 0 / 85 / 84 / 35

HEX #A5181A

RGB 165 24 26

HSL 359.15, 0.75%, 0.37%

LAB 35.45, 54.47, 37.61

 

CMYK 0 / 64 / 85 / 35

HEX #A53B18

RGB 165 59 24

HSL 14.89, 0.75%, 0.37%

LAB 39.9, 42.1, 42.62

 

CMYK 0 / 41 / 85 / 35

HEX #A56118

RGB 165 97 24

HSL 31.06, 0.75%, 0.37%

LAB 47.77, 22.31, 49.41

 

CMYK 0 / 86 / 85 / 64

HEX #5D0D0E

RGB 93 13 14

HSL 359.25, 0.75%, 0.21%

LAB 18.57, 35, 22.34

 

CMYK 0 / 86 / 85 / 49

HEX #811213

RGB 129 18 19

HSL 359.46, 0.76%, 0.29%

LAB 27.15, 45.13, 30.97

 

CMYK 0 / 85 / 85 / 35

HEX #A51819

RGB 165 24 25

HSL 359.57, 0.75%, 0.37%

LAB 35.44, 54.44, 38.14

 

CMYK 0 / 86 / 85 / 21

HEX #C91D1E

RGB 201 29 30

HSL 359.65, 0.75%, 0.45%

LAB 43.35, 63.54, 45.42

 

CMYK 0 / 80 / 79 / 12

HEX #E12E2F

RGB 225 46 47

HSL 359.66, 0.75%, 0.53%

LAB 49.7, 66.61, 44.22

 

CMYK 0 / 86 / 85 / 35

HEX #A61819

RGB 166 24 25

HSL 359.58, 0.75%, 0.37%

LAB 35.66, 54.73, 38.41

 

CMYK 16 / 0 / 85 / 35

HEX #8BA518

RGB 139 165 24

HSL 71.06, 0.75%, 0.37%

LAB 63.73, -26.45, 61.98

 

CMYK 85 / 50 / 0 / 35

HEX #1853A5

RGB 24 83 165

HSL 214.89, 0.75%, 0.37%

LAB 36.17, 13.21, -49.38

 

CMYK 0 / 86 / 85 / 35

HEX #A61819

RGB 166 24 25

HSL 359.58, 0.75%, 0.37%

LAB 35.66, 54.73, 38.41

 

CMYK 84 / 0 / 85 / 35

HEX #1AA518

RGB 26 165 24

HSL 119.15, 0.75%, 0.37%

LAB 59.16, -59.6, 56.22

 

CMYK 85 / 84 / 0 / 35

HEX #181AA5

RGB 24 26 165

HSL 239.15, 0.75%, 0.37%

LAB 22.48, 48.97, -71.83

 

CMYK 0 / 86 / 85 / 35

HEX #A61819

RGB 166 24 25

HSL 359.58, 0.75%, 0.37%

LAB 35.66, 54.73, 38.41

 

CMYK 16 / 0 / 85 / 35

HEX #8BA518

RGB 139 165 24

HSL 71.06, 0.75%, 0.37%

LAB 63.73, -26.45, 61.98

 

CMYK 85 / 0 / 1 / 35

HEX #18A5A3

RGB 24 165 163

HSL 179.15, 0.75%, 0.37%

LAB 61.44, -34.21, -8.91

 

CMYK 70 / 85 / 0 / 35

HEX #3218A5

RGB 50 24 165

HSL 251.06, 0.75%, 0.37%

LAB 23.83, 51.33, -69.54

 

CMYK 0 / 86 / 85 / 35

HEX #A61819

RGB 166 24 25

HSL 359.58, 0.75%, 0.37%

LAB 35.66, 54.73, 38.41

 

CMYK 41 / 0 / 85 / 35

HEX #61A518

RGB 97 165 24

HSL 88.94, 0.75%, 0.37%

LAB 61.24, -42.89, 58.86

 

CMYK 85 / 0 / 1 / 35

HEX #18A5A3

RGB 24 165 163

HSL 179.15, 0.75%, 0.37%

LAB 61.44, -34.21, -8.91

 

CMYK 44 / 85 / 0 / 35

HEX #5C18A5

RGB 92 24 165

HSL 268.94, 0.75%, 0.37%

LAB 28.5, 55.72, -61.68

 

Description

Color code: HEX #A61819 | qconv.com Color code: HEX #A61819 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 24 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 24 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 85 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 85% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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