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Color name
HEX #A614F4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A614F4 it is the complementary color #59EB0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A614F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A614F4 shade: #AB14EF, #BC26FF, #CD38FF, #DE4AFF and #EF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A614F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A614F4 shade: #A614F4, #9502E1, #8400CE, #7300BB and #6200A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A614F4 shade: #A615F4, #E215F4, #F415C9, #F4158D and #F41551

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A614F4 shade: #A615F4, #6A15F4, #2E15F4 and #1515F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A614F4 shade matches the following richer shades: #A615F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A614F4 shade: #A615F4, #A029E0, #9A3DCC, #9451B9 and #8E64A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A614F4 shade: #2F15F4, #6B15F4, #A615F4, #E115F4 and #F415CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A614F4 shade: #7508AE, #8F0AD6, #A615F4, #B53DF6 and #C464F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A614F4 shade: #A614F4, #F41537 and #15F44D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A614F4 shade: #A614F4, #F4A615 and #15F4A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A614F4 shade: #A614F4, #F41537, #63F415 and #15F4D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A614F4 shade: #A614F4, #F43715, #63F415 and #15D3F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 92 / 0 / 4

HEX #A614F4

RGB 166 20 244

HSL 279.11, 0.91%, 0.52%

LAB 45.82, 82.46, -78.86

 

Complementary color

CMYK 62 / 0 / 95 / 8

HEX #59EB0B

RGB 89 235 11

HSL 99.11, 0.91%, 0.48%

LAB 82.68, -70.8, 78.68

 

CMYK 28 / 92 / 0 / 6

HEX #AB14EF

RGB 171 20 239

HSL 281.37, 0.87%, 0.51%

LAB 46.16, 82.14, -75.46

 

CMYK 26 / 85 / 0 / 0

HEX #BC26FF

RGB 188 38 255

HSL 281.47, 1%, 0.57%

LAB 51.03, 84.13, -76.37

 

CMYK 20 / 78 / 0 / 0

HEX #CD38FF

RGB 205 56 255

HSL 284.92, 1%, 0.61%

LAB 55.1, 82.19, -69.66

 

CMYK 13 / 71 / 0 / 0

HEX #DE4AFF

RGB 222 74 255

HSL 289.06, 1%, 0.65%

LAB 59.57, 79.57, -62.33

 

CMYK 6 / 64 / 0 / 0

HEX #EF5CFF

RGB 239 92 255

HSL 294.11, 1%, 0.68%

LAB 64.34, 76.51, -54.57

 

CMYK 32 / 92 / 0 / 4

HEX #A614F4

RGB 166 20 244

HSL 279.11, 0.91%, 0.52%

LAB 45.82, 82.46, -78.86

 

CMYK 34 / 99 / 0 / 12

HEX #9502E1

RGB 149 2 225

HSL 279.55, 0.98%, 0.45%

LAB 41.01, 78.88, -76.08

 

CMYK 36 / 100 / 0 / 19

HEX #8400CE

RGB 132 0 206

HSL 278.45, 1%, 0.4%

LAB 36.67, 73.58, -72.34

 

CMYK 39 / 100 / 0 / 27

HEX #7300BB

RGB 115 0 187

HSL 276.9, 1%, 0.37%

LAB 32.33, 67.98, -68.42

 

CMYK 42 / 100 / 0 / 34

HEX #6200A8

RGB 98 0 168

HSL 275, 1%, 0.33%

LAB 27.91, 62.3, -64.43

 

CMYK 32 / 91 / 0 / 4

HEX #A615F4

RGB 166 21 244

HSL 279.01, 0.91%, 0.52%

LAB 45.87, 82.31, -78.78

 

CMYK 7 / 91 / 0 / 4

HEX #E215F4

RGB 226 21 244

HSL 295.16, 0.91%, 0.52%

LAB 55.32, 90.67, -63.02

 

CMYK 0 / 91 / 18 / 4

HEX #F415C9

RGB 244 21 201

HSL 311.57, 0.91%, 0.52%

LAB 56.07, 87.84, -37.25

 

CMYK 0 / 91 / 42 / 4

HEX #F4158D

RGB 244 21 141

HSL 327.71, 0.91%, 0.52%

LAB 53.7, 81.57, -5.72

 

CMYK 0 / 91 / 67 / 4

HEX #F41551

RGB 244 21 81

HSL 343.86, 0.91%, 0.52%

LAB 52.25, 77.58, 28.48

 

CMYK 32 / 91 / 0 / 4

HEX #A615F4

RGB 166 21 244

HSL 279.01, 0.91%, 0.52%

LAB 45.87, 82.31, -78.78

 

CMYK 57 / 91 / 0 / 4

HEX #6A15F4

RGB 106 21 244

HSL 262.87, 0.91%, 0.52%

LAB 38.08, 76.39, -91.89

 

CMYK 81 / 91 / 0 / 4

HEX #2E15F4

RGB 46 21 244

HSL 246.73, 0.91%, 0.52%

LAB 33.24, 73.41, -100.07

 

CMYK 91 / 91 / 0 / 4

HEX #1515F4

RGB 21 21 244

HSL 240, 0.91%, 0.52%

LAB 32.32, 72.92, -101.63

 

CMYK 32 / 91 / 0 / 4

HEX #A615F4

RGB 166 21 244

HSL 279.01, 0.91%, 0.52%

LAB 45.87, 82.31, -78.78

 

CMYK 32 / 91 / 0 / 4

HEX #A615F4

RGB 166 21 244

HSL 279.01, 0.91%, 0.52%

LAB 45.87, 82.31, -78.78

 

CMYK 29 / 82 / 0 / 12

HEX #A029E0

RGB 160 41 224

HSL 279.02, 0.75%, 0.52%

LAB 44.86, 73.29, -69.15

 

CMYK 25 / 70 / 0 / 20

HEX #9A3DCC

RGB 154 61 204

HSL 279.02, 0.58%, 0.52%

LAB 45.04, 61.05, -57.43

 

CMYK 20 / 56 / 0 / 27

HEX #9451B9

RGB 148 81 185

HSL 278.65, 0.43%, 0.52%

LAB 46.56, 46, -44

 

CMYK 14 / 39 / 0 / 35

HEX #8E64A5

RGB 142 100 165

HSL 278.77, 0.27%, 0.52%

LAB 48.98, 29.21, -28.53

 

CMYK 81 / 91 / 0 / 4

HEX #2F15F4

RGB 47 21 244

HSL 247, 0.91%, 0.52%

LAB 33.29, 73.44, -99.98

 

CMYK 56 / 91 / 0 / 4

HEX #6B15F4

RGB 107 21 244

HSL 263.14, 0.91%, 0.52%

LAB 38.19, 76.47, -91.7

 

CMYK 32 / 91 / 0 / 4

HEX #A615F4

RGB 166 21 244

HSL 279.01, 0.91%, 0.52%

LAB 45.87, 82.31, -78.78

 

CMYK 8 / 91 / 0 / 4

HEX #E115F4

RGB 225 21 244

HSL 294.89, 0.91%, 0.52%

LAB 55.15, 90.52, -63.29

 

CMYK 0 / 91 / 17 / 4

HEX #F415CB

RGB 244 21 203

HSL 311.03, 0.91%, 0.52%

LAB 56.17, 88.08, -38.25

 

CMYK 33 / 95 / 0 / 32

HEX #7508AE

RGB 117 8 174

HSL 279.4, 0.91%, 0.36%

LAB 31.83, 64.4, -61.49

 

CMYK 33 / 95 / 0 / 16

HEX #8F0AD6

RGB 143 10 214

HSL 279.12, 0.91%, 0.44%

LAB 39.43, 75.22, -72.38

 

CMYK 32 / 91 / 0 / 4

HEX #A615F4

RGB 166 21 244

HSL 279.01, 0.91%, 0.52%

LAB 45.87, 82.31, -78.78

 

CMYK 26 / 75 / 0 / 4

HEX #B53DF6

RGB 181 61 246

HSL 278.92, 0.91%, 0.6%

LAB 51.63, 74.76, -70.43

 

CMYK 21 / 60 / 0 / 3

HEX #C464F8

RGB 196 100 248

HSL 278.92, 0.91%, 0.68%

LAB 59.55, 61.92, -58.68

 

CMYK 32 / 92 / 0 / 4

HEX #A614F4

RGB 166 20 244

HSL 279.11, 0.91%, 0.52%

LAB 45.82, 82.46, -78.86

 

CMYK 0 / 91 / 77 / 4

HEX #F41537

RGB 244 21 55

HSL 350.85, 0.91%, 0.52%

LAB 51.89, 76.58, 43.27

 

CMYK 91 / 0 / 68 / 4

HEX #15F44D

RGB 21 244 77

HSL 135.07, 0.91%, 0.52%

LAB 84.69, -79.06, 64.14

 

CMYK 32 / 92 / 0 / 4

HEX #A614F4

RGB 166 20 244

HSL 279.11, 0.91%, 0.52%

LAB 45.82, 82.46, -78.86

 

CMYK 0 / 32 / 91 / 4

HEX #F4A615

RGB 244 166 21

HSL 39.01, 0.91%, 0.52%

LAB 73.91, 18.98, 74.88

 

CMYK 91 / 0 / 32 / 4

HEX #15F4A6

RGB 21 244 166

HSL 159.01, 0.91%, 0.52%

LAB 85.81, -65.59, 24.34

 

CMYK 32 / 92 / 0 / 4

HEX #A614F4

RGB 166 20 244

HSL 279.11, 0.91%, 0.52%

LAB 45.82, 82.46, -78.86

 

CMYK 0 / 91 / 77 / 4

HEX #F41537

RGB 244 21 55

HSL 350.85, 0.91%, 0.52%

LAB 51.89, 76.58, 43.27

 

CMYK 59 / 0 / 91 / 4

HEX #63F415

RGB 99 244 21

HSL 99.01, 0.91%, 0.52%

LAB 85.71, -71.26, 80.18

 

CMYK 91 / 0 / 14 / 4

HEX #15F4D3

RGB 21 244 211

HSL 171.12, 0.91%, 0.52%

LAB 86.78, -55.02, 2.39

 

CMYK 32 / 92 / 0 / 4

HEX #A614F4

RGB 166 20 244

HSL 279.11, 0.91%, 0.52%

LAB 45.82, 82.46, -78.86

 

CMYK 0 / 77 / 91 / 4

HEX #F43715

RGB 244 55 21

HSL 9.15, 0.91%, 0.52%

LAB 54.05, 69.01, 60.95

 

CMYK 59 / 0 / 91 / 4

HEX #63F415

RGB 99 244 21

HSL 99.01, 0.91%, 0.52%

LAB 85.71, -71.26, 80.18

 

CMYK 91 / 14 / 0 / 4

HEX #15D3F4

RGB 21 211 244

HSL 188.88, 0.91%, 0.52%

LAB 78.04, -30.86, -28.14

 

Description

Color code: HEX #A614F4 | qconv.com Color code: HEX #A614F4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 20 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 20 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 92 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 92% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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